The San Francisco Call. Newspaper, September 15, 1895, Page 20

20 THE SAN FRANCISCO CALL, SUNDAY, SEPTEMBER 15, 18Y5. DRAMATIC REVIEW AND NEWS. Interesting Items Concerning Current Theatrical Attractions. The Eastern papers comment with satis- faction on the great success which has at- tended the engagement of John Drew and his compeny at the Baldwin. Some of them add the suggestion that it was not John Drew himself who proved the Teal magnet, but charming Maud Adams, and that without her the leading m_nn's plight would be worse than Henry Irving’s if he were bereit of the sprightly Ellen Terry. Maud Adams was certainly the salvation of “Christopher Jr.”” the play produced here last week by the company; she acted her role so easily and so bewitchingly that one even forgave the wild improba- bility of her not having attended her | own wedding when she was married off-hand by her irate papa to Christopher Having once accepted the story the Jr. voung man tells of his mysterious bride, the play contains some inter- esting developments, but the yarn is a se- vere strain to put upon the confidence of the audience at the very outset of a drama. “Christopher Jr.” is an English play, and though this fact did not militate against its success, the action of the piece would have been more intelligible from the outset if it had been produced under its original conditions. In England acurtain- raiser is nearly always interposed as a buffer between a late-dining public and the play of theevening. Itisthe fateof the curtain- raiser to be drowned in the frou-frou of silk gowns and the clatter of seats being low- ered, but after this sacrifice, peace and tranquillity reign at the very outset of the drama that follows. Now ‘“‘Christopher Jr.” plunges, from the opening lines, into explanations which are absolutely necessary for a real compre- hension of the action that follows. The Baldwin is a fashionable, that is to say, a late-coming audience, and the conclusion is obvious—some of the auditors did not grasp the story of the play till it was half over. P When dramatic authors write a work which they hope to have produced before a fashionable American audience it ought to be impressed upon them to fill in the first ten minutes with action that is pan- tomimic or with dialogue which need not | absolutely be heard in order to understand the action of the play. “The District Attorney” is a powerful play, almost melodramatic in its situa- tions. Itissupposed to lay bare some of the stage. Good servants grease the { wheels in the mimic world as much as they do in reality and.are as rarely met with. “Life on the Rio Grande,” as portrayed at Morosco’s last week, must be an inter- esting experience. The cast of the play was not so large as usual at the Grand, but one did not miss the crowded stage of the preceding week. Pauline Hall in ‘ Dorcas Baldwin. at the The parts were evenly distributed and were all well played. Coulter Brinker again shone by not overacting his part. idea is prevalent that melodrama, how- this leading man evidently does not be- lieve in painting the lily; as a consequence his work is more impressive. A. C. Henderson is a welcome addition | to the company, and for once Edmund Yates’ personal apparent as usual. The | ever intense, must still be exaggerated, but | was not so aggressively | He succeeded in mak- | the habit of advertising *‘new and spec- tacular effects” as an added inducementto patronize the drama. Legibly written no- tices, “This is a forest’”’; “This is the King’s palace,” etc., were considered suffi- cient to indicate the locality; the imagina- tions of the audience and the players’ skill did the rest. ‘We have reached the opposite extreme in these days, and startling indeed must be the spectacular effect that arouses the admiration of the end of the century play- goer. We have also learned to pride our- selves upon a historical accuracy that ex- tends even to the shoe buckles of the supers, and the days are completely passed when an actor could play Cato in a full- bottomed wig, or when Julius Cesar could fill in an awkward pause by taking