The San Francisco Call. Newspaper, July 14, 1895, Page 20

THE SAN FRANCISCO CALL, SUNDAY, JULY 14, 1895. A new tenor will appear at the Tivoli to- mMOrrow. The G are puzzling students drpheum. Dne of Our Girls” at Jilt.” comedy to f a Theat The Widow of Sherlock f the London ha! ng called hit &t one « Charles E. Cook take v playing w and popular comic der the man- hman, will | was the draw nd will givea spectacular melodrama | e” in Michigan | 3 admission to all partsof | Helen Dauvray to Appear in ‘‘One of Our | Harris « attraction of the Lycenm Theater Com York. | ing moment a blast occurs which obscures last season in New | the stage in dustclouds of powdered stone and leaves the fate of the heroa little The heroine, Lady Susan Harabin, is a | longer in doubt, although the blast really ate young dence, for discovering s ng on a corre- she deter- ughly up-to- her ideas of in ppear Herbert cot, lter Kelcey, W Stephen ( lliams, Wa S. Hale, E. Tarlet /. Buckland, Ed- ward Wilks, Isabel I Jlizabeth Tyree, Mrs. Ch s Walcot, Annie Irish, is announced for the The Amazons” COLUMBIA THEATER. Girls.” The first production in San Francisco of Bronton Howard’s “One of Our Girls” be giv bia Theater, with M Helen Dauv her original role. The E‘,h\' was written for her, and will be produced under her sonal direction. *One of Our Girls” is a satire upon um- woman in | saves b | I e. z of Truce” will be produced un- ection of Walter Sanford, who will play & leading role. Special atten- be paid to picturesque and me- al effects, which in the quarry scene wilt be very elaborate. AT THE ORPHEUM. A Number of New Attractions for This Week's Bill, “New acts weekly” appears to be the | standing rule at the Orpheum in these “The 014 Homestead” | cooond week, and for the third “The Ideal | 48YS- e Theater, Stockton, for one | Hysband.” | v in and 4 Kennedy and Lorenz, the Muhle- man trio and Blocksom and Burns were introduced last week, while the Garnellas, the Whitney Brothers and Miss Maud ill make their first appearance this weel The Garnellas are grotesque acrobats will | and the Whitneys perform a novel musical act, in the course of which they run up wn a flight of stairs and produce a popular air by the patter of their feet. Maud Harris is a popular singing sou- brette. A new set of tests will be presented by MARTIN PACHE \ ORPHEUM . \ ELLA KENNEDY “ONE OF OUR GIRLY L3 = . AFLAG OF TRUCE" GRAND OFERA HOUSE BERT KELSEY Lol 1SABELLA [RVING BALDWIN» SOME OF THE MOST INTERESTING SCENES AND PERSONALITIES TO BE SEEN AT THE LOCAL THEATERS THIS WEEK. |From sketches by ““Call” artists.] Bizet's opera of that name, will be in her rep- are summering in Ver- will produce “Henry IV next \Marlowe Tabor will impersonate er husband Hotspur. inese theater is doing & a play calied “The which was pegun in y last well into August. New York C Haunted Tea Chest, April, and will probabl h stshave been made for ““The iel Frohman is con- ving at least one hearsals in New York August 1 for E. ern in his new pl ance of “As You tweek, while the play was in progress a local policeman rushed a the greensward stage in pursuit of small boys whom he had seen shaking fruit off one of the apple trees in the mimic forest of Arden. The opening of Daniel Frohman’s Ly- ceum Com y at the Baldwin Theater will be the chief event at the local theaters this week. The company will produce new plays, as well as standard favorites, and there is every indication that the sea- son, which will be inaugurated to-morrow, is to be an unusually st ful one. New attractions, however, are to open at every theater in town to-morrow. At the Columbia Helen Dauvray will appear in “One of Our Girls,” 2 play by Hoyt will receive its initial San Francisco perform- ance at the California Theater, a sensation- al melodrama will hold the board Grand Opera-house, and an especially or- ganized company will present farce-com- edy at the r. The Orpheum has a bill containing a number of new per- formers and the