New Britain Herald Newspaper, February 9, 1928, Page 12

“Revelations Léncoln is Especially Anxious ~Glad indeed was I that Dicky had < -chesen te talk to Lillian and me jointly about Eleanor Lincoln's wish to keep her posing secret, especially | from Philip Veritzen. I was wild with curiosity, tinged vaguely with/| resentment, but I would have died rather than permit myself to ask Dicky a question concerning it. Lil- lian, however, had no hesitancy in quizzing him. “What's the matter with the girl?" she asked wrinkling her nose at me before Dicky turned to look at her. He almost caught her grimace at| that, and I smothered a smile just| in time. “Weren't the poses suc- cesstul?” “Successful!” Dickey and the expression which his eyes was one T know is one which marks the successful fulfilling of some artistic plan, and it transfigures him. I have seen th same look upon Lillian’s face at th completion of some especially dif- ficult piece of advertising copy. 1! fancy every man or woman who does creative work wears it with varying frequency., “I don't know of course, what T'll be able to do with them,” he went on with the diffidence which often oddly accompanies his moments of | triumph, “but the poses are whizzes, and the sketches are as near good | as anything I've ever done. “They'll probably get by, then” Lillian commented dryly. “How many did you make?2" He told her and she lifted her eye- brows in patent astonishment. “Some work you've done this week lad,” she commented. “Why the rush—to get through before Phil got back ?' Dicky nodded. “That's the reason Miss Lincoln gave me,” he said. “It took some hutsling, but I'm all finished, won't have to make another sketch—if it | turns out that I-can't.” | “Aha! leaving yourself a loophole, | exclaimed | came into well, By Thornton W, Burgess All Is Well That Ends Well 8o be the end is fairly gained. —O1d Mother Naturg, No matter how it be attained l He had to in teddy Fox was hungry. speni o much time planning teh Jerry Muskrat and lying wait for him that he hadn’t paid | attention to hunting for food clses where, and 0 he was hungricr than | ever. The morning that he had dis- covered Billy Mink in the spring- Lole Itedéy had remained quiet un- til Billy had disappeared. Then Reddy had quietly left. He lad known that Jerry wasn't likely to appear that morning. Now, though he didn't know it, Reddy had been observed. It happered that Tommy Tit the Chickadce was over in the swamp that morning and he saw Reddy get up from his hiding place and trot away. “Dea-dec!” said Tommy Tit. *1 wonder what Reddy was doing over liere. He was waiting for some onc. 1 wonder who it could be.” Tommy was still wondering when he met Peter Rabbit, and he promptly told\ Peter all about what he had seen. Peter scratched a long ear with a long hindfoot. Then he scratched the other long ear with the other long hindfoot. “Jerry Muskra Peter. “There wouldn't be any for Reddy to watch around spring-hole but Jerry Muskrat. We have to keep an eye open for Jerry and warn him.” So the next morning when Reddy weat back to his hiding : I'ehind the little clump of alders to wait for Jerry Muskrat somebody was watching him. It was Peter Rabbit. Peter wis in a hollow stump only a lithe way off. He could sec Reddy and he could sce the spring- Liole. Peter didn't have long 1o wait. A brown head appoared in the spring-hole, 1t was th tead or Jerry Muskrat. Jerry had come from | under the ice. Jerry swam across toward the little clump of alders he- hind which Reddy was hiding. Peter Jdidn't know what to do. He didn't see how he conld warn Jerry of his danger without putting himself in danger. Inside that Tollow stunip there wasn't room for him to thump. He would have fo go outside to do that. Just then Jorry furned a over 10 the oth-r side of bole. He climbed out on the i there bezin to dress his fur Peter chuckle 1. fe could < how disappoint-d 12 ddy Fox was. And then th app ared another hrows head. This brown head held a good sized fieh in its mouth, It was o head of Little Joo Ofter. Liti Otter climbed ut on the to the alder clump behind which X was Biding, Petor held Would Reddy try to Joo? But Reddy was too vise to try anything of that Little Jos was altogether too for Reddy, and e knew it. Little Jo 5 much better figi round-cyed. 11 " dered what would happen nest. H inew just how Iteddy must ’ watehing Little Jor eat tha