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AMUSEMENTS. Eee Clubs and Foot Ball Teams of Old Notre Dame lThe Singcrs Prove Themselves to Be Just About as Efficient as the Athletes—University Boys on Their First Theatrical Tour. By E. de S. Melcher. LEE CLUBS,” said Tom O'- Brien, who is largely re- sponsible for the current tour of the Notre Dame {3 ( ; Glee Club, yesterday, “are not usually major stage show attrac- tions.” In the case of these young men from the West, however, such signals are re- versed. The club is thriving in its first theatrical tour. It is causing much favorable comment. fact that there is considerable life in Mr. Rockne’s alma mater yet, and that whether, in foot ball or in singing, the university knows how to put its best foot forward. During our yesterday's wanderings, people insisted on asking “When does the Notre Dame Glee Club appear on Loew’s Fox stage?” and since we didn't know, a good part of the day was spent | in finding out. Eventually we tracked | down Mr. O'Brien, noted sponsor of | worthwhile events of this nature, who | told ms of the somewhat amazing career of these 33 young men, who are | spending their Summer vacation on a| 14-week tour of vocalizing around the country under the tutelage of Joseph J. Casasanta, who has been director of music at the University of Notre Dame | for the past 14 years. This, it seems, is the first time any | organization — musical or athletic—of | the university has been permitted to go | on a theatrical tour. We also learned that the boys will soon become motion fcture actors, inasmuch as both the | rarner Bros. and Paramount will do a “short” of them in a few weeks; that they have with them a “prefect of dis- | cipline,” Father Hogan, who, says Mr. O'Brien, “has really very little to do”; | that each of the boys is paid a weekly salary in addition to his transporta- tion from city to city; that the tour will end in Chicago & few days after the opening of the school year in South Bend; that the club was received in New York by Cardinal Hayes; that this metropolis also introduced them to Mayor O’Brien, Al Smith and John J. Raskob, and, of course, you know that when the club sang high mass here at the Church of the Immaculate Concep- tion, of which Father Hurney in pastor, it was almost impossible to get inside the church. Glee clubs as good will envoys on local stages are something new. The past season has given us tempestuous rima donnas, glib adagio dancers, gusky-throated torch singers and a va- riety of Hollywood sons and daughters, who have besported themselves in vary- ing ways on stages which they have seen little of before. A “straight” singing act, however, has not been forthcoming—that is, not until these Notre Dame songsters from the West hove into sight. “They are getting a great kick out of it,” said Mr. O'Brien yesterday, “not only from the audience point of view, but because this tour is helping them get through college.” And so, if such an “act” can entertain, can turn picture actor, and can go back to its university full of honor and coin, then indeed has something new come about under the sun. * ok X % PERRE has been forgotten! He is the French butler in “When Ladies Meet,” who shouts a slew of words into Miss Brady’s disin- terested ear while she shouts “close-ay the window!” back at him. A second visit to this popular film, now launched at Loew’s Columbia (bring & cushign), convinces us that Mr, Plerre “butlers” better than any one has before him, and that he has been overlooked. Played very excel- lently in best native Paris manner, Pierre is a very important bit of back- ground, who make other members of the cast look foolish. As he rants and roars at the fidgeting Miss Brady and tells her that in other butlering jobs he was made to do only one thing at a time (this is that French monologue