snuff. There is one branch of the drama, how- ever, that still permits the most startling anaghronisms, and that is grand opera. ‘Who has not wondered why Violetta wears puffed sleeves and a Psyche knot when all the other ‘‘traviatas” are in powder and patches? Why does Lucia always appear in a tartan sash of a style centuries old, over a gown made by Worth et Cie? These are questions that no man can answer, but it is worth chronicling that in the garden scene from “Faust,” the Tivoli introduced a new and startling anachronism, which will doubtless commend itself to the man- agers of the Metropolitan Opera-house, the Scala and Covent Garden. Who that knows ‘“Faust” has not pic- tured Gretchen’s garden—a fragrant Old World nook in a quaint German town, where ox-eyed daisies, sober pansies and fragrant roses ‘‘speak to her of love’’ as Siebel sings. The garden at the Tivoli, in its gorgeous magnificence, was a triumph of stagecraft, but as soon as its glories were revealed one was overcome with sur- prise and wonder at how all these-flaunt- ing tropical flowers arrived at maturity in let cactus near the porch would not have blossomed in a Germian hothouse, and yet | there it was, braving the evening air as de- fiantly as if Gretchen’s garden had been situated on the equator. ‘While one was still wondering the night a chilly German climate. The great scar- |, MISS MARY AUSTIN. [This lady, who is taking the leading part in . a sensational play called *‘Passion’s Power,” in the English provinces, belongs to a family which claims that one of its ancestors played with Shakespeare under the name of Osten. played “Ingomar” at Exeter.) came on and the flowers, with one accord, transformed themselves into colored elec- | tric lights, of the kind sacred to exposition | Alice. She is one of the first graduates | ever since the time of i grounds. Think of the terror of an ignor- | ant fifteenth century malden at sucha | diabolic change in her garden! heroine would promptly have renounced the devil and all his works in superstitious ‘ dread of the spectacie. But the Mar-| guerite at the Tivoli knew as much about | electrical effects as Mephistopheles, and | she did not even comment on the change. | A thrill of sacrilegious horror would ‘ | scarcely have run through the audience at this point had Marguerite greeted the elec- tric display with a topical song, for stage | tions of actors and prominent personages. W. H. West, Norman, one of Sir Henry’s | ter, Miss Austin herself at oue time from the Columbia school of art. The Stockwell company of players will of his old friends Mr. Stockwell has de- cided te devote one week to a production of “The Magistrate.” l A special matinee has been arranged for | next Sunday afternoon, the 22d, when a burlesque diversion will be given, entitled “An Afternoon With Dixey.” The programme will embrace all of his | original and novel specialties and dances, | and his famous imitations and impersona- production in | pioneer days by the various opera com- panies who sang at the Jenny Lind Goethe’s | Only Temain at the Columbia Theater | Theater, the Academy of Music and Ma- | three weeks more. At the request of many | guire’s Opera-house. In the character of Lucia Ida Valerga made her greatest successes both im this country and in Europe. Alice Neilson will alternate with her in this role. Martint Pache will sing the partof the soldier lover, Lord Edgar of Ravenswood ; John J. Raffael that of Sir Henry Ashton, her brother; Arthur Mesmer, her in- tended, Sir Arthur Bucklaw; George H. Broderick, the old minister, Raymond; by the original company; Robert Down- ing, who will present a fnll repertoire, in- cluding his new piece, “Helena”; *In Old Kentucky '; May Irwin in her new farce, ““The Widow Jones,” will make her first appearance in_this city as a star; Thomas eene; *‘The War of Wealth,”” a new and highly successful melodrama produced on a spectacular -scale by Jacob Litt; Louis James; Roland Reed; Peter F. Dailey in his new play, *“The Night Clerk’’;, ‘‘The Twentieth Century Girl”; “Town Topics,” etc. German Comedy Company. The last performance