Omaha Daily Bee Newspaper, April 15, 1916, Page 20

THE BEE: OMAHA, SATURDAY, APRIL 15, 1916, MAGGIE TEYTE ~ w swsiowitiiccite OMAHA DOES LIKE JBRIGHT OUTLOOK FOR : : | Boheme,” with Felice Lyne as Mimi, STAR OF OPERA - o o . ‘THE GRAND OPERA' PURE BRED CATTLE Omaha Hears nn;_\;lorlhlpl Her as :T::::::E:;E;‘y‘r:-ro-::.": Audience at the I:‘;rst Night Show:jRecrnt Sales of Registered Stock / | Fiora ;: !hle.AAz:::Dg‘e‘:mTre Re"” ‘;):;:':5‘:':‘}':.}3&':‘:‘:‘;’:&&?::;’:;3::/74 Keen Apo[;regl:}::;?lz,{"?catmu | Show g’vi,AK::m;,:: Prices | ‘ fwo programs yesterany at ihe randels | guyoypps AT TEYTES KIS LIVE STOCK INDUSTRY BOOMING PAVIOWA'S DANCING CHARMS |theater, opening with n matines at which - A great deal of delightful music was pre By HENRIETTA M, REES, sented. The annual visits of this excel For once Omaha had the oppOr-|ient midddle weet orchestra always brings | Brand opera tunity of witnessing a brand new |[a pleasure to their friends and lovers of That fact was amply testified last | couraging than at the present time, opera before many years had passed '_"""W'Hlxm";"“ Th"dnfll"tl"l"'"u'fl:'r:'l" evening when the large Auditorium -vut' clally v"r']nvlmnk' l':' HI";::;}“'}";:‘ Ou r Se vew play mo ) T s J ) C i over its estabushment in regular m:;::: "‘l'""“_m'"::”f':" e et | YA 4'0“}|Turlnhlv llllv“l v:l!n‘ ..'x:“rn“ ‘;.,Jlml|v':“;n’y:'u"|’1‘»’v‘u’nhwknu:-!!unm‘v‘ operatic repertory. This happened |y i) 0 same ensy assurance, his inter- | thusiastic music - loving aud K‘“ RA\ eiiikostin o te A ban et Al | Thursday, when the Boston OPpera|pretations bear a distinct individualism, | Which thundered its salvos of up from & thirty days’ trip through the | " s | Company, with its aggregation of |and are intensely musical. The orchostrn | plause for the songbirds of the Bos-| .o O ? l SV[ ; fi’ ,,, 0 stars and splendid orchestra, opencd | '* » well balanced organization, and well | 455 Grand Opera company In wr, Duncan on his recent trip con (/e (1/71( Y X ()r( /.l ’1 r(/: 8 two-days’ engagement with|%1UIPped for the presentation of the dit-] ..., 000 1oi rre Re” and Its direes | ducted a number of sales of regis Of course Omaha appreciates That the tone of the Nebraska live stock Industry never seemed more en A 2 i fleult and widely different styles of music tered cattle in different towns “L'Amore Del Tre Re,” by MOD-|ypion make up its programs tor, Max Rabinoff throughaut tha stete! Some of the e ‘ o Y s #t the Auditorium, This opera was|ceptionally well constructed, It started | tion the Incomparable Anna Paviowa < ’ A G J boldt, Hastings glven its premier last year by the[™!th the joyous, always refreshing “Sur- | anq hor Imperial Ballet Russe—well, “"Im:f'w I'l“;" I“”'" poldt, § W L irand land, | prise’ symphony by Haydn, which takes | o oo pination was Irreststible— |04 Grand Islan Metropolitan Opera. company, and 16" Rams 1hs p " - 2 ) om the sudden fortissimo : The action of Nebraska breeder A Q 1 J was favorably recerved by both Dress | cnords in the lovely “Andante,” which | for those who had the price lin devoting more time than ever to YO00KS aNe erioalcaLs and public. It is an opera in which |(he old master wagglshly wagered “would reat was the rejolcing when the pure-brea cattle is having & decided Y. & J s cpens with a heautiful, almost modern | & gy o miaian Lallet on mecount " / - ] /. ) {ssue, and ""1:1""'"‘ 'l;“'“ '“"“’"" adaglo cantabile, which very soon devel ' in the middle west, Mr. Dunpcan (Aeras ana O0a0KS | Sharacters, incidents and motion are| . " s morey vivace ansal, with a / Thursday to the ef.