which you have have wondered about) he overshadows other members of the cast and is as pleasant an intrusion as he was on the stage, if not more so. Due to Pierre's negligence in this story, the automobiles don’t ccme and fio on time, and Bridgie's unexpected ittle house party in the country almost “folds.” You will want to note Pierre cularly the next time you see this Im—and see if he isn’t much, much better than some cf the other players— amorg whom might be included Miss Brady, Frank Morgan and “Walter,” who looks hopelessly ill at ease in any scene in which he appears. * X ¥ * | "The Warner Bros. are all in a “dither” | sbout a “July Frolic” which is_being planned for the Earle, starting Friday, | June 30. Guy Wonders, stage produc- tion impressario of this theater, is now in New York assembling a fleet of foot- light favorites who will gad around in what is announced as a “75-minute | zevelry in which novelty, fun-and color | Where and When| |- [ACTRESS’ MOTHER WEDS! &’Wifiagtstmcw Current Theater Attractions THE EVENING STAR, WASHINGTON, SCREEN ODDITIES BY CAPT. ROSCOE FAWCETT. HOLLYWOOD SEAMSTRESS IS SLAIN MYSTERIOUSLY ‘Woman Believed Killed While At- tempting to Summon Aid by Telephone. By the Associated Press LOS ANGELES, June 20.—Shot while she apparently was reaching for a telephone to summon help, Miss Gab- rielle Andrew, 28, Hollywood seamstress, | terday. | Police launched a search for a man | was slain mysteriously in her home yes- | and foolishness will be presented in & | Mrs. L. B. Kehiel, a neighbor, said It is proving the | | new and interesting way.” | Another stage presentation which | many people are anticipating these days | is that Stoopnagle and Budd combina- tion which comes to Loew’s Fox this | Friday. Now all we need is Gracle | Allen—Gracie (not Alice) where art | thou? * %k %k X | Strange as it may seem, Washington at the moment seethes with would-be | actors. . . . Usually at this season of activities, hangs up its bonnets, puts away its grease-paint and crawls away to its beaches or its mountains. . . . Not so on this June 20. . . . Tonight, for instance, if you betake yourself to Plerce Hall you will find a new group, ‘Theatrercraft, presenting a new Hally Hopper play, “Shadow Woman,” which was being rehearsed furiously by Frank Baer last night along about midnight.. .. 1In this group you will see some of Wash. ington’s best young thespians—thesnians tutored by the indefatigable Clifford Brooke. . . . Notice among these Helen Shields (the particularly delightful heroine of the recent “Waterloo”), John | Shellie, Clare Sargent, Virginia Weeks, Therodore Tenley, Sally Thornley, Frances Bolton, Edward Finlayson, Esther Bell and Author Hopper. . . . And if you think that this is the only group rehearsing itself to a frazzle look to Chevy Chase, where the Montgomery Players are deep in “Ten Nights in a Bar Room,” or to the Pierce Hall Play- ers, who three or four times a week give their all under the able command of Director-Actor Paul Alexander in a play which is somewhat unfathomable, but which the players are tackling man- fully and doing their best with. . . . And did you know, by the way, that ex-Metropolitan ballet dancer, William Rodon, famed also for his local terpsi- chorean exhibits, is an actor? . . Well, he is. . . . Watch for him. * *x k% Note the following in yesterday’s Film Daily: “Eddie Gilmore, manager of Loew’s Grand (Atlanta, Ga.), has re- signed to return to his work as a theatrical publicity expert.” , we hope, means that Mr. Gil- more will find a nook or a cranny in some field here in Washington. Re- member his party exit given on that momentous evening at the Willard? ST ek S Jackie Cooper Il HOLLYWOOD, June 20 (#).