Omaha Daily Bee Newspaper, December 2, 1900, Page 12

THE OMAHA DAILY :niié SEGLANONOGORGOOREP 00O AMUSEMENTS. GRGBEDHEBRGELB AR DHOHRHDR S To those who sesk pleasure and profit | in playhouses the flual three days of the | week made up amply for whatever of the unworthy might have preceded this tri- diurnal treat. Miss Marguerita Sylva, who bas worked her way from the ranks by pure pluek and hard work, has so far established herself in Omaha that she feels assured of a large and kindly disposed audience whenever {t {s her pleasure to appear. Although she has found & warm place in the public heart as a sweet-voleed singer and clever actress, the more charming part of ber is reserved only for the few who know her personally. For though the first twenty years of her lite were spent In Belglum she s thoroughly an Amcrican girl at heart and duriog her brief stay ¢ four years here has converted herseif | a cls-Atlantic product of the hest type. Sha has all the enthusinsm, ambition and selt-reliance, as well as the beauty, which sot apart the women on this side of the water trom their less free and gifted sisters in the older countries re years old,” said Miss sive way, “1 never took without belng aecomr or governess, Some- 1 would persuade the | “Until 1 Bylva, in her impu a step from h panied by a relative tiues my sister attendant to walk ‘a’ block beliind and then wo would play we were alone and walk proudly aiong the avenue. one ever dreamed of a gifl' 6f good famlly working for a living Young women were supposed to desire nothing more than to live idly in their little clrel ] their parents should say, ‘Here Is a man rich and nuble enoug for our daughter,’ und then is con- ventionally married Many of my relatives Cathoiics and several melite convents, so that th eral ernation when | could bear o longer every ambition and a-tive tupulse red and when I announced tbat 1 was golng out Into the orid. When they learned that I was etudying for the stage | was given as beyond redemp- | tion 1 went back to Brusseis last sum- mer for (he first time In four years and found all my girl friends warried and scat- tered, some in Russla, some in Paris “The place did not look like honie to me and | was glad to get back to New York, | for 1 love everything American and only | regret that I was oot born here. In Bel- | glum the men are more polite, perhaps; they hurry to open a door or to recover | & handkerchief, but they may offer you #cme covert insult the next minute. Amer- | fcans are le: given to such liitle courte- sics, but you know that they feel for one a real respect, which s a far higher com- | pliment. Then the Belglans have such nar- | Tow, ‘petite’ minds; they are mot broad | and strong like Americans. You wish to know of my first effort before 1 had learned the language? It | was In London, where my mother had ac- | companied me. 1 had attended the musical | conservatory Brussels and at a recital in London W. S. Gilbert noticed my volce and was later good enough to persuade my mother to allow me a trial in opera. To see whether it would be any use he himself went through the part of Pygma- lon and 1 did the best I could with the Galatea. Although I did not know the meaning of half the words I had studied the part faithfully and managed to please Bim. “Then I weat to New York and finally £ot an engagement as Carmen. That opera | means more (0 me than any other and I only hope some day to be able to go back to it. It was 80 well suited to my voice and there 1s such a chance to put one’s best work into t. 1 do not feel so about the Princess Chle," was she devout | Car- en- very in the re was The engagement which has afforded the most real pleasure to Miss Sylva was that with Alice Nielsen in “The Fortune Teller.” She speaks of Miss Nielsen in the most en- thustastic way as an artist without jealousy and a woman of the most lovable personal- ity. “During my cornection with the com- pany,” sald Miss Sylva, “Miss Nielsen made my life very bappy. Often sho has taken me forcibly and thrust me out before the cur- tain. You know what an impulsive little thing she is? I do not think ‘The Singing Girl' 1s as good an opera as ‘The Fortune | Teller,” but. it really glves more chance for Miss Nielsen tc show the