fish. “Tt must he 0 nother «at when you are hungry.” thought P'eter, “hui I'm glad Reddy dido’t zet Jerev Muskrat, 1 just know it was Jerry he was affer.” Meanwhild Little Joe Otter 1 Litten ont s clhoice bit just back of the head of 1he fish. Then he slid o the again, leaving the ‘il on the bank. A moment later “ittle Joo reappeared with another satn it W climbed out ‘Love’s Embers Adele Garrison”s Absorbing Sequel a New It of young woman who likes to have of a Wife" aren't you?" Lilllan queried mali- clously, and as Dicky's face red- dened, she laughly gleefully. “I don't blame you,” she sald. “There are more tiresome jobs thau sketching a pretty girl in surround- ings like The Larches. But you in- [terest me strangely. Tell me what |strangle hold has Phil got on the girl to make her so anxious that the knowledge of her posing be kept from him?"” “It's very simple,” he returned. “She’s wild to become a stage star, and he’'s given her a tacit promise that she shall be one, if she walks the chalk mark he lays out for her. |And one of the rules, of course, is his perennial one of no publicity. Just how he figures that those illus- | trations with no hint of the model's |identity would bring her into pub- licity, I can’t fathom, but that's | what he told her. But she's the sort iher cake and eat it too. Also, she hasn't any scruples about white s, even cream colored ones. There- fora she told me she would pose if 1 could keep her doing so from Vr- itzen until after the book is publish- ed. T fancy that not knowing the old guy's reputation for posscssing a concrete heart, she imagines she can soften his wrath, But I hadn't any notion that Jerry Ticer had seen me sketching her. I must get hold of him right away. “Better let Madge handle him,” Lillian advised. “With your usual sweet gentle ways he'd be frightened out of the few senses he has And, vou'd never know how many people | Le's told. Madge, you'd better drive down to The Larches and see Jerry and his mother right away. Then you'll be able to nip the thing per- haps. While you're gone I'll tell Katie that the sketches are meant | for the government secret service to | liclp trace a gang of spies. That'll lold her quict for awhile unless she hurs And of course, all the rest of our set will keep mum for you, Dicky-bird.” Coypright 1928, Newspaper Feature Service, Ine. | | the fear of death Into the heart of | the other, Eliiston would never have Jill Justin, just turned 20, ultra- | 1modern and as lambently lovely as the saga lily, starts out on a moon- lit night in August to attend a har- vest festival. With her brother, | Tony, one year her junior, at the | wheel of their flivver, the palr| round the foot of a mountain eon | the outskirts of their home town of | Elliston, W. Va., just in time to wit- pess an automobile hold-up, when | a young man driving a high-power- ed roadster is thrown from his car by two bandits after having, appar- ently, been shot. Immediately following the shoot- ing. Tony is black-jacked and Jill 1s thrown into the roadster and Leld by one bandit while the other speeds the car toward the hills. As the machine starts, the girls sces & form rise from the ground and stealthily climb on the rear end. An hour later, when the moon has gone uvnder a cloud, Jack Stuart, owner | of the roadster, gains the running board, and, with his service pistol, hLits one of the bandits and gains control of the situation. Leaving the bandits securely bound by the roadside, he takes Jill back home, where Tony is found with & sore head but alive. Peter Justin, Jill's father, out ori gratitude for saving his daughter, invites Stuart to remain and accept a job in a glass factory, with a view READ THIS FIRST: | to learning the glass blowing trade. | Jack accepts the offer. | NOW GO ON WITH THE !TORY" CHAPTER 11T | It was on the first Monday in Sep- | tember that Jack Stuart went to| work as aporzutice under Peter Jus- | tin, in the big works of the Elliston | | Glass company, The work interested | him from the start. But it was not merely to become | | a glass blower in a small fifand | town, in the wild and woolly moun- } tain district of West Virginia, that Jack Btuart, owning a $5,000 road- ster and a $1,000 bankroll, passed up the advertised delights of little old New York, including Broadway's passing show. Jint gin Had you not been |aboard that night when he climbed | cross the big