Evening Star Newspaper, July 8, 1933, Page 6

MUSEMENTS Teafs and Memories Give Color to Gerhardt Story Miss Sidney Reaches Extremes of Emotion on Earle Screen—"Hold Your Man™ Held Over at Palace. By E. de S. Melcher. HERE is that same insistent despair in “Jennie Gerhardt,” now playing at the Earle, that there was in “Back Street.” While the heroine, in the final chapter of this Dreiser story, whispers that she will be happy forever, she says this with tears in her eyes, and with the sure knowledge that all will be gloom before her. Death having snatched her daughter and her lover from her, all that remains is loneliness and memories—some of which are happy, but most of which aic -eminders of the bitterness of fate, and the certain promise that loyalty is seldom rewarded. “Jeunie Gerhardt” is a long, long| story of a good weman thwarted at | every crossroad by a trust which was obviously too great. Jennie expected | too much of the world, and since the | world expected nothing of Jennie, the | results were bound to be cruel and unjust. So she rose from a home of poverty and crime to a state of exalta tion that she had never dreamed of— | but one which proved to her, in the t 1 Dreiserean manner, that “‘socl- el s something not to be desired, and you can be as happy in a 2-by-4 ard &s you can be in a Versailles | gas o | Tue film has been photographed carefully, tastefully and tactfully. | While it is long and sad. and while| the acting has not the luster that char- | acterized Miss Dunne's rare perform- ance in “Back Street,” it is something | to be seen and something that ladies | will especially enjoy. | Sylvia Sidney's method of playing | Jennie will, no doubt, be the cause for | much debate. When she is sad she is| very, very sad, and when she is happy | she is overwhelmed. Between these | two extremes there seems to be noth- | ing—nothing but a calm that rgisters sometimes as sheer stupidity. Yet, in that bewilderingly fine scene when she becomes hysterial at the death of her daughter. she shatters that calm with an emotional driving power that is worthy of our very best actresses. Her grief is extremely real, and the summit of her acting powers unleashed with unprecedented vigor. Then again, when the film slides off into its sad finale, she is mute and calm and the camera discovers her with that expressionless expression which it had discovered much earlier in the film. | Nevertheless, Miss Sidney is a sin- cere and moving actress, who can be 50 appezaling when she smiles that you are apt to want to forgive her h other errors. Perhaps in this case it is the fault of the camera man, who seems to have becen so desirous of film- ing all those pre-war hats that he told Miss Sidney not to do anything while he snapped her in head-gear repose. WAR'S RECORD | IS IMPRESSIVE | AS FILM TALE| At any rate, you will find dozens of hat stills"—something which the very large and excitable female audience yesterday at the Earle’s first showing found great delight in. The hats, and the baby, and the child (not che extremely ugly young daughter who is voted the most beauti- 1Tul girl in her school) and all the fine resses, make this the kind of enter- tainment that ladies will go to in droves. They will cry over it and laugh over it—and, as in the case of “Back Street,” although nsl so potently— they will see themselves s the deserted, yet attractive young w. 1an, who was loved by Senators and other great men, but who at the same time blushed more or less modes'ly unseen, and who in the final reckoning had really a pretty tough life and one which neither you nor I would be apt to want either our aunty Z's or our cousin X's to go through. Opposite Miss Sidney you will find first Edward Arnold, who is excellent as the Senator, and subsequently Don- ald Cook, who starts off badly and then Wwarms up to a better than adequate performance. THE Earle stage show, introduced once more by