Evening Star Newspaper, July 4, 1933, Page 17

AMUS EMENTS. Silken Siren of Films To Stir Local Admirers_ Open;ng of Miss Bennett's New Picture at Keith's to Take Place Suitable Emphasis. By E. de S. Melcher. HEN Constance Bennett, W When, for instance, a Bennett film is announced, the R-K-O-Keith's Thea- | ter, which will have charge over her, goes immediately into a superb huddle, reduces its finger-nails to nothing, and scratches its head well into the night. The result? Nothing more than that Miss Bennett's film will be dished out on an elaborate film program, and that after the manner of M-G-M’s super- spoiled: Marion Davies, only the best will do for her. Miss Bennett is the shopgirl's idoy and the soda fountain attendant’s despair. The former sits in a trance while La Bennett prances around in thousand-dollar Paris dresses. The latter believes that she is too good-look- ing to be true, but that if he ever met her he would find in her all the virtues that go with such beauty. comes to town, the town more or less goes to pieces. Next to Gable and Harlow, Garbo or the hefty Dressler, she shakes all sorts of calm out of the air and reduces the populace to a temporary state of film consciousness. No matter what the film may be, or what she may be, the public suddenly sits up and takes notice when this handsome young lady, known to Wash- ingionians first as a local belle, who danced from midnight to morn- ing as a flaxen debutante, says a celluloid “hello.” Thursday With sleek, silken siren of the films, | | | in Europe, is said to be angling for a: Radio Picture contract, and that this | firm is not deaf to her pleas. Miss Gish (whom you may see briefly in one of those amusing “Hollywood Snapshots™ at Keith’s this week, as she was in “Way Down East”) has only appeared | in one talkie—namely the disastrous “One Remantic Night,” which was call- ed “The Swan” on the stage. After this | adventure, Miss Gith said she would | never do another picture. Who, as a matter of fact, will ever forget the; | fragile Lillian floating down the river | on that czke of ice in the Griffith tear- | wringer? That was one of the high i moments in moving picture literature. * K %k ILM DAILY says that Mary Pick- | ford has turned playwright and Other people find her perhaps a trifle |that her first play will be turned into less devastating. But there is no ques- |an operetta. It seems that Grace Moore tion that, as a hothouse cinema plant, | will appear in the piece in the Fall. NING STAR, she is one of the roaring successes. This has been the result of careful grooming. | This is interesting news—not only from |the Pickford angle, but the music and Moore angle. Miss Moore is probably That she has survived a storm of | the world’s most gracious prima donna euriously annoying publicity is a wonder. | Popular in Washington on account of She has lost her temper in the Grand |her Townsend Morning Musicale ap- Central Station and sent baggage, bell- | pearances, her Constitution Hall con- boys and husbands on their ear. She |certs, and her film work, she is still has walked off the set in high dudgeon |remembered by this department as the when she was told to wear a plain | most attractive, congenial and agreeable Fifth Avenue dress instead of her fa- | “arteeste” who has ever appeared on vorite Rue de la Paix model. She has 8 local vaudeville stage. When Miss fretted directors, caused authors to turn | Moore was making her world premiere gray, made leading men grow pale and |here as a vaudeville artist (at Loew's reduced a whole film colony to despair | Fox) she was far from the tempera- at certain temperamental moments. | mental bombshell that many of these Yet she has walked out of this |divas are. She received every one with Vesuvius calm snd beautiful, retains |that 100 per cent smile, that gracious- her niche on the screen as a creature |0ess, and that warmth which is ap- of some dignity, and the wangler of a |Parent even when you turn on your marquise title which she can dangle radio and listen to her via the air. before her proper name. ok ox % A lustrous lady, whose path is all gold before her, she remains, nevertheless, | (CONGRATULATIONS to Pat Rooney something ‘of an enigma. on his fitty-third birthday anni- - versary today—and sorry to have to truth be known, while her looks are a | & 0 miracle, and her clothes a dream, while | T1i5S, Carter Barron's noonday flesta in her public may be legion, and her films : way above the average, as far as acting | hi’:“fifiyfiiflgfla‘éi‘e’.