roadster's backbone, | Colt-jacked one gunman and put | 4 Blaoy Peter was in a hollow stump only a little way off place where he had sat before. And | what do you think Peter did? He | slipped outside that hollow stump | and suddenly he stamped with nn‘ his might. You know, Peter is .1; t thumper when he sets out to he. It startled everybody. Jerry Muskrat dived into the spring-hole with a splash. Little Joe Otter dived in without a sptash, leaving his fish | behind him, *Reddy Fox half rose | from his hiding place. Peter prompt- | iy dived back into the hollow stump Just then Jerry Muskrat poked his lead out of the water to see what | had fright>nad him. He saw Reddy |1 I"ox. Reddy knew then that all his | scneming and planning was to go for nothing. But, after all, what h- wanted was a good meal, and there | it was right before him—the two fish Little Joe Otter had left. Peter watched him eat one and carry the | of her other away. “Well,” said Peter as Reddy disappeare 1l is well that ends well” And that, you know, ix a very true saying, (Copyright, 1928, by T. W. Burgess) The next story: “Peter Gets | Wetting.” FLAPPE FANVY SAYS; | - ) i REG U S PAT OFF YV NEA SERVICE INC ho want lecorators now ham on blue dinner sets. Kirls PILE_ “SUFFERERS Get this handy Mo i T e i il i tin boxes, #h. D 3 P‘ZO OIHTHCHT | were there in every way that calls, | young | Jill-—a truth of which Man h: | when he steppad on the gas | patter of the period as known the mortal Jack M. But, you were there, Jill! You beckons and wig-wags a man’s ardent fancy. You were there, and thereforz by that token hangs [som—that, if a man the tale. And so now, as Jack said, moonlight, let's go! | As outlined more or less clearly | i {in the foregoing pages, Jack Btuart | very desirable. was what is known in tho graphic “a fast worker.” Quick application was the | watchword of his program. Assoclation of ideas was another | |one of Jack's indoor sports. No i sooner had he settled down to the | learning of a trade than he began serious consideration of acquiring a | home and family. s housckeeping. he observed, seemed to be the pride of her father | and brother. The cottage, owned by | Pcter, was a two-story bullding | with 12 rooms. To care properly for such an establishment was no light | job for one small woman, even with a maid to help. Taking these matters into consid- | eration, and weighing them in the balance along “l(h ‘lll 8 exceedingly good looks and en, ng personality, | is it to be vomlon d at that Ja soon found himself looking the situ- ation over very carefully? | There was nothing at all difficult in looking Jill over. 8he was won- Cerfylly soothing to the eye, and looked marvelously good to Jnck.‘| And besides, she was one of the klhd of girls U improve and con- tinue to fmprove upon acquaintance, as he told himself. “Listen, Jack," he sald to hin cne evening following a slightly te ative movement on his part. They had been to & picture show, which Romancg was represented by the “hurry-up, step-on-the-gas™” or. der of things supposed to be: “Lif today. Tn the pleture the heroine was |marked ent the ultra-modern type of flapper, superlatively beautiful and ing, but crazy to “live her own life” according to the best-accepted ideas | friends—who were | theirse” The herolne was an adept at pet- | me, ting, while the hero was depicted as “the young man who had never | been kissed.” It was when Jac A"!(H"I g this young man's back- rvurdna , offcred to demonstrate for Jill's special edification. the difference between tircsome timidity nd bold, glowing ardor, that Jill ed upon him to lend an car. he sald, interrogatively, down into her durk eyes. in the moon's reflcetod looking smoulderinz “I'm listening.” \ in i | what #o de | docs no | the poct, charm- | lacking in ol | rays, | “ra tike you o tell me,” she said | and there was that in her voic that called for careful attention, “if vou really approve of girls letting | men kiss them in that free and casy | anner shown in the picture to- night? Do yoa, Jack, think it quitc 0l right? For instance: If you had A sister 1ike me, would you like 19 think of her heing perfectly willing o he kissed by young men as ‘hey Lisscd the girl friends of the sen- ator’s daughter? Would you, Jack” Jack Stuart took a long breatl, Jwing it up, as the rules advisc coes of his shoes, it w Then he expelled it slowly, carefully, throuzh