how-have-you-been Maxine Doyle, is a lively affair, due to the Mandel brothers, who do things which you never thought any kind of an acrobat could do; to Madie and Ray. two young performers who have ohe of the best opening acts seen here this season (they twirl ropes and Madie gets herself all tied up into various knots); to Ann Pritchard, a sure-footed dancer, who gets a nice hand, and to Demarest and Sibley, who start out modestly. and then suddenly improve. One of the pleasantest parts of the performance, too, is the Freddie Clark Gilbert-and- Sullivan _ overture, which acts as a musical prologue to the bill. * ok k% “HOLD YOUR MAN,” the Harlow- Gable film, which is causing more of a rumpus than any other picture in town, is being held over for a second week at the Palace. While the plot is not so great as to cause you any mental palpitations, while the acting is nothing to write home about, while the last part is almost laughable (not intentionally) and the direction nothing to crow over —there is something in any Harlow- Gable film that gets an audience. In this case the film has a fine be- ginning. Anita Loos has seen to it that the hero and heroine meet, so to * X % ox | speak, over a bath tub. For the next “Forgotten Men” 1 Product of Fine Skill. | WAR which divided & world, de- | stroved many of the finest products ' of intelligence, and made human life | a monster target runs its flashing and | reverberating course on the screen at| the Metropolitan Theater. Pelitical | events, which show how the nations| lined up for the struggle, are caught with the precision of the camera’s eye in all their significance. Structurcs erected to the glory of peace-time ! achievement are wiped out by great explosive missiles. Men follow the paths | of glory to relentless destruction, while | medals of valor on their breasts pre- | serve the memory of their deeds. States- men and warriors review the massed multitudes of fighters and lend en- couragement to those who must win or lose im the task of upholding their respective ideals or ambitions. This is the story that is told as four years of struggle are compressed into the period required to grind out, with accompany- ing and impressive sound, a feature | picture in the theater. | “Forgotten Men” is the subject of | the offering at the Metropolitan, but no part of the great war has been for- gotten. $kill has been shown in weav- ing the tapestry of Mars. In the battles, alone, which cover the struggles on two continents, the producers have assembled some of the official pictures from the archives of the nations with a completeness which is unparalleled. From the assassination at Sarajevo to the burial of the Unknown Soldier ini Arlington there is pictorial description | which must revive the memories of | those who fought and the reverence of | those who only realize the spirit of patriotism which drove milliens into the whirlpool. Contributing to a better understand- ing of the clash of republics and monarchies, there is a finely co-ordi- nated thread of genuine history to il- luminate the story. The pictures are | described by a speaker recorded in the | film, and the outstanding personalities of Europe and America are intro- duced with significant comments. Presi- | dent Wilson is seen signing the Ameri- | can declaration of war and, with Gen. | Pershing, sharing in the activities abroad. The English King, with modest | dignity. encourages his men in_their | spontaneous zeal. The German Kaiser, | Hindenburg and Ludendorff uphoid the military spirit. The statesmen and generals of France reveal in their in-| spired countenances the responsibility | that rests upon them. Palestine and| Russia come into the picture, and the| naval operations, which furnished the mystery of the war, give impressive | color to the whole. Growing out of this whole repro- duction of the incidents of a struggle, which turned the course of nations, is the evidence