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Love’s Reawakening The Story of a Wife’s By ADELE GARRISON A New Boarder at the Hasbrouck Home Proves to Be the “Trail. ing Detective” and Madge Is ‘Worried There was £0 much persuasl tensity in Mre. Cosgrove's voice, an intensity which I knew must be reflected from her sick brother's talks with her, that 1 hastened ‘o agres with her. After all I reflect- ed, there was soundness in the old adage concerning a sheep and a nb, and if my conscience com- pelled me to Keep my promisc to Tiobert Savarin that I would secret- 1v administer his bequest to Lillian. which he ostensibly had willed ‘o me, T might as well use his small- er personal bequest to me for the many appeals to which T listened each year, so often, hopelessly, trom sheer lack of funds “What you have said cerfainly puts a different aspect things,” I told Mrs. Cosgrove. Robert does not releage my prémise about the money he hag left to Lillian, I might as well do what he wishes about the other bequest. But you can 2 My voice trailed away shamed silence, I was asking of Robert Savarin's sister. But neither her face nor her voice betrayed any disquic “It there is anything rest assured I shall do it e sail, competently. “But you mustn't count cn it. The only thing 1 can think of-—but that is so farfetchal T mustn't mention it. However—if Robert—lingers—and I should send for you, could you drop everythiu and come up here at 3 would only need to stay an hour cr two if I knew beforehand just what time you would be here.” I tried hard to curb my exc ment, but my voice was tremulou. as 1 answered her. Tear of Publicity “I will hold myself in readin tc come to you at any minut: said. She shot a keen glance at me. “Don’t count ou anything.” monished me. “But I will do best T can. Let me get one point clear. It is not so much the taking cure of Robert's bequest to Lilliun CRUSS 5t I can do, once? which troubles you, but the publici- | ty which must follow the reading ot the will. If it could be arranged so that only you and T would know of it you would be willing to act.” “Not willing,” I returned, honest- but the tatk would not be the nigh impossible thing it is 1y, well- niow." She nodded, then spoke slowly. “Of course, you realize the main reason why Robert wished to leave this in trust to you,” she said. “H feared that even if Mr. Underwood were to go out of Lillian's life again, her inocdinate pride would prevent her from making use of upon | me froin | into a | as I realized what | she | the o | brouck replicd, naming the make of NEW BRITAIN DAILY HERALD, THURSDAY, MARCH 27, 1930. Triumph Over Jealousy any legacy from Robert. But he knows that she would go to you in any trouble, as she would to a sis- ter. or as you would go to ler. “But doesn’t he know?” I asked vehemently, “that Lillian's keen perceptions never could be deceived by such a camouflaged ULequest She will kpow why the money was left to me, and Mr. Underwood and my husband will guess. All his scheming will have gone for notii- £ I have Mrs. Cosgrove “but T hav cross Robert, | wrapped up in his great | provide for Lillian that he has ove: | looked everything els details of the thing have never occurred {n| | him. The tells me he | stronger tonight that he has beea | for a long time. It that strength| | continues, but there—T must prom- {s¢ you nothing, for T do not know | | what T can do. How long are you| geing to be hore?” The New Boarder plan to start back early in I told her. “As you can imagine, we have much to ¢ | at this season, and cven though | your Lrother ghanid——ro | | * She considerately interrupted my | thought of that often,” said, thoughtfull dared say nothi (6} znd he has been ro| wish to the morning,” faltering words | “There is no possible use staying, given Robert great happin | he is content and so happ | e visit would only harrow his fc ings instead of soothing him.” | “Thank you so much for telling| e that.” T said. "It agrees with my own thought, but I needed your | surance that T was right. And now |1 must go back to Lillian. But | please call on me for anything, at | Lil- nas | in any time."” YL Wil s said, pressing my | Fand tightly, and then I was back in the road walking swiftly toward | the Hasbrouck house. Mrs. Hasbrouck came | the hall at my entrance. I thought I'd better said. “We have another lodger tenight, a traveling alesman whose car broke down a few rods He's got it down in tho | near the post office, and > promised to have it fixed by | morning. He's in the rear room on | vour floor, but he seems a. nice, | quiet