Evening Star Newspaper, March 18, 1935, Page 10

MUSEMENTS Laughton Scales Heights In Gettysburg Address Actor, Who Is King of Many Moods, Hurls Dramatic Thunderbolt Into Roaring Comedy. BY E. de S, MELCHER. =Z seeview of “Riggles of an Baturday revea . would be, believe it or not, the Red Cap” by the Warner Bros. led not only the many talents of Charles Laughton, but also the fact that this comedy has one of the most impressive dramatic scenes of the season. This recital of Lincoln’s “Gettysburg Address” by Mr. Laughton—a scene which is not only a surprise but a veritable dramatic thunderbolt. Mr. Laughton gets away with it, as ) the director knew he would, by stand- ing very still, looking straight ahead, speaking his words as distinctly as % only an Englishman or a tharine | « Cornell or an.Eva Le Gallierthe could + speak them, and by keeping his eyes on such an immovable plane that who- . ever looks his way must be hypnotized by their steadiness, e Sk T'© MANIPULATE & scene of this v kind in the midst of a “Red Cap” | saloon is something that we fancy few | . actors could do. Nor do we suppose that many directors would have cared to undertake it. Mr. Laughton is, however, king of so many moods; can , flick out tragedy, humor, or pathos . with such overwhelming sincerity that % his elocutionary skill with this “Get- " tysburg Address” is something that all young men and women, who are strug- East, Dennis Connell, Bernard Fitz- gerald, Thomas Slattery, William Shanahan, George O’Coanor, Bernard O'Neal, Thomas Brahany and Daniel J. O'Brien. Miss Helen Howison, soprano, and Alfred Manning will be a feature of the program preceding the play. Matt Horne is the director of music, George Wilson is the ac- companist, while Sidney Seidenman (Sidney) in person will conduct the orchestra. “This most worthy charity offers the only opportunity to a yearning public to see and hear this great aggregation of talent on one program. «+.Yours for more milk for the babies, GEORGE O'CONNOR.” * k% X THE curtain goes up on Miss Le Gallienne’s production of “L’Aiglon” tonight at 8:30 o'clock at the Naticaal. _gling with it in school, should not “ miss. To recite such an address in the far corners of a small town, with Zazu Pitts staring at you from out of a| “Silver Spoon's” kitchen, with Maude . Eburn and Charles Ruggles sitting be- - side you, and with a lot of hard-boiled ! codgers saying, “What in the name of so-and-so is this all about?”—to re- . cite it in the face of one of the year's ¥ most amusing comedies—is not only a Jfeat but a miracle—and one which should probably make Mr. Lincoln , Just so much prouder for having writ- ten the speech. * ¥ % X LETTER from the much esteemed Mr. George O'Connor of this city + being a rarity, we cennot refrain from publishing in toto something which he has been good enough to send us— something which this department was prepared to write about anyway. It pertains to the 1935 play being given ¥ for the benefit of the milk fund, under the auspices of the city-wide group of the Ladies of Charity on Thursday of this week at the Willard Hotel by Mr. O'Conaor and the Troubadours. Mr. O'Connor writes as follows: “In your- (such and such) *“column” = (Mr. O'Connor is most polite) —— “could you find a bit of space to call attention to the forth- coming milk fund benefit on Thurs- day, the twenty-first? “At the time the within was ' printed—" the within being a pro- gram—“I was the only known par- ' ticipant, my wife having signed up for me, hence the featuring of me on the within announcement. But the ‘Troubadours of the Friendly Sons will ca the occasion mentioned offer a new musical play by Tom Brahany