that in the science of war new principles grew out of new problems and experiences. It is evident that in the greatest of all wars the methods were learned by the process of | Jeaping into the dark and hoping for | success. Development of armaments | and explosives, creation of great guns, | trench warfare and the American | theories marked the places along the| way that turned a possible deadlock | into a fighting finish. All the great battlefields are shown. the horrors of submarine warfare arc | revealed, the Lusitania stands as a symbol, Germany's last stand is im- pressed on the mind, poison gas takes its unprotected victims, men die by shrapnel and machine gun, human bodies are blown into the air, Verdun; stands as a slaughter pen, Zeppelins bombard English homes and Flanders Field is seen with its endless rows of ves. It is all a worthy record of the most spectacular event a’fJ nlcl: tlcme, s SEASIDE (Chesapeake Beach, Md.) PLAN A PICNIC at the SEASHORE One Hour by Train or Over Hard Surfuced Highway 25c Adults Kiddies 10c Set. Eun, and Holidays—Adul Trains leave District Line 8t t. & sun.: few minutes there are many laughs, and many amusing situations. And further along there is a happy little remark about sailors’ clothes, made by an in- | mate of the reform school, which is also very, very funny. But when, after all this, you get in order to get Jean married to Clark, and when a dark-colored priest ties the final knot, while the policemen roar outside and the school chaperons bite their nails and rage at such goings- on, then it is time to call it a day and remember only the initial stages of this little yarn. Miss Harlow, still blondly satisfying, is well enough in the first scenes—in spite of stalking around like Mae West; Gable is fine all the way through: Stuart Erwin i{s O.K. at any moment, and some of those reform school inmates are first rate—especially Dorothy Bur- gess and Muriel Kirkland. DIX LOOKS TO DIVORCE! AS AID IN FRIENDSHIP Screen Actor Would Restore “Hap- pier Years,” Renewing His 0ld Courtship. HOLLYWOOD. Calif., July 8 ¢ — Hollywood, which racks its brain for original stories to screen for the public, today presented an all-star cast in Mar- quee Lights, which advertised two im- minent divorces and one elopment. The principals: Richard Dix and his wife, the former Winifred Coe of San Francisco, for whom the actor says divorce is “in- evitable.” William Powell and Carole Lombard, whose marriage is scheduled for dis-| solution in Nevada. Dorothy Jordan, actress, and Merian C. Cooper, movie studio vice president, whose elopment to, Williams, Ariz., last May 27, was revealed by Miss Jordan's mother. Hollywood, for all its talent, however, probably could not evolve as original a | twist to the divorce business as the actor Dix contemplates anent the sepa- ration in his household. “A divorce is inevitable,” he explained as he sat in his easy chair in his ram- bling Ventura lodge. But he added: “'After we have been divorced we can begin all over again on the same basis as we were in other, happler years, and I intend to woo her again, as I did before, with romance renewed. Per- haps we shall marry again, for all we know.” Married less than two years, the Dix family was reported to be in marital difficulty some months ago. This drew a vigorous denial. Friends of the cou- | ple said that the birth of a child early this year effected a reconciliation when they were on the verge of a separation. “My wife’s family and mine were very dear friends for many years, went on Dix. “Winifred and I were sweet- hearts just as long. Before we were married, we were inseparable, so a di- | vorce is infinitely better than-the ruina- tion of such a beautiful friendship and the creation of enmity in its stead. “Winifred loves her parents so sin- cerely and devotedly that she finds a haven in being with them. For my part, I love my home, my pipe, my daily newspaper, then a