‘?fifi{v{gfi should is concerned, she is only a weak-sister | to such a one as Helen Hayes—lacking | the spontaneity of unspoiled youth, the glamour of a Garbo, the sense of humor of a MacMahon. Nevertheless, the pub- lic and the press will go to her new | film with more anticipation than they 20 to most expensive entertainments— knowing that whatever may be lacking in acting will be made up for a hun- dred fold by the glamour and the what- | got which Miss Bennett unquestionably | as. Meet,” has arrived in Hollywood and will play in “Little Women.” , Richard Barthelmess’ next will be ‘Shanghai Orchid.” Hope it will be a éali cry from the doleful “Heroes for ale.” Watch for “Forgotten Men"—coming to the Metropolitan. Not for children or for weak-kneed adults. But a good. strong dose of reality—which is the best possible preachment in favor of for- getting wars. [ HEREFORE, and because of the NOVICE SWIMMING MEET. R-K-O Keith's Theater, bouncing| An event of more than ordinary in- around in a state of great excitement, | terest scheduled to take place at Glen and not able to keep the lid on Miss | Echo Park’s Crystal Pool on Thursday Bennett any longer, has announced |evening, at 7 pm. sharp, is the first * Kk ok X Film Version of 0'Neill Play Well Played With Rough-and- Tumble Action. ‘Theater and film goers who have watched the strange psychological re- actions of Eugene O'Neill's characters on the stage in many of his plays and or the screen in “Strange Interlude” will perhaps be surprised to find “The Ccnstant Woman,” an adaptation of Mr. O'Neill's play “Recklessness,” which opened at the Columbia yesterday, a nice but straight-from-the-shoulder presen- | tation of the life of one show manager | and his wife, son and show company. There are none of the famous asides nor lines which give one bitter insights into the soul struggles of the human person. Rather the play has been adapted into a 100 per cent Hollywood | movie, with fighting in speakeasils, a circus tent afire, an occasional Bengal tiger straying loose and a fight between | £ Kay Francis, Constance Bennett and, below, Sylvia Sidney, who will be seen | at local theaters during the coming week in interesting film features. | Daybreak,” which comes to the Palace following the ; Miss Bennett will be seen Thursday at Keith's in “Bed of Roses” and Sylvia Sidney is starred in “Jennie Gerhardt,” which comes Francis stars in “Storm at run of “Hold Your Man" Friday to the Earle. WASHINGTON, D. C., TUESDAY, JULY 4, 1933. "TALENT IS ON MARCH BACK TO LEGITIMATE Noted Director Believes That Stage | Will Be Better After Reign AMUSEMENTS. B—S Reconciliation Unlikely, Think Fairbank_s_’ Friends "Dougn Has Next Move While Mary Remains in Seclusion at Pickfair and World Speculates on Outcome. By Mollie Merrick. OLLYWOOD, Calif., Jul H 4 (N.AN.A).—Mary Pickford remains in seclusion in her Hollywood home, Pickfair, while the world culates as to the outcome of her statement that “a separa- tion between Douglas and myself is contemplated.” Through her friend and press representative, Mark Larkin, Miss Pickford intimates that the next move will have to come from Douglas. at present vacationing in the British Isles and successfully dodging reporters. Friends of the Fairbanks are of the opinion that a reconciliation is not likely to take place, as the rift between Mary and her husband is said to have been rapidly widening for the last two or three years. In the meantime Mary Pickford will carry on her career and home life with the charm and dignity that have endeared her to Hollywood and the world. “Berkeley Square,” which Jesse Lasky ‘ has produced as one of the greatest experiments