man. T don't think he'll dis- | turb you.” | A breakdown is 5o annoving.” I | | | out into tell you,” said, trying to make my voice cas- ual. “What kind of driving?” car was lhe black roadster”” Mrs. Has- the car driven by the private dete | tive who had trailed us in the city. | (Continued Tomorrow) Copyright, 1950, Newspaper IFeaturc Serviee, Inc FLIP SEERS HIS MASTER By Thornton W. Burgess It {8 the law that in some For all mistakes we have to p: ¥ —Flip the Terrier Walking on three legs, whimpor- ing, whining and now and then Yelping a little, Flip the Ter headed up the Lone Little Ia‘h through the Green Forest on I way home. He had Dbardly star when Bowser the Hound him. Bowser gave him one opened his mouth to say something, and then closed it without spe: ing. He had been going “Dian’t T warn you to Ir fellow alone?” But he didn't it, Years before hie had himself sust such an experience ly Porky the Porcupine. He just how poor little ing. He knew morc knew how Flip w: when those quills w of his face and mout So Bowser had only for Flip- He trottcd alo side and did his best to knew how sorry he felt. So they reached dooryar: tive. He ran this way and that way, leoking for his master, Farmer Brown's Boy. He found him out ir the cowyard, back ef the barn. H.: began to bark and run a few step. as much as to s “Come follow Boy seeme ail kne Flip was f than that going re pulled out and foot. sympathy to Farmer Bre i's he, “w you found s this time?! hing you want to see He s d to follow Bow ser around the barn. Such a pathstic little dog as Flin ting on the doorstep of Lie with one little paw held up and his face on one side filled with the little spears of Prickly the Porcupine. Farmer Brown Boy was filled with pity. He knew Just what poor little Flip was suf- fering and would have to suffer. You see, he had pulled quills out before. “You poor little rasca ed Farmer Brown's Boy ly picked Klip up and examined him. “I'm rised that Boweer allowed you to meddle with Prickl Porky.” He looked at Bowser verely as he raid this. Of course, Bowser dida't understand merely wagged h ail. M Flip was whimpering softly just couldn't jielp it. No, couldn’t help it- He just whimper. “Let me Tirown’s Boy. * I had to pull any quills have heard of a1 ment. Somebody has told m 1 will put quills and let them remain i tle while, the quills wil become soft- c had said ince the Farmer last out wood es around t Z joined | look, | with Prick- | at last | hlen Bowser became ac- | the barn | ened casily and pull out much more it is‘worth trying s Boy went ino some wood a Ti he w will e quills wer > foot in which the quill was hen he put on the wood ipplied some of the mouth where the | then Theld Flip | time, all the time| lly he took Flir Ther sonn Farmer I Farmer Farmer Brown be- {gan pulling out the quills. Pour Flip velped and struggled A "on pulled out. But badly the pullinz of thoze quills hurt would have hurt much more for those Broy the in I7lip" were, I for som 1MH\liv: to him. 1" i(vur to the barn, pinchers and got phelp him. While Boy held Flip, 1 to n's zh 1 softens ut much more eagily tl he had pulled out of Porl:y Lealing Flip | down Chen shame put A mor dog you as he gent- | ANDETR » For GOl Toas Orange Marmalade and Once Qvers Registered U. 8. Patent Office By C. D. Batchelor “This reminds me, John, I awoke last night and my pillow was damp with tears.” (e e et “Authors” et et et e e e e et et e e e e P e e et 1 | it R ll()llliU,\ TAL Builder of the greatest mid Author of Mohicans.” Product which famous. Vegetabls, Bugle plant. Verb. Carriages Measure To effect. Cavity. Preposition. A dipping. To stuff "o debase, To beat Exclamation Female lion North Marble. slack To To I I Spirits Number Fortua Meal. the ma for the d project VLRTICAL Fuel Pronoun Deity Aut hor of “Th de T cad. pyra- | “Last of the | Night before Inclined Colored part plane ot Inn. Households Senility, Midday, Utmost To feel cont s | | | t, | Coffe Luncheon nd Bu Tomato Spinac r and Frenc Diced Pinca Coffe i m Jell Dre Lima Beans and Tom Escalloped, Scrving Siv s cooked limu beans, 1 1-2 1 eup 0! 