| AVerred, and hus resulted fu the state| molded together Into a forceful dra-|theme first introduced In the violing, | €vening l'“’" v Thursasy torging ahead to the very forefront | matie work in tones. The orchestra | which after much clever and well worked | fect that Paviows had remained (n §) vireieed. sstils dlbivtats ( '/ . / (, s it Y 0| P p y 18 really the star throughout, The|out development leads into n graceful | Kansas City when the rest of the ol i ,()f 1 H'(/ an(l Vi i , make the ladies Jump.” This symphony | ethereal Anna herself appeared in the dramatic element {8 the main P h ] pp b eriasdob el " A It the weveral sales conducted b voice parts, while true to the text|®°cond theme and finally closes with the [ oornany wiarted for Omaha. The 10 JOYOr: MMM of a story which appeared in an return of the first This movement was Duncan are to be taken as a criterion | and decidedly singable, seemed al-| .. effectively elucidated by the or- | "LOTY orlginated with an enterpris-| registered cattio prices are noticeably on | ways to be more 11%e other different | chestra, with careful regard for yts dainty | Ing Kansas City reporter who mis-|the ascent. He found that regiatered I_)()“/\_ « N(/ Y(l ch/’ volces of the orchestral part than|phrasings and strong rhythmie pulse. In | took another woman in the lobby ":l"”'m"'r'r":"::';“- ."..]:'.'f,‘:“".'f..."'l‘i'f,“ % | qmn / / h | predominent at any time as solos, |!h® andants and varlations Mr. Ober-(of the Hotel Muehlebach for Anna ab |ym- “;m. Thae ;f‘" ¥ il hoffer drew from the orchestra m great Pavlowa, after the troupe had de y ¥ Musie Drama of Power. varloty of tonal heauty and many en- Sad fex Outah { ‘wine th Better Farming Methoas, I, , ) , ] 3 )l / l (V l ] In wpite of the fact thac no melody i |chanting planissimo effects, that mads | PATLed for Omaha, and wired in the [ e puncen trnces the rise, more (hat urnivure anda ousenoutt Crood. | to be found, the music s flowing and full "’0::;/-!-/ theme .ml its Illmfy 'm.mry of | story, :m;:hlr'.[ 'n'-., .‘4, " ‘Ihn.,n.- ‘ “L ly,‘.xu‘ .t | variations an exquisite bit of interpreta " v Btayed Homie, mothods of farming and live stock bree :;ev::.x1:;‘:“1:"::;.::»;.:::‘:& :'v‘\dlll.'::;l:; tve art, The quaint minuet reads| v .-’“I..y'u h n,lmm'llw'. :n):‘\\ grand :'u( The lrl‘rlnhh- .nmm‘ for the bettes L 1 5 l B -/ l . M . . / : s olto, and the ” e 8 n pure-bred cattle circles s apparen / / / i much effective phrasing all through it [ This symphony in spite of the fact that "fi’ ORI ORIAIS oay DATRUARY ",',',;'; ',\,I}t,,“‘,',‘,w,,","‘,,X,Y,”.“"“’: ',‘,.',‘,,‘ alug | This opera Is extremely modern In s (¢ 1y approximately 0 years old never [ *1'¢'® )# 1o doubt that father's claw 100, M¥, Dutioan &Aded, has osaaslonsd & D, ¢ Myle and harmonies. The Jending mo- |iopey fta churm, and ita lovely melodias |MMMer, pleated sbirt and ailk hat wan |00, ¥ A o g Aot o i [ 1UN0¢ (l//n/(l Ml/.\'/('(l/ /Il-\'/l’l( '”()ng v, which has been 80 dominant since | neyer aoem to age. It demands-s most |Ild out for him in many local home |Slo%er aPPlication to the auestions per. L w AT T | fhe days of Wagner, upon s fifst NesT- |y insq performance from an orhestrs |iaat evening, the intent being to plead, | gran yields A5 does not seem to be Used to en¥ g "Ll that many s modern number cajole or threaten him into attending the| Mr. Duncan (s one of the moat arden { £ and carried forward by the orohestral— | 9UANtY or lack of dexterity upon the part [wuccossful was equally evident by tho |which wili be held in Omahw October shall 1 say background? It was really [°f @ny of the performers immediately [number of women who came alons or |2 to 7, inclusive. In his associntions with more than that. The dramatie climaxes |*1OW8 upon ita polished surface and mars [in small or Iarger groups, unescorted ve stock men in the last few weeks of word, action and muslc were of the |the production, lh‘l(\’:l”rl)‘ wan there, but less of 'Mg::.::lwx. 1:;’:‘.