his nostrils. This was for the purpose of Llowing the cobhwehbs from his brain and assict- the process of thought., For. reasoned Sack M., right here where he must necds do sonie thinking. Why, he asked | asked him at that moment cer the “unanswerabl Of course no man could = 1 still have the nery t anythinz along th from the very was real Bimselt tion™? sw an s 10 Nimsed of lin of course, L led up to it 0od, old-fashioned ha1 been the Yine down through the prosai of jro- { | th* saying is, and then fini dishing up w mess of silly verse! “All right, Jack Stumrt. If you don't want to talk scnse, you don't have to. Just th' same, It going te let you in on a little sceret: Jill's hoy friends dqn't kiss her, Not be- caus: they don't try —it isn't tha* but—well, they just don't that's all! You might remind me i you wan to he mean, that you laven't given me any 150N 10 1eel worried, I'm not worricd, It is just that ' want you to know that however much I'm like th' average flapp in other v I'm least ditfer- at in that resovet.” Clover, Jill! She had Jeft it en tirely un 1o him-—providing he carry the matter throagh dong the pre- Fllflwml Hnes of the well-known | Victorian period. Jill's “hoy friends’ us by friends—did not Kiss her, Neither did—nor could—would-h. lovers, if that was all they expected to be, She made the matter qguits plain. He could take it——or leave it Juck Staart looked up at th moon riding along its starry firma- me On Fancy's wings he was vafted back, and for the moment lived over again another scene, saw ind heard hims-ii, a boy of 17, tell- ing a =irl he Joved her. Memory Frought to him her words, “Put it away, Juek” she Laa told him that night so long ago. ‘Put away your love story until yeu | r 24, Then o1l it to me.” . A he had put it away 1oor Bittle, weak little jove story. It had suceumbed o an unkindly fate, to the cold ruling of Grim Cir- “I'll let you in on a little secret, Ja ck Stuart: kis the day when Eve took Adam out into the orchard and showed him the nice red apple. ‘Wasn't it, to all intents and pur- poses, just about what Jill was do- |ing at that moment with him — | showing him the ‘“red apple” He took another long breath. Then ‘he spoke, saying: “It 15 a beautiful, age-worn truth, been aware since Time itself was in blos- lingers long with a pretty girl, he devren, above in the | all things, to kiss her! “But, Jill,” went on Jack, warm- to his line of ponderous rhetoric, “a pretty girl is—in most cases— And yet wliile man may yearn to kiss her, doesn’t necessarily mean he s love with her. There is a vast di ference betwean love and desire. But the girl who conserves her kisses for tha man she will some that in | day love gives that man far more than does the girl whose.lips have | been given to Tom, Dick and Jo- seph. “And by th' very same token continued Jack, convinced that his | stutt was getting over great, “odd | as it seems, it is nevertheless a fact as the poet so truthfully said, that nitely applies to a girl n all c apply to u Let us go, for {iTustrations, to consider his line, man, wise “Pleasc hearken unto me, T p The young man lives for love and | play. And so may he in Youth's hey- | day Kiss June in April, or he may Kies April, too, then flit away To love and kiss another da Another Jun=, another ) Another April Fool, we In just the same old blithesome, ' Bay i Insouciant, car s, thoughtless | way He Kissed the first dear givls — | Hooray! | ¢ clever, Jacky hoy,” com- {Sictisian 010, ok Hawever with uns ustasm, “Of course,” she went on, “it is hecause 1 am preciation of ‘poetry, I suppose, that vour lines fail 1o im- [ press me greatly. Still, I'm not so “living | dull that 1 fail to catch the dri of your meaning in reciting them to I asked you if you thought it was quite prover for girls to let their boy fricnds Kiss them as shown in that pleture tenight. In your an- swer you avoid the point by ‘ram- bling around Robin Hood's b by | | asking him to answer the unanswer- {oble question? the ! and get | Jil's boy friends dou’t 8 her cumstance. . . . And now . . . “Do you think, Jill dear," ven- tured Jack Stuart, secing the moon's reflection now in the star-lit eyes of the girl looking \p at him, “do you think you could like me well ¢nough to let me kiss you?" For 2 moment the dark eyes held | steady against his. Then their glance fell. He waited. Finally she Jooked up at him again, and