Tivoli gives a produc- tion of Balfe's “Satanella.” Somany people have already returned | from the country that nodoubt full justice will be done in the way of audiences to all these varied attractions. BALDWIN THEATER. The Autumn Season to Open With Daniel Frohman's Lyceum Company. To-morrow evening the Baldwin Theater opens for the season with Daniel Froh- men’s Lyceum Theater Company in “The Case of Rebellious Susan,” a comedy of English society life, and the only vlay, it 18 said, which treats the ‘‘new woman” question in a distinctly comedy view. Jones is an Englishman, who first came prominently before the public as the part author of a number of Wilson Barrett’s successful productions at the Princess Theater, such as ‘“Ihe Silver King” and “Claudian.’”’ “The Dancing Girl,” ‘“The Bauble Shop” and “The Masqueraders,” from his pen, have all been Eastern suc- cesses, and *“The Case of Rebellious Susan’’ “The Prisoner of Zenda.” | | French customs and depic 1 mother is. The conventi :nds cannot comprehend Kate's free and independent characte: 1in the clim of the play her fearlessness and genero; barely escape entailing serious es. Bronson Howard, in sp of Qur Girls.” : The can girl in French societ misunderstood, sometimes even insulted, | on account cf that innocent freedom in her social relations to which she isaccustomed at home. 1t seems to me that this has be- come a fitting subject for disc American si 2 |~ Souvenirs will be distributed to every lady attending to-morrow’s performance. is invariably CALIFORNIA THEATER. Coming Production of Another Hoyt Farce- Comedy. Hoyt's latest play, “A Black Sheep,” Jalifornia Theater | ed | will be produced at the to-morrow night. It is said to be fi with roaring, rollicking fun from the | to the fall of the curtain, and to preclude | the po: ibility of any unwary member of the audience thinking it a purpose play, Hoyt has caused this explanatory sentence to be printed on each copy of the pro- | gramme: “The purpose of ‘A Black Sh is to teach no moral in particular, | and the autbor is hopeful that he has done | it well.” | The opening scene of A Black Sheep” |is laid in the wild and woolly town of Tombstone, Ariz., and the subsequent ac- tion takes place the gorgeous mansion | of the Maod e cenue, New | York, where the soy finally becomes transformed into a pitiable Anglo- | maniac. In spite of his earnest protest that he does not wish to point a moral in | “A Black Sheep,” Hoyt has barbed some | of its wit with a good deal of satire upon prevailing fads. | Otis Harlan is the star actor of the or- | ganization that appears to-morrow at the lifornia. The cast also includes Joseph | Frankau, William Devce, Joseph Natus, Lottie Moore, Hattie Wells and a bevy of pretty girls. GRAND OPERA-HOUSE. This Week’s Play Has a Startling Mechanical Effect. “A Flag of Truce,” which receives its initial San Francisco performance at the Grand Opera-house to-morrow evening, is a return to the realistic, which has always been so conspicuous a feature of Morosco’s | chief successes. In one act is a quarry scene where genuine Rand steam drills are | guided by skilled quarrymen. The blast | is handled by experienced blasters and the | ponderous hoisting derrick is one of actual | size and power lifting full twenty feet from | the stage a massive bowlder of a ton’s weight. Under this stone of course the hero lies in deadly peril, while the villain trifles with the machinery, which can make 1t fall and crush him to powder. Atthis thrill- ts in a dramatic | Kennedy and Lorenz. For one thing Kennedy will add up a long list of mbers, ~ which members of the audience will be requested to write n a slate carried by Lorenz. She will add the vertical columns of rows of figures of four digits, in rapid )n, and will call out the sum total, > Lorenz is at the further end of the and she is on the stage, blindfolded, complete sijence being observed between the two performers. The Martinettis will continue to be one