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B—14 AMUSEMENTS. R as Newspaper Sherlock Holmes—Grace Moore Back Again. | also going to sleep on a merry-go-round. When he isn't a jump ahead of his brothers-in-trade, he is whiling away his hours over good, he roams through the picture in a pleasantly likable fashion— due entirely to the acting of Spencer Tracy—the only person in the fact that this demon reporter has | little interlude that has its moments; a glass-and-plush sort of an office, | the Saxon Sisters, whose vocal acro- Loew’s Fox Murder Yarn Gives Tracy a Good Role BY E. de S. MELCHER. HE hero, etc., of “The Murder Man,” now playing at the Fox, is @ strong ginger-beer or taking pot shots at roaming gadgets in an amusement park. A thoroughly unanimated sort of a person who world (other than Lee Tracy) who can make an unreal newspaperman seem real. a good many secretaries to type th“ batics went slightly astray at yester- ”» “The Murder Man” Presents M-G-M Player a coony gentleman of the press, a bird on solving mysteries as strangely enough “scocps” his fellow newsmen when the scooping’s This comes about in spite of the Ben Blue and his company in a light stories and other luxuries seen | day’s first show: the Twelve Aristo- nowhere this side of the studios. Mr. | crats presenting some good steps and | Tracy dismisses these exaggerations with a neat I-don't-give-a-darn, sug- gesting at once that he knows both a balancing act by the Four Casting Carons that is swell. Phil Lampkin and Buster Keaton | his business and the other fellow's are added attractions. business, too. | * ok * Since it would be unfair to reveal (YRACE MOORE is back again in the climax of this photoplay we can “Love Me Forever” at the Met- only say that it concerns a murder, ropolitan and that means that good a newspaperman and a girl. Virginia | music and singing are back again, to. Bruce is the girl—and a very good | While the star of “One Night of Love” girl at that—and Tracy plays around | has not been given such good mate- as the reporter who always gets his | rial as she was in last season’s knock- yarn two minutes ahead of his out, she is as handsome as ever, in | excellent voice and has a supporting | cast that is absolutely tops. Leo | Carrillo wins his spurs all over again as the gangster impressario with the [ heart of gold, Louis Alberni is on |hand to make faces and Michael | Bartlett’s screen debut has all the girls and boys talking. Don't miss this—even if it's not | another “One Night of Love.” Children r .ghbor. Various other membars of the cast including William Collier, sr., (he hasn’t been around in a blue moon), Harvey Stephens, Lionel Atwill, Robert Barat and James Stewart make this more entertaining than otherwise. The ending prob- ably won't fool you, but it'll keep you guessing for a little while. The Fox stage show is headed by Nature’s Starfish. BY LILLIAN COX ATHEY. STARFISH may have from 5 to 40 arms. It depends. of A course, on the species, but all of them get their name from their starlike outline. If you have the opportunity to examine the back of one of them under a magnifying glass, you will be amazed at the va- rious groupings of spines and tiny Teet. At the tip of each arm, vou will find a red eye-spot, and the mouth is in the center of the body. You have to turn the fish over on his back, however, to see it. His eyes are very sensitive to the light, and so the tube feet act both as feelers and nose to the cwner. As the starfish glides along the sandy bottoms, close by oyster beds. either on the Atlantic or the Pacific uRpLE SUn-STAR . | the lower side of the arms. CoMmON STARFISH Coast, you will be impressed by the straight and determined course he Tollows. As an Oyster shucker he has no peer. Try to see a starfish embrace an oyster, or a clam, preparatory to dining on it. He approaches a bi- valve with assurance, and the knowl- edge that a fine dinner is in sight. The way he fastens his hundreds of feet, with their powerful suction, along the valves of the oyster, and with a steady pull opens the shell. is & sight indeed! You should also try to open the same sized shell yourself, if