merit of her volce. I was 80 attached to Miss Nlelsen that I would probably never have left her company 1t she had not Insisted upon my golng into larger work." Although Mlss Sylva has been en tour for nine weeks her volce shows not the least in- dication of wear and tear. She has sung often in nine performances a week and on last Sunday had the first whole day's rest for six weeks. Her part, in addition, 18 particularly heavy. In order to meet the constant straln of her work Miss Sylva takes exceptional care of herself. It {s her tnvarlable habit to go at once to her hotel atter the opera and she docs not venture outdoors when the weather Is favorablo. Her only outdoor recreation 18 horseback riding and this she has been obliged to glve up for the winter. It 1s this conscientious endeavor which has brought Mies Sylva her success and she does not regret giving up play in the furtherance of her art. *'I don’t mind hav- fng to work hard,” sald Miss Sylva, :I\ln(l &n Involuntary glimpse of her ambition and cmergy, “because I feel that each perform- ance advances one just a little; don't you think 80?" Her tour will continue until May, when she will have her play days all in a heap . “My idea of a good time is not like that of some other stage people,” sald Miss Sylva; “l enjoy most of all going out into the country where there are plenty of cows and dogs and horses, and stmply golng on larks with my friends.” When the professional interviewer came to himselt at the end of his visit he felt with some dismay that he had forgotten his mission. He had not even taken a wental note and had asked none of the questions which he had prepared against his coming. Miss Sylva's manner had nothing in common with that of other prima donnas he had met. There had been a friendliness in hor greeting and a genulno- ness in ber hospitality that had thrown him off his guard. He managed to remark, however, that now that the princess has won our hearts it is but her bounden duty to come often o claim them. Miss Sylva expressed the warmest appreciation of hev DeWITT’S Wiich Hazel SALVE A well known cure for Piles Thissalve cannot be equalied wherever asoothingand healing antisepticappli- catfon is needed. 1t quickly cures sores, cuts, burns and scalds without leaving ascar. For piles, eczema and all skin diseases it is considered infallible. Beware of Counterfolts Unscrapulous persons may offer you worthless imitations. Takeonly theors fginal DEWITT's Witen HAZEL SALVE | Woodara | train for Chicago, the starting point of (he | “Lost Chord” before the performance of | biggest burlesque companies of the country treatment and | hoped to m the people of Omaha t them soon againe by happenings at dramatic | 1 a conspleu- Among the Creighton university performances have alwa ous At present the etudents are preparing to sustain this tradition. The members of the Crefghton Dramatle Circle are making elaborate preparatlons for production of the popular drama, “A Cele- brated Case.” The date set for the play | is December 12, The diligent work that is | being dome by an unusually pleasant every y 8 h | place. | strong cast | under the direction of the popular and able Prof. Dincon gives every assurance that | the stirring incidents of the plot and the | diMcult role of several of the characters for which this drama is coneplicuous, will be presented in a creditable manner. | The leading character, that of John | Renaud the hero, will be assumed by John | Bennewitz, whose elocutionary powers aro | peculfarly adapted to the part. Danlel Hurley, a favorite at the univeraity and | In the city as an amateur, will be at home in the part of Dennis O'Rourke, a true son of Erin. The difficult and desperate cheracter of Lazare, in his double role of villain and counterfeit Count de Morne: will be given an able portrayal by James In fact, the showing made In the re hearsals by the whole cast I8 so promising that the members of the Dramatic cub are enthusiastic. The sa is true of the tudents' Library aecoclation, which s | heartily co-operating for the success of the | ¢ inasmuch as the proce the maintenance of the library. These foual dramatic performances are tho al means of support for the students’ and reading room, which are free ds are to