3 table per, spoons ch tomator onion: dish top. racker on poon d onions, 4 tablespoon | the v into two rolls, |inches in diameter. b chopped ra u the fat and beat st of the i and sug three 1 edien and chill f ¢ sharp kni moderate One sug: v e oug Place on 4 nd bake for oven. Irench Dressi spoon sall, 1-4 cup salad oil. dic B Cork tig o ready o serve able dr 1ce, ve il keep i cold place rih live inut nu [l 1= our spoon of tar- Add the Add nd king ina aspoons oon dry mustard, teaspoon a 4 tablespoons lcmon | 1raspoor ‘il 1 d of in China 1-4 ide- | and and thor- HOW'S yau: HEALTH v for Edied by thé New York Dr. lago Galdston ~ Academy of Mudicine Deriberi This disease is of little local im- portance, since few if any cases are now to be found in the United | states, Historically, beriberi is of portance in that the study led to the discov existence of vitamins. Beriberi was found to prevail in | countries where the diet consisted principally of rice. In China, Japan and the Malays a strange diseasc {had been known to affect certain persons. Those afflicted suffered dis- turbanc of motion, sensation, dropsy and affections of the heart. | The discase. assumed many forms, and resembled poisoning by alcos hol and other toxic substances. In 1597, Eijkman cxperimentally demonstrated that a disease closc- ly resembling beriberi could be pro- duced in birds by feeding them polished rice. Between 1909 and 1011 two other scientists, I'raser and Stanton, in a series of studies carried on in the Malay States, conclusively strated tl ; of a one- 1y of white or polished ri They further demonstrated that ure could be accomplighed by feed. ng the sufferers the husk or s called milling waste of rice. T'rom these studies it was con- cluded that the husk or natural | covering of unpolished rice con- tains something vital to life. Fur- ther scarch proved this snbstance to be a complicated nitrogen-con- | taining compound fo which the term vitamin was first applicd by Funk in 1011, Today this vitamin is designated anti-ncuritic vitiman . Tt is found in practically all grain products and in meatg, vegetables and nuts. LAMP SHADES Nothing changes a room more than new lamp shades. 1f the fag end of the winter finds the living room not so alluring as it should be, a lively looking shade may do wonders, im- of its of the PPER FANNY SAYS: RES. U. S. PAT. OF how much some women reduce themsclves, they'll never be i bargains, | the New York, March 27.—In com- plete accord with the revivifylng character of the spring season is the youthful note struck by cape and bolero treatments in the fash- ien world. Both tend to eliminate age In the feminine figure. Both are per- meated with chic and charm, but of the two the cape effects lend themselves more successfully to every age, ths bolero finding its greatest favor with the younger set. . In daytime frocks, afternoon and dinner gowns one is sure to fini this spring the cape theme, wheth- er actual or simulated. In evening gowns it usually is merely a sus- gestion, but in the one-plece en- sembles and coats for both day time and evening wear, it is deli~ nitely defined. To the lovely woolens, the print- ed silks and crepes of the new mode, the great variety of capes furnish a graceful and fascinating tone. In feeling they run the scaie of many years, one of the most charming one-piece ensembles sug- gesting the 1830 period. This frock is of red etamine, a matsrial also of other vears being extensive- 1y revived' this spring, with red the leading color for the revival. The cape of this frock founld among the - sketches is a quaint three-tiered collar-like effect nar- rowing in the front and having a broader sweep across the shoui- ders. The necik is finished with a taggoted organdie collar and soit little tie at the throat. A charming example of he long, sweeping cape is illustrated by Lucille Paray in a printed pus- sy-willow silk in tones of gra The cape is separate from the onc- piece frock, as is the case in many of the day-time frocks with cape themes. 1In this instance it forms a long triangle in the back with neckline formed by a soft shirred scarf. In evening gowns youw'll find capes less definitely defined. They are suggested more frequent:y than they are actual. An.exampi» is sketched in an evening gown of flowered chiffon which has a fiounced V in the back suggestive of the cape theme, and ending ot the waist In an enormous bow. The evening wraps for spring and summer register definite ca in varied treatment. In fact they are a most important gesture of formal wraps. Lelong gives an ex- tremely graceful and lovely exam- ple in the sketch of a short gresn panne velvet evening wrap with a luxurfous fox collar and an irreg- ular petaled cape. The petals graduate from that drooping al- most to the knee in the back to short ones in front, those coming immedlately over the shoulder be- ing shirred to simulate a sleeve. Great favor is also shown the cape theme in the daytime coat of {he hour, partfcularly those devel- oped in twceds and jerseys. In moet instances