you want to get a true idea how | know how destructive they can be to a flourishing oyster bed. At one time, before they learned the cleverness of the starfish, they cut its arms off and tossed it back into the sea. Little did they know they were in- creasing their tgoubles about five times. for the starfish has the amaz- ing ability to become a new starfish | it any part of the body is left on the arm! Besides, these creatures are very tenacious of life, and this is an- other reason why it is so difficult to destroy them. You will have little trouble finding many specimens of starfish along all our shores. The most common species | are found in Maine and a great num- ber of varieties may be picked up on the beach after a storm. Some are less than an inch in diameter, others as much as one or two feet. Those on the Pacific Coast reach an even greater size. Usually these sea creatures are found | where you see the sea urchins, sea | lilies and cucumbers. When you turn | one of these fellows over on his back you will see hundreds of little tubular | feet, which arise from the grooves on They wave frantically about, and some of them seem very long. Each foot is a hollow tube that ends in a cup-shaped sucker. The upper | surface of a starfish is covered with | spines, but not so highly developed as | you find on the sea urchins. ‘The babyhood of a starfish is so com- | plicated you wonder how it ever reaches adulthood. The mother lays her eggs loose in the water. The hatching voungsters look like worms and are transparent. As they grow older you | can see their internal apparatus and the tiny little arms. In Winter they go into the deep water to keep warm, but in Summer and Autumn look for them in rocky situations in shallow THE EVENING Little Miss Withers Is Juvenile Hit “Ginger” Filled With Her Distinctive Kind of Energy. JIGHT-YEAR-OLD Jane Withers re- cites Juliet with the veteran O. P. Heggie as Romeo; she slides down coal shutes, throws bricks through show windows and transforms the Fifth avenue sissy, Jackie Searl, into a real boy, as the two juveniles dish out the fundamental emotions of pathos and comedy in “Ginger,” the new cinema at RKO Keith’s. All of which proves, if you are ac- quainted with the tomboyish Jane, that & child actress doesn't need gold- | en curls and an angel face to climb the Hollywood juvenile ladder of fame. As “Ginger,” an orphan who roams the streets of New York slums with her “gang,” mostly boys, while her foster uncle reminiscences of former successes as a Shakespearean trouper, to bum drinks at the corner bar, little Miss Withers chews slang and throws | rocks like a veteran. Later, she gets a chance to be a bit more girlish, when transformed from Ninth street to Fifth avenue. A Mrs. Parker (Katharine Alexander) adopts the girl when her uncle lands in jail. This Mrs. Parker has read a book | about bringing up children, and hav- | ing made a mess of her own son, | Jackie Searl, desires to continue her | | experiments further with the spitfire | | Jane. | | In the end, Jane transforms the | Parker household, nine servants and| all, into a real home with the aid| | of Mr. Parker, who turns out to know | more about children than a good | many Mrs. Parkers. She has the| servants accidentally using slang: | | Jackie, who had heretofore confined | his activities to harp-playing, sliding | down banisters and fighting with | | Butch, the toughest boy in the slums, | | and Papa Parker happier than since before the Wall Street crash. The kind of sacrifice you only read about brings it all about. After two days on Park avenue, Jane is set to return to the slums when Mr. Parker | bails the uncle from jail. To prevent this, he slips out of the house and steps in front of a freight truck to| | disappear by means of a hospital ward for several months. The scene in which O. P. Heggie, the uncle, goes into his Romeo on a tene- ment fire escape, while Jane, a young Juliet, interrupts the Shakespearean speeches he has taught her, to yell “Stinky, ya' maw wants ya’,” and then continues the balcony scene; and an- | other in which she uses everything but | a can opener trying to manage the difficulties of eating on Park avenue, are typical. 