but one of the Con- ried German Comedy Company will take place to-night at the Baldwin Theater, when the screaming farce, “Der Unglau- bige Thomas’’ (“The Doubting Thomas’’), by Laufs and Jacoby, authors of “All the Comforts of Home,” will be presented. The play is preceded by the one-act cur- tain-raiser, “Ich Heirathe Meine Tochter.”” Both dramas are to be presented with the original cast. Grover’s Alcazar. Notice will be found elsewhere of the initial performance at the Alcazar Thea- ter under Manager Grover's direction, which took place last night. Itis the in- tention of the management to follow u the bill which is now being presented witg a series of high-class comedy productions. Dramatic News in Brief. The preliminary season at the Fifth- avenue Theater was a short-lived affair. “The Bathing Girl,” a so-called comic opera, which F. C. Whitney produced on that occasion, lasted for just one night. * Word received from New York is to the effect that E. H. Sothern’s production of “The Prisoner of Zenda,” a dramatization of Anthony Hope's novel of that name, was the greatest success he hgs ever been engaged in. The romantic spirit of the story is said to be admirably preserved, and Mr. Sothern fitted with a part in which he appears to greater advantage than ever before. “The City of Pleasure,” a bold. bald and, on some accounts, disgusting French play, and “The Sporting Duchess,” a cheap Eng- lish melodrama, seem to have achieved a dismal and well-deserved failure in New York. One newspaper says of “The City of Pleasure” that it was probably one of the worst dramatic exhibitions ever given in New York, and all the leading critics agree that ‘‘The Bporting Duchess” is merely an affair of upholstery and flim- flam, with a vulgar scene, stolen from ‘‘Nos Intimes,” as its only title to dramatic ccherence. AL It is announced that Sarah Bernhardt is at Belle Ile en Mer, on the Brittany coast, and is employing her leisure in writing her memoirs. As her life has been rather an eventful one, as she yields a very caustic pen, and as she is noted for her keen wit, sparkling repartee and unforgiving charac- the advent of her forthcoming volume the political machinery of New York, though audiences elsewhere can heartily sympathize with its telling hits against bribery and corruption. The company ai the Columbia give it to great advautage, and the stage accessories leave nothing to be desired. 1i Stockwell had no other record than his impersonation of a vulgar political boss— 2 man ignorant of all pure and honest sen- timents—his acting of that part would give him a high rank in his profession. Dixey is particularly finished in the office scene, | where he snubs this political swindler. It is obvious that he and his lines are not on familiar terms, but his experience and sang froid tide bim over the hiatus so well that the public loses nothing. It might be said that Miss Coghlan’s somewhat mature charms are hardly suited to the role of a bride. But if sheis notin the, first blush of youth neither is the 4 ¥ T (’gflv “ ’fi' 'C'I'-'»'_/ Es : 6’1.; raes |7 “&\5’7%\\ == REMINISCENCES OF LAST WEEK AT THE THEATERS. | ing his part quite interesting. Leslie was | a capital nigger boy. More than the customary share of com- | edy was devoted to the amusing love- making of Miss Blanc and Charles Swain, | but there was not any too much of it to please theaudience. Swain seemed ubiqui- tous—here, there and everywhere at once— | kissing, drinking and lecturing on astron- | omy. Miss Blanc¢’s admirers were more ! sincere than complimentary, for although | she was fat and fair she did not dook forty. | Miss Hall, as usual. was quite equal to her | part, but she was dressed more for a canter | in the park than for a ride across the bor- | der-land of the Rio Grande. | The Orpheum’s long and varied pro- | gramme was received with the usual en- thusiasm Jlast week,® The “tough” girl afforded a glimpse of New York life in the | lowest stratum of society. Her gift of repar- tee might be envied by those in the high- est. Her dialogue is original, too, for Miss Remington isthe authoress of