shower and to bed.” Prefers Trench Helmet. Fire Chief Fred Graham of Wake- field, Mass., prefers his overseas trench helmet to the regulation volunteer's fire helmet. Nothing Finer for Fun Frolic and Frivolity Than the 40 Acre LENECHO A SURE CURE FOR SUMMER ENNUI IS ON TAP FROM THE SWIMMING DANCING And Great Attractions therefrom schoolgirls | playing a kind of hide-and-seek game | A A scene from “Jennie Gerhardt,” the film currently being shown at the Earle, in which Sylvia Sidney, noted young actress, and Donald Cook have the romantic leads. LIGHT DRA_MA, GOOD STAGE SHOW AT FOX| Thrilling Battle in Dunn-Eilers Film Play. Reno Takes Opportunity From Carole Lombardi Star Who Gave Up "The Worst Woman in Paris™| Role Had Aim on Divorce from Bill Powell. ’COMBIHED with an excellent stage show, James Dunn and Sally Eilers, on the screen at the Fox The- jater, have a pleasant little tale of melodramatic action in a department store. which ends up in one of the screes's most realistic battles. Mr. Dunn and Miss Eilers could easily per- form with much more important ma- terial than 1s offered in “Hold Me Tight.” but perhaps the chief interest { developed by the Foyg attraction, is the | fact that two popular personalities put some of their own color into a story of universal inter: trials and tribulations and d to young famiites in | depression, and the_pain: | standings which are likely to arise when | the support of the home is shot away | by the loss of a job. The idea that a department store is a small community in itself, makes the various people in such an estab- lishment appear as participants in numerous enteriaining everts within a limited area, and as each employe en- joys more or less familiarity with the business of all the others, the stories reach a climax without any lost time. Miss Eilers is & young bride who has consented to & marriage when she knows that the husband has lost his !job. Instead of quitting her own job, | | she decides to support the family. Then | develops a romping home tale, with complications introduced by the unwel- come attentions of one of the store executives, who turns out to be an as- sociate of thieves. Discov that this man is in a plot to rob the fur de-| partment leads to the exciting events which wind up the story. and puts two young husbands into paying positions. much interest to the play, and the bat- | tle between Mr. Dunn and Kenneth | Thomson is worth seeing. Nan Halperin, a theater artist of major quality, leads the stage pro- | gram. Her wide acquaintance with | magnetic roles gives her work an at- tractive finish that appeals both to the appreciation of the dramatic elements | of her act, and of the light humor that | gives force to all that she has con-| tributed to the stage. She offers inci- dental impersonations of types from Louisville, Minneapolis and Harlem. Harry Savoy is a comedian, who oc- cupies a niche that is all his own, and his eccentric comments on human na- ture and incidental affairs have the crispness taat it attached to his voice, figure and tempo. A spirited young woman, Miss Morgan, assists him in the performance with excellent results in tne line of entertainment, including some good singing. Mr. Savoy gives a Barrymore imitation. | One of the strongest numbers offered is that by Peggy Taylor and Gary‘ Leon, assisted by Stuart Tarrington and | Eddie Flynn. Adagio of the most im- pressive type furnishes the background for an act which has a very elaborate | ensemble. The Norman Thomas Quintette, un-| der the title, “A Jamboree of Jazz.” has | a musical plece in which there is not an idle moment, while the various mem- bers, with a background of piano and drums, runs the whole range of musi: cal and dancing features. The drul mer is one of those spectacular per- formers, who, when they are good, are very good, and those conditions are here | met. C. C. 700 Laborers Strike. DAVAO, P. I, July 8 (#).