1f you care for child movies, this one | should stay on your list. In addition | to steady acting all around, it has a worth while story and packs a quan- | | tity of pleasant entertainment. A Walt Disney technicolor cartoon, | dealing with miserly King Midas and | his golden touch, a feature short of Madison Square Gardens six-day | bicycle racing, and the usual newsreel supplement the picture. M. W. B. | l\Vho Are You? The Romance of Your Name. BY RUBY HASKINS ELLIS. | | water, also in sea weeds and in eel| strong @ starfish is. He digests Dis | op,q” A baby starfish eats countless meal with speed, as he has practically | papy clams. In fact, it is known that turned his stomach inside out before | ore” has consumed 50 baby clams a he began the meal. e Oyster dredgers despise starfish and | (Copyright. 1935.) Bedtime Stories Reddy Accepts Defeat. BY THORNTON W. BURGESS. EDDY mfl what you might business I could have come back. Oh, talk to you Reddy would tell you that | wouldn’t have had a Possum dinner to will miss a great deal out of life. and nojMis Sknk muand (o spol & 1 THER.E are several probable sources | from which this name was de- rived. It has not been determined | from what exact source it came into being as a surname. In the Celtic and Gaelic languages the word “deag” and lagh” signified good. In Welsh “dai” meant dark in color. There is a small | River Dee in Wales and the name was | a Jpted as a surname by some of the | people living along its banks, later calling themselves Day. There were several “first settlers” bearing this name in the New Eng- himself, “I couid have killed Mrs. Pos- It seems few folk defeat can face sum before Mr: Skunk arrived. Then Witnaoything_approtchin £rac | when Mrs. Skunk had gone about her . well, such is lite! If I had had the n i E is well | = = i:-a" ;ftll?:fl:s:nnlgt the life | POSSUM _family tonight that would st Jead It he could | Dave been the end of matters. look forward to. As it is, I can console 5 rt of | s fi‘a“p::;“;hmni“;hefie‘wk’l’(‘"gn%t oo | myself with the thought that sooner eept disappoir:{ments in the right spirit or later there'lh be another chance If ever in all his life Reddy had been sure of a thing it was that he was going to take home a Possum dinner to his family. He had had Mrs. Pos- sum and the nine children she was carrying lying at his feet, and it hadn't seemed possible that he could | miss out on that Possum dinner. Now Mrs. Possum and the nine little Pos- sums were safe.y up in a tree, grinning down at him, and all because Mrs. Skunk had interfered. g Reddy is wisc enough to know when he is beaten. He knew it the instant he looked up and saw Mrs. Skunk and her five little Skunks so near him that only by a hasty jump could he get out of range of Mrs. Skunk’s scent gun. He had made that hasty jump, and then, as Mrs. Skunk advanced, he had backed away. He could have killed Mrs. Skunk ana all those little Skunks. He was big enough, with stout enough teeth, to do that thing. But he didn’t dare face tha. scent gun that Mrs. Skunk carries So Reddy had backed away and backed away. until Mrs. Possum had seen her chance to scramble to her feet and make for the nearest tree. Sonow. as he looked up at her grinning down at him, he grinced back. “I've decided to postpone that Possum dinner,” said “P'll wait til' we meet again, Mrs. Possum.” “Ah hope you will wait a long time,” replied Mr=. Possum. “I hope you appreciate the value of # having & real friend near at hand,” replied Reddy. He bowed to Mrs. Skunk and trotted off to look for a dinner elesewhere. He was a good loser, was Reddy Fox. He always is. Mrs. Skunk Jooked after him as he disappeared. “You know,” said Mrs. Skunk, “there are times when I almost like that fellow.” Mrs. Possum grinned as she looked down from her perch in the “You'uns is welcome to like him wants to, bu: we'uns don't like any time anywhere,” said she. Meanwhile Reddy trotted way. Once or twice he sighed. “If only 1 had been a little quicker,” caid A I'm afraid it will have to be Mice in-| | sters of mine tonight.” * Mrs. Skunk and the five young | Skunks