‘1. ):-m:mi‘,":;”’m::”:‘v7» “':‘u.‘,:.‘ M(l (-/,/ 'l(;r!/ (l ’,(/ I(},,//.(/’./'l/()' N The 9 Y Beo | pusl ers thronged the malleries and |live stock fraternity recogniz he pre- | C / ressivencas, The artists heard in the ; "I t withoUt, sxception eftece | NOVoR followed. This majestic overture | ™ or "o b SRR \gners, notable | mier position of Nebraska e PAVES._Whre Withou o poichpdles Is o masterplece of dramatle unity, and o d both voosily aind: histrionloal ' musioal enthusiasts, were noticed In the | Breeders, nccording to the auctionser ive, and both vocally and histrionlcaliy |, yia) strength, and glows with the pas. caglpped to glve the greatest satisfac- 4 first night audlence, tare already boginning to make nctive slon and fire of this great master. 1| Comine aftor the somber tragle expo- | preparations for the big Omahs hog | . tion and delight to the listeners, s | | ¥ many themes are woven and developed lsftion of "“The Love of Three Kings," | show classio—s show that will he by tar | r i M e Teyte In Im. with the most gratifying results. Mr. |(jq Alry, fairy “Snowflakes” from Tachal- the greatest exhibition of swine ever | . [ i Miss Maggia Teyte, slight and beautiful [ Oberhoffer conducted this remarkable kowsky's “Nut Cracker” ballet drew | staged n this country=which means the | fo gaze upon, far bheyond what we have | composition entirely from memory and [thunderous applause from the galleries | entire world, | | come to expect In the land of prima [led the orchestra through its many intrl- [and more “Indy-like" approval from the | o o ? J | donnas, was cast for the unfortunate |gacies to & most effective climax at the |arens floor, """;’" of Bhow Aserved ‘ Out lve lt 1 . e Vo) o » princeas. Iler volco Is beautiful, clear. |eloss with great success. An encore was " * Live stock men are of the unanimous S u e u ness ()r 4 . high, and of a timbre whish oarries It |demanded at this time hut not permitted OB, You Maggis Torte! opinfon that the progremsive apirit of | e o 4 t without any forcing to the furthest din-| Two Debussy numbers were siven, .Anfl Maggle Teyte! The dainty little | Nebranka breoders alone insures the suc- | . tances of the hall. It {s wide of range in which airy bits of melody | INEWAh sonkbird wang hernelf right Into fcoss of the show [ . ; and well oultivated, and answers readily | flontea upon a “wide expanse’’ of aus :lw ).wulln of ‘n\h.- \nll‘nvullrl\rn oven If) The Omaha auctioneer is making plans | / i fo whatever of emotion or mood ahe de- | tuined accompaniment, with many un. |1 composer .«;y temozsl was unfeoling |to conduct this wummer what he ways | u /ll/ s ,/1 ( ? () ?