entitled, ‘Widow Lally’s Eviction,” with a cast composed of the following galaxy of Irish singers and players, viz: Charles Trowbridge Tittman, Edwin Steffe, William Raymond, Fred “The Prince Georgean” came out | l]ast Friday with a nice fat editorial on Sidney Lust. It congratulated him on his fifth anniversary as chief of | the Cameo Theater in Mount Rainier. | It ended: “‘Sidney Lust, your contribu- tion and assistance to this section of | the country are greatly appreciated, | and may your success be unbounded.” Nice going, Sidaey. Can it be true that Steve Cochran is not only going to visit the Variety Club but that he's going to be king for a day and will bring Bert Lahr and Ray Bolger thither? Variety was quite correct when a certain headline stated last week: ‘“‘Life' to Road With Line Intact.” ‘This means that when “Life Begins at 8:40” comes here next week, even the chorus girl that you liked best when you saw the show in New York will be present. S. O. Diamond would like to know Mr. Victor Moore has appeared.” Alas, we haven't seen him in any. One of the Loew’s Corp. “big shots” was in town over the week end. That weculd be Joseph Vogel. He was escorted here and there—and mostly to the Shoreham and the Heigh-Ho by Mr. and Mrs. Carter Barron. In spite of a severe lacing by measles, pneumonia and appendicitis, the cast of “The Royal Family” is ready for action and the curtain will definitely go up Wednesday evening at Roosevelt High School. Murray | Sheehan being laid low by an attack of appendicitis, his role will be played by Director John Mann, and Teddy Tiller will play John Mann’s role of Anthony Cavendish, and Lieut. Scott Dickson will play Teddy Tiller's role of Perry Stewart, and Bob Duke is playing Paul Walter's role, and Mabel Swormstedt is playing the role that Mary Olive O'Donnell can’t play be- cause she has the measles, etc., etc., etc. So far, nobody’s been attacked by a failing wisdom tooth. - “BLUE RHYTHM GIRLS” IN SPIRITED BURLESQUE often burlesque comics are merely chaps who come out to pass a little time between girl num- bers, and their antics are relatively unimportant, but Tommy “Bozo” * Snyder, who brings his “Blue Rhythm | Girls” to the Gayety this week, cer- | tainly does not fall in this class. | His inimitable tomfoolery in pan- | tomime, which places him right up | at the top among the few really good | burlesque funsters, is displayed this | , week in that theater scene, wherein , he sits in the “audience” of a theater within a theater and disrupts every- | thing and everybody in sight, and finally ends up by bombarding Max | Coleman’s top hat with bags of pea- nuts. In a new skit, “Bozo” plays | barber with disastrous results. Both | ‘are completely hilarious. “Bozo” should not be passed up. Harry Bently, Dutch comic, and Max Coleman, Hebrew character, in + spite of the Snyder competition, man- age to get across some really funny | skits. Don Trent and Bob Roberts | take the straight roles and split the | , singing assignments, doing both very | well. \ In the feminine half of the cast are Gertrude Hayes, Billie Hughes, Delores Green and June and Margie White, which is a very acceptable group of feminine charmers. Most approved last night was Miss Hughes, who has a voice a shade on the per- simmon side, but who also has a more winning personality than any one else present, and the knack of capturing the audience’s favor. Miss Hayes helps no little in putting the comedy into the comedy scenes, being one of | the best soubrettes to play the Ninth | street house in a long, long time. Delores Green and the White sisters | are standard specialty artists, though | probably easier