The Seattle Star Newspaper, January 19, 1924, Page 9

SEMEN Mie Seattle Si TOMOBILIE : tibia J SEATTLE, WASH., SATURDAY, JANUARY 19, 1924. Film-Plays Are Billed for Mae Uusch returns (0 ine Bealtle screen in the film version of Bir Holl Catne’s “The Master of Men.” In the silent form of drama tt ts entitled “Nama the Man” and te directed by Victor Seastrom, the Bwedtsh importation, SEES “TWENTY-ONE” in New York city, Many of the ex- ‘The Fifth avenue home of Samuel |terior scenes of “Twenty-One” were x Untermeyer, the international fa-jtaken on the beautiful grounds of Bdith Roberts’ piquant beauty will be seen here again this coming week| mous tawyer, is to be the scene of | Untermeyer’s entata, “Greystone,” in| Hoot Gibson’s prominent nutra-tinted sombrero is neglected and a caval: m she plays the feminine lead in “Big Brother” with Matt Moore and Ray-|\ {rst sowine of O Zrpenty, [how they look on the screen betore | Campaign hat takes its places on his desert-wrinkled brow in “Blinky,” an d Hatton at the Strand theater. One,” starring Richard Barthelmess, ‘he leaves New York for the winter. ‘army screen drama at the Heilig, for the ensuing week. UOT TTT You Know Who A Universal Picture Cut Picture Prices Vw y AZ ZB YY \ Square in Half } in This Man's y Town! another ) great big on GIBSON > 99% & Action “Blinky” « : Picture! He was a society “softie” looking for a commission on the lounges iN \ of Washington . . . but they sent him to the “Fightin’ 143rd” }}\\ instead. “Blinky” was his name at the start, but they called him “Raw Meat” at the Coprageous Cavalry— finish. Desperate Rum Run- ners—Desolate Mexico —and a Pretty Girl! See Hoot Do His Stuff! On the Same Bill KIDDIES! rooney This Js YOUR Theatre— —Heilig Orchestra Any Seat ‘ “QUIT KIDDING” reed Time 1 Oc 2 Reels of Laughing Matter HACC RMT THIRD AND MA hs ? : . , the ey) Heilig says ‘/4 it’s good —you KNOW Y IT’S GOOD ALA eT f A