go The Metropolitan Euglish company will conclude ite se: in English at the Metropolitan opera house, New York, ou December 15, The following Tuesday the entire organization, {ncludin principals, che orchestra, ballet, ma- chinists, scenic artists, stage carpenters and property men will leave by spectal nd Opern on of opera | tour to be made of the leading cities of the country. The orchestra, as a tribute to the memory of the late Sir Arthur Sullivam, played ils “Plnafore,”” which was presented at the Metropoiitan opera house on Monday night for the first time with a grand opera cast. Coming Events. The production of “Quo Vadis,” under the direction of F. C. Whitney and Edwin Knowles, which will be placed on view for the first time in this city at Boyd's this evening and will continue Monday, Tues- day and Wednesday evenings and Wedne: day matiee, s likely to arouse interest beyond the ordinary, for the theme of the play ts one that appeals to a large propor- tion of the public who seldom visit a the- ater, as well as to every habitue. Messrs. Whitney and Knowles were the first theatrical promoters to realize the stage possibilities In Slenklewic's widely- read rovel, and the Instantaneous success of the play parallels only that of the book. London, New York, Chicago, St. Louls, Cin- cinnatl, Detroit, Washington and Phila- delphia were the only cities in the world favored by a glimpse of the Whitney- Knowles production last season. By reason of an oversight on the part of the author the stage rights to “Quo Vadls" were never protected by our copyright laws and as a result there were dozens of feeblo imitations launched upon the theatrical sea promptly upon the announcement of the great success achieved by Messrs. Whitney and Knowles. Few of these survived, how- ever, and the stage version made for Whit- ney and Knowles is the only one that has recelved noteworthy consideration. These gentlemen are also credited with glving the play an adequate production, while all others depended solely on the dramatic fu- cldents of the book. To those who have read the great Pole's masterplecc of writing there Is sald to be little cause for disappointment in the stage substitute. It s declared that it conveys with even more telling effect than the book the terrible martyrdom of Chris- tians In the days of pagan Rome and sup- plies to the Imagluation what some minds may fail to grasp, even with such guidance as Is glven by Slenklewlc's marvelous de- acriptions. To undertake the dramatization of so comprehensive a work as “Quo Vadls* is no fdle task, but It {s belleved to have been discharged with a skill that has wholly met the requirements and restric- tions of the stage, at the same time keep- Ing Intact and convincing the story. Promiucnt in the big company will be seen Harry Koberts, Marcus Ford, Joseph Calla- han, Willard Newell, George Schaeffer, Winnifred Bonnewltz, Mary Emerson, Ellen Hill, Grace Turner, M earne, Annle Richards and Florence Stanley. That facile comedian, Willlam Colller, who was once elected the funniest fellow in the Lambs club, a nest of mirthful chaps of the stage, including in its membership DeWolf Hopper, Nat Goodwin, W. H, Crane and about all the other favorites, has a new play for this season, which he will present at Boyd's theater next Friday and Saturday, giving a matinee Saturday afternoon. It is entitled “On the Quiet,” a name which is mildly indicative of the theme of the com- edy, for comedy it is, and of the cleverest and most laughter-provoking character. It treats of the strateglc energy of Robert Ridgway (William Coliler), who courts Agnes Colt, who Inherits $20,000,000 on con- dition that she warries with the consent of her family. Horace Colt, her brother and guardlan, objects to her wedding Ridgway, but finally consents on condition that the lover return to college and does not sce or communicate with his intended for four years. The lovers accept the conditions. but as seon as the stern brother's back fs turned Ridgway Insists to his sweetheart that while he is willing to walt four years for her brother's consent and thus save her the millions, he cannot see his way clear to walting so long for his bride, This leads to a caring but wholly legitimate subter- fuge