on the eyes than most | and perform acceptably. The entire production is lavishly and attractively staged; the chorus dances in time and in the right di- rection and the musical score has zip and zest. All of which makes “Bozo” Snyder’s “Blue Rhythm Girls” a very good burlesque show. H M. here and When Current Theater Attractions and Time of Showing. National—Eva Le Gallienne, in “I'Aiglon,” at 8:30 p.m. Earle—“Gold Diggers of 1935,” at 10:30 a.m., 1:20, 4:15, 7:05 and 10 p.m. Stage shows at 12:20, 3:10, 6:05 and 9 pm. Loew’s Fox—“The Little Colonel,” at 10:45 am., 1:25, 4:15, 7:10 and 10 pm. Stage shows at 12:25, 3:15, 6:10 and 9 pm. — “Petersburg Nights,” at 11:37 am.,, 1:30, 3:43, 5:46, 7:49 and 9:52 pm. Palace—"The Wedding Night,” at 11:30 am.,, 1:35, 3:35, 5:35, 7:35 and 9:35 pm. ‘Metropolitan—“While the Patient Slept,” at 11:15 am., 1, 2:45, 4:30, 6:15, -8 and 9:45 pm. Columbia—"“Private Life of Don| Juan,” at 11:40 a.m. 1:45, 3:45, 5:45, 7:45 and 9:45 p.m. RKO-Keith’'s—"Roberta,” at 11:32 am., 1:34, 3:36, 5:38, 7:40 and 9:42 pm. Tivoli—“After Office Hours,” 2:35, 4:20, 6:10, 7:55 and 9:45 p.m. “Gold Diggera and D::fl pam. of Am! 1935, ab 6, Local Player MAUDE HOWELL SMITH Has one of ‘the leading roles in “The Royal Family,” which will be presented Wednesday night as a benefit at Roosevelt Auditorium. COLLEGE PARK COMEDY THm performances of “The Vine- gar Tree” will be given by mem- bers of the Footlight Club in the Uriversity of Maryland auditorium, starting Wednesday evening at 8:30 o'clock. Led by two well-known members of the club, Frederic Haskin, jr, of Chevy Chase, who will take the romantic lead, and Miss Betti Busch- man of Leonia, N. J., who will portray the flighty hostess, the comedy is ex- pected to uncover hidden talent among some of the less prominent members of the club. Rehearsals have been under the direction of Dr. C. B. Hale, of the English department of the university. Man, 102, Shuns Tobacco. William Lacey of Capel, England, has never smoked a pipe or cigarette in his 102 years. the Marketers of BETHOLINE and RICHFIELD SHERWOOD “the names of the pictures in which | & VIOLIN SHARES HONORS WITH ORCHESTRA 'HE third annual program of cham- | ber-orchestra music was given | yesterday afternoon under the auspices of Elizabeth Sprague Coolidge by mem- | | bers of the National Symphony Or-| chestra, Dr. Hans Kindler conduct- ing. The auditorium of the United | States Chamber of Commerce, where | these concerts have been given, was The pictures above show what the United Artist Corp. has done with its screening of the new musical film, Fox Friday. Maurice Chevalier, the star, at left and in center, is fea- tured together with Merle Oberon, at right, and Ann Sothern, both upper ONDAY, MARCH 18, 193 E % % s “Folies Bergere,” which comes to the ALCOTT TALE "UNDER THE LILACS,” presented Children’s Theater of New York, is | Louisa M. Alcott was a feature of the | domestic literary world. juvenile Washington, displayed the | universal interest in the plots of Miss IS PRESENTED FOR CHILDREN Saturday at the National by the | relic of days when the vogue of | Saturday’s audience, representing filled, every seat occupied and several rows of people standing in the rear. The large audience was enthusiastic over the work of the small orchestra and the soloist, Viola Mitchell, violinist, | who played with the National Sym- phony Orchestra in Constitution Hall February 7. She repeated Malpiero’s concerto for violin and orchestra, played on that occasion, which was its first per- formance in Washington. The com- position was written and dedicated to Mrs. Coolidge in 1932 and its first per- and lower