that motion pictures have been capable of, is one of the most ex- quisite bits of gelatin ever to be re- leased from Hollywood. Jobn Balderston’s play incorporates the idea that “time is just an idea in the mind of God,” and sees the hero, Peter Standish, thrust back 149 years through time, into a love that is hope- less and &n adventure which—magnifi- cent though it began in an old London of horse cabs and no bathtubs—becomes & horror to a sensitive fine heart. Standish expounds the idea that the man in a boat has seen the part of the not the masculine enthusiasts suffi- clent?) But in this case, I feel that Heather Angel with platinum blond hair will be one of the sensations of Hollywood. | “Berkeley Square.” highly successful |in thought and projection of atmos- pheric and emotional mood, is at its weakest point in camera and musical effects. A brave attempt at candlelight leaves a somewhat spotty stage and a preponderance of long-distance shots leaves one at times with a somewhat thwarted feeling that it is a far crv from the motion picture in its final | modern perfection. ,_Colin Keith Clive, as the brother, gives | one of the very fine performances not river bank he has just passed, so knows it—can see his mimdhu present, and | Only of the picture, but of motion pic- is keenly aware of it—but cannot tell |tures in _general seen these many what lies beyond the curve of the |Months. It is his first cinema appear- river—so that becomes mystery to him. | 8nce and a contract will follow soon if But & man in an airplane fiying over | I know this village. this scene can see not only the river curve the man in the boat has , what he is rowing through now, but also the mystical beyond at which the boatman cannot guess. With this idea strongly planted in his mind the Peter | Standish of 1933 is able to relive the life | . Valerie Taylor, as the sister to whom | Standish is engaged, gave a capable and spirited performance and one gauged in | the aristocratic vein of theater stand- |ards. Frank Lloyd’s hand is sensed less | here than it was in “Cavalcade.” but | of his ancestor of the eighteenth century | ‘ particular comment goes to the exquisit> adaptation of a difficult play by the author, John Balderston, and Sonya Levien, the latter of whom did such | outstanding work on “Cavalcade.” (Copyright. 1932, b~ North American News- paper Alliance, Inc.) Hollywood Couple to Wed. LOS ANGELES, July 4 (®).—M and yet return to his own world at the | end of the adventure. | Leslie Howard's magnificent interpre- tation of the difficult role is as fine—if not finer—than his stage version of it. ! ‘The part is a rare compound of mental | and emotional poignancy. None of its nuances are overlooked and in camera | of Films. | Hollywood, having almost destroyed ' the American theater, may become the | samaritan who will put it back to- | gether again, according to Rouben Mamoulian, noted director of both | stage and screen. | “I predict that, within & year, a | veritable caravan of actors, actresses, | playwrights and producers will be on the march back to Broadway from Hollywood,” Mamoulian declares. “It will mark the end of a five-year period, during which talking films have literal- ly drained dry the broad river that once was the American theater. Hollywood | has laid theatrical Broadway in ashes. ?KEB‘V — : Suovift— =% Miss PAT ROONEY OBSERVES BIRTHDAY EVENT HERE Mrs. Rooney Comes Down From with great glee that instead of waiting until the conventional day of Friday to open “Bed of Roses” (the appropriately titled new Bennett opus) this same pic- ture will be trotted out for public view a day ahead of time. So that on Thursday (note this) you may see Con- stance in a very recent product which the Radio corps seems to be very proud of. O these days is that Lillian Gish, re- cent Lizzie Borden (she-chopped- up-her-mother-in- law - with - an - ax ) heroine of “Nine Pine Street” fame, is %o re-enter the talkie field. Miss Gish, * ok ok * NE of the more persistent rumors | annual novice swimming meet spon- | sored by the American Legion, Depart- | ment of