of the Orpheum’s attractions this week. | TIVOLI OPERA-HOUSE. A New Tenor to Appear in Balfe's "Sat- anella.” Balfe’s opera, “Satanella,” will be re- 1t the Tivoli Opera-house to-morrow It is twelve years since the work was first played with elaborate effects at this house. *‘Satanella” has had two sub- sequent productions. Martin Pache, a new tenor who is to make his first appearance with the Tivoli company to-morrow evening, will take the part of Count Rupert. Louise Royce is to sing the title role, alternating with Alice Neilson. and Laura Millard will sing the part of Lelia. Ferris Hartman will appear as the Count’s tutor, Hortensius, and John J. Raffael will be the pirate chief, Bracac- cio. The bass role, Arimanes, King of the | demon world, will be sung by W. H. | music, singing and dancing, together wit Kinross. The orchestra has been augmented with a harp, which will accompany the celebrated aria, “The Power of Love.” New scenery has been designed and Pa‘mt- ed for the production of *‘Satanella.” Alice Carle, one of the new prima don- aged, has arrived from the East, and will shortly be heard in a revival of “Martha.” ALCAZAR THEATER. To-Morrow Night's Production Will Be Irish Comedy. The legitimate season at the Alcazar closes to-night, and the two comedians, | Thomas C. Leary and James F. Post, open to-morrow evening at the Alcazar in the screaming comedy, ‘‘Mulcahy’s Visit,” a satirical creation on domestic Celtic life. Both Leary and Post are favorites 1n this city, and being of widely different styles they will doubtless afford plenty of amuse- | ment. The play is diversified; cacchg a utumber of local hits. Manager Dailey of the Alcazar will be tendered a testimonial benefit hf' his many friends on Tuesday evening, July 23, when a lengthy and entertaining bill will be rendered by volanteers. Macdonongh Theater. To-morrow the Macdonough Theater, Oakland, will reopen with *The Old Homestead.” The play will run for four consecutive nights and’an extra Wednes- day matinee. “Hoyt's “A Black Sheep’ follows for three mights and a matinee— | then will come Frohman’s Lyceum Com- pany. DUSE AND BERNEHARDT. The Italian Has More Than Held Her Own in London, The student of acting in London has just had a splendid opportunity. He has been able to compare two of the greatest act- resses, Bernhardt and Duse, in “‘La Dame aux Camelias,” “Magda,” etc. Dramatic criticism has been split up into two rival factions,the Bernhardtites and the Duseites, but taking things all in all. the Italian act- Tess has more than held ber own, in- deed some very severe things have been said about the divine Sarah’s ranting and raving, her tendency to overact, and over- paint, whereas every one hasacknowledged the absolute simplicity and sincerity of Duse’s acting. The scathing critic of the Saturday Review has dealt the French act- ress some especially cutting blows, while he has exhausted his stock of superlatives in extolling the Italian woman. Another writer eays: Sarah Bernhardt’s Gismondas and Toscas and Izeyls and Magdas are not essentially different. In varying scenes and costumes they express her’ personality with prodigious effect. You are taken captive by something mag- nificently and seductively feline; it purrs with languishing grace; the claws come out of the velvet paws, and it tears the scene into minute particles. In one aspect or another the tigress is always there; nothing varies but the stripes. In Eleonora Duse there is a aiffereat po- tentiality, also circumscribed by its condi- tions. ere is no tigress; thereisnot a touch of that delightiul buf alarming ani- mal even in “Fedora,” which ought to be its native jungle. Duse's Magda is simply Marguerite transported from “La Dame aux Camelias” into an- other milien. This Magda-Marguerite is not the diva whose vagabondage is in her very blood. This Marguerite-Madgzais not the courtesan, but a lily fading in the atmosphere of corruption. If Marguerite had a child, and an attempt were