/( T ‘ mands of it. She sang the part most [y. combinations of Instruments and o | M0USh to give her so unmympathetlc a|will be the “Iargest sale of Improved i , . / b, : ' [ effectively, although perhaps one would | .00 string cholr, and’ "Vestivals’ s |™°M* farm lands ever attempted by one man [ look for & littie more fire and warmth | C oty FE SO RAC hythmic, | T Wish T knew what she was talking | Fe will sell at public auction July 11 to | . in an Italian princess of mediaeval times, y rastec and of & rhythmic, |apoyt, though, Then maybe T could help | 15, tnclusive, twenty-four improved farms | Y4 2 j However, Miss Toyte brought out the |J2Y0US Nature, yet alno showing the m-Iher.” exclaimed an imperturbable youth |near Wisner, Neligh, Crelghton and | /’/ ] i patrician qualities of the princess to per- | Pressionistic idean of this composer. The |in the audience as Maggle, torn by her Bristow. Thess farms, the property of | A | fection and won a Iarge share of sym. |PrOSTAM closed with the overture “Car-|emotions in the second act, warbled hor |y Fleming of Wisner, comprise over ,u’-( ; pathy by her interpretation of the char- [PIVal” by Dvorak, which Mr. Obsrhoffer |lines in Ttallan 4700 aaves ] Soter. also ;’onduclm ‘wmmul ::orn and which | Of course, this shouldn't hs for pub. . | was given a spirited performance lleation, but it was a new kind of kiss | Y "’;"d: & ':;':‘. ':::;‘ ; w0, who | Mis Leonora Allen was cordially wal- [Maggle Toyte and Zenatello Introduced CREIGT"LT&N CHéPTER OF PH| | ; i 909 Mardeny 0 'A :.b 1do, the blind |S°Med In her two appearances; first in the [to unsophistionted Omaha. The “kiss BE S ELECTS OFFICERS{ ook the part o ronibaido, the nd | oria ‘Bottly Sighing,” from “Der Fries- |business”” aronsed no uncertaln snlcker , 1 king, had the leading masculine role, and (g or o'y “Wonar and “Ah Mon Coeur,' |Ing In the audlence, which, 1t s wafe to| The Alpha Alpha chapter of the Phi | M:l" rr“nmnnl ';":le -’"‘:‘l‘:.llvn.'tl.‘u:::":: from “Mireflle,” by Gounod. Her volco |*Y. has not seen ita equal for length | Beta Pt modical fraternity of Creighton : and as an actor he wi o of duration on any Omaha bo Modical colloge held fta annual election 1 desired. 1ls volee 1s blg and resonant, a8 hobmaa of miivery. auatity, partion 4 ‘ T, e I‘n smoker at the Loyal hotel larly sweet and powerful in the high| The owns of Miss Teyte, who had the | of office i and especially adapted to the intensely notes. Her enunciation is good and her | MY Woman's part of fmportance in the terday evening, dramatic music which fell to him, In the technio delighttully clean. Cornelius V opera, were of unusual richness and| The new officers chosen to serve for the j :‘"m:‘:""fi lc:!ml"‘:"' :.'lc::: ‘:P:""m’: Vilet proved himselt a virtuoso cellist of "i?."".'. na every woman who attendod | first semeater of the next school yenr are | .".:::-.{“: ln‘!,:n:fl:“om the greatest accomplishment In a “Fan w Attes as follows P. B. Kane, Butte, Mont., \ & c I tasy” for ‘osllo and orchestra hy fer archon; J, L. Draney, Seneca, Kan., vioe | Glovannl Zenatello more than made up | (gl oo, A€70 BP0 2 semorin” Mr. | KEARNEY WOMAN IS archon; Lu J, De Bacher, 8t. Mary's, Kan for a slight uncertainty at the start by MARR'ED AT cHICAGo socretary; R, I, Mullln, Omaha, treas Van Vi ) the warmth and d1amatie fervor which ho (l:";'::l"'d":":f: iyt the put Into the role of Avito, His volce y olinist And interprets i musically. ° CHICAG 1l Spoc Stapleton, Worcester, Mass., chaplain [ 5 SN 0 hrsat wmse, ahd ke \ere slcally. He draws a tone of great HICAGO, 111, April 14, —(Speciul Tele i . . warmth and power from his inatrument. [ gram,)-Miss Wilhelmina Yocum of Kear. | The &uest of the evening was Dr. W, ¥ / . .;1 ":'l:m vlm.:nfl.::{l Ou?u;m ‘:‘:r He responded to an encore with harp ac- [ney, Neb., secured a license here today |1#onard of the Theta chapter of the Un| i e MAnfredo. was decidedly conslstent 40 | oorneniveent to marry Glen Barrer of Chicago. versity of Chicago. his part, his volos and manner of singing : P making him a welcome addition to the | The evening