center. [turbi, Creator, Pianist, Gives Brilliant Recital [Master Qualities of Artist Are Dominant in Alcott, with their wealth of household incidents and the primitive melodrama that, in the author's hands, had less of the sensational than the more vig- orous and less refined products of the same period. It is here transported from the book and the magazine to the stage. History was repeated in this per- formance, for the young auditors found the fascination of the circus nc less forceful than in the Alcott age, when boys who were associated with the big tents, and possessed the formance was in 1934 by Miss Mitchell. The second hearing of the work gives a more favorable impression and Miss Mitchell again gave an excellent ac- count of herself as an accomplished virtuoso, leaving a desire in many of her listeners to hear her play at least one of the classics of real beauty. She has brilliant technique, the cadenza in the final movement she dashed off with amazing speed and | ease, and her tone is rich and warm and of ample size. The orchestra played the “Sym- | phony No. 3 in C,” by C. P. E. Bach, which was given by the entire or- chestra at its concert January 13, and the presentation yesterday was en- hanced by the smaller auditorium as | well as by the smaller group of players. | ‘The composition loses much in the larger auditoriums and, except for a bit of carelessness on the part of the pianist in anticipating or lagging be- hind the beat, the performance yes- terday was excellent. Five brief numbers of Purcell's| suite were very refreshing between the two ultra-modern compositions of Malpiero and Respighi, the continuity of theme and form, as well as the richness of the harmony, were marked | contrasts to the seeming lack of con- | tinuity in the moderns. The closing number was a concerto for five instruments and orchestra, written and dedicated to Mrs. Coclidge by Ottorino Respighi, for which the soloists were Viola Mitchell, violin; Sol Sax, piano; Isadore Goldblum, oboe; Charles Yuki, trumpet, and Jacques Posell, bass. The three move- ments were played without pause, and following three other numbers, with from three to five movements or sec- tions, gave the impression of great length. The number bears repeating, earlier on a program, when the audi- ence has not already heard a sym- phony, a concerto and a suite. The program opened with J. S. Bach’s choral prelude, “I Call on Thee, Lord,” which was beautifully played and a fitting beginning for the concert. The large audience remained at the close of the program to applaud the conductor and the soloists. It is un- unfortunate that a program of such interest should have been without charge, at the same time as a recital by a eminent artist. | Program Presented at Constitution Hall. BY ALICE EVERSMAN. HE piano recital of Jose Iturbi, yesterday afternoon at Con- stitution Hall, may be said to have presented that inter- esting artist in two distinct phases. There was Iturbi, the creator, and Iturbi, the pianist, and his program seemed | designed to give him opportunity to display his powers separately | Interwoven as these two elements must be | in every artist’s program, with a pianist of Iturbi’s special talent, they assume an individual importance. in these two ways. In several of his former recitals, Iturbi has allowed his peculiar gi_fl of concentration on and immersion in the spirit of the music to dominate | his interpretations, but yesterday he departed occasionally from this .are ability of his, in order to become a virtuoso pure and simple. Unfortunately, as splendid as is his technical command at ail times. i these moments he resembled many another artist, whose