the act in | which she and W. E. Hines appear. ¥ SCENE IN A e ‘““THE GEEAT METROPOLIS” AT THE GRAND OPERA- HOUSE. bridegroom, judging from his make-up, so the marriage is what would be termed a suitable match. Indeed, a younger man than Beach makes the District Attorney would hardly have the stamina to venture on the heroic course he determines to pur- sue. The Rose, albeit somewhat full blown, looks very lovely in the drawing- room scene and fully warrants the devo- tion shown by her lover. Clever Miss Margaret Craven has not an acceptable part. In the eyes of the au- dience she 253 to appear suspicious, and when the cobvict justly repudiates her for mismanaging kis affairs one feels inclined to say, ‘“‘Serves Ler right.” A word of praise is due to Miss May Warring as the maid servant. She is the bright little maid of real life rather than the pert non- descript usually accepted in her place on Hugh J. Emmett’s performances on the violin have established him in popular favor; they are not exactly classical, but their strong point is that they are enter- taining. When Emmett imitates the young lady asked to singat an evening party every one in the audience seems to recognize her, probably because her name is legion. Emmett’'s marvelous feats of ventriloquism bring him an ovation which prevenis the continuance of the performance for at least five minutes. The Russian songs and dances and the novel costumes of the Farbianu troupe con- tinued to give great popular satisfaction, am}l all the other actswent briskly and well. Three centuries ago, when Wfllfim Shakespeare was a popular playright at the Globe Theater, mausgers were not in settings that recall gorgeous extravaganzas | and transformation scenes prepare the mind for something more trivial and jocund than the thrilling garden scene in *“Faust.” | At the Baldwin. Miss Pauline Hall was popularin San | Francisco when she appeared here several | years ago. Since that time she has added | considerably to her fame in various parts of the country, so that her appearance to- | morrow evening at the Baldwin Theater may justly be called an event in local | dramatic circles. | The company with which Miss Hall will | present the new musical comedy ‘“Dorcas’ ! includes such favorites as: Miss Jeanette | St. Henry, Kva Davenport, Drew Donald- son, Mabel Irvine, Hugh Chilyers, Edear | Temple Saylor, Charles Bradshaw, Neil | O’Brien, Charles Meyer and Charles Earle. | “Dorcas” contains some thirty odd | musical numbers, which have been com- posed and arranged by well-known Euro- pean musicians, notably Johann Strauss, Millocker and Dr. Carl Zeller. The pre- sentation here will be entirely new, all the costumes being imported from the famous workshops of the French modistes, Worth and Felix. A largely augmented orchestra will be under the leadership of the English conductor and composer, W. Hydes. It was the Paultons who adapted “Dor- cas” from the German for Miss Hall. The scenes are laid in England toward the close of the seventeenth century and the | plot turns on the complications that arise out of a number of disguises and imper- sonations. Lord. Lambourne desires to marry his sister, Lafly Honoria, to his in- timate friend, Lord Beauregard. Beaure- gard, wishing to acquaint bimself with the merits of Lady Honoria, decides to accom- pany Lord Lambourne to his home in- cognito and so assumes the role of secre- tary to Lord Lambourne under the name of Master Roland.” Lady Honoria is pos- sessed with the same desire to study her prospective husband’s character unknown to him and to consummate this disguises herself as a boy peddler. She is successful in concealing her identity even from her brother, from whom she has been sep- arated for a number of years. A number of humorous and affecting in- cidents arise from this condition of things, all of them tending to show the heroine and Lord Beauregard in the most favorable light. The complications ana the counter disguises are straightened out at last and the curtain falls on the prospective mar- riage of Lady Honoria and the suitor her brother designed for her. Hugh