on thelr part, Mr. Colller {8 supported by an unusually talented and well disciplined company. In the cast, impersonating the valet of Ridg- way, {8 & Japanese prince, who Is a grad- uate of Yale, named Sochiro Olda. The success which has attended Miaco's Trocadero from the opening of the season last September increases day by day. Man- ager Rosenthal has decreed that the good work shall go on, and a long line of the are billed for that house in rapid succession, One of the most noted and successtul of all 1s Sam Scribner's Morning Glories—a show that has set New York and all the east to talking. This stellar attraction will be seen at M Trocadero very soon In the meantime, comes the Dainty Pares Rurlesquers, another big show, which opens @ week's engagement with a matinee this afterncon, This company carrles twenty teautiful chorus girls and seven of the funniest men that ever dropped out of funnyland. Two laughable burlesques, A Faireos Farm" and “Parls Upside Down,” are presented. The all-star olio of vaude- villo includes: Eddie Devoe, acrobatic tramp; Jeaunette and Shaw, character com- wedienues; Oarroll and Ellston, comedy en- tertainers: Morrissey and Rich, farceurs; | | wiit | Anne Pa the three Sisters Leon, the world's greatest novelty acrobate. The Leon sisters have re cently been added to the company, coming direct from Paris, where they were engaged during the exposition. This feature alone 13 worth the price of admission to the whole show The engagement of the Streator Zouaves for one week at the Orpheum, beginning at the matince today, is an event of more than ordinary intercst to the amusement- loving public of Omaha. The Zouaves are the champion drill team of America and possess the distinction of belng the first crack American drill team to appear on an Omaha stage. At Kansas City, where it has been the star feature on the Orpheum biil for the last week, the greatest interest wae manifested in the act and there were many fn the audicnce from the classes that are not regular theater patrons, The laughable travesty, “Quo Vadis Up- elde Down,” 1s also a newcomer. It will be presented by the two well known ar- tists, Al Shean and Charles L. Warren, who have been touring the eastern circult with much success. Lizzie B. Raymond the character comedienne, has been seen liere before and established herself as a favorito with vaudeville patrons. W. C Ficlds {s known to everybody as an eccen- tric juggler. Tho other entertalners who put forth thelr best efforts to win favor are the four La Mothes In a big bar and costing act; John A. West, come- d'an, and Wessau and Walters, comedy sketch artists Nebind the nas W, Miner wn to Miss Antc vom. » Brauer of Newark, Rirronehs' starring tour in “The the Strong’ opened on Nov Jofte befere university last ThursAay: €. Haddon Chambers will pay a brief visit to this country next month to gather ma- terlal for an American play Mark Twaln was the guest of the New York Press club on November 12 and_of the Soclety of American Authors on No- vember 15, Lulu_ Guase Joseph ma n e lectured upon o students at Princeton r in the new opera, “Sweet will be seen at the Manhattan theater on' December 8, succeeding Grace George in “Her Mafesty Alfred Ayres Inst Thursday dellvered an address before the pupils of a_ fashionabls uptown boarding school onthe eubiect, “What 8hould One Do to Be an Intelligent Patron of the Drama. Vireinta Eatle has been engaged tn ap- car with i y in the new Morton Kerker musical comedy, originally called The Golden Cup.” but' now rechristened “The Gurl from Up There,” James Young had an {llustrated article in the Baltimore Sunday Herald of a recent date on the romantic playy of today, in which he argued for more consistency and truth In their dramatic construction Bylvla_Lynden's portraval of the adven. turess, Marcelle In “Woman and Wine, has been choten by Albert Ross, the author, as the model for the chief character in a new novel which he Is now writing Richard Mansfleld has been invited to lecture this month before the Cercle Fran- cals of Harvard university and before the faculty and students of Princeton univ #ity under the auspices of the editors of the Nassau Literary Magazine. His book- ings do not permit him to accept elther