The evening world. Newspaper, January 19, 1921, Page 25

WEDNESDAY, JANUARY 19, 1921 Why Princeton’s Grouch ® e erican, P. irks 2 Pear cunt ote se eal a ( an Y ou Beat It ! Py By Maurice Ketten aq ite Indoor Sports: “Temptati smenssannainbevininsiain | rite "ledese Soerta::“Temptation,” — [nassateemsennsanspennningecestinenneeeontnieeataen 7 TENOR TAKES CHICAGO BY STORM femptation, Who’s Got the Temptation? ie J : My WILL YOu PLEASE ILUy UET oe , j jonas ra Cer ‘ HRS O , Will Sing Othello in New York Next Month—Is 35 j i i ? i , AY SKIRT RS OLDSTYLE S and Was Born in Maine—Even Italians Writer as Defense Advises Sweet Young Things Go ALONE Sune. 5 Sic} to Winter's Dances “‘Chastely Apparelled in XS dcbinblvaas @FRIRT PRUONE Admit His Voice Is Wonderful bs Mother Hubbards, Arctics and Veils.” — By Fay Stevenson. F ; Copyright, 1921, by the Prem Publisting Co, (The New York Rrening Workd.) q By Marguerite Mooers Marshall. “ss HO is Charlie Marshall?” * Comarignt, 1921, by the Prees Publishing Co, (The New York Evening World.) That in what New York opera lovers are asking after having : EY Tae runs ev eng ecl wala BERCUOE Oven wre ieetyy /etty: OF read of the wild ovation given Charles Marshall, “the new tenor® today? when he repeated his phenomenal success in “Othello” which two weeks | What bag she been doimg to Princeton boys? | gaThe qnestions are suggested irresistibly by no. less than four recent a on the manners and moral: RE LT CR TNE fee ~ThPidress and the didoes, of the mod- Cicero uttered publicly by fovr Dogs and Cats aa 8 of Princeton, They, include ° Gricr Hibben, President of the Hard Hit by War rsity; Mrs. Katharine Fullerton VEN the cats and dogs of q aid, short story writer, easiyist Cisibel: wetoe have. dees Pi gad wife of the Professor of Eng- erdded aba Habu OE the ay Mah, Gordon Hall Gerould; F. Scott 3war, gays Prof.’ Balkanyi, di- 4 Fitggerald, rocent: graduate and most } rector of the Veterinary Schoolaot ca eniece of our Aca al eh StS: $ Budapest, who is investigating W/LL You PLEASE GQie HERE ‘aad, latest critic of all, Mra AugustUS fiow the habits of domestic ani- ; a [Sedat wife of the Professor of $ raais have been influenced by that foe ae CHILD / BR (LLY ! K w a host cause. Most of the town-bred i ‘Mra. Trowbridge only the other day $'Areniq nis part of the world re- NOT TO Putt uP ——__J Warned Wellesley girts aguinst ane fuse to drink milk because it is ; Gane PALOMA ace. vecigon 2 UnEDOW AN by thet, "due: ts) tie (Gaeperons, . Up-aticks and. roused Clack of milk during the war, the , Ceeekey denny 1 Oercy beds aha Professor asserts. fo end revolting badness of petting SEIN dali’ Mid ddee” AN” Fe: Ag oti Detween-dance autome- 3) ee othe aavese wave ni é ‘ mie with backs which atlow no $ their untamed ancestors,” he says. ‘ i ss a The vagrancy of dogs is start-, Ma! Lgenaids hares ipa aie band wer’ Sing. Pet doga elope trom heart. ie @riginated tor te oy ladies" she scold. 20'Kn mistresses, joining packs of hi "hn dpb eater tow smoking and $™40Ky village dogs, where they Lintner teeta da Pease e wane The same authority says that, PMacrest chaperone for fear of making 3 aes hydrophobia, nervous dit awd daughters unpopular, ‘ » Seases are very frequent among ani- Perv srier One, Of te) teu mentee mags. 1 am afraid domestic ani- “4 te brilliant and incisive Mra. Geroult, § W515 in @astern Burope are’ de - ] Pe att ies poe a generating and that the stock sg tae br 1 ‘ptrbiis! a few months ago in 8 must be replenished from wer- ago was the Chiengo. z Atlantic Monthly. a see rae NAUGH Son: { Now, with Mary Garden, the new =| 1 7When a ‘nice’ girl behaves as if her ¢ Director General of the Chicago | | own morals were ni eho is to blame.” ——— 24 | WHY DID-yvou PULL | o Opera Company, and Pietro Cimint, S, declared the author of “Modes and . the Italian conductor, at his beck, Manners” ghd “Vain Oblations” And UP HRs OLDSTYLE'S many are asking: A” whe intimates that only the most care {CJARQ Sills 2) “Is this Marshall to be a successor hi ful mothers “perhaps can make res- ‘Sonably sure that their girls will be decently dressed; wi!! not kiss their >* partners on the ballroom floor, wi’! not to Caruso? j Mary Garden jumped to her feet |] and tried to outdo the applauding; carry flasks of whiskey in their bags, will not spend the hours from 1 to 4 A M. alone with some youth ina road ster jaunting about the country with a radius from home of fifty miles.” She quotes girls as saying that “men won't dance with you if you wear a corset.” ‘and she quotes the boys as playing tere to Adam's