the District of Columbia, for "thz junior base ball players. Low | board diving and 60-yard free style will be the features, with appropriate edals for the winners. Another fea- ture of the Crystal Pool and its man- agement is the free swimming lessons | given to encourage talent for A. A. U. competition. These lessons will start |on July 5 and continue until the 28th. | Classes will be held week days only |and instructions will be given men, | women and children. No fee other New York to Join in Festivities for Dancer at Fox. the very pretty Leila Hyams and that tiger when she is trying to save the son of the man she loves. Taken together, ; . the original play and the wide variety | Fifty-three years ago today at a little of action the movie people have placed | home at 60 Third avenue, New York, on the story, it all goes for fairly good entertainment. Other than its Hollywood touch of | rough-and-tumble action, there is plenty | ster was destined to become one of of good acting, with a cast of players | America's foremost tap dancers. that have almost dropped from view in| It wasn’t long before this youngster, these Mae West, Gable-Harlow days, | whose name was Pat Rooney. began to with the exception of youngz Tommy make first-night audiences sit up and Conlon. This cast is, nevertheless, an | take notice. Gradually his popularity excellent one. containing two veterans, Conrad Nagel and Claire Windsor, and Leila Hyams, who may not have been et gether they became famous, and then | two proud parents were receiving the | congratulations of friends. This young- | | increased. He teamed up with Marion | Brent, who later became his wife. To- | Jthan the admission price to the pool will be charged. SCREEN ODDITIES BY CAPT. ROSCOE FAWCETT. ‘who is al present having herself a time given good opportunity to prove worth in the few years she has been at the colony. This same Leila Hyams is the star of “The Constant Woman,” taking that luminary from out of the hands of Mr. Nagel and Miss Windsor. She and Tommy Conlon come very near to making the film their own. Miss Hyams, indeed, is very prett; all through the film, from her teary moments to that glorious fight in th speakeasy after she has rounded u all the toughs from their (Mrs. Na. gel's) tent show to rescue Mr. Nagel | from a drunken sprec. Here enters. | perhaps, the only O'Neill touch, for this spree was brought on by the dis- covery by Nagel that his wife, found | burned to death in a hotel room, had been unfaithful to him and that his son, whom he loved so much, was not his own. After being straightened out by Miss Hyams and, through her guidance, well on the road to success on the radio, Mr. Nagel finds that both he and Miss Hyams are very much in love. The son violently opposes this marriage and it is the tiger episode that brings about reconciliation. There is also an Andy Clyde comedy and the latest release of Paramount News Reel on the program. J.N.H. / i 2 ol h’ WYNNE GIBSON HAS KISSED ONLY TWO MEN, GORDON WESTCOTT AND f EDMUND LOWE, DURING MER THREE YEARS AS A LEADING WOMAN ON THE SCREEN COMEDIENNE, STUDIED FOR GRAND OPERA MOTION PICTURES DO NOT MOVE. THEY ARE A SERIES OF STILL PICTURES SO PROJECTED AS TO G'WVE THE ILLUSION OF MOTION Given his choice between horses and lions, Buster Crabbe will choose the latter every time. The swimming champion who cavorted with lions in his first picture, “King of the Jungle,” and has encountered sharks when in swimming without becoming perturbed, frankly confesses to a dislike of horses. Given a role in Zane Grey'’s “Man of the Forest” he was mightily relieved when he learned he wouldn’t be required to do much riding. viano de Bergerac” has found a new lease on life. The escavades of this long-nosed hero are to be transferred to the talking screen, but instead of his adventures taking place during the French War with Spain in 1640, they will occur during the Worla War of 1914. The modernized version of the famous stage play will offer John Barrymore in the title role. Probably the quietest place in a studio is a movie set during a lunch hour. Actors, stage-hands, electricians and other wcrkers leave and the place is as quict as a cemetery at midnight. For this reason Director Richard Boleslavsky always has his lunch served to him on a set. The solitude gives him an oppor- tunity to meditate and plan out his work for the afternoon. Ann Dvorak and her husband, Leslie Fenton, have bought a 10-acre truck farm and expect to make a profit on the peas, corn and beans they grcw there. Wallace Reid, jr.; Bryant Washburn, jr.; Carlyle Blackwell, jr., and Eric von Stroheim, Jr., are in “This Day and Age. SWIM ALL DAY ALSO NITE TILL 11:30 38c Kiddies. 