invitation. May Ifwin, in fulfillment of a contract, will glve a special matinee at the Bliou cn December 12, presenting Ramsey Morris’ new comedy, "Madge Bmith Attorne Joseph Sparks and Ignaclo Martinetti have been engaged for the production, The now comedy. if it# trial is satisfaclory, prob- ably will be Miss Irwin's bill next season. A nTn B BT BT MUSIC. Ry ol o ol ot ot ol vl ol Al o There is a class of would-be musiclans, or, to use the better description of & well known humorist, “musitianers,” which de- serves and recelves the condemnation of all genuine artists and art lovers in the pro- tession. I refer to the people who dacry and denounce musiclans who have made enviable reputations and who bask in the sunshine of prosperity, Of course, this country is free and unlimited, and its in- habitants belleve in it (even If opposed, some of them, to the sacred ratio) and, among other gifts inuring from our free- dom, 1s the right to criticise, In season and out of season; but, when criticism descends to abuse, and comparison gives way to fabrication of apparently mallelons and certalnly mendaclous misrepresenta- tion, It seems an honest expression of one's judgment on the matter Is demanded, irre spective of the aforesald existing freedom. Let a man go to the top of the ladder and he Is subjected to the most merciless attacks of the people who “also ran.” A good man in the musical profession is usually the target .of the multitude of amateur arrow-drivers whose weapons, like those of earlier times, are tipped with the poison of jeslousy and driven from the bow of envy. During my career as the musical critic of an influential paper I have been obliged to use some delicacy in discrimination and I have heard many sides of one story. I therefore glve my views to the indulgent people who read the musical column of The Bee, so that “‘he who ruas may read The musiclan who has “done things,” who has evolved original “creations,”” who has interpreted art to the unknowing, has his own satistaction in that he has dome his duty, and when the clown says ‘‘Hoop 1a!" he can smile, when the small-bore guns shoot, he can laugh, for ho 18 invul- nerable and when the think-plant of the opposition becomes bankrupt and is out of the business he can be serene and certain of his own God-given power. Many music teachers will realize the underlying thought in these lines, and will say with Browning: God has a tew of us whom he whispers in the ear, The rest miy reason, and welcome; 'tis we musicians know Permanent success demands permanent effort. Let the successful man be re- spected, He ls—in business. Why not In art? I have been asked many times why we could ot have & good permanent orchestra in Omaha. I am always ashamed to say that I know of no impediment in the way. Omaha should have a permanent orchestra and Omaha could Lave one. After much deliberation on the subject I have come to the conclusion that the Musical uuion cannot furnish a conductor. Let ft understood that I do not state that the union has no conductor whose ability s commensurate with the task , I mean simply this, there s, to my mind, no con- Quetor in the union who can unite the best, the very best, Instrumental forces. I believe, therefore, that we must look outside the union for a conductor, and my eye falls at once upon Sigmund Landsberg, a musiclan who possesses great gifts, tal- ent, knowledge, magnetism, enthusiasm and executive ability. 1 recommend, therefore, to the Musical union, the name of Mr. Landsberg as the one who can lead the instrumental forces to achievement and distinction. This is not done with a view to push Mr. Landsberg into prominence, for I have not even asked him for permission to use his name, and his work as a planist has already secured for him about all the local honors he requires in his bustness, be The organization of a permanent or- chestra will necessitate the gemesis of a supporting fund. This could be secured if it were looked after. Let the aspiring emateurs and business music-lovers talk. This column Is open to dialogue. It was my privilege to hear the great Innes organization at Lincoln last Tues- day night. The band will surprise the Precared by E. C. DeWITT & CO,, Chicege, | the Grahams, comedy sketch