made to take it from her, I feelthat she would do battle for it with all the superb vehemence of Madga’s nature. It is inno case the skill of impersonation that appeals to me in this wonderful artist. It is not her beauty, for she is plain of feature; the face seems marked by suffering, and there isno effort to disguise the winter in her hair. But her whole personality breathes an in- tensity of womanhood in its finest and subtlest charm; she hasthat free, large moyement which is untrammeled by any artifice; her gestures with the exquisite hands that seem like phantoms of her thoughts, her speech with the intonations that go straight to the heart, make such an illusion that the mechanism of the stage and 1ts craft fades absolutely away. THE DRAMA IN PARIS. Production of a Weird Tragedy by a Polish Count. The Poets’ Theater has just given a wild, impossible production that, with the exception of the last act, has made the Parisians laugh where it was intended to thrill them with very different emotions. Charles Leger, who has founded and who directs with great ardor the theatrical en- terprise known as the “Theatre des Poetes,” has in fact attempted nothing less than to initiate the gay, careless Parisians into the beauties of a five-act tragedy called “‘Balla- dyna,” by Count Rzewuski, & Polish poet who, although a gifted writer, has never been able to get his dramatic works ou the stage in his own country oint. “Balladyna,” for instance, changes the scene every few minutes, and sometimes the action takes place in surroundings that only exist in (r ams. The heroine is a sort of 3 beth, who surpasses even Shakespeare’s heroine in crime. From murder to murder she has raised herself to the royval throne of Poland. The day of her coronation has come, and the law of the land demands that on that particular occasion the sovereign must mete out jus- tice. The public accuser rises at the foot of the throne, and without giving any names, recites all the Queen’s crimes. “What pumshment does the guilty one merit!”’ he asks. She hesitates and refuses to reply, but the accuser insists. “The penalty of death,”” she says at last and draws herself up proudly, for who will dare to execute the sentence! The storm shrieks outside, the lightning flashes on the stage and the Queen, struck by ground with a savage cry. This denouement is intensely dramatic, in fact, if the whole tragedy were on a par with the fifth act, the Polish poet would be a nineteenth century Shakespeare. The Theatre Libre (Free Theater)is going to such revolting lengths in its realism that the Parisian critics, who will stand a good deal, are lifting their voices with one accord against its last production, “Grand- ys: “Itis one of those plays of which criticism should take no cognizance, for, not to deceive ourselves, there is absolutely no gain to argin these realistic descriptions of equivocal situa- tions whose brutality charmsa few mis- guided enthusiasts.”” CONSCIOUS OF HIS MERIT. Salvini's Memdirs Show Him to Have Had No False Modesty, Are you reading Salvini's memoirs in America? asks an Italian correspondent to Footlights. They are very interesting. Here is his account of his audience with Victor Emmanuel. The King was very fond of the theater, and especially admired Sal- vini. One night he took a diamond ring from his finger and sent it to Salvini on the stage, and the following morning he sent a court carriage for him. When Sal- vini arrived at the Pitti Palace and entered the King’s presence, the King rose with outstretched hands, saying: “My dear Salvini, I am glad to make your personal acquaintance.’” “I am proud of the honor, Majesty " ““No, a man of your genius makes others Eroud of knowing you,” said the King, and e offered him “two Havanas. “You smoke?”’ “Only Tuscans!” said Salvini. “Take this one,” said the King, and he struck a match and handed it to the actor. After a pause the King said, “You are Republican ?” “Yes, Majesty, but with a King like yourself I could be monarchical.” “Thank you. Yes, I live only for my country. But the battlefield.is my home. Politics cut the grass under my feet. Ifeel | like your Ingomar at times; I could crush the world, but I would as soon be Presi- dent of a republic as King, but my crown has descended to me from so many cen- turies.” The conversation continued on this topic for some time. Finally the King said that he would die happy, after he had set foot in Rome. When Salvini observed that several great personages were waiting to be admitted, the King said, *‘let them wait.” He then went to his writing table, and took an envelope, which he gave to Salvini. ©It is a souvenir of this inter- view,” he said, *‘and I hope it will not be our last!” The envelope contained the order of the Crown of Italy. Injured by a Pulley. Alfred C. Gunnarson has brought suit against John Wright, owner of a building on the cor- ner of Sacramento and Polk streets,and Robert Ewing and M. Edwards, two carpenters who were working for him, to recover $25,000 dam- ages for injuries received through alleged neg- ligence. Gunnarson was playing in a yard adjoining Wright's house when an iron pulley bloek which the carpenters had Jeft hanging on the wall fell from its place and struck the boy on the head. He was unconscious for some time and it was found that bis skull was fractured. His guardian claimed he was in- jured for life. .. —— Home for the Inebriate. The Supervisors are awaiting the'decision of the City end County Attorney in regard to the valldity of the deed to the site of the Home for the Inébriate before accepting ox refusing the gift of that institution. Thesite is a part of the Pueblo grant, because they are | utterly impossible from a dramatic stand- | heaven itself, falls to the | MANY NEW ATTRACTIONS, Harry Mann, the American Impresario, Arrives From New York. BRILLIANT SEASON IN VIEW. Glittering Promlses for the Bald- win and California — Suc- cesdes of the East. Genial Harry Mann, president of the Al Hayman Company, radiant with East- | ern successes, dropped into the theatrical world quite unexpectedly from New York on Friday. “The reason for the phenomenal success in New York,” said Mr. Mann last even- ing, ‘‘is found in the production of such a number of novelties. Everything has been new—‘Trilby,’ ‘Madame Sans-Gene,’ ‘The Passing Show,’ ‘Too Much John- son,” ‘The White Flag,’ ‘Rob Roy’ and any amount of other attractions which were absolutely blocked in New York. They will all be here though before the end of the year,and I can promise San Francisco the strongest list of attractions ever seen here in a single season. “To-morrow night the Baldwin opens with the New York Lyceum Theater Com- pany, containing the same people who have been playing in New York. They openina new play called ‘The Case of Rebellious Susan.’” This will run but a week, when ‘The Amazons’ will be put on. Then comes_an entirely new play. Fol- lowing the Lyceum comes William Gil- lette’s big paralyzer, ‘Too Much Johnson,’ which opened the Standard last year and layed through the entire season. San ‘rancisco will be the first city to see this iece outside of New York. John Drew ollows Gillette with ‘The Bauble’ and other new plays. “The California will close for five weeks after the withdrawal of ‘A Black Sheep,’ and when it opens again. like the Baldwin it will run on continuously to the end of Harry Mann. the year. Between the two playhouses will be divided the greatest attractions of the year. “What will we give you besides those I bhave named? Well, there is the A.M. Palmer (New York) Home Company with ‘Trilby.” 