—Seven| hundred laborers walked out yesterday in a_dispute over discharge of a worker. | The strike paralyzed industry in this| important port of the Southern Philip- pines. | Take the boat to MARSHALL HALL PARK Picnic groves. Rides. Amusements. Schedule—Daily sopm. "Rt | 20, 1.30, 5.15, 8.30 P.M. Hali Park 12 Noon, 3.15, Ly. Wash. M 0. e = e Rouna Lv. Washington 9.30 A.M., 1.30 P.M. g Lv. Mt. Vernon 12.20 and 4.05 P.M. (jue28c Inexpensive lunch may be had on boat. *'ro's:. Vernon) MOONLIGHT TRIP..55¢ tops at Marshall Hall Boat stgps at Marshall Hall "‘:.:.,, Park. Dancics — splen Helidays WIISON LINE Nightly at 8.30 P.M. 7TH ST. WHARVES NA 2440 The comedy by Frank McHugh lends | canding and what have you. You can't | p, By Mollie Merrick. OLLYWOOD, Calif., Julfi 7 (N.AN.A).—Wonder what the stars over Hollywood and the paths of destiny they are supposed to govern think of the stars in Hollywood these days. | When Carole Lombard gave up a very fine role in “The Worst Woman in Paris”—first really good opportunity she has had in some time—and insisted on a vacation for herself, it was really that she might slip into Reno and dissolve that marriage partnership with Bill Powell. She's on her way, the well-meant protests of friends to the contrary, and there seems no patching up at the present telling. When the glamour of the honeymoon wore off, Richard Dix and Winifred Coe Dix discovered that they had nothing in common— that Richard was at the studio every night he worked, leaving his bride alone of a necessity, but that when he was between pictures he didn't want to go out at all. There's a small child involved in this split-up and that makes it the sadder. Eddie Sutherland—who marries and | e 3rrived here o few weeks ago, she divorces with much presto—told me the | the play places of this village. other night that when Audrey Hender-| " yype is brown as sun can make her son Sutherland sailed for Honolulu and | and Johnny—hair all be-Tarzaned un- he sent her a great box of flowers 85| tj] it's almost resting on his shoulders, a peace ofering, she promptly threw | js a weird and wonderful sight. He them overboard. Showing that the gal!wears & palm beach suit, a black-and- felt plentv unfriendly at that moment. yhite scarf lopped loosely about his There has been much rumor about)throat, a wild-man-of-the-world look | the Conrad Nagels, but Conrad, in|and a very mean case of tan. This| ;atucfi :f) : P&\‘Mz}u fif’m"{;’flm:‘:,fw";]'é duo is one of the unusually colorful | & By 3 Js not the tuth, Bat some old sights of the night club route. | Conrad's heart and how it was misbe- having on account of another lady. = | John Barrymore, quite a little prob- lem in his day, finds n?thlng o lovely | as to go off yachting for a couple of Douglas Falrbanks is still dodging re- | months in Alaskan waters with his wife porters in London and all those zealous | Dolores and their two babies, small news hounds who followed Mary Pick- Dolores and John, jr. Junior is about ford to the air races the other day | as beautiful as a baby can be, and this got exactly nothing in the way of & family is so completely domesticated statement from her. | that its members might be the leading But we're such a nutty community.| citizens of any small town you could When husbands and wives divorce. it| think of and a million miles away often means the preliminary to & Very | from big, bad Hollywood. fine lot of lunching, dining. flower- | ghowing that you can do it—even 3 ere—if you try. But you have to try pry a couple of ex's away from the|harq, because the gossips get to work ladies who once bored them to the | on every happy marriage and try to stage, where only a judge could al-|yndermine it: And there is no ter- leviate the monotony. | mite with half the energy or appetite | Although Lupe Velez yelled at the top | for viciousness as the Hollywood gossip of her lungs that she didn't want t0|wh¢ has a considerable number of