her answer came. e 1 mlgl\t like you well enough, Jack,” she said, chposing her words guardedly, “but I've liked other boys —men, too, and yet I didn't let them kiss me. Even if I loved a man —unless T expected to marry him— 1 should not, allow kim to kiss me!" | He stopd, his own face in the shadow, looking down at her. She | had given him quite plainly to un- | derstand that his own characteriza- | tion of e “right” girl was, after all, the type she herself represented tween his two hands and turned it | up so the moon's rays brought it |into clear outline. “Will you—m-marry me, JI1?" he a shade of huski- ness in his voice. Her eyes held his this time, as it she sought to probe back into the very heart of his question. Again he waited. Tt was a long wait—con- sidering the Then M1 showed the wisdom of her womanhood. “Do you love nie, Jack?" she nhk- «d, bravely, her glance wavering for | u second and then steadying again. PRI about In tomorrow’s issue read | Jack and Jill's romance, Your Health How To Keep It— Causes of Tliness BY DR, MORRIS FISHBEI Fditor Journal of the * American | Medical Association and of Hy- gela, the Health Magazine A pat of the system of modern dvertising involves the use of free | lewspaper space obtained by astute rublicity agents for what s presum- ably educational or news matter, fn- stead of the pur of advertising space for w is actually promo- tional material, An orsanization in New York City sends regulatly to newspa- per editors some bulletiys about pincapple, with the idea that the material will be printed to edu- cate the housewife, It uswally contains as to the value of food, som: other to the availability and a few cipes. If such publicity invariably e b little though it statements pineapple as a information as of plneapple, material were f th, could quarrel with it = even is actually planned for hen suddenly he took her face be- | Menas for the Family| nature of the question. | | Ereen peppers, same amount of ecalcium as m- es and oranges, the same amount of phosphorus as peaches and strawberries. . By Ann Alysis Time was when eye glasses were couasidered things of utllity and pe- ceasity and nothing more Wwas ex- pected of them than that they serve these purpossa Then some beauty lover conceived the idea of making a virtue of necessity, and applied the principles of art to this terribly conapicuous article of dress; with the result that now it is poasible to buy glaases that are both interesting and hecoming. Until recently, glasses were made oval in shape. They were clamped to the nose with & vise like grip, or were fastened te the convenient ears with large, glis- tening gold or silver bows. there are many intriguing shapes ~—wquare, round, oval, octagemal and leaf shape, By carefully study- ing your type of face with the various shapes it is podsible to get a very becoming effect. There are other things to be considered as well as the shape of the lens; for {instance, whether rimmed or rimless glasses should be chosen, nose glasses or spec- tacles. If nose glasses are your choice, remember that your ap- pearance may be made or jnarred by the shape of the piece of metal or shell which bridges the nose. There are two patterns in general use. One rests on the bridge of the nose and has the effect of m ring across it. ‘The other style, arched, does not break the natural line of our most promi- nent feature, It will well repay you to study these important features with the aid of a mirror. Upon the proper selection will depend whether your appearance is to be distin- guished or commonplace, Copyright, 1528, NEA Service, Ine. Life's Niceties Hints on Etiquette o 1. Is it proper to thank a girl's mother as well as herself when one has enjoyed hospitality in a home? 2. In writing “bread and butter” rotes, to whom should you address them, to your girl friend or her mother? 