pianistic spe- cialty lies exclusively in this direction. What he has developed in another line is so superior and so individual, that one could not but regret that he did not fashion his program of all the compositions which give him occasion to delight his listeners, with the florescence of his musicianship, in which mind and heart are so finely balanced. * ok ok x ITURBI is a poet who attains an intimate communion with the sub- jective element of music, who under- stands and sympathizes first with the sentiment, and then with the thought which engendered the composition. He is a musical visionary, for whom the intangible becomes real, and in- terpreter, who sees the shadows as well as the substance of what he will interpret. Beyond this, he has at his finger tips, a magic power by which he can reproduce in tone and on a limited instrument the images and the feelings he divines by his musical mediumship, and these are at all times new and different. As a Debussy interpreter, Iturbi ranks supreme, as the group contain- ing “Arabesque,” “Bruyeres” and “Feux d'Artifice” and the encore, A_!JANCING. POPULAR REQUEs Our Special 1935 Talent Development Courses 16 ONE-HOUR gl “Poissons d'Or” proved. Next among | the numbers of yesterday's program were Schubert’s “Impromptu in A | Flat Major,” the rare gem, Couperin’s | “Soeur Monique,” and in addition, the encores, Chopin's “Polonaise in A Flat,” Navarro’s “Spanish Dance” and | De Falla’s “Fire Dance.” Here was Iturbi, the creator, the poet, the idealist. * *x % x S A virtuoso, Mr. Iturbi played the “Etudes Symphoniques” of Schu- mann and the magnificent “Etudes d’Execution Transcendante” of Liszt, the “Toccata” of Paradisi, and two numbers of the first group, Handel's air with variations, “The Harmonious Blacksmith” and Rameau's “Rigau- don, Musette et Tambourin,” which could be placed in this class, because the more delicate points of interpre- tation were lacking. A resonant volume of tone, swift and brilliant runs, a trill rare in its exquisite fine- ness and clearness, and splendid manipulation of phrasing were the master qualities discovered in this portion of the program. The audience was justly enthusiastic and Mr. Iturbi was generous in his response, giving his encores with a personal pleasure in acceding to the desire of his listeners to hear more of his beautiful playing. The most interesting of his encores, from the point of view of novelty, was the |is Trans-Atlantipue.” DANCI! precocious wisdom of an Alger hero, were worthy of careful and enthu- siastic attention. formance of “Under the Lilacs” was possessed by the boy bareback rider who escaped from the circus because | of cruelty. | performer is known in real life, had much dramatic ability in his work as “Sancho,” stolen by a tramp from Bab, the heroine of the story. | the “Punch and Judy” show by the cir- | cus boy, played with spit and skill by William Clifford. | “Aladdin and His Wonderful Lamp” | at the National, April 20. time music lovers as the greatest vio- linist since Paganini, morrow at 8:30 o'clock, in Constitu- tion Hall, with his son Rafael as his accompanist. | of European orchestras.