concert was also a highl \ | other stars in the cast. e was espeoially | ®NJoyable affair, the program containing @ood in the second act, whers much dra.. | Other important nurgbers to be found in . e 'he chorus | OTcheatral Iiterature, Owing to {11 watic expression fell to him. The chorus | °F & to flines 1 ! The r | sang with excellent ensemble and in the [ Which confines him to a local hospital g A small parte, both i the opera and ballet, | M™- Touls Graveure was unable to ap Assort- frigerator | urer; Ray Traynor, Omaha, editor; H. B earch these Ry, Miiansont. - th veated the aria from “Der Frelsehnts conductor, main- i talned u finely balanced performance, | MPIch she sang In the afternoon and gave | 1 is i and brought the orchestra and singers :," "": f:f::'nfl';l'::nw 2 h‘r u.”u\.-,m | " " . ; . i dramatic climaxes, which were of a mag- | h® concertm » Won his audience in A 4 ere, 18 ] . 1 ) g l. 7 REL 1 N O el | st el | Best (B - columns every day for just the things ! close of the firat aet, and the vital mo- [Eram closed with two Wagnerlan nun Q l‘t m stock | l l . I pents Immediately pi ding and follo bera. no effective numbers wa . @ ) ¢ ¢ g \ J ‘ B ootz touasting sad it { S, ety the aftstivs wombers e uality » | youmay be able to supply them with { Other members of the cast added a[one of the most popular of the recent or E l f Il | . 5 tat deal to the different minor parts. | b ompositions. he i ene [ o el e the it mincr parshastel comprtions The i name at a profit to yourself, so . . b e R S T e | oo ra e | = [ By a]] megn #oenery and costumes as that which was | them for results standard size High quality, mineral wool lined re i s s, ot ves ot e, oo, 4 2o e o (| Wape |k i | § ! lant jov, and adequate for the size of | what they lacked In number and kave the S 3 the bullding. Never before has Omahs |orchesira and Mr. Qberhotter deserse) Sky blue and your o rmg, phone ‘ e g B B e gl i e L LT e B o e ! o or send your Ad in today. - Bad & Visit from an opers company applause LA which furnished so b in the way of s d the Auditoriun low tering attention, and rent curtain calls after each of the acta were lowa Misteess of Avt erpense After & short intermission “The Snow enable flakes ballel, arranged from the “Nut D Bdwards' Oltve Tablets, the » ihe o l racker Bulte, by Tsehalkowsh was | 1040 for calw won he bow given by M Pa s and her col o the work ’ Mive Tabiets aot gonily S o e beated ballet This pened with o . Witk bad breath find ey Dance of the Snowfinkes’ by the on. [0 " ™ - h Dr. Kdwards e See e ballet, which by the gre Haht N \;1..“‘ Earconted ta “ PARLA Wade & & ot | taken for bad breath by all wh money Bosa of e partheipas ade & series of v L Biue oy Ourn ' SVarehanging and beautitel stage B e Colfes Pot tor . \ Revs. The Teohaibowshy musto i sape . ‘4 e slaas and with M. Volinine aenin | g Shuwed Omada sudionces what ihe S of the damce might be . Wi L eriping Phat. Shy Bhue or Oy Diah Pang | disagresabie sffecis of any & e F M Biwards deoversd the ¢ NAy Wiue or Ongy sk \!.\.u‘: e e ey smbodiees wala after o .y of pre e [ e ey of v aming patienis alfileind g T 5 Ben or I woud et be | vee o AW W Altendant bad Shy Biae or Ungs savory Hoast @ A duisiy Pas @ Trol tul broath s ow The / ] whoning ballet with eni) » D Rdwards Olive Tabists wee & \ Bonky Wue or Owmpy Neckin \ f ; ,;,:,:‘ v "h E 2 veiiahi i g o Kettde fov Lhe " Bine o Ours Tea LU \ ] ¢ Wil hnew hem by - e 1. — - e L] i Renn s : S awk W0 | waek and Rt Abo attuat. i o Place to > : 0 e e el b SRS Trade : TON'GHT AL & Balinee pertormanes (hin after | Die