see Johnny Weismuller again, when | marital scalps to her discredit. | | sudden death interrupted his series of !for a conference with the playwright | 1 | 1 THREE AREBUCKLE FILMS PREPARED FOR RELEASE! Vitaphone Two-Reel Comedies Are to Be Offered in Course of Season. Although Roscoe “Fafty” Arbuck! Vitaphone two-reel “Big V" comed:e: it will not affect the release of thr that he had completed. These will| be released during the coming season, Sam Sax, head of the Brooklyn Vita- phone studio, announces. The three unreleased Arbuckle comedies are “Tomalio,” “Close Relations” and “In the Dough.” The last named was com- pleted only & short time before his death. — WRITES FILM ADAPTATION DuBose Heyward Works on “The Empercr Jones.” DuBose Heyward, co-author of “Porgy” and other Negro plays, wrote the adaptation of Eugene O mous play, “The Emperor Jo in production by John Kri Gifford Cochran for United lease and starring Paul Robeson. Heyward, with Dudley Murphy, the director, and the producers flew to| O'Neill's retreat on Sea Island, Georgia, over the script. O'Neill was delighted, though liberties have been taken in the transcription, and spent half a day i ! helpful collaboration. | Relief Gardens Yield 52,000. Relief gardens are aiding 150,000 diana families. In 1932 the yield ‘was valued at $2.000,000. rfect 8th Lawrence Phillips’ T} thi ACADEMY ot re Photavlay E. Souna at G ate: ure Sh. 3 ILE LOMBAR] JACK OAKIE. HELL TO HEAVEN. TIM M OF THE TRAIL' - gerial o0 CLAREN VA, ASHTGN ELISSA LANDI. DAVID M. NERS. “THE WARRIOR'S HUSBANI CAROLINA .32 &3 wi HOOT “_Hixg fm‘:ug Ave. SE. W GIBSON. and - Taxt for Tu: CIRCLE wiifne&eed ' Setes Faxi for Two.” STU ‘Thurs.. 8at. Sun. UART ERWIN_ FRED KOHLER Yeaw, “Clancy_of the Mounted o\ 0 R wMBARToN 1 Wisconsin _Ave. U KEN MAYNAR BORUM TAPS.” Comedy. Sftters The Do CARO! ¥ Fhon D (Copyright, 1933, by North American News- paper Alliance. Inc.) Band Concerts - ] Hospital Official Dies. By the United States Marine Band | HOLDENVILLE, Okla., July 8 (#). this evening at the Sylvan Theater, at | Mrg Frances Sefbert, 31, who came 7:30 o'clock. Taylor Branson. leader; ] ° Arthur S, Whitcomb, second leader. | here from Ashland, Ky., with her hus R e S ..Liszt | band two months ago to take charge “Andante Cantabile” from the | of the Holdenville Hospital, died unex- “Fifth Symphony” ....Tschaikowsky | Overture, “See, the Conquering. Relnecke ..Handel | hospital. | tendent and surgical supervisor of the Her husband is bus | manager. Burlal will be at Bristow, Mendelssohn | Okla., tomorrow. .Wagner | - “Pomp and Circumstance’ .Elgar “The Star Spangled Banner” By the United States Soldiers’ Homel Band this evening, at the bandstand, at 5:30 o'clock. John S. M. Zimmer- mann, bandmaster; Anton Pointner, assistant. | March, “Westward Hi ..Bewell | Overture, “Rienzl” . Suite de ballet, “La Saba” (Queen of Sheba). Selection from the opera “Lohengrin” . Oriental fox trot, Waltz song. ‘That Wonderful Mother of Mine” Fing “Samson” . .. ‘The Star Spangled Banner e SR Conditioned Air—Carefully Cooled Y L REO’S Midsummer Festival CONSTANCE BENNETT “BED OF ROSES” Josl McCrea—Pert Kelton John Hallidax L) —Comis ANN HARDING WILLIAM POWELL “DOUBLE HARNESS” NOW SHOWING Theodore Dreiser's Burning Nevel % J Y ENNIE GERHARDT SYLVIA SIDNEY o stacE— CAPITAL'S BEST VAUDEVILLE WARNER BROS COOLTHEATRES NOW SHOWING nJ UNIVERSTTY GFILLINOIS MEN'S GLEE CLUB ATRO DE] PICCLE s ORCHE STRA //Intennatiomal v uPRATOw pectedly yesterday. She was superin-| business | DIIIID-TION or SIDNEY LUST WARNER BROS. THEATERS ANACOSTIA, D. C. YSTERIOUS RIDER." FAIRLAWN Zane Grey's “M RINCESS Double Feature (Mat.. 1:00 P.M.)—TO! at.. M.)—TOM TYLER in “WHEN A MAN RIDES ALONE." CHIC SALE in “LUCKY r‘;oc" L N.E. STANTON i and C Sts. NE. " sl Fne i wighe AR DA. MD. rn_Electrie Sound h CLYDE BEATTY. T SLYOE BEs e A GEORGE O BRIEN “SMOKE LIGHTNING” Bm MALLORY in “HOMANITY? HIPPODROME CAMEO MT. RAINIER. MD. . Double Feature “Botlin . op & Point ston. “After the Ball.” ARCADE MD. James_Dunn. “Handle K Near 9th Double Feature Infernal Machine. rod am.” Tods With Care.” Free Dixies to_Every_Child AMBASSADOR ..