* |as well as a violinist. | World War he wrote six violin con- | certos for orchestra. He has likewise | composed “Nocturno,” "Melody” and | “The Old Song” and has made the piano and orchestra arrangements for | Paganini’s “Concerto in D Major,” “The Campanella” and “Variations.” “Blues” from Tansman's “Phapsodie | made of the recent jail riot in Glas- gow, Scotland. Some of the strength of the per- ven by the tricks of a small dog, “Rowdy,” as the canine AMUSEMENTS PROFESSIONALS IN CAST Pierce Hall Players to Appesr in “Field of Honor.” A CAST of professional experience is playing in “Fleld of Honor,” the new play by Betty Souby, which the Pierce Hall Players are to present March 27 and 28 in Pierce Hall. Frank Jamison, who has the stel- lar role, first came to Washington in “Abraham Lincoln,” at the old Gar- rick Theater, later returning to the National, where he played Secretary of the Treasury Chase in the same play before an audience which in- cluded the late President Wilson. Elinor Cox Karsten appeared with Roland Young in “Rollo’s Wild Oat.” Helen Shields understudied in “Al- lure,” which was produced on Broad- way this season by Clifford Brooke. Also in the cast are George Farring- ton, an associate of Prof. Koch of North Carolina; Dixie Diket, formerly of the Little Theater of New Orleans; T. C. Gardner, who played with a Toledo stock company, and Frank Gaunt of Hollywood. Well known Washington players complete the cast, including Paul Alexander, Howard Wentworth, Clar- ence Moore, William Austin Davis, Clifford Harriz, Larry Hart and two child actors, Mina and Stuart Hack- staff, LECTURE-RECITAL. Jessica Lee, lecturer and dramatic reader, will appear in a lecture-recital Priday at the Congressional Club. | Miss Lee announces she will present three sketches on her Charles Lewis will assist at the piano. e e Drought Hurts Fruit. Lack of rain is causing fruit to ripen prematurely in New Zealand. AMUSEMENTS [ /... FOX E AT 14TH B LIONEL BARRYMORE U Little Colon BILL ROBINSON tage udnflEz STAR VAUDEVILLE ACTS Friday 'FOLIES BERGERE® with MAURICE CHEVALIER Sage..HERB WILLIAMS w§ PALACE 5.7/ Chow ANNASTEN WED pIH] N WIGRT skt i ag. WILL R R %rs BEG'TNSOflG&tEO"S L Another source of excitement was presentation of a complete Merit marked the performances of | Betty Macdonald as Bab, and Jewel | Morse as Betty, while William Court- leigh gave a smooth impersonation | | of Thorny, dignified young man of | the family. | w Doris Furnside in adult roles. Excellent contributions ere made by Velma Royton and ‘The New York company will offer D.C C CONCERT TOMORROW. Jan Kubelik, remembered by old- will play to- The younger Kubelik well known among the conductors Jan Kubelik himself is a composer During the Jail Riot Is Probed. A government investigation is being DANCING. $10 12 THAYER'S DANCE LESSONS DANCING LESSONS Tap-Ballet Acrobatic A J $ kg .00 Character Limbering and Stretching, LESSONS GLADYS STUD Musical Comedy or Ballroom DANCING 3 DAYS TO ENROLL MAR. 18-19-20. An_exmperionced, congenlal staff, teach you for reac your own pleanre, .:'7:5:”-‘ healts, or, it , 10 prepare To: % prtessional cureer: $5.00 must be paid whea earoll- mont 1s made. HOURS 9 A.M. UNTIL 10 P.M. Bighe reserved o reject ady spplication. “The School of Pre- e Teaching Sys- that Constantly ncites Interest” WILBUR 10 of’ DA 1223 CONN.AVE. N Why hesitate any longer when you can secure the highest type of danc- ing instruction in the East for & nominal sum? Yet you have the per- sonal attention of Mr. Thayer's large staff of expert instructors, and ‘In Mr. Thayer’s own Studio. Learn TAP—MUSICAL COMEDY— BALLET—ACROBATIC—or BALL- ROOM DANCING — CORRECTIVE and REDUCING EXERCISES now! Classes limited—day and evening for adults and children. Special classes for men exclusively. Please remember this offer is limited to fitty students and you must enroll early to secure this extremely favor- able rate. Studios open 10 A. M. to 10 P. M. Telephone MEtropolitan 4121, l ’ [l 5 I GGERS @ - ' T[:EBIBBS 16- VITAPH & ONE GIRLS-16 rgie Tapps MIGNON C. EBERHART'S Ll While ¢ « Patient Slept GUY KIBBEE-ALINE MacMAHON 2nd Clue Cish. BETTER YET *RUGGLES OF RED GAP* STARTS FRIDAY / SPRAING STAATS I’HURSMY/ Enroliment Dates, March 18, 19, 20 Leroy.Thayer 1226 CONNECTICUT AVENU program. | AMUSEMENTS. ATIO Nighta, Mats., Wed. 55e-82.2 LE GALLIFGE in Rostand’s Famous Piay “L’AIGLON” Next Week, Beg. Mon., Seats Thur, 222, 2 FAMOUS BEAUTY BRIGADE $1.1 .85, Mats. Wed. & Sat. 836 1 $2.15 | The perfect solation lo the summer o- fortaioment problems of your organiza- tion. Here's how more than 50 have ale ready soived their problems for the com- ing ssason. Book 2 Daytime or Moos- light excarsion on the Dig steel Wilsem Line Steamer “Clty of Washington.® Il mean beth pleassre asd prefit. Write or phese NAtional 2440 for o representative. Mo obligation. WILSON LIN NA 2440 - 7TH. STREET WHARVES ACADEMY ©f Pertect Sound P 8th at G E._Lawrence Phillips' Theatre Beautiful us From 2:00 P.M. us From N _and MARION “SWEEPSTAKE ANNIE." BRUCE CABOT in_“THE RED HEAD." ASHTON CLARENDON. VA. GLORIA _SWANSON. JOHN BOLES in “MUSIC IN THE A |CAROLINA *'%%, “PECK'S BAD BOY" KERNELS. CIRCLE WALLACE NUM."_ 8 and “KENTUCKY 2105 Pa. Ave. Ph. WE. 0953 Mat. Tues.. Thurs.. S bun. ERY. y Sym. DUMBARTON 1% SiNe n GENE RAYMOND in “BEHOLD MY WIFE FAIRLAWN epde2%T08 & S MILLIONS." _CARTOON = PRINCESS Botole Peature. LAUREL AND HARDY in “BABES IN ND.” also BUCK JONES in “THE Silver Spring. Md. WILL “COUNTY CHAIRMAN.” Finest Sound Eauipment CRIMSON TRAIL." Continuous From 6:00 P.M. Comedy. _News. —Continuous From 530 P.M. SECO 8244 Georgia Ave. ROGERS _in STANTON 6th ana C Sts. N.E. Monday LOIS W n: “Tonight! A HEPBURN in ” SIR JAMES M. BARRIE'S % THE LITTLE MINISTER. _Also “TRELAND” and Cartoon fiKOMA 4th and Butternut Sts. No Parkine Troubles WALLACE BEERY __“MIGHTY BARNUM" _ HIPPODROME . 25k JOE PENNER in “COLLEGE RHYTHM.” MT RAINIER. MD. CAMEO Last Times Today. GRACE MOORE in “ONE NIGHT OF LOVE.” Frol SHE: AIFXANDRIA VA Today-Tomorrow. Margaret Sullavan. “The Good Fairy." ARCADE 2OCKVILLE p. Today-Tomorrow. SHIRLEY TEMPLE in “BRIGHT EYES.” Continuous From 6 to 11_P.M. AMBASSADOR c.*'v% “Gold Diggers of 1935. ml‘o 624 B St. NE. GARY COOPER, FRANCHOT TONE, “LIVES OF A’ BENGAL LANCER." Conn. Ave, an AVALON bR McKiniey 8f. N.W. GARY. COOPER" FANNCHOT FRANCHOT TONE, “LIVES OF A BEN L _LANCER. " AVENUE GRAND ., 25 o, Matinee, 2:00 P.M. BRIEN, JAMES CAGNEY and PAT O “DEVIL DOGS OF THE AIR. CENTRAL *% o st CAGNEY and O'BRIEN in “Devil Dogs of the Air.” Ga. Ave. & Farragut COLONY &AW Matinee, 2:00 P.M GARY COOPE “LIVES OF HOME EDDIE CAN LIONS”_Silly Symphony. S_A'vfi‘Y-u_-nasn‘ & Co Direction of SIDNEY LUST P.M. FRANCHOT TONE, NGAL_LANCER." 1230 C St. N.E TOR in R. A “KID MIL: WARNER BROS. THEATERS Matinee, 2:00 P.M. BLE. ' CONSTANCE BEN. FTER_OFFICE HOURS.” Ga. Ave. & Quebec N.W Place N. NTOR in “KID MIL- EDDIE CA LIONS:"_Travelreel. 57Rak JFSSE THEATER "5 ™ “THE WHITE PARADE,” LORETTA YOUNG and JOHN BOLES. Comedy._Cartoon. TRIUMPHANT Return After 15 Years Greatest Violinist Since Paganini, :KUBELIK Mar. 19,8:30 "' x. e st 1550 % S ey P . N o The Motoow Art Theatrs Players in DOSTOYEVSKI'S “PETERSBURG NIGHTS" with, complete English Disiogus Title Gold Medal Avard, Venico 134 STL—VAT 1518 R L Ave NW. “BRIGHT EYES,” SHIRLEY TEMPLE_JAMES DUNN. Comedy. _Cartoon. PALM THEATER °%i*™ “BIOGRAPHY _OF A BACH GIRL.” ANN “HARDING, L YoRTaOoMERT. Comedr s ove BERNHEIMER'’S DA EDW. F. MILLER STUDIO 814 17th St.—NA. 8093, » ¥ it’s danced. we teach it PEYTON h . 1745 F Mete SBociar "danciun s speciahty MAE DAVISON Tuesday and Thursday Ballroom Classes Beginners at 8, Advanced at 9. Tangos. Rumba. Limbering and Stretching Classes. Tap Classes: Saturday Children’s Classes. $3 per mo. Enroll Children now for Spring Revue. Private Lessons. 1329 M BT. N.W.