form and putting all -1%y68 blame on the girls, since “they '" want you to make love to them. “Dr. Hibben is more gallant. “But \ypiing men are only buman,” he {pointed out to me in an interview, “and when American mothers send ‘their daughters half dressed to eve- nihg functions anything may happen. Modern laxity has its beginning in » the dress of the girls of to-day. ' “what is a young man to think when he asks a girl to dance with him and she immediately takes one Sf the attitudes prescribed by the hallroom fashion of to-day? She is the first to assume this position; he would not assume it toward her. ‘Ip what she wears, in the subjects she discusses with men, in the very anguage she uses there is no reserve, there i§ no illusion, The respect of ypung meu for girls who. thu and dance and talk is not mere wening. [t ts lost; it is gone.” And thase di © equalle find surpassed picture the Popular Daughter drawn by Scott Fitzgerald, representative of the younger generation at Princeton. Amory, hero of his first novel, “This Side of Paradise,” is blandly écnfident that “any popular girl he met bafore 8 be might quite possibly kiss before 12." He “saw girls doing things that even in his memory would have deen impossible; eating 3 c'olock after-damce suppers tu im- possible cafes, talking of every side of life with an air half of earnest. ness, half of mockery, yet with a fur tive excitement that Amory consid ered stood for a rei! moral let-down But he never realized how widespread Was until he saw the cities be tween Naw York and Chicago as one vast juvemle intriguc Amory “came into consent contact. with that great current American phenom 2 ghon, the ‘petting part He nick Tamed the hand-knitted, sleevel “petting shirt ton } g seothing! It's very sad. But do you remember Bibert Hub jpvard’s explanation of St. Paul's opin ‘on of women? Said Fra Elbertus “There must have been some woman who didn't do a thing to little Paul.” Can jt be that the Princeton man ig, too frail an affair to be trusted jn this world of ravaging gir Has his imagination the impressionahility of blotting paper, his heart th ‘Restib lity of celluloid film? Is it impossible for him to say et the hehined me, Delilah!"? Is thy favorite mdoor sport at Princeton the game of, “Temptation, temptation, who's gol a temptation 7 Far be it from a girl--a modern girl—to bint these things. But 1 sh suggest to my friends who to be invited t thie w anparetied thes and veils. As owe are st us be merey dear Princeton a chances tr writ something else besides petticoats and petting parties, FAMILY BY ROY L.MscARDELL Copyright, 1921, by the Presa Publishing Co. (The New York Eyeulng Wotld.) RS JARR looked up from the © ang paper “This is an in- teresting story the news, papers tell about that Mrs. Leeds of Pittsburgh, who nial | the King of Greece's brother and used her dead busvand's tin plate millions to pu Constan e throne. ‘1 Suy she was a stenogi pher en she Was 4 youns girl,” she wed “She could have made Constantine a Dictator as well as a King then, temarked Mr, Jarr affably, for be would have his joke. “Now there you go!" exclaimed Mrs. Jarr. “You never will discuss serious matters with me without trying to be funny.” “Wasn't trying to be funny,” mur mured Mr. Jarr. “But maybe your friend, now sister-in-law to tbe eter my lady friend.” in terrupted Mrs. Jarr. “But I de say hat it proves that if a girl goes inco the business world as a stenog rapher, and attends strictly to her business she has great opportunities.” “But it wasn't attending to her business as a stenographer that put the former Mrs. Leeds, now the Princess Anastasia. in a position r could finance the rotuen of nstantine.”” yentured Mr dare. “Sh tt ney by marrying her first vustand, the mu'ti-milionaine Cn te magnate, Leeds “Ah, that’is the very point I would nuke!” said Mrs. Jarr. “She prob- ably was the stenographer of Mr. Leeds and she attended to her busi ness so well that her employer mar. ried her. Then he died and left hor his money. Then she married the Kine of Greece's brother.” “Gee! said Mr. Jarr, ruefully “You women marry a man and bury A man and spend all the late lament ed's money on the second hishand even if it's his title or a throne in the family, and then you call it @ matter of ‘businese “1 think it a matter of mond ty ness, and very rood business. t marry well” replied Mrs. Jarr. So many girls make foolish mariage: and, after all, ‘a woman's business Is to om ‘Xn to marry well is good busi ness and to not marry well is poor nusiness, hey?" asked Mr. Jarr, “In this