\, 3¢ 1. A DOUG, PAIRBANKS, Tt . ®L1PE c JIMMY DOLAN. JR. “LIFE OP Se: 621 H St APO “MYSTERIOUS RIDER” AVALON »eciiaf, A50 LAUREL & HARDY. BROTHEI Serial. _Come AVENUDFHGRAND DOUG. FAIRBANKS, oR - JIMMY DOLAN. Be: CENTRAL *® nmlit. D and E Smoking Permitted in Balcony in Balcony Only JACK HOLT. “WOM. ” “short_Subjects. A frone COLONY G~ A= & raraesi st DOUG. FAIRBANKS, JR. JIMMY DOLAN. 3 1DE BROWN TO BE CAST AS SAILOR WITH NAVY Work to Be Begun Soon on “Son of the Gobs,” With Scenes at Navy Base. PFirst National Pictures, Inc, an- nounce that Joe E. Brown will start work in “Son of the Gobs,” his next | starring picture, very shortly. Much of the action of the film, which concerns the humorous adventures of the come- dian as a sailor, will be filmed in and around the naval base at San Pedro, Calif. The story of “Son of the Gobs” is| by Al Cohn and Paul Gerrard Smith. | Lloyd Bacon, who has directed several | previous Joe E. Brown pictures, has been assigned to direct the latest one. An announcement as to the full player personnel of “Son of the Gobs” will be made next week. OLIVIER WITH GARBO. Where and When Current Theater Attractions and Time of Showing Palace—“Hold Your Man," am., 1:20, 3.25, 5:30, 7:35 and Loew's Fox—"Hold Me Tight,” at 11 am, 1:30, 4:20, 7:10 and 10 pm. Stage shows at 12:30, 3:20, 6:10 and 9 p.m. Columbia—"The Constant Woman,” at 11:10 am., 12:55, 2:40, 4:30, 6:15, 8:05 and 9:50 p.m. Metropolitan — “Forgotten Men,” at 11:05 am., 12:50, 2:35, 4:20, 6:05, 7:50 and 9:55 p.m. R-K-O Keith's—"Bed of Roses” at 11:15 am, 125, 3:35, 5:45, 7:55 and 10:10 p.m. Earle—"Jennie Gerhardt.” at am., 35, 7:15 and 93 Stage shows at 12:55, 3:35, 6:15 and 9 pm. Central—"The Woman I Stole,” 1:15 Laurence Olivier has been signed for |11 am. to 11 p.m. one of the leading roles in “Queen Christina,” Greta Garbo's next starring picture, according to announcement by | Metro-Goldwyn-Mayer. Olivier's last screen appearance was in ‘“Perfect Understanding” and he has been seen also in “The Yellow Ticket” and “West- ward Passage.” On the stage he playecd | with Noel Coward in “Private Lives”| both in New York and London. Rouber l\{lflmuuhnn will direct “Queen Chris- | tina.” | WoODWARD O™ UTF arp G Sriers Beautiful Dinner Tivoli—"Professional Sweet 2, 4:05, 6:05, and 9:45 p Ambassador—*Life of Jennie D at 2, 4, 6, 7:55 and 9:45 p.m. Lime Deposits Color Fish. CLEVELAND (#).—Ths light colorirg of the meat of whitefish cauzht m Lo Erie is attributed to the lime depo: which exist in the lake. & LoTHROP Prione Distmict 5300 We Do Not Believe We Overlooked a Single QUALITY Point In Buying This 62-Piece Service S|8.50 This new set has every hall- mark of quality, elegance and refinement, from the richly ecol- ored floral designs (two from which to choose) to the narrow gold striping on handles as well as around edges. The china itself is fine and clear—and the set includes cream soups, as all fine, new sets should. Phone Orders. DIstrict 5300, Promptly Filled CHINA, FIFTH FLOOR. WoODWARD 0™ U™F anp G Smumts 7 &2 SAMPLE SELLING Lingerie § $].35 Regularly $1.95 Vests—Panties— Bloomers—Chemise— Brassiere-top Combinations $1.85 Regularly $2.95 Vests—Panties— Chemise—Gowns— Brassiere-top Combinations LEE TRACY. “NUISANCE.” and _Cartoon. = SAV(QY b 8t & GoL ®a. K.w. Matinee—2:00 P.M. GINGER ROGERS, “PROFESSI( BWEETHEART " Serial. - Gomeds. Ga. Ave. & Quebes St N.w. “BELOW THE S JESSE THEATER R. C. GEO.oBRiEN"in " SNOK - NING NT LUCK:" 'KEN MAYNA __TAPS." Berial. Cartoon. SECO JAMES TOM it o $2.85 Regularly $4.50 Gowns—Chemise— Panties—Bloomers— Brassiere-top Combinations & Lorngor Glove Silk About 1/3 Less Than Regular Prices Because These Fine-Quality Glove Silk Underthings are Manufacturer’s Samples