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OW that some of the streets of I not at all surprising that a “Remnant,” the name of the pi ‘With fis usual industry, Michael play from the French and given it nothing more than the heavy weight of; sentiment. It might be said that if # were not for the fi can sleep in any old place and wake “Remnant,” as the childish heroin is called, might have everything in common with Douglas Fairbanks If it ten were not for the fact that she is for- ever seeking the sympathetic tear,! I This, incidentally, is the last thing Florence Nash should try to bring out, for she is unmistakably a comedi- enne of the school devoted to 4 By BIDE ARRY LAUDER, who made his farewell tour of the United States a season or 80 ago, didn't at ail, William Morris, who as been the Scotch comedian's American manager for years, received cable advices yesterday that Mr. Lauder would sail for New York to- day from Liverpool. Equipped with | new songs and aided and abetted by a company of players recruited here, Mr, Lauder will begin his tour at the Lexington ‘Theatre Dec. 9% remaining at that iiouse one week, This will be no farewell tour, and, what is more, Harry Lauder will never cease com- ing to America while he has his voice, He's popular here, and then, the ravy's too thick, PROUD JOHNNIE M'GINN. Jobanle McGinn ttinke he's, turrible eamet, cup rgom why Jobnnle is gaia" Th Dae cot 8 cp ere chum When school's out enact day Johoe fore down te Viteer Donahue stands, é tie poor chump, full of nerve an’ Yup to Mm an’ atakes hands, ‘him KE, an’ a makes him so Jit Ite &. dalloon, Gis through bo walks right by our crow An’ wilatien a swell-beaded tute. A cop ain't 0 much fer a foller to know, Tet Johnnie dioiw atren, yen awe Ye gang ts dead sum that lis’ brain power's Tie'e Dutty as Duly ow be, Some dey when be bande ws that groud, Raaghiy CG We're goin’ to take hm in band, An’ learn ban « lewon py treatin” Lien rough ‘A iewpon he'll sure understand. AREN'T PEOPLE TERRIBLE? John Mason is still just a bit pr voked, This time it's abc ple misquote the * A Sentimental Bit QW 1~ _BY CHARLES DARNTON 1G lay at the Morosco Theatre last night. girl in the case is so healthy that sh pledy drama, | About Plays and Players | | COMIC PAGE | Wednesday, November 20, 1918 IL CANT ASK HeR “RIGHT Now She Believes in That “Distance Lends Enchantment” Idea! Oy eee nVYy Eger, —Y fou see I pon y YY) WANT MOM Te iy ZL ij ; KNow JOsT were Ian “LITTLE MARY MIXUP 2° A \aWAT You HIDING. <=z For 2 Ask Yer Mom \~f KIN You COME ovER “To oun House aris have been given new names, it is waif of the streets should be cailed Morton has taken Dario Niceodemt's without music mnant” is “La Boheme’ up smiling | | a i To “star” her in a play from the) }, an", | TEN | French ts « mintuke Ms 4 “Remnant” ts a sentimental affair, | | with @ girl from the streets giving | her bit, by way of a dressing-case sho | | has found, to an ingenious young m | intent upon working ovt a new | jai 7 . : | road system, This good young man i | has a bad lady on his hands and he ‘ ‘ r ae”) , . ; : | finally gets rid of her, with more two THE BIG LITTLE FAMILY Yes, Lotta Is Working—She’s “Working’’ the Office! | than the ordinary man, and ts free to ask the waif from the streets to cross the channel with him as his wife. In the¢earlier Miss Nash gave a frank, impudent gamin-like quality to her role that brought her in close touch with the audience, But the abrupt changes of character left her in a difficult position. George Gaul played the more or less modest | b> hero with the air and speech of a gentleman, After being rather ob- | vious, not to say stilted, for two acta, | Orrin Johnson finally got down to! earth and gave a creditable account of himself as the high-born rson who stooped to kiss “Remnant.” Co- rinne Barker was carefree and healthy a YES - HES 0 OUR DAUGHTER )( BEEN Ar tT oy VEIT BB A \. A WEEK! STENOGRAPHER” Fa ( OR DHE WONT Va youLL Senile, - 2, * Lara's’ Gor To HAVE “Ic }(_ But wor, TH Dow ( Horey Momer |) AM HILLS ALL 9 yt n-ne a Ue iivee waa RUSH ABOUT F OFFICE — i GET THERE IN 2 \ TIME “To Go %qQ % vec © OUT TH LUNC e © eke. H! ought the jig was up, and Dorothy Cheston put such a pretty face on ths dings that it was possible to even the game of matches in which she played an unwilling part, mR. ¢ i ether hu- | man as an acher. | acting here and there, “Remnant” seemed nothing more than the tag end of French com- HAPPEN “T'BE. DRivin’ UP DRIVE YOUR BUS DOWN IY WAY “TONIGHT JOE? “TONIGHT Joe? AFTER “THIS, mM GonMA COME. To “THCLUB ON ¢ LS7H TRoLLen I! je — DJA BRING YER CAR HA “eee Joe! pip Veoue RE JOE. DID Ycome ALONG JE? HAR? DOwN IN Y'CAR “TONIGHT ? YEAH ~ BUT, (TLL BE FULL Goin’. BACK — DUDLEY the former says: ‘But if I fail?! Richelieu replies: ‘Pail? In the lex!