ease the tin plating first Marriage’s millions now se wt the wn of Greece.” “I surpose 80" rephied Mrs. Jarr “But Clara Mudridge-Smith is wor ried about the stenographers in her husband's “office. Her hysband is very rich, and Clara says she would not rest in her grave if she were to die and he were to marry his pher and waste his money ‘She should worry!" said Mr Jar Mudridge- smith will ontlive 1 Smith And if she does hi mirht he able to marry with her “ts millions inte some of the snean royal families now theoned and down and out™ wThat's just what I was telling her." Interlected Mrs Jarr. “How albout you, in case of my ser? asked Mr. Jarr. emer repped Mine, Jarr. Why, yon Nions to leave your nek “ . wh oven ap rrean’s wife she tasn’t much of @ present.” What’s Wrong With New York’s Eating Styles? Red Cross Is Now Teach- ing Brides, Men and Housewives How and What to Eat. By Marguerite Dean. Copyright. 1921, by thh Prew Publishing On, (The New York Evening World.) N BW YORK does not know how to eat! Newest is this of al the 1 our long-suffering i id most amazing. true New Yorker consider: himself by way of being an expert on eating; it was said of him long ago that his Great Idea for enter- taining anybody was to take him out to eat in @ restaurant. Your true New Yorker sneers at the Middie West as the land of fried beef- steak and canned oysters; lifts an epicure's eyebrow at New England, where every one is supposed to eat pie for breakfast (To be sure, as Emerson himself once remarked, What is pie FOR?) The New Yorker, especially during (he last few years, admits that he has paid high for his eating, yet he ia disinclined to think there is anything matter with it except the bill! ¢when I heard that the New York County Chapter of the Amer an Red Cross was casting asper- sions on the New Yorker as an ex bert in eating, 1 devided to invest gate at once. I went to the teaching centre of this organizrtion, in a big old New York mansion, at No. 24 Fifth Avenue, owned by Mrs. George F, Baker. And there I learned that “the Greatest Mother of them all” {s doing her best to teach her New York boys and girls “how to eat”- how to choose their food. how to Propare it, or how to order it in a restaurant, if they belong to New York's mighty company of diners- and-lunchers-out. “What is wrong with the way New York rats at present?” was my first question to Mrs. Mary Pascoe Hud dleston, the the white uniformed, attra ve youn w an who n cha classes. “Phe average New Yorker,” she an- MRS MARY SeSCoOR HUD OLE STON ee COOmMGe CLASS “makes his diet combination scores of deskmen in York who dinc he gets plenty building food rreen vegetables reasons why dozens of dainty proteins and energy food and tissue he doesn't get. he—and she nourishment rants and hot food elements for which “are suffering, are clements—water, minerals, vitamines “all of which are necded to kerp the nd other functions of the human body in proper working order. “These food elements are contained n certain dishes largely absent from he diet of the average New Yorker In plain English, he needs taught to eat more fresh vegeta spinach, carrota, turnips, beans, lettuce and, peas, tomatoes; more whole cereals, such as oatmeal and whole wheat, with milk. should drink more water—six or eight wpe a day are not too much. Few New Yorkers business men row and prder varieties pf ult that they are father and grandfather; panier to he: a fresh one; of canned tomato, le food elements ceded Mra. Huddleston. n downtown or of some soda ist of French So the Red Cross is rather special far from sustain vegetables at fermentation gvervbody is we: ducts Tuesday and Friday afternoons She assured me, “the very poor New Yorkers who most need to be taught how to eat. tweens, the men and women all of us mpend on canned But they'll also be to tench you how to b steak or bake and what you cook you ¢ home to your admiring far It's the in-be- know, who realize what ehildven eat food of adults,” she own constitutions and Unose of issues, the miuk bas the eleman the next generation.” ELLABELLE. MAE DOOLITTLE *.DY BIDE DUDLEY: c 1981. by the Pre seatlag ey New York Evoulng World) HILE strolling along Tangle- wylde Avenue, in Delhi, ‘Thursday afternoon Eliabelte Mae Doolittle, the noted poetess, came upon a poor colored girl sitting on a doorstep weeping. Asked what was wrong the girl suid she had been de- serted by her lover, Adelbert Boggs, known in Delti colored sporting cir- cles as Shoot-a-Dime Boggs. It ap- peared to offer a chance to study hu- manity, 60 Miss Doolittle made