The evening world. Newspaper, October 8, 1904, Page 11

w# THE # EVENING » WORLD'S 2 HOME »# MAGAZINE. & “AS impte wor?” HUE SHUMMNALINK *°* ? ‘ for City Railway /Woman Who Gets $650 in Fake Damage Sends Back the Money Through Priest, — | but Withholds Her Name, Former Grand Opera Star Feels She Has) Not Sacrificed Her Art in Entering Comic Opera— Her Present Role Is Sim-| ilar to Those in Which She Used to Ap- _) pear—Now Wealthy Woman Tells of; Early Struggles When She Hurried) Home Between Acts to Look After Her ‘ = Company hea Just rooolved ite 3" | negcreced wowld abeDiye he HORE hee Little Ones— Never Imagined She %3 IPE: : Pet whan tar ith Pret Bi ae oa ! « Would Become a Great Sjnger and’ * OT ee ae pen lbh ccc eee Even Now Tells Herself She Is Dream- |et my parahoner, woman wove | asad the bide of x ing—Authoritative Announcement as, to the Number of Children. ‘The New York City Street Railway | came to me to confess, name I may not reveal. She came to| “That's for you to my confessional and I learned that she| plied the other had obtained $660 from your company In| “Which |® damage sult, She was slightly in. | mation | Jured on one of your street-cars. She | consulted a lawyer, who informed her IF THE JAPS GO A |that she could not obtain damages If} Gunner—Yes, submarine — OU'VE dropped in at a friend's, haven't you, and al] but discovered she told the exact truth, very popular of late Bac . the good wife red-handed in her housework? You've had her, tity Iara devises wave ana obs tolooed | Cone bear _? come gulltily forward to welcome you with her right hand, while Tate conadttee troubled her and she wire Kew and 1 ue you knew not what her left hand, hidden behind her back, was ‘ 4 is doing. You've seen her forced “company smile” give way to trank domestic | (i, y . fe despair at the sickening discovery of a forgotten dust cloth hanging over the AMUSEMENTS, Spite rapa back of a chair, And you have seen the poor, dear lady snatch the offending COOPER UNION. Ww fhing out of sight, and exclaim upon the careleseness of servants—a pitiable DAL little farce at which you dared not laugh, FRIE LECTURE COURSE Well, it was somewhat like this that Mme, Schumann-Heink was found | = in hor apartments at the Belvedere House, where even the baggage speaks AND X-RAY EXHIBITION , aS seteatat Saree taf tT rag OL Gem, ¢ | WH Yet Brag Peer BP a for Both Men and Women, cart Admission German and rolling r's gather much moss. Obviously, Madame and her maid had been titying up the rooms, | which were as neat as the simple dress Madame wore, The bright autumn, @un streaming through the windows revealed no hovsekeeper’s egepral @verything, apparently, was spick and span, as Madame ushered us from one | 2 Alt Lign7r room to another. But suddenly a horrified cry escaped her and she HEAR swooped down upon something in a corner, She seized it with both hands « Ty “Agitation,” helped out the secretary, “Dis agitacion,” went on Madame, “about my singing in comic opera, if I can please, that fz genvg. The artiste is not for herself, she is for the public. | 1 do not care to whom I sing if they like it, {f I can gite pleasure, 1 would sing as much for the per-rson who pay twenty-five cents as the r-rich one who pays five dollars, It makes no difference, und I see etery face in the owd!- “So viel," illustrated the ‘‘possessing” prima donna, making hoops of and thrust it at the startled maid with a commanding " 'Raus mit thm!” ‘What was it? ; oF ee ence, even in the last back row, Also I r-remember every face and would ‘ Se s e * eo - s x] a recognize it if again I saw it. 1 know, also, who is my friends in the owdl- gn ee | RF ADAMB should be accepted at her word when she says she loves |@nce. Something comes to me from them—it 1s—like, ah, well—gerade als etn 5 rd a “ o Cd Pl a wa America. She has every reason to love this land of the free currency, 9 ein elekirischer Strom mir vom Publikum 2u filesst, als ob dle Wellen yooum™ "9 Bigs fi bts, | though her affection Is obviously sincere, Every cent she has to-day | er Sympathic"—fluttering her fngers—— T 