continued on down the Lone Little Path as unconcerned as if SO NOW, AS HE LOOKED UP AT HER GRINNING DOWN AT HIM, HE GRINNED BACK. nothing at all had happened. Mrs. Possum remained up in the tree long enough to be sure that the way was clear. Then she, too, came down and went on abou'. her hunting for food, quite as if nothing had happened. It is that way with the little people in the Green Meadows and the Green Forest. ‘When a thing is ended it is ended, and that is all there is to it. It is forgotten. (Copyright 1935.) SRS RO Man Executed for $25 Theft. For his alleged embezzlement of $25, & Chinese official was executed in the Province of Shantung, the governor of which, Gen. Han Fu-Chu, is noted for his stern administration of justice. The man was Hu Ching-Tang, at- tached to the Changyl district govern- ment in East Shantung. The $25 be- longed to public funds in his charge. 1 stead of young Possums that I will| have to take home to those young-| land Colony who have descendants | living in many parts of the country today. Anthony Day came over as a | minor as early as 1630 and lived in Salem, Mass. He afterward lived in Ipswich and in 1645 was a proprietor in Gloucester. Ralph Day, a mason, who was born in England, settled in | Dedham, Mass., about 1640. Stephen Day, a locksmith, is said to have be- come the “first printer in America.” | He came to Cambridge, Mass., in 1638 and in 1643 settled in Lancaster. The coat of arms here given is bla- zoned: “Per chevron or and azure three mullets counter-changed. Crest —Two hands conjoined proper fixed to a pair of wings, the dexter or the sin- ister azure, each charged with a mul- let counter-changed.” These arms ‘were brought to America by Robert Day of Welsh descent, who arrived in Cambridge, Mass., in 1634. In 1636 he removed to Hartford, Conn. (Copyright. 1935.) L TERoEeE st Balloon Falls Into the Sea. When a German observation balloon fell into the sea off the promenade of Ostend, Belgium, two of the four men on board jumped into the water and were saved by a policeman who swam to the rescue. The other two were taken off from the wreckage by a mo- tor boat. LEE FIELD and his 10-Plece Orphestra STAR, WASHINGTON, Coming to BETTE Is the star of “Front next Frigay with the news Page Woman.™ Miss Davis is shown above, keeping in touch, so to speak, D. C., SATURDAY, the Earle DAVIS which is due at Warner's Earle JULY 27, “Curly Top” Is Shirley’s Best__IEf_fort New Film Is Largely Dependent on Its’ Young Star. SH[RLEY TEMPLE'S back in town. And this time she has a story| which is as gay and entertaining as it is light and unimportant, and a supporting cast of players who knowi their business. The name of the cur- rent piece is “Curly Top.” it's at the Palace, and it's very entertaining film fare. Of course you prodably should be warned that this reviewer is very, very fond of Shirley Temple, and so, pos- sibly, may not be able to have a cold-hearted viewpoint on the true merits of the film as a film. But you | should hear the Palace's capacity au- diences whoop with high this young lady's vivacious enchant- ings. Furthermore, if you do not| feel a warm glow in your heart when you look at that sly Temple smile and that twinkle in the Temple eye, it's a job for a psychiatrist and not any film reviewer. Shirley is at her test in “Curly Top,” and that is plenty good. The film itself, however, would be noth- ing to shout over without Miss Tem- ple, but it's really very pleasant and | because it makes no pretense of being anything but a happy vehicle for a very gay young lady, you will enjoy it. You will not mind, even. when John | Boles looks at the pictures on the | | walls of his music room and they all | | turn into Shirley Temple and smile | | back at him. And you wili not mind the fact that the seitinks smack more of musical comedy than they do of | real life. Most of them are very attractive settings. “Curly Top” is about a couple of orphans, Shirley and her big sister | (Rochelle Hudson), who are adopted | by Mr. Boles in the name of a mys- | terious Mr. Jones, who has gone to| 1935. glee over AMUSEMENTS. “Broadway Gondolier” Is Strong in Comedy N