fur- ther inquiries. “Do you love him?” she asked, sym- pathetically. “Oh, yes, ma'am,” replied the gir. “an’ he owes ma mother fo’ dollahs fo’ boahd.” “Is your heart broken? “Yes, ma'am, an’ ma mother she's Dusted, too.” “Do you long for his kiss?” “Yes, ma'am, but mos'ly I longs fo’ dat fo’ dollahs” i Miss Doolittle decided she had ob tained material for a poem that would teach @ lesson. Telling the girl to have a heart, she went home and in the solitude of ber boudoir wrote — poem called “Devilish Men” Put- ting it in her handbag she went to the home of Mra. Bppy Epps, where there was @ poker party going oD for the benefit of the heathen. ‘The poetess told of the poor girt she had encountered. Although Mrs. Scoots Tompkins accused her of caus- ing everybody to look out the win dow when she had an ace full, Miss Doolittle was not disconcerted. Whip- ping out her poam she read it, as follows A woman sat on a front door step, Her heart was broken im twain, A man had deserted her meanly Giving an excuse probably lame, She loved him with her devotion, But he disliked her complexion, So he left her to weep and moan, On her tf was no reflection. oo My sister's child, Teeney Ricketts, Tried to shimmy in Sunday School, Causing the preacher to be dejected, Hist, Teeney! Better keep cool! But, getting back to deserted love, It ts really quite too bad, Ian't the electric needle wonderful? It removed a pimple I had. Mies Doolittle, om finishing the poem, wiped a tear from her eye and wlied for a stack of blues, ‘The Lidies were envaptured with the rhyme aud . teaching, and applauded wit great gusto Au were pleased audience when Marshall finally came Os before the footlights alone afte: many curtain calla, while Pietro Cimint “Even in the conductors stand while I was leading the orchestra I was touched as never before by that wonderful last “There is not an Italian in the world who can give such an all around wplondid performance as did Mam ball” ' Now Marshall is scheduled to sing heal aeuin Bobruary 1 in New or Meanwhile who IS Charles Mar shall? He is an American, about five years old, bora in Auburn, who studied in Italy where he took Haliag pame, oi ia be t the New Yj fice of Chicago Opera Association, Nos West 44d Street, it was feared that Marshall, who is thirty-€ve, did not wien LO slart in the usual American way, so he changed bis perfectly good American name to Carlo Maraiali— the Latin equivalent for Oharles Mar shall and the name by which he was known abroad. Upon his retagn to America took back his own name * Charles Marshalls father was @ shoe manufacturer in Auburn, Me Ho was fairly wall to do and when he realized that bis boy had a wonderful volwe he placed him ip the choir of an piscopa! clrurch. Later he sent him to Italy and here Marshall, or Marzali, made his\new name famous with eumebant interpretations of such heavy roles as Othello, Wilam Tell, Rhadames and Canto Having made hia name tm Italy Marshall then duplicated his success in these and other operate parte im Russia, Turkey, Greece and His carly study was with Vanwosoiak Lombardi the elder and other. mas- ters in Italy and his debut was made fo “ll Trovatore.” And yet, with all his success upon the other side Marshall's one idea was to come to America. He can- celled a concert tour in Europe to sing the title role of “Othello” for the Chicago Opera Association, the first performance of this opera ever given by that organisation. This opera is rarely sung because of the scanty af artists who can sing the tenor role. Marshall possesses a voice of tremendous volume and un- usual sirvngth and sings the difficult parts w ease and fluency, The M ‘politan Opera Company nade Marshall an offer to sheg im Ni w York as soon as his success be- vue known. But the string attached the proposition wae: He must aot “Othello” in New York with the cago Company but must make his first appearance there with the Met- ropolitan Opera. Howe Marshall wi never is nrst American ovation. Fe is “Chicago gave me my chance and T wha!) stand by Chicago. I can never forget what Chicago has done for me bv giving me guch a splendid tion on my first operatic appearsese tn my native land.” Has Chicago REALLY discovered a new singer? Marshall was recalled ten thes at the conclusion of the first act, times at the climax of the second and at the close of the performance the audience at the Auditortam swa on the stage in appreciation of efforts. How will New York receive bim? Will the news of Marshall's success put new life info Caruso and hustle % tack to his that. worthy , ee