artists, and |warmest members of the “Ipnesites” aud Note the Prices: ke the 24th street line How to Get There Tak: the Dodge street car and get off at the door. street und walk four blocks east. o =y MBER AMUSEMENTS, Coliseuum (AK-SAR.BEN DEN) THOROUGHLY HEATED Today at 3 p. m. INNK Tonight at 8:15 and his BAND Including All the Great Operatic Stars Boyden, Noldi, Zerni and Alberti and get off at Lake W I can truthtully state that I have never hcard, In this country or any other, & band whose ensemble playing was so thrill- ing, so sympathetic or so surprising. Mr. Inncs has placed all his brasses in the rear of the stage and his harplst occu- pies a front rank in the orchestral space, while a zitherist is to be seen In the im- mediate foreground. The conducting of Innes challenges one’s admiration, because, even in the accompaniments of the most diffcult recitatives and arias of his solo- f6ts, he never uses a score. As to his solo- ists, space is limited and that prevents @& recapltulation of thelr merits, while thelr demerits could be dashed off in a einglo llne. Lovers of good music will be sure to hear lones and his wonderful organization and will encourage him by thelr presence. Innes has established a | record for the best that band instrumenta- tion can afford and he deserves the appro- | bation and financial support of those whose mottoes are “Excelslor” and “Down with Trash.” If & man or woman iu Omaha doubts the need of an auditorium he or she should ponder over the fact that Lincoln, havins an auditorium, will present a season of grand opera by the famous people of the Metropolitan Grand Opera company of New York, whose tour Maurice Grau s direct- ing. Anyone who knows anything about operatic conditions knows that Maurice Grau is the ‘Lohengrin” of the modern mueically dramatic world. He 1s ably represented in the west by Mr. Willard Kimball of Lincoln, who will present at the Lincoln Auditorium, one week from next Wednesday, a few operas which are the pick of the repertoire and which will be produced with the special object, on Mr. Kimball's part, of giving the people their money's worth. He proposes to pre- sent “Romeo and Jullet,” the greatest emanation from Gounod's facile pen, on Wednesday afternoon, December 12, and on the evening of that day the timeworn but beautiful opera of Donizettl, founded on the story of “Lucia d' Lammermoor,” will be given to the public. This I8 an opportunity which the people of Omaha cannot afford to lose and musical Omaha wishes Mr. Kimball success in his enterprise, although It deplores the fact that there is no auditorium here wherein to present such a great attraction as the superb Grau Opera company, with the in- comparable Mancinelli conducting the or- chestra, However, Omaha says with the English cockney girl: “Never mind! We ‘ave 'opes.” Have you bought your brick in the Omaha Auditorium? And now, having digressed a trifle, let me give the names of the artists who appear at the Willard Kimball presentation of the Grau opera season at Lincoln. In the aft- ernoon: Mesdames Suzenre Adams, Bauer- meister, Olitka and Strong; Messrs, Edouard de Reszke, Dippel, Dufriche, Salignac, Muhlmann; conductor, Mr. Flon, In the evening: Mesdames Bauermelster, Melba and others; Messrs. Campanari, Cremonini, Hubbenet, Journets and others; conductor, Mr. Mancinelll, In the Assoclated Press dispatches anent the Sir Arthur Sulllvan obsequies I noticed that Sir George Charles Curtin was at the organ. This was, apparently, a mistake, for the honor belongs to Sir George Charles Martin, the regular fncumbent of the ore genship of St. Paul's cathedral. Such s fame! A very interésting concert was given at the Hanscom Park Methodist Episcopal church last Tuesday night, under the direc- tion of Mr. Clement B. Shaw. Mr. Delmore Cheney has secured a fine engagement for next season at an eastern Chautauqua. Mr. Cheney's dramatic volce has evidently been heard outside Nebraska limits, The Madrigal quartet has just finished a busy w being engaged by the St. John's KRYL. the Phenomenal Cornetist, & HEIDELBERG., the Wonderful Piccoloist, Ye IN TWO GREAT FESTIVALS 3,000 5,000 Better Ones at 50c¢, 75¢c and $1.00 The Spectacular Electric Anvil Scenes will be repeated by general requ:st Splendid Seats at BOYD in All its PRICES —$1.00, Bargain Matin Matinee Today. TONICHT, Monday, Tuesday, Wednesday. Special Wadnesday Matinee. First Time In Omaha of the Original London arid New York. Quo Vadis The Famous F. C. WHITNEY -EDWIN KNOWLES production, and the only authorized version of the fascina.ing romance. 