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THE SAN FRANCISCO SUNDAY CALIL 13 The New Styles That Are Designed for Young, Old and Middle-Aged Men 1S -+ ready one or two of these trick hats have made their appearance on the street during hot days or at the the- ter of a particularly warm evening, is the atter season when, in the of headgear at least, the a t have a monopoly ons costly and orna- o All the mewest crea. 374 have created much amusement tions fancy st . b when denly squashed flat, and no - - - end of a sensation when sprung into e for the perfect shape n. And they are 2 ShoP among the jauntiest of the new mod- mascu- ejs Even the Panama has undergone indiffereny Much revision in shape and style, and ompeti. 't S now to be seen in much greater Stabeil” variety. For instance, there is still the - = Fedor «‘1 former, years, but the crown is a le higher and the brim is not on that 50 w Next there is the Panama 0 uch w timo, to give it its professional Q‘r were e, which means a hat with a flat - jonable t with or without the ridge along the top like the modish crease down a new pair of fashionable trousers. his is designed particularly-for middle aged * »ugh it is much 1 exclusive style s year than ever rn by the )oun er set, for it is very ecoming to a strong, rugged face. ast to both of these are the negligee Panama and the pointed Pan- Ve S LAY : JI'M/f 153 wz «2 hatters, arbinger correct manner ‘a'/ One of the @istinct novelties is in the most approved style of the yacht hat with wide br and rately high cerown, which is thing s than a crush hat like the le opera hats for evening wear. Indeed, it is made precisely like the crush opera hats, except in sim- flarity of shape, and may be crushed as fisat &s the proverbial pancake, for only the brim and the crown are of straw. the wide band Dbeing of silk, wherein the folding springs are concealed. Al- OVER THE SEA Copyright, 1804, by Kate M. Cleary.) RESPLENDENT mid - March morning! Overhead & turquoise sky, across which shallops of raced in rediant rivairy. — Ruth Seldon desk. “Come!” she called. Lena, her flat, muscular figure gowned In trim blue and white, her girth of body encircled by the strings of a snowy apron and a bit of a cap adjusted stiffly on her sandy hair, ad- vanced, parcel in hand. “Mr. Hale,” she d coaxingly, “he says will you come down to see him just one little minute.” Ruth Seldon was not a beauty, al- though Bertram Hale would have dis- looked up from her ce district were rtant, efch having bo 'e" secrets of the coming summer to confide. Bertram Hale approached a charm- ing residence set back from the street. It was & new house, gables and gar- puted this assertion. But she was a d jutting windows and vari- mighty attractive looking girl. The gles. The windows glittered kimona of silvery silk which she wore, with its shell-pink lining, and loosely-knotted, gold-fringed girdle, was just the thing to bring out the fresh tints of her skin and the clear enly In the morning sunshine. Halet!" A shadow crossed the broad, kimdly face of the SBwedish maild who opened the door to him iuster of her blue, black-lashed eyes. 1—1 sorry, but—" “Take it back, Lena!” she com- & ered. It was easy enough to Manded. “Say to Mr. Hale that I cannot receive him. Tell him that he will be handed a—a package from me this afternoon.” Lena knew well what that package would contain. For on the desk were letters—many letters. On the shelf over the desk a photograph frame still stood, but the handsome face that used to smile forth from it so sun- nily was there no longer. A tiny leather box topped the letters. Lena could not be positive what the box contained, but she did notice that no ring with one white, flaming stone sparkled ‘hs formerly on the hand of her young mistress. “He does look that sad, Miss!” Lena remarked, lingering. “I—I think ter the falsehood sanctioned by con- to any other caller. But to had always been so gay, so us, so truly the kind of a lover the world perforce must love, it impossible o speak the with which he was to be all rignt, Lena,” he sald, as cordially as though she had door wide for him in the old ead of standing stolidly on 14 “I kmow Miss Ruth to say she was not at home is at home, if not to ant y to take her this box, He extended a square parcel ke. “There are pansies in it. the you know, stand for kind maybe he is sick,” she insinuated. . Ruth flushed and her lips parted Il try,” Lena assured him, with irresolutely. The next instant she % ss. “Come into the turned back to her desk. “Take him back the flowers—I sup- pose they are flowers—and the mes- sage at once!” Lena's sigh wait here,” young Hale de- sat down on the ledge of seemed to be drawn FANAM A OrPr/7270 HATY' FROM 1-6';1 DILLO & CO, v | PAIAITA AZGLIGEE MIGKLZAN 2ALN TBELLETCUAL PHOTOS STUDIO from the very soles of her low shoes. But she went away-—an -obedient lag- “Leave the flowers on the hall table —she may change her mind. And times!” L7HALIA BBASD AN ToOURIST ¥ ‘#«mfl' %:FANF‘ORD Young folks do make mmalqn some- — The Mexican Palm Rope Hats That Are Rivaling | the New Panamas ama. The latter, indeed, which is not much crushed and never creased, is, with its wide rolling brim and pointed peak, one of the most popular, because the most becoming of all the new hats of'the summer season. The negligee, except that the brim Is more bowl- shaped and rolling, is almost an exact copy in straw of the tan colored felt campaign hats worn by Uncle Sam's boys during the late war. This hat is much affected by the younger set, pos- sibly because it' gives its wearer a rakish look, a devil-may-care and swagger air. Possibly the fact that it is designed peculiarly for long wear and hard usage may have something to do with its popularity. The split straw with the narrow brim and high crown, which has been spoken of before, and the Sennit yacht with the fancy braid as well as the Sennit yacht with the wide brim, sound very much alike, while as a matter of fact they are as different as a woman’s hats for morning and even- ing wear. The first is of very fine, closely woven straw, while the next is a little finer, both in weave and in N 7z . 