'This is without doubt the strongest company that has been seen for ten years. KEddie Foy will be seen with his burlesque ‘Little Robinson Cru- soe,” one of the funniest successes of the season. No, there is no truth in the story of Foy going to sing bass in comic opera. Then'we will have the De Wolf Hopper | Company in ‘Wang' and ‘Syntax,” with Edna Wallace, the pretty little Caiifornian actress who_has gone up to the top of her profession like a skyrocket. It is truly wonderful the way in which that little girl has won her way. Think of her going out of the Empire Comgflny and jumping into comic operaat a bound. Why, she has made one of the greatest hits of the year in New York. She has simply captured the town. “Canary and Lederer’s Casino Company will be seen here in the ‘Passing Show,’ another success which ran through the en- tire season in New York. The London Gaiety Company ovens Palmer's Theater in September, and from New York they come direct to San Francisco with eighty- five people and all their scenery and prop- erties complete. Catherine Kidder in ‘Sans-Gene’ will be another attraction. She plaved for eighteen consecutive weeks in New York. Among the other attrac- tions which are billed for San Francisco are the Whitney Opera Com[l)any, Stuart Robson in a new repertoire, Marie Tavary in grand opera; Hoyt's' ‘Milk White Flag,” which ran forty-two weeks mn New York; Lily Langtry, James O'Neil, Louis James, Litt’s big production ‘A War of Wealth,” Professor Herrmann, Robert Downingin repertoire; Charles Frohman’s latest production, ““The Fatal Card,” which was booked for San Francisco twice, but which we could not get out of New York 80 great was ifs success. % ‘“‘May Irwin is coming here in_the ‘Widow James,” Roland Reed in ‘The Poli- tician,” Frederick Warde ‘In Old Ken- tucky,’ the Corinne Burlesque Company; Canary and Lederer’s ‘Twentieth Century Girl,’ "from the Casino Theater in New York ; Peter Dailey in a new comedy, Rob- ert Mantell in repertoire; Palmer Cox’s ‘Brownies,” which has been seen only in New York, Boston anda Philadelphia, and which made a remarkable hit in each town. “Frohman has secured Olgu Nethersole, the great English actress, and, tomy mind, the coming woman on the English stage. She will also be seen here, as well as other attractions, the names of which now es- cape me.” 4 lflr. Manu will remain here until the middle of August, unless something un- | foreseen occurs to shorten his stay. He is suffering from an extremely bad cold, con- tracted on the trip out, but he thinks he will be ali right in a day or two. NEW TO-DAY—AMUSEMENTS. mm“ sCo., INCORPD THEATRE !} #rors- TO-NIGHT (SUNDAY), JULY 14th, LAST NIG Denman Thompson's Play, THE OLD HOMESTEAD! Farewell Songs by the Double Male Quartet. TO-MORROW (MONDAY), JULY 15th, Hoyt's Latest Success, “A BLACK SHEEP!” 0118 HARLAN——as—¢Hot Stuff.” RUNNING fis RUNNING RACES! RACES CALIFORNIA JOEJEY CLUB RACES, SPRING MEETING! BAY DISTRICT TRACK. Races Tuesday, Wednesday, Thursday, Friday and Saturday—Rain or Shine. Five or more races each day. Racesstartat 2:30 ». 3. sharp, McAllister and Geary street cars p i Lhe gate. NEW TO-DAY—AMUSEMENTS. O'Farrell Street, bet. Stockton and Powell. Weelk Commemncing Monday, July 15, A MAGNIFICENT NEW BILLI 22 (REAT ARTISTS |-—22 THE CARNELLAS, America’s Greatest Grotesque Comedians. THE WHITNEY BROTHERS, Original Musical Comedians. MISS MAUD HARRIS, ‘The Charming Singing and Dancing Comedienne. KENNEDY AND LORENZ, The Mysterious Thought Transmitters in New Tests. BLOCKSOME AND BURNS, THE MUHLEMANN THE DE FORRESTS, SWISS TRIO, GILBERT AND GOLDIE. BARTLETT AND MAY, LES FRERES MARTINETTI. MATINEE TO-DAY (SUNDAY), JULY 14th Parquet, any seat, 25c; Balcony, any seat, 10c; Chitdren, 10c, any part of the house. (Incorporated), CALIFORNIA THEATER. ** &gk THE GREATEST OF GREAT HITS! AL HAYMAN & CO. BEGINNING — TO-MORROW — (MONDAY), — JULY — 15th, A FIRST PRESENTATION IN THIS CITY OF HOY TS PHENOMENALLY SUCCESSFUL FARCE COMEDY, A BLACK SHEEP THE SAME ELABORATE SCENERY, THE SAME GREAT CAST. THE SAME GRAND PRODUCTION AS GIVEN IN CHICAGO FOR OVER 100 PERFORMANCES. OTIS HARLAN - - as - - “HOT STUFE.” COLUMBIA THEATER. FRIEDLANDER, GOTTLOB & CO.. Lessees and Managers Igzr | TO-NIGHT LLAST CE AN CE e ONLY ONE MORE PERFORMANCE OF THE SN ATOR!Y BOX-OFFICE OPEN ALL DAY. TO-MORROW