The Seattle Star Newspaper, September 29, 1923, Page 3

pay THE SEATTLE STAR _ FH | ; A NUMBER of Cinema Features Which Are Heralded as Among the Season’s Best Will Be Offered to the Seattle Picture-Going Public During the ; Coming Week. D. W. Griffith's “The White Rose”; “Strangers of the Night,” the Screen Version of “Captain Applejack”’; “The Silent Partner 3 EC: ; “A Chapter in Her Life,” From the Story, “Jewel,” and Elinor Glyn’s “Six Days” Are Among Them. “The Birth of a Nation” and “Boston Blackie i Are Also to Be Shown, and “The Covered Wagon” Is on Its Last Week at the Metropolitan. ——————— TODAY’S PROGRAMS GARDEN ne ady Hamilton.” Sund: ver Ne a Jewel; A Chapter s Mer Life.” B: WINTER z ° y ‘ i 8! RS Be —Corinne Griffith, 1—William Russell, Winter Garden. 2—Leatrice Joy, Coliseum. 83—Mae Marsh, Strand. METROPOLITAN ks 4—Warren Kerrigan, Metropoltter: §—Jane Mercer, Columbia. 6—Robert McKim, Liberty. 7 . aa sees Sn a oid Dee tae 2 a = —————— = now ¢ f th nd x x Be aboving st the Metrepamne STRAND AD GrGiRniC ope ; MOTION PICTURES Sets tne sre ee SCREEN’S HARDEST ROLE? | TO HELP JAPANESE In the hour of thelr distress, the BY BESSIE LOVE } Jap COV HEN I was informed by In-|to ted Thru the Co-operation First National Pictures, x guards was play- ‘ho by the way, henck. Ad- F Fi rma Talmadge part of ee Cab sping up the morale of | Pod! » ding man in “Six } rin 1 {diet to fit myself for the laborious of 4 a character of two actors played. % |G ver, Was ‘Human Wrec ng gun in & camp tined to save hum: t 1 would have to|from a fos far more devastating, far |go before I was qualified to under-|more terrible than modern warfare. take this most exacting of cinema | Narcotics are more savage and more roles. | difficult to combat than a foe armed “One could not portray such a} with rifles and Watteries! 6f" howit- [part without exhaustive research,|zers. Opiates are a foe unseen, a | without going first into the slums to|foe that fights In ambush, that rx study at first hand the dread effects | slinks amid the forces of humanity pete Bee Eighth, wite- ope |9f oplate addiction. Not only did/much lke some scarlet, slimy beast | Gloria Swanson was the staf. |I find my subjects in the lower |of prey. eee F |strata of the city’s life, but in the| “Thus I may say that never be- Jupper strata as well, for be It|fore haw I drawn so much genuine |known that among the wealthy | pleasure, so much unalloyed satis- |there are fully as many hopeless| faction from a role in a photoplay | addicts as may be found among the/as I did from the part of Mary | poor. Finnegan in ‘Human Wreckage.’ ” “I consulted physicians who have| “Human Wreckage" will come to made a life work of the treatment of |the Metropolitan theater for one | addicts. I had, in fact, to treat my-| week only, starting Sunday, October | self physically by means of special | 7th. WKAR NAG Ty WA 7) -, 7 PAS BY VRAIZii IGAN=BVENOAS Alexander, Joe Butter= ssinger, Gertrude FALL WILL BRING BIG FILMS 447 OOKS like a big fal for the fans," says Watterson R r, ry Philbin, Gladys well, Rockliffe Fellowes and h Hughes. . tiga. | whi oe 1. C. VU. Wright—-On, no, you don You have a very yivid.ima tho. Robert Agnew was born) Dayton, Ky., in 1899, so you seé he been printing for her of filma, would have |/ O. Verywell—Marjorie Daw 1s mare Talmadge is Mrs. Joseph Schenck in private life; Conrad Nagel is martied |to Ruth Helms; Lillian Gish has not jyet taken the fatal step; Conway Tearle married Adelle Rowland; An= na Q. Nilsson is Mrs. John Gunner= son and Alfred Lunt promised to “love, honor, obey” Lynne Fontaine, Sr Mayo head the playing, which in-|t cludes a number of well known stars, VEGI OVE = Wire SPW ENG: TES ge Ly, KUN ARSC IA Y Bessie Love, as the little addict mother, in Mrs. Wallace| Reid's “Human Wreckage.” CIS RV NG ra este Net 9/ Yn OU fo 20 “__as Fine as the Screen Can Boast” (For Two Solid Weeks) GRIFFITH'S “The WHITE ROSE | The white rose that turns crimson and then be- cota th my a we we 1 Comes pure white once more., A story as big as MISS CECILE cee ee" | love itself. As big as joy. Big as ennobling tears. BARON P tbe A love story baring the innermost secrets of a lov- | Playing introduction and ca. NO ADVANCE IN er’s heart. A true story of real life about a girl of the Grieg piano concerto. who couldn’t stop loving! Strand Orchestra [acgavam | ONE BILLION DOLLARS’ fi Mh TT ENON LONER ON AY NON OND Ay OB COZ MMLORGYGOCOU OS; PAT TIA A POET IAD IS A 2} ( k Mayo was Cor- ~ no other pletura © m,” includes such ac=- 7 tied to Eddie Sutherland. Norma 9 |