4 the roughness of the material, while the last named is a hat of very striking appearance, both as to the shape of the hat itself and the cut and weave of the straw, which ils very rough and open. As model hats for dress-up occa- sions any of these thr would not only be ate, but exceptionally becoming leah-cut features. In- deed, the we of one of these hats becomes at once the ideal summer man. the above m creati which, while they hav the Senn hats, combine the fineness of and the pliancy of the Pana fore mentioned the Mexican palm telescope is one of the most fashionable hats of the year, while for the man of any age, though an of mid- age, there are optimo and the pe optimo, which latter is the same In shape and design as the for- mer, only that it is a little coarser weave. Any of these three hats will, however, stand any amount of rough handling and still retain their shape. The Milan straw optimo and the Milan straw are both of similar shape, both designed particularly for middle- aged men, but the straw itself as well as the weave is of a vastly different quality from any of those mentioned above. However, in the matter of hats of a finer quality, there are some others of imported Ita braid and fancy straw that t novelties, and v\hnh ;\n ecomne almost as the Panama or the as soon as they become better know of these is the Italian braid fedora, which, though it is a very expressive title resque hat, almost as yugh a little less pliable Panama itself. It is particu- coming «o0 young men, and de into the Optimo shape is enteel indeed for middle-aged Many of the younger set, how- y ted the optimo asive style. More fixed and stately in design is the Milan straw fedora, which is a shape much affected by the young and middle-aged alike. One Pantour a long n for a ve picturs than th * By KATE CLEAR| all her jove letters and little love tokens tied neatly up and ready to re- turn, sat looking with a feeling of strange desolation at the frame which had held the picture of Bertram Hale. She wondered as the glorious spring day wore away how it would seem to go on and on without him through all the days to come. She was right to break with him. He had been wrong to show Mabel Harvey s~ much attention, even if she was his cousin, and here on a visit. He had almost forgotten one of the dances she had promised him, because he had been showing Mabel the family portrait But—how strange It would seem not to look forward to his approval whenever she donned a new dress, or' learned a new song, or chanced on some beautiful thought or story. Yes, it would be all very strange— and sad, but doubtless she would be- come uscd to the separation. Only— A quick shriek startled her. It came from below stairs. It was such a choked ery of horror as she fancied might be uttered by one suddenly assailed— stabbed! She sprang up, down the stairs. The front door stood ajar. Ruth could sce the gray-clad form of the postman crossing the street from their house. Lena, ghastly white, an open letter in her rough hand, was leaning against ran to the door and gard. Hale saw her descending and here’s something to buy a pair of He walked down the pnth and off UP the banister. She had received some stood up. gloves for your trouble.” the avenue, The maid went back to gerrible shock. “Never mind, Lena!” he said gently. “Thank ‘you, sir. I hope 8o, sir. her work. And Ruth, the package with “Lena!" cried the girl. “Tell me what o % Is wrong!” Mutely the peasant woman held out 'T3 UG I E 29 the letter. THE F ITIV ") tamnot read It Buth cried. “1t 3 § is in your language. Tell me! You FEzra 8. Brudno’s Great Novel of the Jews in Russia and America have had bad news?” a “De worst news—de worst!” she panted. Her stricken face was up- BEGINS IN THE NEXT SUNDAY CALL Specially Illustrated by Australia’s Foremost Jewish Artist—Bert Levy lifted. 1Its pathetic hopelessness—its bitter abandonment, went straight to the heart of the girl beside her. “It is my lover, Miss Ruth! He ———+ vas to be my man—but I did get angry and sail avay w and say no, I voul But he did write t ne, sorry, and I did r and say to im to come. But now he is dead— he is dead!” Her voice rose into a pitiful wail. He is dead and he can nefer come any more at all—not efer any more Then there was no sound save her broken, desol. sobbing. Ruth Sel- don put both arms arc broad shoulders. She kissed e wet cheeks and smoothed the coarse, yellow hair. “Poor Lena!" she whispered. “Poor Lena! Come and lie dmvn No, never mind the work! Com She shut the door 1 drew the maild away, up-to her own room. “I sald I did not lofe him—but I did! I vas angry, and I say vot vas not true. Now he vill nefer kno that I did lofe him alvays—that I vill never have no other man in all my life—for he vas the only vun for me!™ When she had quieted the suffering creature, Ruth left her and went back to her desk. She looked at the pack- age, at the frs e from which the pic ture was absent. It seemed as this news that had been sent from the sea had directly to her. W if the message hhl be"x ‘if Ber ra Would she be t Bit by bit she v dissensions. ache, when all was ever love any other a Her heart ge I Mechanfally Wa the pack- age, and replac in the frame—th wer, the other treasur ustomed piace. Then 2 tiny box and took out rkied ltke a star of prom on her finger. i “For he vas de only vun for me! “Poor Lena!” said the girl who, with shining eyes and i cheeks, went downstairs to the telephone. On the way she paused to open the little box on the hall table, and to fasten the pansies over her heart.