they have novel treatments, many of them begin- ning at the armhole at the shoul- der and ending down the front of the sleeve, thus suggesting the cape —giving that cffect while be- fng an actual trimming. In othur instances, like thal sketched, the cape of coats begip# at the shoul- der and follows*"an acttal cape line narrowing at the neck with a soft throw tie. In many of the daytime frocks. abbreviated capes cap the arm like a tiny gleeve, thus giving a delightful freedom of arm movs- ment without racrificing any de- gree of smartness, as the capeles frock without sleeves has of! done in its former incarnation: Thus, through its varied advai- tages, the cape treatment has been received with enthusiasm by the feminine world, and may be de- pended upon to remain through-| out the summer months. Talks EE, &%, Parents TEDDY'S TROUBLE By Alice Judson Pcale According to his mother, Teddy is a bright, good child and a healthy one, but as she says “inhibited.” He is shy with other children. physical- ly inactive, slow of speec® and sits for hours silent and inwardly ab- sorbed. He has, it seems, an excellent nurse who adores liim and who has cared for him all the five vears of his life. She has taught him to dress himself and brush his teeth, to go to bed without a murmur and to cat what is set before him. His mother feels that his silence and self-absorption, his shyness and day dreaming, could most readily be helped by definite schooling of the formal kindergarten type. This, she thinks, would stimulate him and “tale him out of himself.” Watching Teddy, however, one | feels that his neced is not so much for the “definite mental stimulation” which his mother thinks nece | as for a vacation from that worthy and adoring nurse. The child is her joy and her pride and she without doubt is doing her best by him. She never pesmits him to get dirty or to play with anything except his own beautiful shiny toys. The lovely grubby excursions into other people's back yards and garag- es, the informal adventures with oth- er children, which the the right of every child, are unknown to him. Nurse has never let him do anything that would tend to make him inde- pendent of her. The child's only possible escape from this loving and dominating woman has heen in that withdrawal from reality which so distresses his mother. What Teddy needs is free- dom and an opportunity {o discover for himselt the delightful world about him. no bread can' be made with little bread douzh, haked | three together in one compartment the muffin tins, They look like | shamrocks and are crusty and de- Tor hreak better than rolls [ round bits of of ‘lmous. CAPES STRIKE A NOTE OF YOUTH Left: Over a printed chiffon frock, a green paane velvet wri lared in fox. has a petalled new collar. Right: A printed taffeta eve- ning gown has a rippling rear bolero outlining its decolletage, ending in a big bow of tal Upper left: A mustard colored tweed coat has enovgh to make a yoke effect in front and swing Lower left: A red ctamine frock has a triple-tiered capelet collar, Right: This printed frock with its detachable caps is soft taf —an import from Lucille Paray a cape that i real depth beh PIN DOTS The polka dotted vogue shrinks to the featest, sweetest little pin dotted &ilks for suits, frocks, hats, scarts and chiffon cvening dresses. |in handbags sour your this spring. uit, match your scarf, hst or aven your linen |but have a fabric purse or lzny event Mateh mate! froc two,. at I'ABRIC PURSL i Fabric purses are the last word|C i Service fer evervhody — Herald icd Ad dopt, Herald’s Daily Pattern fervice MARL THIS MODLL AT HOME Smart Print for (he Young Miss Pattcrn 1867 Lic Dracti Pattern al By ANNED ADAMS prints son ad- tehed ally pointed leeves tails. The narrow ‘belt 5 most becoming. neck and short kin hound in braid are chic thered s wit ormi Ther Des 1567 i ed in dimity cale, piquc white ground with colored print and use colored braid for hinding, and you will have a beautiful froc Designed ony for sizes 4, 6, 8, and 0. Size 4 requives 2 3-§ yards of 36 inch material arc zn pon or is with dressRalking experience ary to make {his modet our pattern. Yardage for every and simple, instructions given Send FIFTEEN C coins carefully wrapped, or stamps, for cach pattern. Be sure to wr plainly your NAME, ADDRE: STYLE NUMBER and SIZE wanted Our PATTERN BOOK of NEW SPRING and SUMMER STYLES is VIFTEEN CENT but only TEN CUNTS when ordered with a pat- tern. Addr Ul mai and orders 1o New Britain Herald Pattern Depart- ment, 243 West 17th St, New York City., ’ Rnt e TS (15¢) in