NIGHT AND ALL THE WEEK, SPECIAL AND IMPORTANT ENGAGEMENT OF MISS HEELEN DAUVRATY WHO WILL APPEAR WITH THE FRAWLEY COMPANY In Bronson Howard's Greatest Comedy Success, “ONE OF OUR GIRLS!” The Banner Play and Record Breaker of all New York Comedy Successes. Elogant and Costly Souvenirs Presented to Every Lady Attending the Opening Night's Performance. No Advanee in Prices. JULY 224 nother Great medy, “THE JILT."” MOROSCO’S GRAND OPERA-HOUSE. The Handsomest Family Theater in America. WALTER MOROSCO.... ...Sole Lessee and Manager, THIS AFTERNOON AND EVENING, LAST PERFORMANCES OF “THE PRODIGAL DAUGHTER!” MONDAY EVENING, JULY 1Sth, Seventh Week of the Eminent Manager-Author-Actor, WALTER SANFORD In the Superb Scenic Success, “A FLAG OF TRUCE!” EVENING PRICES—25c¢ and 50c; Family Circle and Gallery, 10c. Matinees Saturday and Sunday. perarv | TIVOLI OPERA-HOUSE L N AND Ca_.o Mrs. ERNESTINE KRELING Proprieior & Managse HEATRE “;caoofl:s_ TO-NIGHT—“TAR AND TARTAR.” Beginning Monday Evening, July 15th, ARTISTIC RENDITION. 0f Balfe’s Melodious Opera, in Five Acts, Entitleq “SATANELLA” o THE POWER OF LOVE! | Beautiful Scenery! Correct Costumes i Brilliant Light Effects! Elaborate Accessories! Intricate Mechanisms! Splendid Castt First Appearance of MARTIN PACHE, Tenor. Popular Prices—25c and 50c. BEGURINC JULY 18TH. sXA0RDAY, OF NEW YORK, Under the personal_direction of Daniel Frohman. THE PLAYERS: |ISABEL 1RV Mgs. CHARLES |ANNIE IRISH, |ELIZABETH TYRKE, E FLORENCE, . WIIFFEN, ER VALCOT, WALCOT, WILLIAMS. STEPHEN GRATTAN, WALTER HALI FERD. GOTTSCHALK, ERNEST TARLETON, EDWARD WILKES, | FIRST WEEK — COMMENCING TO- MORROW (MONDAY) JULY 15, The Case of Rebellious Susan. By HENRY ARTHUR JONES, author of “The Mid- dieman,” “Judah,” “The Dancing Girl’ “The queraders,” etc, The great success of the Ly- um players’ scason just closed at the Lyceum Theater, New York. SECOND WEEK—Commencing Monday, July 22, the new Farcical Comedy, THE AMAZONS, By ARTHUR W. PINERO, author of “The Squire,” “The Ironmaster,” “Sweet Lavender,” etc. This comedy ran all season before last at the Lyceum ‘Theatér, New York. THIRD WEEK—Commencing Monday, July 29, AN IDEAL HUSBAND, The latest English Society Comedy, the latest suc- cess of this company at its home theater, the Ly- ceum, New York, Saturday night orly, August 3, THE WIFE, | The first play ever given here by this company. BALDWIN THEATER. First sppearance in This city of the New York 2 Irving Elace Theater Stock Company. | ALL SORTS OF GAMES! igh class German co) y for 3 10 SUNDAY NIGHT PEJ&FO){“:E?\’NCES ONLY. SATE 171 RONRY Eulins) . ULY 21, n i A — Electrical Nllumination and Fireworks Admission to Park, 25 Cents. MavUD VE 5 |WILFRED BUCKLAND. PROF. O. R. GLEASON, KING OF HORSE-TAMERS. Central Park. Market and Eighth Sts.e SUNDAY, JULY 14, 2 P. M. Great Contest Between Man and Horses for $500. ALSO BAND CONCERT. Admission, 25¢. Reserved Seaf 25c. PICNICS AND EXCURSIONS. |1895. 1895. FALL OF THE BASTILLE! FRENCH NATIONAL CELEBRATION ! GRAND PICNIC! DAY AND NIGHT BALL! 14th OF JUL'Y, 1895, AT SHELL MOUND PARK, Commencing at 9 A. . and Ending at 11 ». a0, 4 SENATOR. With entire cast as produced for over 50 nights in New York (! Sale of seats open Monday, July 15, 1895. ALCAZAR THEATER. W. R. DAILEY.... Manager GREAT SUCCESS !— THIS (SUNDAY) EVENING, JULY 14, —ALFRED DAMPIER— AS “EXANVIIET Y’ Prices—15¢, 25¢, 35¢ and 50e. MACDONOUGH THEATER (OAKLAND). 4 Nights and Wednesday Matinee, beg. To-morrow. DENMAN THOMPSON'S PLAY, “THE OLD HOMESTEAD.” Seats on sale to-day, 11 A.M.t0 6 P.M, Popular prices. EL CAMPO, THE POPULAR BAY RESORT, NOW OPEN EVERY SUNDAY D Sasic Dancing, Boviing Bosst s usic, Dancing, Bowling, Boating, Fishi Other Amusernents. Refreshments ¢ City Peises 15¢, including Fare, round trip, 25c; children, rounds. E STEAMER UKIAH wl‘}l‘lewe ‘Tiburon Ferry 10:30 a. M., 12:10. 2:00 and 4: admission to .M. Returning leave £l Ca : 00 and 5:00 P. M. it o PDATENTS G R ™ BosT Osra A mo" n..s,hns..wfsvctco- 47