Chilvers Ehy! the part of Lord Lambourne and :r%l“ Temple Saylor that of Lord Beaure- gard. Columbia Theater. On account of the success of “The Dis- trict Attorney” the Columbia Theater management has decided to continue the play for another week. There will be no Saturday matinee per- formance, however, as the Stockwell com- pany of players in their entirety will par- ticipate in the open-air performance to be given on Sutro Heights next Saturday of *‘As You Like It” for the benefit of the Channing Auxil and the Society for Christian Work. special matinee per- formance will be given instead on Thurs- dnly afternoon. n the cast of “The District Attorney” Miss May Warring, an aspirant for the stage, mwade an excellent appearance as | an engagement st the Columbia Theater. | The troupe will come with an entire double | Among other features will be Dixey's character sketches of Paderewski, Henry Irving, Herrmann. Richard Mansfield, | Adonis and “The Seven Ages.” At the conclusion of the Stockwell sea- sor, the Bostonians, the best known light | opera organization in America, will ope; company of principal singers, an aug- mented chorus and orchestra, and a com- plete equipment of new and handsome costumes and scenery. The new opera, “Mexico,” will receive its initial produc- tion in San Francisco during the visit of the Bostonians. The repertory will also include “‘Prince Ananias,” *‘The Knicker- bockers,”” “Robin Hood,” as well as such standard works as ““Carmen,’” etc. Lillie Lungtry'st:ading man, one of the handsomest on th® American stage, C. J. Reichman, will join the Stockwell organi- | zation at the Columbia Theater to-morrow | evening, and make his first appearance in | the open-air performance of **As You Like It” at Sutro Heights. | All ladies attending the performance of | “The District Attorney’’ to-morrow night | will be presented with a souvenir of the event. Grand Opera-House. “The Great Metropohs” will be revived at the Grand to-morrow night. Itisaplay that when originally produced there, over a year ago, proved the chief attraction of the season. Almost every walk of metropolitan life is represented in the long list of characters required to produee ‘“Ihe Great Metrop- olis.”” The play is distinctively American in its dramatis person and in its sur- roundings, and the plot of the modern melodrama, with its old story of love and villainy, suffering and heroism, is per- haps ifs least attraction. “The Great Metropolis” is a play with- out an anti-climax where the situations arestriking and strong. Comedy that is original and makes one laugh, willy nilly, is threaded_throughout the five acts and happily relieves the more somber scenes. The spectacular feature of the piece is, however, its most realistic point. Since it was presented a year ago big strides have been made in electrical effects, and Man- ager Morosco’s electricians and scenic artisis promise a remarkable storm scene. There 1s also a beautiful picture on the East River, showing Brooklyn Bridge and a distant view of the city by moonlight. The entire strength of the house’s com- any will be utilized for the presentation. ollowing is the full cast: .#cllx Hiildl.. ..... alter Mow Will Webster of tion........ Benjamin ‘Bert, public. | | Coulter Brinker dmond Hayes Teal ‘estate agent and notary Charles W. Swain Dally, Bert's office-boy. Mr. Holt, Jack’s father, Patrick Kelly, the seaman rescued. Matthew Quinn. Ned Patterson, James Owen, a servant. Andrew Anderson, elevated station porter...... ....King Gra Edng Hall Mina Gleason rud mal Ople, Clara's ““Aunt Lucinda”. Lite-savers, passengers, citizens, etc. ‘Tivoli Opera-House, “Lucia di Lammermoor’’ will be pro- duced to-morrow nightat the Tivoli Opera- followets; and Mabella Baker, Alice, Lucy’s attendant. The next production will be a revival of | Bizet's romantic grand opera, ‘‘Carmen,’”’ with Ida Valerga and Alice Carle alter- nating in the leading role; Laura Millard s Michaela, Martin Pache as Don Jose nd John J. Raffael as the dashing torea- dor, Escarillo. B After this ‘‘Trovatore,” ‘‘La Traviata,” “Ernani’”’ and ‘“Che Merry Wives of