10-Comle G9 ADAME plumped down Into a chair and made awful eyes at the! 9, come trom the great and generous American public. “Electric currents,” Interpreted the secretary, offering me a straw to catastrophe. Then, with a laugh which contracted her black,) everything 1s so free here, like the alr,” she enthused. “Tf tt is in you| clutch at in this flood of German, | dancing eyes into narrow lines of mirth, she pleaded: {t comes outside. There is so much room, such a bigness, so!” and a a aA o ad * “Please, I am @ govt huusokeeper, yes? 1 lofe to hafe it nice in the) \raqame ex; ogree , 7 a jam panded to a degree which would have alarmed the stoutest ‘house, In the morning I vor-rk. It is to hafe the house in order fur-rat.| nearted droasmaker m the fur-rst, America has been goot to me. OY overs in Germany think of your departure from grand I fixit my clothes und then—oh! it is not poetic, no!—I stopfe Strumpfe. yhon 1 came ofer in 1 I hafe a contract with Meester Grau for $50 a “Nothing,” replied Mme. Schumann-Heink. “Tt ts atl right. | When I am howe I vor-rk always In the house und in the garden, und 1 am | por-rformance, At the end of the year he tear up the contract und say: ‘I’ ‘To them it ts no different than I have done.” 7a Admision to All Lectures Free} | Se-,aue 14TH ST. THEATRES x NEY A’ £ more proud of niy cooking as of my winging.” gife you more.’ Ah, Grau! He's a high—a big—a fine man! It is now a’ “And at Bayreuth?” 'PROCTOR’S To-do And now, do you not practise & nging, too home, America, und sometimes when I am in Germany I grow sick in the “There, too, all right. Frau Wagner ehe sald only, ‘Do not forget) 25c.,90c. Res, r ‘Ob, yes, but not the music I sing at night. Never do l—how you say heart for America, In my house all is American—the furniture, the plc- | Wagner, do nut forget Loyreuth: come back,'” | a itt—pr-practise the opera I am singing. Always other music. After the first tures, tie statuary; und see," she broke off, springing up and bringing @ “ nd you will sing there again?" a per-rlormance I know it. I shu! the book, so,” bringing her hands together | picture of her home from the mantel, “here from the top of the house “Oh, yes; the next three sammers T sing there ‘ + CHE with a vigorous clap, “uad I hafe it here,” tapping her temple. “I r-remem-| floata the American mit the Gernan flog. Sometime you must come und, You are under contract here for three years’ UULLEY. | An wacaiient ber one hoondert und sexty parts. To-morrow I could sing them.” : see It “Yes,” 195Ih St { e qty oat rR, J “Madame nas a most rowarkable memory,” interpolated her secretary, Of course, I said I should he delighted. It there's one thing that thrills | “And atter that?” 5 Alm bret Vester te eves rn We Mr, Rapp. a regular my-country-'tle-of-thee citizen, it’s to sce the Stars and Stripes} “| think 1 make one more tour in concert, then I retire, perhaps to Pi Re DAY, Bie. SUN. NIGHT, VAUDEVILLE ONCE! “Yes,” she laughed, “like my Ainglish, {t is goot. But, oh!" she ex. floating over foreign soil. Don't you feel something of this when you £0) teach, 1 want to leave the stage when I am yet a singer, J do not want IAN YB A Fal it Camo: en ee claimed, raising her Lands in despair, “I think I nefer speak the Ainglish go to Hoboken? the public, whea it hears me for the last time, to say: ‘She is old; her it Weel 7 Naneue Commneck tn | LYPIC Pong tine Wry tn 4 1 can play in ‘Lofe's Lottery.’ Many times, when I pr-ractise at my piano I “It is beautifool there.” said Madame—not ‘meaning Hoboken, of yojce jg gone.’ And pretty soon then my Marla ‘Theresia she may be a a Bo .. nex: ak oTIs SKINNER Ys / «ty und I say | nefer can Jearn the lan'w'ge so the owdience {t oonderstand | course—~and bringing out other pletures, one showing ber at work in her’ great singer, She has such a voice now, und she is yet only elght! She is Huber’s ” Museu aha MA Ade Io 1 und to be St. ll) CAs me, But in elght weeks I learn my par-rt—yes, in eight weeks. Und tell! garden. “I am a very ith my children und) prettier as her mother—yes?” She laughed softly, gazing fondly at a photo- me, you do not scold me, like some, hecause in comic oper-ra I go? Why | my flowers und my vegetables, und my crocks in the cellar, ach! then I am | geann of the handsome child Gasnicr, French Atileto, should I not? Always, when I was young, it was in light oper-ras | slug. | happy “And she is one of the nine or ten—reports are so confficting?” hand Seen’ AN Coenere, ‘Ae-atan: When fur-st I want to sing in the Wagner operas they say, ‘Oh You thought of all this while y were singing ‘Sweet Thoughts of It I believe the noospapers all what I read here, I hafe twenty-alx,"'| pg ede roti +} ,0; you are @ cotredienne, In Wagner you would be funny. You make the Home’ on Monday night? pealed this merry mother, “But I hafe eight. I swear it'—only eight, no| ain pag | public laugh. But you must not be funny in Wagner.’ I do now what I Her eyes filled « answored: “Yes, of this und those har-rd day! more bebides. Und eight is genug!” CHARLES DARNTON Ada Jones, Maud | rhe A. did im Germany many times, Why, then, should the public be surprised? J. in Hamburg when r tw marks a night think of the kleine a =| , Zinsent, ‘siaters ‘ BEVY or BEAUTY » am noi s0,” contorting her face into a pict i.e of wee. “Iam not heavy in hinder at hume, und how I say to mysell Mayne no fire, maype they AMUSEMENTS. Bitar 815° "Matinese To-Day & Wet a} the heart. 1 am ilght-he Meester Edwards he wr Werld in W . OTN ie YESS fu Henry E. Dixey § MAT.bYERY DAY, 100, 0v wake Tes > Tried! Uneqaa ! ted, Gott sel Dauk! More light as in my feet, | are crying, maype they fal! out of bed?” Und when the act Is ofer, 1 r-ruti VAN S NORUB — ee : i : lt : 1. L Theatre.i9 W.44 8 ria 24 SB {te for me a Spanish dance to go with my Spanish home (o ser—I live so clow the theaire—and then I rerin back agait Steataeset Honey E Dixt &./ [J AMMERSTEIN'S us Dway | E DEN) costoom—tra Ja la la-lu-la--so"-—-e danced {t sittine—"hut I say, ‘Please im tine for the next # ! Tt waa v poor then metimes I gin a fasning tablet) P; David | Garrt ; remember, I aw not a girl any moré, not even a show-girl Jalmosi starve, ‘The 4 vw z—dear old Hamburg!—they remem \BSOLETERY PURE am. © tire Ate eSaa Seah, Weak. | see ber me, ach " ! my | 1 igey along the | wirnoUr Ri Me INJURY, ky Hach Maters. Riccobono’s Hones, a * a rad s * a re) street.’ Manel by Cais 2 Went Hoboken. Nd ‘ ‘Gealonlie: 9© 14th St, pear 4 Ay, | — ITHOUT exactly asking her whether she was “out tor the dough,” | Did you extect \ ‘ day you would be a great singer _ i atineuacy OF saline PASTOR'S Pa rig ol x sought to learn from Madame whether mere shekols had lured her b, no, I want only to support m bing now AMUSEMENTS, (RAND xi BARL OF PAWTUCKET QOSPATS. 2A iS 4 ROBERTS. COLUY & r ams ie %: from the peaks of grand opera to the Dalsy-and-Maizie-dotted plain bu ny WHT) Laue No? B it: Now, to- “Ty nathan at iii hawk mel Weere HIG SHOW THI® DAY, ” Pde Bd Ai Meare Ms ty ue of comic opera. ' ir 1 ade you wi lass Week BRO MAJESTIC MAT. TO-DAT. = =BELASCO ie E , —— - wen “No,” she sald, somewhat doubtfully {t struck me, and her next words hate nothin Joost A 8 Inging fo shW Youn : 5 ISLE OF SPICE tee 7 Oran BROOKLYN AMUSEMENTS, \ ¢arried more of contradiction than conviction, for she added: “But {f | had marks in Ha i ie fa : { pe i Souvenirs (20 times InN. : ) peace \ known how much money I would make in concer-rt per-rhaps I should not ) es oe ry re) METROPOLIS ® vig FR nave gone Into comic oper-ra.” ‘“ 0 aid the Lina of “Love's Lottery,” when asked whether she re ray Fuori Nag Werk "ipeaiers in White Women,” pierre bpm “Your concert tour was very successful?” N considered her going into comle opera any sacrifice of her art. Kaivtive & ientno Howard's Dogs KRITH'S"3" | “Madame made over $59,000 in tour months and a half,” Mr Rapp “As I said,.J am doing now joost what I used to do in Germany, & Ponies, fe 4@ Covent & Sdward. T TL me, 0 e te Yhy shou! oO > RoGaDwAYy 1 Weltney prevents wards, Two Al , antic 5 Geet ancspht haha ( Joost whet 04 people here hed me todo. Why should I not do it nere? BROADWAY | SCHUMANN-HEINK mene rain mm