3. In polite circles, who fissues invitations, a girl or her mother? THE A 1. Certainly. Both. 3. The mother, until the girl 18 of age. Even then the mother de- serves ' consideration on all occa- sions when thanks, regrets and 50 on are sent. NSWERS BY TER MARY Breakfast—Winter pears, cereal, crcam, broiled bacon, creamed pota- toes, crisp toast, milk, coffee. Luncheon—Spanish baked beans, brown bread, hearts of celery, -une whip, milk, tea. Dinner—Casscrole of mutton and rice, molded spinach ealad, whole wheat rolls, cottage cheese and | strawberry jam, jig ahd raisin ple, milk, coffee, Casserole of Mutton and Rice One cup fic2, 1 pound mutton, 3 tablespoons bacon fat, 1 small onion, 2 cups canned tomatoes, 2 salt and pepper. stock or water. ‘Wash rice througsh many waters and put into a round bottomed sauce pan with 2 cups cold water and 1 teaspoon salt. Cover close- ly and put over a hot fire. Bring to the bolling point, reduce heat to simmering point and simmer ten minutes. Do not lift cover while cooking. Mince onion and cook in bacon fat until brown. Add mutton cut in inch dice and brown on all sides. Put a layer of pre- pared rice in casscrole, add 1 cup tomatoes rubbed through a sieve «nd half the meat and onion mix- ture. Cover with a layer of green pepper cut in shreds with seeds removed, Add another layer of rice, tomatocs, Add stock or harely cover boiling water to mixture and bake one hour in a moderately hot oven. | Serve from casscrole, Copyright, 1928, NEA Service, Inc. Modern Angles New French hat ornaments have angular modernistic lines and are usually of two or three colors, such as this—of black silver and gold. salesmanship purposcs. However. | accuracy docs not seem to be a prime object of the promoter. In a recoatly fssued bulletin, it is said that the caloric value of the pincapple is not high, that the fruit sugar present is not fat- | tening, and that the pineapple | therefor is a val hle substance in a4 reducing diet. In contrast with thes. statements, the reader may consider the following cstah. lished facts concerning the pine- pole | Eight and two-tenths ounces of L vineapple supply calories in protein, 6.3 in fut, 90 in carbohy- drates. Tt s therefore with dried © apples, rais- ins and orang Pinapple Juh.v is rich in vitamin ' to the amount of 70 as compured with 100 for | crang: Fresh pincapple re- auires 232 grams to furnish 100 calories; canncd pincapple, 65 | grams to furnish 100 calories. Thus fresh pincapple compa closely With oranges, peaches and similar froits. The canned pine- apple is comparable to sweet po- tatoes and various meats in ea- lorie valu The pineapple sup | plies the samic amcunt of fron us lemons and onions, about the meat and pepper, | 14. { § i £ i-i fi ( 1 £ F § 3 2 1 3 i : s E a' £ { i r i # 2 E: i 9 i it 3 1 £ L it i} i £ § Bloused waist and flared skirt figure cone spicuously in several Doucet models of the general type of this one which is made of char treuse woolen stuff. Stitched seams are & prominent part of the design. They divide the skirt into sections and trim the sleeves. The convertible vest is made of hand tucked cream colored crepe de chine over an under collar of the material of the dreés. No. ¢ horizontal is the largest an d mosat powerful of all musical in- struments, ertical, will help considerably. | Bolving Nos. 11 and 13 v HORIZONTAL Who was the candidate against Woodrow Wilson for gover- nor of New Jersey? | Which is the largest and most powerful of all musical fn- Etruments? Merciful, Handled roughly. | Ireland. Conatellation. To stir, To soak flax. To commeance. Snake-like fish. Which two lctters is a doctor of medicine after his name? Point of compass, Exclamation of laughter. Second note in scale. Who is the star in hockey? Who ia the fans' favorite in bhaseball? Seventh note in scale. " Negative, Myself., Abbreviation for “postscript.” Portion of a circle. To preen. Tiny device used in golf. In what sport is Bobby Jones the star? Bird similar to an ostrich. Pile. Strap by which a shicld was held on the arm. Scissors. To cause to dccay. entitled to uso | Portions ef a school year, VERTICAL Enticed. Te ejeet. Pate, Within. i 5. Chatr. 6. Who was the author of the “Rubaiyat”? 7. Sun god. 8. Chewable resin. 9. Plant from which bitter drug 18 secured, 10. At no time. 11. What js the name of President Jackson's home? i3. What famous Frenchman was engineer of the Suez Canal? Uncooked. To peunce. ’ro pound. e child. I)evoured Presses. . Not bright. Fruits. To applaud. Roll of film. Ought. Pair of horsu harnessed to- gather. Aw-y used with to. Feminine pronoun. Third note in scale. Masculine pronoun. 16. 48. Answer to Yesterday's Puzzie SITIAlG] TIEIN INIETOILI0 Tllul-q [AILIEIE] [RIANNF IV ILIERRCIL [ETATT] [ARNS 1 L IKIRMIETS AR A] INJOTPIAIL IINTTAIL I M | | [GIRI T TTANRIVIRILIMCIOIN ILIATTINLTY INIKIBIATT] CIOINIEINRI | IP] 0l O BIEMPIAN illl DIAITIE EEMIVIC] Rricu 4 1y 4.!.4..4. n