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THE ART OFf LOSING— y upon the subject. If the person to be photographed haginoh grace it is next to {mpos-a any in’the pictRoxi great yarietyhof, supa 4 . fo sher res-are invabably I have perhaps racted wiore e accompa~ gmost prohinent soclety girls > #8d Who will be mar- at St Stephen's Ross W. Smith ot her picture he daughter hile the prospec. vate secretary of w Salt Lake Rail- were it been so un not that the picture has versally admired I, should be to use it in this connection, but so asked me about the posing d the general charm of the picture is particu- me. s Davenport is a very beautiful girl, tall, slender and graceful to a degree. She is, moreover, bright and clever and extremely vivaclous—all ele- ments that go far toward developing per- fect results in the art of posing. But I may as well say at once that this is Miss Davenport’s own pose, assumed quite un- consciously while conversing pleasantly. The was in reality nothing left for the photographer to do but to take a snap ehot without unnecessary delay. Only a photographer, indeed, can realize what'a labor it would be to attempt to pose like this were the subject not fitted to it by all the arts of culture and personal charm. There is character to the very finger tips. The gown {tself is a rare creation.. In short, it is a picture that is as rare in photography as it is beautiful. :