50c Adults. [EREE ADMISSION] LEN ECH() LAmUSsmEnT Pans | DANCE 8:30 TO 11:30 P. M. Ladies 25c. Gentlemen 50c. MORE THA AMUSEMENTS NOON TILL MIDNITE N R e ) —Coaditioned Atr—Carefally Cooled— L. /WAy S 3 better show ot.. & ‘WHAT PRICE " |NNOCENCE? WILLARD MACK—JEAN PARKER . Starting THURSDAY A Special Pre-View Opening Inaugurating RKO'S MIDSUMMER FESTIVAL! Constance Bennett “Becci of Roscls" JOEL McCREA—JOHN HALI ':l' Where and When Current Theater Attractions and Time of Showing Palace—“Hold Your Man,” at 11:15 a.m., 1:20, 3:25, 5:30, 7:35 and 9:40 p.m. Loew’s Fox—“Midnight Mary,” at 11 am., 1:35, 4:30, 7:25 and 10 p.m. Stage | shows at 12:35, 3:30, 6:25 and 9 pm. | Columbia—“The Constant Woman.” | at 11:10 a.m., 12:55, 2:40, 4:30, 6:15, 8:05 and 9:50 p.m. Metropolitan—*“Gold Diggers of 1933, | at 11 am., 12:45, 2:30, 4:10, 5:55, 7:35 and 9:20 p.m. | R-K-O Keith’s—“What Price Inno- cence?” at 12:09, 2:06, 4:03, 6, 7:57 and 9:54 pm. . Earle—“Heroes for Sale,” at 11:15 am, 1:55 4:40, 7:25 and 10:15 pm.| Stage shows at 12:50, 3:35, 6:20 aud | 9:10 p.m. Central—“The Eagle and the Hawk,” from 11 am. to 11 pm. Tivoli—"The Nuisance,” at 2, 3:50, 5:45, 7:35 and 9:30 p.m. Ambassador—“When Ladies Meet,” at 2:25, 4:15, Comnad WAGEL: along came Pat Rooney, 3d. Pat Rooney and Pat Rooney, 3d, are appearing at Loew’s Fox Theater this week. Pat, senior, is being given a fifty-third birthday today by the local theater management. Mrs. Rooney is making & special trip down from New York in order to be with her husband and son. HORT-REEL SUBJECTS PREPARED FOR KEITH'S Season Has Numerous Strong Of- ferings in This Line of Entertainment. Amos ‘n’ Andy, Ely Culbertson, Ruth Etting, Charlie Chaplin and Clark and McCullough head the “name” line-up of famous talent which will be featured in R-K-O Radio’s short film subjects during the 1933-4 season, Jules Levy, general sales manager, and Al Mertz, short subject sales manager, told the company’s New York regional sales convention yesterday. There will be issued 42 two-reel come- dies, 12 Culbertson special two reelers and 52 single reels and the usual 104 issues of Pathe News. The Culbertson series and two-reel comedies are being produced under the supervision of Louis Brock at the company’s Hollywood studios. Amos 'n’ Andy, one of the best known radio names in the world, will enter- tain in a series of 13 animated car- toons produced by the Van Beuren Cor- poration. Through a unique device, the comedians’ lips will actually speak the laugh lines, but their comical person- alities will be presented in cartoon. - BAND CONCERT. By the United States Marine Band this evening at the Monument Grounds at 7 o'clock. Taylor Branson, leader; Arthur S. Witcomb, second leader. March, “Spirit of Independence,” Holzman Overture, “Songs dof the American Sol- ier.” Cornet solo, “Home on the Range” Guion ‘Winfred Kemp, soloist. “American Patrol”. Meacham Fantasie, “Voice of Our Nntlso‘nl,l" usa (ONSTANT, WOMAN | HUNDREDS TESTED. | More than a thousand of Holly- wood's most beautiful girls were in- terviewed and hundreds were tested in Song: the task of selecting the 100 perfect | thea: | combinations of faces and figures to appear in the comedy with music, “It's | Great to Be Alive,” which comes to | | Loew’s Columbia Theater on next Mon- | day. | Now from those ashes a finer, more | colorful, stronger, dramatic structure can be built.” Mamoulian, who recently directed Marlene Dietrich in her forthcoming Paramount picture, “The Song of " speaks from a long and active ical experience. 