Wind- sor’’ will be presented. At the Orpheum. Pearl Andrews, the American rival of that remarkable Epglish mimic, Cissie Loftus, will appear at the Orpheum to- morrow night. v It is stated that Miss Andrews has been naturally a mimic from early childhood. Before reaching her teens she astonished | the members of her family and their ac- quaintances by her clever reproductions of the work and business of actors, actresses and operatic celebrities whom she had seen on the stage. i Her father, William S. Andrews, was for some vears a popular comedian. lectured successfully on humor, illustrat- ing his lectures with character stories told inmany dialects, Hisdaughter had, there- Pearl Andrews, at the OrpHeum. fore, a natural inclination toward dramatic art. Her versatility in mimetic and dia- lectic work has won much praise from the Ban Francisco ' from Theater, New York. Herbert and Weston, musical comedians, adison - square i have also been added to to-morrow’s bill at the Orpheum, The success of Hines and Remington, Dryden and Mitchell, Hugh Emmett, Mortland, Thompson and Bush, % | etc., has led to their retention for one more weel » California Theater. The California Theater will reopen shortly for the winter and spring season, and from the beginning will present a long house, with Ida Valerga in the title role. This work of Donizetti’s his always been a vorite with San Francisco th eater-goers list of attractions; which will be: Her- mann_ the great, with Indian fakir; the great comedy success, “‘Charley’s Aunt,” He also | Eastern press. The yonnfilldy comes to | is looked forward to with great interestand, | on some sides, with great apprehension. ‘THE TENNIS TOURNAMENT A Spirited Game Was Played at the California Club Grounds. Young Adams and Van Wyck the Features of the After- noon. The opening rounds of a club tourna- ment by the California Lawn Tennis Club were played yesterday at the club grounds, corner of Bush and Scott streets. There were 25 entries for the tournament, 22 of whom put in an appearance. The four courts were continuously occupied and the games were spirited, in many instances eliciting applause from the audience, com- posed principally of ladies. In the meeting between A. Cheesbrough, class 2, and S. H. Adams, class 3, the latter, though loser, showed wonderful skill and quickness 'for a boy of 15 years. Chees- brough is one of the best players in the club and a peculiarly scientific player, but he found that it required all his science to make a score of 7-5, 10-8 against the lad. He remarked after he had finished and shaken hanas with the boy, as a token of his appreciation of the youngster’s work, that he did not want to meet him again with the same odds. It was one of the best matches of the afternoon and was roundly applauded. Dr. C. B. Root and W. Stauff, both class 2 men, played quite an even match and attracted much attention. Some of the most clever shots made during the after- noon were by Parker, who drove Hovey hard, but lost by 8—6, 6—1. Hovey, how- ever, lost to Van Wyck in the sec- ond round, meeting Van Wyck’s cool- ness with ‘considerable nervousness. Van Wyck had beaten Lindeman in the first round and surprised everybédy by his excellent work. ]ge is one of the coolest-headed young men in the club and yn;dles the racket artistically and effect- ively. Tge odds given were: Class 1 men gave class 2 men 15, class 2 gave class 3 15, class 1 gave class 3 30. he tournament will be resumed this morning at 10 o’clock. . Following is the score made yesterday: A. Cheesbrough, class 2, beat S. H. Adams, class 3, by a score of 7—5, 1 . Dr. C. B. Root, class 2, beat W. Stauff, class 2, Dr. E. Allison, class 1, won from F. 8. Mitchell, class 1, by default. J. G. Hooper, class 2, beat K. J. Davis, class 810,63, 6od. o Sy W. Wells, class 3, won from R. Harrison, class ey class 2, beat H. C. Parker, class . H. Hove; X . C. Parker, cl 2,8-6, 61, L. Vzmw ck, class 2, beat Dell Linderman, 3 5. P. P. Butler, class 8, beat Lawler, class 3. , 68, 7—5. Dr. George Rothganger, class 2, beat F. Hoff- man, class 3 hy . R.'N. Whitney, class 1, beat N. A. Eckart. class 3, 5 6t A. Chulb’mug:, class 2, won from H. Havens, class 3, by default. o105 1Cg B, Root, class 2, beat D. E. Allison, W. vhua;mm' 8, won from J. G. Hooper, d“L..