N . Dick Powell’s Film at Earle Has Innumer- able Songs of Only Moderate Quality. HE entire formula of “Broadway Gondolier” lies in the trans- formation of the name Richard Purcell into Ricardo Purcelli, the type of miracle celebrated recently in a song about Senorita Donohue. As Dick Purcell, a Bronx taxi driver with a good voice, the hero of the picture at the Earle this week is invited to intone “oink oink,” “moo moo” and “bow wow” on a radio children’s hour. As Signor Ricardo Purcelli, the best darned canary in all the gondolas of Venice, however, he is beseeched to be the star artist on none other than the mighty Flagenheim Cheese Hour, an expensive institution for the advancement of American culture and limburger. There you have the plot essence of | enheim cheese theme song, the most Dick Powell's latest musical flicker. | effective in the picture. There also you do not have half an| In addition to those previously men- inkling of the gags, the satire and the | tioned, the cast of “Gondolier” in- innumerable songs which make this | cludes Louise Fazenda, as the Flagen- the most amusing of Warner Bros.’| heim heiress; Grant Mitchell, a dis- lyric cycle, and musically the least in- | tracted radio executive, and Wil- teresting. | liam Gargan, who presents an earnest Although Mr. Powell's voice shows | young man, bedeviled with the prob- undisputable evidence of improvement, | lems of a radio adventurers’ club. Paul Tisen and his violins are fea- tured on this week's stage bill at the the ditties on which it is exercised | are singularly mediocre, with the au- | tomatic exception of certain strains from “Rigoletto” recurrent through- out the tale. Surrounding these moderate inter- ludes of song is much better comedy than one usually finds ip the cinema’s musical whimsies. Hobart Cavanaugh and George Barbier contribute a su- perb moment of farce as two soused and bored eritics, Adolphe Menjou | Earle along with Luis and Gaby, good dancers, and Don Hudson, good bari- | tone. Other acts include Tommy Martin, whose feats of magic are | among the best; Herman Hyde and | Sally Burrill, musical clowns, and the Three Kanes. Audrey Seiber has a new white dress, R. B. P, Jr. reaches into the dialect comedian’s stock room for some new comedy twists, and Miss Joan Blqgdell, who is the Dizzy Dean of feminine Holly- | wood when it comes to pitching a fast ‘ wisecrack with a hop on it. again| twirls a good game of guffaw, al- | though some of the bromides handed | her for delivery strangely resembled spit balls. | For Dick Powell, whose admirers | are all named legion, “Broadway | Gondolier” brought three innovations. | He became an animal imitator during the episode wherein he attempted to give up crashing taxis and crash the radio; he donned a mustache for the | Europe. Rochelle is adopted merely | because she and Shirley have to stick together, but eventually the expected happens and she and Mr. Boles fall STAGE AND SCRE TO UNITE AT RIALTO JASHINGTON is something new and unique in entertainment when Tom Moore opens his Rialto Theater next Fall One phase of the new and vastly conceived Tom Moore enterprises calls for the placing in the Rialto of cer- tain productions wherein a motion going to see | picture and the accompanying stage show will bé welded together into a single entity. The entertainment value resulting from this “marriage.” as Mr. Moore calls the building of | the real life portion of a show along the same theme as the celluloid por- tion, will be much higher through its unity. Mr. Moore explains it something as follows: Suppose there is a picture based on the life of Stephen Foster (there is, incidentally). That gives us romance and it gives us all the richness and color of Negro spirituals for the production of our stage show | Now, we want some one to interpret those songs of Stephen Foster’s. Im- mediately we think of the Southern- { | aires, one of radio's finest quartets. (Mr. Moore says they are absolutely “tops.”) Next we will need some one for the leading roles in our stage production, so we will call upon the two stars of the picture. With a cast like that in a stage presentation written