50 POWERFUL PLAYERS 50. The Comple Magnificent Scenic Adornment ALL THE GORCEOUS COSTUMES. The Event of the Decade in Omaha Theatricals 16¢, 60¢, 25¢. ee Wednesday. onmianTON 30 Artists. | The Big Show at the Big Theater. | 30 Artists: AL SHEAN and JHARLES L. WARREY, In “Quo_Vadis Down. Upstde W. C. FIELDS, Eecentric Juggler. Epecial Engagement of the ST EATOR ZOLAVES, Champlons of the World, 1n the Drtll that Startled Europe LIZZIE B. RAYMOND, Popular Character Come- dienne. Repreerntative American) Comedinn, WASSAN AND WALTERS, Comedy 8ketch Artlsts. | THE FOUR LA MOTHE I High Bars and Casting Act, Prices Never Changing—F nees, Wednesday, any day and Sunday house, any pari, Ze int rows ’ loge children, 10 lodge of Masons for the aunual banquet Thursday night, by the Ladies’ Ald soclety of the First Methodist Episcopal church Friday night and by the Knights Kadosh of Masonry for the midnight service Sat- urday night. THOMAS J. KELLY, Adell Layer, mandoline, 201 Sheely block P, Do you want a stenographer? cents for a Bee “want ad.” i — INNES BAND S IN OMAHA Musiclans Make Unusually Long Puuse on Journey B After rolonged Tour, Spend 25 Conductor Innes and his big band of fitty-two instrumentalists, together with & number of operatic vocalists, arrived ta Omaha on a special train at 7 & m. yes- terday. The last stand made before Omaba was Kearpey, on Friday, where the enings, restrved soats, %c and 6oc; irt of the house, 2ic; Kallery, gallery, 10c. children, 10¢; gullery, 10¢ sohoxes, roserved, Bc; balance 0c Matl- Satur- 5 and of | concert attracted an audtence of 1,200 peo- ple, who were compolled to enjoy the music Ly candle light on account of an accident |8t the gas works. | "We huve traveled over 7,000 miles since |openiug the present téur at Philadelphia |on October 27, and this is the first city where we will tarry for more than a single day,” sald Mr. Innes. “The band has been making two clties a day, glving a matinee fn one and then traveling on to the other for an evening coucert. We are on our way {east and 1 will sall from New York |for Europe on December 29, The band will follow later on to open the Glas- Eow exposition on April 5. After the en gagement there It will be heard fn London and other.European cities, returning te this side of the water in time for the regular season at Atlantic City next summer, “‘Next fall the band will make a transcon- tinental tour to California and I hope most sincerely to be able to appear again in Omaba &t the opening of the auditorium.” 25c¢C @esscsssscossssccccscsssss n n m N " m B\ S 70 People | You Must See This Show, TEL. 1355, Miaco’s Trocadero The New Palace of Burlesque. — Mat, To mflmflfls 100 anp !!!. 10c 200 300 Smoke if You Like The Dainty PAREE BURLESQUERS. 20 beautiful girl 7 funny men! Gi who “have ~ seen arls! Girls who ave danced in Farls! Two Matinee Every Afternoon, Burlesques Upside Down,” =—ALL STAR OLI0— EDDIE DEVOL, Acrobatic Tram) JEANETTE AND SHAW, Character Comedians, CARROLL AND ELLSTON, Comedy Entertainers. MORRISSEY AND RI Farceurs. THR AHAMS, Comedy Sketch Artists, The European Sensation, THE THREE SISTERS LEON, Direct from Europe/ The world female novelty acrobats © oot IF YOU DON'T BUY SE. S YOUR GWRONE, BUY SEATS Now BOYD’S Friday and Saturday, DEC. 7-8. MATINEE SATURDAY. W. G. Smyth and Frank J. Pearley Present WILLIAM: COLLIER T8 In His Latest and Most Complete Success, ON THE QUIE By Augustus Thomas, author of Arizona, Alabama and other great plays. Bupported by a strong and capable cast. Artistic and realistic scemle offects, PRICES=MATINEE~26c, G0c, 75 NIGHT=25¢, B0e, The, 81, $1.60, {6000000 oy §MR. KELLY Makes & speclalty of Correct Breathing, Tone Building, 0000000000 Ease in Singing. Resident Studio: $ Davidge Block, 1702 Farnam ’000000000000000,00“ CIOTOONOYOIONOL TULNCY TOL K 1U10] > RESULTS TELL H . THE BEE WANT ADS g PRODUCE RESULTS, 0000000000000 * [d ® ) K L0000 00000ee 0000 D66 4