\?i: ‘v !:u;{.. 2, beat R. H. Hovey, class C| 188 2,6-0, 28, 6-3. 44 TTREAT ALL DISEASES An Important Feature That Should Not Be Overlooked. The Copeland Medical Institute Does Not Confine Its Practice to Catarrial Troubles, but Treats All Ckronic Discases at a Uniform Kate of $5 a Honth, Medicines Ineluded. Drs. Copeland, Neal and Winn are from time to time in receipt of letters from all points in= quiring as to the application of their system of treatment to chronic maladies other than those of a catarrhal nature. For the information of the persons inquiring and the public generally, Drs. Copeland, Neal and Winn will again state that the provision made by the Copeland Medi= cal Institute is for the treatment and cure of all persons suffering from any form of chronic disease or infirmity whatever, at the uniform fee rate of five dollars, including all medicines! for one month's continuous and watehful treatment. The same measure of skill, the same degree of care, the same intelligent exer= cise of professional energy and effort. and the same average certainty of a cure is afforded to sufferers from other chronic maladies as to those suffering from catarrhal troubles of any nature. Catarrhal affections being the most prevalent. Drs. Copeland, Neal and Winn again present the different symptoms and phases of catarrh. Read these symptoms carefully over; mark those that apply to your case’ and bring this with you to Drs. Copeland, Neal and Winn. If you Iive away from the city send them by mail and as for mail treatment. In either instance, wheth= er by mail or office treatment, the patient may be assured of the speediest relief and cure possible to enlightened science. Bear in mind that any chronic sufferer, whother from cas tarrh or any other seated and distressing malas dy, may apply at_any time, either in person or by letter, to 916 Market street, in the Colume b{un building, and receive the most efficient treatment now in vogue at the nominal fee rate of §5 a month, including all necessary medicines. CATARRH of the HEAD and THROAT. The most prevalent form of catarrh results from neglected colds. Speedy and inexpensive cure by the Copeland system. “Is the breath foul?" “Is the voice husky ?” “Do you spit up slime 7 “Do you ache all over?” Do you blow out scabs 7" the nose stopped up 2’ Do you snore at night 2’ Does your nose discharge " “Does the nose bleed easily ?” #Is there tickling in the throat ™ “Do crusts form in the nose 2"’ “Is the nose sore and tender ?” “Do you sneeze a great deal 2’ “Is thig worse toward night ?” “Does the nose itch and burn ?”” ©1s there pain in front of head ?’ “Ig there pain across the eyes 2 “Is there pain in back of head ?” «Js your sense of smell leaving 7 “Do you hawk to clear the throat ?” “Is there a dropping in the throat ?”* “Is the throat Jlfi\' in the mornings?” ‘Are you losing your sense of taste " “Do you sleep with the mouth open " “Does the nose stop up toward night ?” This form af catarrh is the easiest to cure. CATARRH of the BRONCHIAL TUBES, When catarrh of the head and throat is left unchecked it extends down the windpipe into the bronchial tubes and after a time attacks the lungs. Speedy and inexpensive cure by the Copeland systém. “Have you a cough?” “Are you losing flesh?” “Do you cough at night?” “Have you pain in si “Do you take cold easily? *Is your appetite variable?” “Have you stitches in side?” “Do you cough until you gag?” “Are you low-spirited at times?* “Do you raise ml.h{ mucus ?” “Do you spit up yellow matter?”" “Do you cough on going to bed ?” “Do you cough in the morning?” «Js your cough short and hacking?” “Do you spit up little cheesy lumps?” *Have you a disgust for fatty foods? “Is there tickling behind the palate?’ “Have you fimin ehind breastbone?’” “Do you feel you are growing weaker?” *Js there a burning pain in the throat?” Do you congh worse night and morning? “Do you have to sit up at night to get breath?” 