by an accomplished writer, | combined with the picture, the result, | he says, is bound to be good. In fact, it sounds too good to be | true, but if you call on Tom Moore he'll prove he can do a thing like that. He'll show you he can bring stars who are at the top of their profession to the Rialto stage. ‘The combining of the stage and scieen portions of an entertainment program into a unity, of course. is not exactly new, because it was used by Mr. Moore when the Rialto was in its heyday not so many years ago. But this time there will be improvements. Advances have been made in staging technique. The Rialto itself has undergone changes in the past few weeks; the stage has been widened and later may be made much deeper than it now is. Scenery has been bought in New York and is being shipped here by carload lots. = So Mr. Moore is going to be ready for most any sort of an extrava- ganza the needs of the moment call for. He has a production staff, too— stage manager, production manager, continuity writers, etc.—who even now are arriving in Washington to con- tribute to Mr. Moore’s new deal in motion picture presentation — the “marriage of the stage and screen.” ‘Washington, in Mr. Moore’s plans, is to be the key from which these stage shows are sent ouf to other theaters. There will be opportunities for the cream of local stage and radio talent. Already some of these have been noted down in Tom Moore's | memory. In all of these enterprises local per- formers will support a star, or stars, from Broadway, and support them just as well as any talent he could obtain, Mr. Moore says. He has some 300 artists of top caliber on his call list for taking these central roles. Of course, they will be available only at certain times, but when they are available opportunely and can be placed in the correct spot, Washing- ton, and the rest of the land, will get some quality entertainment. And quality, according to Mr. Moore, is to be the first thought in all of his pro- ductions. H. MOONLIGHTS FREE DANCING to Bernle larbes's | Orshestra. POT Tth 1nd Watar OMAC "W Sts. S. W S EN | | Where and When Current Theater Attractions and Time of Showing. Earle—“Broadway Gondolier.” at 11 am, 1:35 4:25, 7:10 and 9:45 p.m Stage shows at 12:45, 3:35, 6:25 and 9 pm. Loew's Fox am., 1:40, 4:25 Stage shows &t 12:50, 3:35 9:10 pm R-K-O Keith's—"Ginger.” am, 1:19, 3:03, 4:47, 6:31 9:59 p.m. Palace—"Curly Top.” at 11:20 am., 25, 3:30, 5:35, 7:40 and 9:45 p.m. Metropolitan—"Love Me Forever, at 11:35 am, 1:30, 3:30, 5:25, 7:25 and 9:25 p.m. Columbia—"Escapade.” at 11:20 am, 1:25, 3:30, 5:35, 7:40 and 9:45 pm Tivoli—"Alibi Tke, 6:15, 8 and 9:50 p.m. Ambassador — “Charlie Chan in Egypt,” at 2, 4, 6, 7:50 and 9:40 p.m. Roadside (Rockville pike)—"To Die at Dawn,” at 8:30 pm. 5 pm. . 6:20 and at 11:35 8:15 and 1 at 2:05, 4:15, “ESCAPADE” CONTINUES Miss Rainer's Success Enters Its Third Week on F Street. Two months ago only Vienna and those nebulous persons who dish out Hollywood contracts had ever heard of Luise Rainer. She was in Cali- fornia waiting for something besides the weekly pav check to happen to her, but there was no especial prommi |in sight. Then Miss Myrna Loy walked out on a role in a film called | “Escapade” and Miss Rainer walked in as a last-minute substitute. ‘Today “Escapade” is established at Loew's Columbia for its third week on F street, a distinction usually at- tained only by cinemas featuring whole regiments of famed stars. | Critics all over the country have en-| ! thusiastically taken apart and put to- | gether again her virtues and charms, | as if she were a living game of me- | | chano. She has been, in fact, an in- | stantaneous wow. | Miss Rainer's first flicker is a| debonair Viennese piece, brimming | with intrigue, costumes and waltzes. | With the able sophisticated Mr. Wil- | liam Powell tc couinterbalance the | skilled naivet> of her manner, she| overcomes certain directorial awkward- | | nesses in the production, achieves a | performance which gives the illusion | of greater continuity and wholeness than it actually contains. Frank Mor- gan, Mady Christians, Virginia Bruce and Reginald Owen are in the sup- | porting cast. ‘The Columbia program also includes a comedy and assorted short subjects. R. B. P, JR. SCHEIDEMANN IS 70 First Chancellor of German Re- public Marks Date. COPENHAGEN, Denmark, July 27 (). —Philip Scheidemann, first chan- cellor of the German republic, famous sailles peace treaty,” celebrated his 70th birthday anniversary in exile here yesterday. 