- con of youth which fate reserves for a bright manhood there is no such | word as “fail.” Oh, why should peo- ple misquote this sp Just cussed shiftiessness, we guess, A NEW FILM COMPANY, James P. Sinnott, George F. Miller | 1 Mack are forming a film known as the Sinler ducing Company, Com pictures will be made, according to Mr. Miller, Also much money—may- be. THE POETS GET BUSY. Yesterday was poetry day with our staff of rhymesters and, as a result, it-was blue Tuesday with us. ‘Take this , Bob Kichberg of Law- I.” He sent in the following: “kiddo,” ts oo Ferdie sent us five limericks. »| | TELEPHONE TESSIE ToolSIE FOUNDAIS CHARLIE'S GoTA Homers : best ono in printed herewith, You BERN INs TM ROE DeT BAGIT OF LBANIN! MISLATO BOMeen Ale GLASSES SOME PRR OL Cont For DAISY DECLARES (OH,SLUSH! (__ \ How'six Ya can iniagin \¢ id O Sree OE LING > Som i . WO SUAL! 1m © GOODNESS 5 f eg IAL vane ee TON: qed ther others EAOUse earch HER mr DION T HE Aave PINGS ANY OLO SOMETHING: WHERE! ka ows Ttraic WASTE DIO Hao AER ise al io Awan Fino t te In vt I Fit TiLt WE Got ‘ f DID Ya = E SURE You 1TH PAIS CIGARETTE WITH MER WAEN | AROUND EVERY-| THING IN NOT S'LONGS SHE Home AnD Found / PIOTA SEE Looe CASE! s : j 4 § n ay} ANY T - oO WILLIE > SHE Gor out aF )WHIERE AN? THE L, San PHONE FOR MADN'T BEEN STOLEN! eae Nit | J Ntver { Mr Slater. CAREFULL Le ae THE SUBWAY! |XNER CN im PLace ys bd C'N FIND LOOKED AIGH ANO 24 \ FIND & TAING Loa For P Li in Som . ; an of Broome! | [Goeoness! Im (Just waere| { Pye AT | | TAar LS \Low ForEm) THA wayout* On, DEAR! | WHEN Ty Ned (irt e Street shook down his muse for the So CaARmeLless |) Tou LEFT IT \ es SCREW ORIVE — _ - CE ANO Taw STA \ WANT IT — following AS] Ue bre! r WHEN I") ¢ ANT LEFT IT ON} ) -— Mindy and mi prot un the hit is S ) l hadalausilh i Lae ada ¥) yA Sade E- leay of wate ? — a Oe Peri’. me : lost bis crow, ry after ti 2 ' e tumbling Benjamin adds a posteript which says: “Any corrections will be appre. ciated.” Six other poets favored us, 4 out we're going to stop right here er Why make 3,000,000 readers mad? y Gossip, for Three” will probably be Played in Paris soon Here PIND Ane 'T \ i } IN | = \d\ speech from “ Nearly everybody, gins it, ‘In the bright lexico youth, ‘That's wrong, honest to goo ness, it is, When Francois iss on his secret mission by Riche wa oN MARLEY 24% IN DEVON ‘2% IN COLLARS (CLUETT PEABODY @ CO.INC. TROY HY. RL a RI ®-| mooning and gone back to film muk- Marguerite Clark has quit honey- ling. George new booking shows for 4 “is under the supervision of Martin Herman, Doris Rankin, wife of Lionel Barry- been engaged by the play the title role mc al a ONIN This Really Comes Under the Head of “Lost and Found!” ‘te "Grindstone George * He finds > bargain’ at a"sale’ DS GEO! {GE Elise de Nys Kutscherra, a Belgian prima donna, will sing the |“nyie's , 7 Helgian national hymn at the Cohan . : | & Harris The night i eee | Major ¢ Klin Hell and his er ‘Ole at the Tort Theatre last night George White visited the Terrace Garden Dance Paface last night call on Eveivn Hu cha pe there. Mrs, Hubbell ind! him to favor the assemblage with a feature dance and George recled off one | whieh cet the whole crowd talking “Tlobody” Send »Neboady A THOUGHT FOR TO-Day. Every time the chef serves rabbit |for dinner he becomes a barber. Hi has to cut the hare. FOOLISHMENT. FROM THE CHESTNUT TREE, “What is it that never asks ques- | tions and yet requires frequent an- | swera?” “Tell it to me!” “A doorbell," © * OU on 8 the lady who lingered until she y bs 7 } G, ms / j S \ é,