1f you have these symptoms you have Catarrh of the'Bronchial Tubes. CATARRH OF THE EAR. Catarrh extends from the throat along the Eustachian tubes into the ear, causing defeos tive hearing. Speedy and inexpensive cure by the Copeland system. “Is your hearing failing ?” “Do your ears discharge?” «“Are the ears dry and scaly 7" “Do the ears itch and burn?” “Is the wax dry in the ears?” “Is there a throbbing in ears?” «“Are you gradually getting deaf? “Have you pain behind the ears?” “Is there a buzzing souad heard ?”” “Do you have a ringing in the ears?” “Are there cracking sounds heard?”” 41s your hearing bad cloudy dags?” “Do you have earache occasionally? “*Are the sounds like steam escaping? “Do you constantly hear noises in the ears?™ “Do your ears hurt when you blow the nose?” ‘s there a roaring like a waterfall in head?” “Do you hear better some days than others?” “Do the noises in the ears kezp you awake?” “When you blow your noise do the ears crack?” ‘X‘cll!,mYOur hearing worse when you haves CATARRH OF THE STOMACH. Catarrh of the stomach is usually caused by swallowing poisonous mucus, which drops aown from the head and throat at night Speedy and inexpensive cure by the Copeland system. “Is there nausea?” ““Are you constipated?” “Is there vomiting?” “Do you belch up gas?” . *Are you light headed?”” «“[s your tongue coated?”” “Have you water brash?” Do you hawk and spit?* «Is there pain after eating?” ““Are you nervous and wea! “Do you have sick headaches?” “Do Knu bloat up after eating?”’ “Is there disgust for breakfast?"”’ “Have you distress after eating?” ““Is your throat filled with slime?”” “Do you at times have diarrhea?” “Is there rush of bloo to the head?” «Is there constant bad taste in the mouth?™ «Is there gnawing sensation in the stomach ™ “Do you feel as if you had lead in stomach “When you get up suddenly are you dizz “When stomach is empty do you feel faint?"* “Do you belch up substances that burn throat?” “When stomach is full do you feel op. pressed?” If you have you have Catarrh of the Stomach, or what is commonly called Dyspepsia. THEIR CREDENTIALS. Dr. W. H..Copeland is a graduate of Bellevue Hospital Medical College of New York City, was president of his class in that famous institution, and, after thorough hospital training and ex- perience, devoted his time and attention 0 special lines of practice. Dr. Neal and Dr. Winn passed through a similar -course, and have for years been asso- ciated with Dr. Copeland. Dr. J. G. Neal won flrult hol’:iout]nh‘m}. lege, and was appointed resident physi- cian of the City Hospital. He filled the osition with honor and received the ospital diploma. He also holds several gold medals for special excellence in various branches of medicine, and after graduation was "electfll an adjunct professor of his college. Dr. A. C. Winnisagraduate ef Bellevue Hospital Medical College, and of the mad‘ful department of the University of Mi. have devoted them- selves entirely tothe treatment of their specialties. Years of experience in these special lines, preceded by extensive hospital work, have fitted them in a notable degree for the practice of their profession. TREATMENT BY MAIL. For those desiring the treatment by mail the first step is to dzop &line to Drs. Copéland, Neal and Winn for a question listor symptom blank. Return same with answers filled out and treate ment may be commenced at once. Every mail brings additional proof of the success of the mail treatment. $5 A MONTH. No fee larger than $5 onth asked for an disease. Our motto is: “A Low Fee. Qui Cure. Mild and Painless Treatment.” The Copeland Medical Institts, PERMANENTLY LOCATED IN THE COLUMBIAN BUILDING, SECOND FLOOR, 916 Market 3, Next to Baldwin Hotal, Over Beamish’s. W. H. COPELAND, M.D, J.G. N M.D. A. C. WL SPECIALTIES—Catarrh_and all diseases the Eye, Ear, Throat and Lungs. Nervous m‘: eases, n Diseases, Chronle%iu-m. Office hours—-9A. M. to 1 P. M,2t05 . 7 t0 8:30 P. M. Sunday—10 A. M. t0 2 P. M. Catarrh troubles -nt{ kindred diseases treated successfully by mail. Send 4 cents in stamps Zor question circulars, : ouri. They . < ot