3 PIC Salt Water Daity for his declaration “I had rather let | my hand wither than sign the Ver-| EASI {CHESAPEAKE BEACH, MD.) Shady Groves—Free Tables Sand Beach for the Kiddies BATHING—AMUSEMENTS Try a Salt Water Swim—25¢ After 7 P. M. FREE—DANCING—FREE Every Wednesday and Thursday Evening FISHING—CRABBING—HALF-MILE PIER FREE PARKING AT SEASIDE W.M. & A. MOTOR LINES, Inc. Excursions From 403 11th St prettily in love. It all is familiar. of | course, but it provides an opportunity | for you to see a most engaging Miss Temple. She sings and dances and romps her | | way g | sings * | with a gay good humor and “When I | Grow Up” with an accompanying bit of action which shows her as she is, at the age of 16, at 21 and as a grand- | mother taken to her rocking chair. She tap dances on a piano and does a bit of a hula on the beach. Shirley has competition in the musical line, from Mr. Boles, singing “Curly Top"; and “It's All So New to Me.” and from Miss Hudson, singing “The Simple Things in Life.” It all is very pleas- ant music. Arthur Treacher of the supporting | cast is closest to Miss Temple for per- | formance honors. He may or may not steal a scene or two from Shirley, but you will remember him after the film is over for some hilarious moments. The supporting cast, in addition to | Miss Hudson and Mr. Boles, performs authentically. Irving Cummings di- | rected. There's a clever short subject on the Palace’s program, too, w"ich should not be missed. It is a color cartoon called “The Calico Dragon.” ! which is different and which you will like. H. M. PARTY LEADER REVOLTS Organizer Takes Stand | P! f Kansas Against Roosevelt. i TOPEKA, Kans., July 27 (#).—An- other member of the young Demo-| crats of Kansas came out against President Roosevelt yesterday. | Verner C. Smith of Salina said, however, he would remain a Demo- crat. Four of his former club asso- ciates, three of them officers, quit the party and went Republican last week. They denounced administra- tion policies. Smith, who has been given credit for organizing 60 per cent of the Young Democratic Clubs in Kansas, said he believed the President “has totally and completely deviated from the principles of democracy.” . PLANS FOR BELASCO. THE Belasco Theater will open on September 3, Manager Jack Thoman announces. Extensive changes are being made in the house, in prep- aration for the after Labor day open- ing that will bring to the city a com- plete showing of foreign-made pic- tures and presentations of the new British Gaumont releases. “Loves of a Dictator,” the much- heralded Gaumont picture, with Clive Brook playing the leading role, comes to the Belasco screen first. Jan | Kiepura, the Polish singing star, will be seen next in the musicale, “My Heart Is Calling.” The third of the imposing array | will bring Nova Pilbeam, the young English star, who has attracted super- lative praise from moviegoers on both sides of the Atlantic, and Peter Lorre, the character actor, together in “The Man Who Knew Too Much.” Two George Arliss pictures, produced by | Gaument in their London studios, will A Complete Selection in Stock See Us for Your Blank Books E. Morrison Paper Co. 1009 Pa. Ave. Phone NA. 2945 D NIC All Popular N W | guilty of murdering his wife yesterday ‘Judge Willlam Jones of McArthur, gondolier sequences, and throughout the film he occasionally burst into classical song. The latter influence was supposed to have come into his life through the ministrations of a certain professor, da Vinci (Mr. Menjou), whose proudest boast, to put it in dialogue writer's own words, was that he once scored a triumph in “The La Scala,” an Italian opera house no doubt located next| door to the La El Morocco. While neither the barnyard mimicry | nor the cookie duster added much to Mr. Powell's dramatic career, they as- sisted considerably in perfecting an unusually apt burlesque of radio nui- sances. So did the enchanting Flag- —_— COURT BRANDS MAN GUILTY, BUT FREES HIM i ACADEMY ©* ™55 3378 E. Lawrence Phillips’ The: Beautif Continuous Prom 1:00 PM. REX LEASE and TARZAN. the Folice Dok SIDE INFORMATION." NSID o Ohio Judges Say S i SYLVIA SIDNEY and GENE RAYMOND in 2 ay State Failed to BEHOLD MY WIFE " ASHTON wanCLARENDON, VA WARNER OLAND. “CHARLIE SHAN IN EGYPT.” Law of the Wild. 0. 