'MOONLIGHT TRIP DANCING Wenderful dance Reer— excollont music. Mem- meth & . Nightly ot 8.30 P. M. Set stops ot Marsholl Four boats daily for Marshall Hall Park Two daily (encopt Suadey) for M. Vornes | | ACADEMY °* Photeslay | 8th at G S. E. Lawrence Phillips’ Theater Beautiful Healthful, Modern Cooling System FROM_DOWN “BE MINE TONIGHT. Gorgeous Music—Gay Love—Spicy Songs. RALPH BELLAMY in “PAROLE GIRL.” % | ASHTON wcarnee 4230 2% ROBINSON, ** VA. nee. 2 P.M. )WWARD G. THE LITTLE GIANT." CAROLINA poibie st ir tit, #F T N SAVE MY CHILD. FIREMA! VE d “PRIVATE JONES." Pa_ Ave. Ph. [ CIRCLE siatieerali irmurs. Bae5un. LIONEL_BARRYMORE. GLORIA STUART, | __"SWEEPINGS.” _News. Comedy. DUMRARTON | e EATTY ! medy. ANACOSTIA D |FAIRLAWN N80t in_“CHRISTOPHER STROMNG Double Feature (Mat.. UNN and SALLY RS _in UCK EVELYN KNAPP TESS STANTON piati:*30una Feutoracns Continuous From Matinee. 3 PM. aEoRGE ORI, Festure Show i NANCY ~ CARRO] 'Y GREEN in NEY.” Return of | Berecns O Musical Comedy. Bl o ETHES) §IHAETE He .x'w'&'g. 2 Nrceitie souna HE WORKING MAN- With GEQRGE TAKOMA _ R Fius Frounies ™ GEORGE ARLISS in “THE WORKING MAN” |HIPPODROME _ 55" Somottow | MAURICE CHEVALIER in “BEDTIME STORY” | CAMEO MT. RAINIER. MD. o LAUREL-HARDY in “DEVIL’S BROTHER” HYATTSVILLE, MD. Today 1311 Wisconsin Ave. ANITA PAGE and in “THE BIG CAGE." AMES “SAILOR'S in “AIR | NO CONNECTION WITH NE. ews. DIRECTION OF SIDNEY LUST 624 H 8t NE Matineo—2:00 P.M. LAUREL _and _HARD! BROTHER."_Sport WHEELER a8t T WOOLSET. “D REANLACE " slbopnater ‘and Budd. AVENUE GRAND 2% % Matinee—2:00 P.M. FREDRIC | MARCH, - CAROLE LOM- BARD. “EAGLE AND THE HAWK." CENTRAL * &, 8 o= € S| itted in CARY GRANT FR 3 “EAGLE AND THE HAWK.” Com. coLoNY Ga. Ave. : Farragut St Matinee—2: i HARDY, '“DEVIL'S Fred Waring Oomedy. 1230 O st NE WARNER BROS. THEATERS Matinee—2:00 P.M. RUTH CHATTERTON, GEO. BRENT, TIVOL] 'étb st & Park B4 NW. Tejatinee—2:00 P AL Tom _Hoy medy. YO! Ga. Ave. & Quebes BL. N.w. :00 P Matinee—2: TORAD. -BAGLE AND TRE AW JESSE THEATER 3.2 5™ LI SUNERYIILE ool { SUMMER! nd | 1st & B. L Ave. N.W. MURRAY, G. AND Y8 coats—any one of them Sizes for Juni Co Ave. | tations of the legitimate stage allowed. | Lansburgh ...Then Be Here Tomorrow Spring Coats Originally Marked $16.50 to $39.50 Choice $ 7 | Remember that unexpected “cold” spell the middle of June?—were you caught short in the matter of a coat? Well, don’t let it happen again—this tricky Washington weather often does stunts like that! Here's a marvelous group of it Is a more telling story than the limi- | pyorence Murray, former Follies beau Heather Angel, who seemed stiff and | 80d film actress, and Jack Chertok, nervous in the earlier scenes of the play. | head of a film music department, an- warmed up to the fine emotional and - dramatic sequences in a manner that | Szgnfiyy:]fl;r d’;,’,'u‘sh’{,u“,‘,’;‘;d cb:ml:m{; leaves one wondering if here is not & ' Hollywood from Broadway about one dom declare myself for blonds (are year ago for a screen career. She said dom declare myself for blondes (are | she would sbandon it for marriage. WARNER BROS. COOLTHEATRES LAST 3 DAYS JULY FROLIC 73 MNUTES OF JOYOUS GAYETY § : g § NYRRRRRR RN PR PR LR ERY RICHARD BARTHELMESS Coming Fridey SYLVIA SIDNEY JERRIE GERNA AND 4 BIG ACTS EARLE POSIT:" LLY LAST 3 DAY GOLDDIGGERS of 1933 HURRY' * " HURRY! Coming Friday HOT FROM HELL! FORGOTTEN M| FIRST. PUBLIC SHOWING OF SUPPRESSED WAR FILMS! METROPOLITAN TONIGHT! With FIREWORKS By Eddie Butler Local Parachute Jumper About 10 P.M. After Fire- works Display at Monument Grounds WASHINGTON-HOOVER Al T RPOR' South End -‘ Highway Bridge S T™, 8™ and § > T é (] == = et g o NERNRERRRRRN NN HARARKAARAAAARAAAAARAAARRARARAARARAAAARA AR ANY OTHER WASHINGTON STORE If the Answer Is “Yes” (1) Do You (2) DoesYour VacationCallforaCoat? (3) DoYouWantan EnormousBargain? Need a Light-weight Coat? ' can be yours for a mere fraction of their former cost. Fur trimmed and furless—styles for dress and sports wear—light or dark shades. ors, Misses, Women, Little Women at Shop—Second Floor