3. Prove Murder Beyond Rea- sonable Doubt. By the Associated Press McARTHUR, Ohio, July 27.—A three-judge court branded a man| | SANTE FE." _LILY. =5 CIRCLE 3% fa: : St " Mat. Tues.. Thurs.. Sat.. but freed him on the ground the | EDMUND LOWE and ROSEMARY AMES State failed to prove its charge “be- THE GREAT HOTEL MURDER."_Com. yond a reasonable doubt.” SEOROE S It upheld a motion of defense coun- s sel to dismiss a first degree murder | charge against Iral Potts, Vinton County farmer. | NIGHT.” Comedy. Cartoon. Matinee “The court felt from the evidence _ O .fCthfj»" 'CaIIrorJhr s"‘”'.',v resented that Potts was guilty,” said| PRINCESS Completely Air Cooled. e Rea T a0 204, CLORIA, SHEY __BELL and ROTH MIX o “GUNFIRE - 8244 Georgia Ave. Silver Spring. Md 6:00 PM. Mat. 1:00P M Potts maintained she killed | RICHARD ARVEN and MADAF EVANS in 2 “HELLDORADO.” T 11th & N.C. Ave SE_ Matinee — “SOUTH _OF Night — “THE GILDED " No. 10._ Comedy E Ai [ A w N ANACOSTL FAIRLAWN r 3807 sk s presiding jurist, in ruling on the mo- tion, “but we agreed the State had failed to prove its case beyond a rea- sonable doubt.” | Mrs. Potts died from a shotgun | Continuous From charge. herself. BAND CONCERT. in_Tommy." No. 10. | By the Soldiers’ Home Band at the | bandstand at 5:30 o'clock. M. Zimmermann, bandmaster; Anton | Pointner, associate leader. March, “Bolivar” King Overture, “The Four Ages of Man,” | Lachner Suite d'orchastra, “Don Quixote,” | Safranel 2. Sancho 4. Don k 1. A Spanish Village. Panzo. 3. Dulcinea. Quixote. | Excerpts from Irish musical com- edy “Eileen” Herbert A German patrol, “Guardmount,” Eilenberg Waltz suite, “Confidences”_Waldteufel Finale, “Black Horse Troop"-.._Sousa “The Star Spangled Banner. AMUSEMENTS. A SMART WAY... TO BEAT THE HEAT..FIND A SEAY o af LOEW'S tably Coof THEATRES TOM TYLER in “SILVER BULLET." Universal 6th and C Sts. NE. | ! News. Cartoon STANTON pines: Seina EGiipmment Continuous Prom 1:00 P.M | N. “HOME ON THE RANGE STATE ,..The Modern Theate 6970 Wise. Ave.. Bethese Continuous From 1.0 BT W“A.PVEN OLAND and PAT PATERSON in Charlie Chan in Egypt.” 4th and Butternut Sts, | TAKOMA No Parking Troubles Continuous From 1:00 P.M. n | |HIPPODROME * Near o Natural Air-Cooling &ystem. e Ao g, St MAE WEST in “GOIN’ TO TOWN.” CA’ME()’*EII RAINTER. MD, E. Brown. “Alibi l;gg.'v Joe E All-Comedy Program and Serfal Startine Tomorrow for 4 Days— WILL ROGERS in “Doubting Thomas.” ARCADE BYATTSYILLE. MD.” | Direction of SIDNEY LUST Randolph Scott in “Rocky Mountain ystery.” All-Comedy Program snd Serial RICHMOND, %s3a:ms March and Charles Laughton Miserables.” AMBASSADOR LAND. “CH. __IN EGYPT.” Comedy. _Sportreel. APOLLO Double Feature Sho 00 P.M, WENDY BARRIE in “IT'S A SMALL WORLD.” ANN SOTHERN in “HOORAY FOR LOVE."_Cartoon. _ AVAL Conn. Ave. & MeKinley JACK. HOLT in AW AKERING. > in “AWAKENING OP JIM_BURKE. T3 E”_Laurel and Hardy. AVENUE G 18 St & Col. Ra. N.W. Col. 5503 SCAREN AND STAGE COMIC b Sy son aeiXEES £ onen CUFE SHARLEYV- HALL S5 BLIN RTE AR WARNER BROS. THEATERS RA “"CURLY TOP” JOHN DOLES * ROCHELLE HUDSON JANET CAYNGR - HENAY FONDA e FARMIR TARES A WK - IOE E. BROWN in " Laurel and Hard SAVOY “Rase mLxw HH(X}RLIY ‘TEMPLE in _‘OUR IRL.” _Musical. Sportreel. JANE WITHERS TIVOLI the “meanie” of “Bright Eyes” in'GINGER with IACKIE SEARL 0. P. HEGGIE ing~ .. ALICE BRADY in "LADY TUBBS™ JRGE RAPT in ONY." Laurel and “Miracie Rider.” No. 4. THEA 18th Deuble Peature T'ELARUDIQ':E'B?. AL GLORIA STOART. “WHEN A MAN'S A MAN.” GEORGE O'BRIEN. Serial. Mat- inee at 1:00 P.M. st & B L Ave N.W. ‘Dousle Featare FOLLOW THE CROWD TO [FAEE ADMiISSION | 0 LEN ECH AND POOL TODAY LAMUSEMENT PARK | “YOU’LL LIKE IT”