—Jackie Cooper, boy film actor, underwent an operation for acute appendicitis yes- terday. The lad became ill about noon and was rushed to a hospital. Surgeons sald after the operation that his con- dition was good. Words From Director Walter Wellman coaching scene of “Midnight Mary,” a new Metro. | the year the amateur league suspends | | dashed from the bungalow just after | she heard three shots fired. He leaped {into a motor car, she sald, and drove | | away rapidly. | Other neighbors found Miss Andrew’s | body near the telephone. The receiver | was down, indicating, officers said, that she was attempting to summon help. | ing off robbery as a possible motive, | police said. - BAND CONCERTS. By the United States Soldiers’ Home Band, at the bandstand, this evening | man, bandmaster; Anton Pointner, as- | sistant. March, “The National High | Overture, “In Bohemia' uartet for four clarinets, Cavalcade” “Waltz Fantasia,” . Finale, “Alhambra Gro King “The Star Spangled Banner.” By the United States Navy Band, at Dupont Circle, this evening at 7:30 | o'clock. Charles Benter, leader; Alex. | Morris, assistant leader. | March, “The 26th Massa- | _chusetts” Overture, “M: g Cornet solo, “La Mandolita”. Birley Gardner, soloist. “Czardas,” from the opera, “The Ghost of the Warrior” . .G Waltz, “The Skaters | Suite, “Sigurd Jorsal Introduction. Intermezzo. ‘Triumphal march. Excerpts from the musical comedy, “Eileen” cocue .Herbert “Shawl Dance and Boler ..Alonso Poem symphonique, “Dance Mucnbre:‘ Saint-Saens 'An : “The Star Spangled Banner.” By the United States Army Band, at the Walter Reed General Hospital, this Ievenlng at 6:30 o'clock. William J. Stannard, leader. Thomas F. Darcy, associate leader. March, “The Fencing Master” Selection from “Rose Marie” Serenade, “A Night in June' “That Old Gang of Mine,” Dixon and Henderson “Slavonic Rhapsody”... .Friedmann Popular cowboy melody, “Home on the Range”. .Arranged by Briegel Fantasia, “Gems of Stephen Foster” ... Foster “The World's Progress March".. Herbert “The Star Spangled Banner.” Harper . Friml King the Director Loretta Young and Fanchot Tone for a -Goldwyn-Mayer picture. and Time of Showing Palace—“College Humor,” at 11:40 a.m., 1:40, 3:45, 5:45, 7:50 and 9:55 p.m. Fox—"I Loved You Wednesday,” at 11 am, 1:30, 4:15, 7:05 and 9:55 pm. Stage shows at 12:35, 3:2 i Vhen Ladies Meet,” at , 1:35, 3:35, 5:40, 7:40 and Metropolitan—"Gold Diggers of 1 at 11 am., 12:45, 2:30, 4:1 85, and 9:20 pm R-K-O Keith's—"In 11:15 am, 1:06, 3:16, 9:45 pm. Earle am., 1 Stage s} 9:15 pm Central 1 pm voli—“The Kiss Before the Mirror,” 2:25, 4°15, 6, 7:45 and 9:45 pm dor—"I Love That Man,” at NOW SHOWING EDMUND NANCY LOWE CARROLL 1 LOVEzat 933" Speaks,” at 5:26, 7:36 and I Love That Man,” at 11:20 4:45, 7:35 and 10:10 p.m ws at 12:55, 3:50, 6:45 and Bondage,” from 11 am. to NOW SHOWING DIRECT FROM EARLE RECORD BREAKING WEEK YOU JUST WONT LET IT Gor GOLD DIGGERS OF 1933 AL N oo T 2 11-00-1244-228-412-555-799-924 METROPOLITAN Ann Harding Step-Daughter of C. A. Frisbie, Cellist. HOLLYWOOD, Calif., June 20 (#).— Mrs. Elizabeth Gatley, mother of Ann Harding, screen actre was married §.15 | vesterday to Charles A. Frisbie, promi- | l) nent in musical circles here 2s a cellist. —Conditioned Air—Carefully Cooled— .a/ways 8 better show st.. 2 sitent for 1,000 Years £ INDIA SPEAKS b RICHARD HALLIBURTON Added CLARK & MeCULLOUGH TOM HOWARD, ARTHUR TRACY—others FORTY MADDENING MAIDENS ON A MAIDEN CRUISEL with twe imnocent mer whotred ol ,-é’ o [ P DANCING. DANCING—MISS GIRARDEAU L'EGARE, & Private lessons ME. 9051. dancing:_five lessons. MAE DAVISON. 31 18th n. | in ball room | . Summer classes dancing vate appointment. | Studio, 1320 M st. sons b W. Phone NA. 3341 BALL ROOM DANCING —LOW SUMMER , 122 rates: class Tuesday evening: private lesson: B éam 256 | by sppoiniment. LEROY H. ticut ave, STerlins ball room and tsp 5o i Ulvags Mo T COOL : wARNER \ UNIVERSITY ¢ NOTRE DAME | GLEE CLUB, | ot ERISSA | WIDUTES GORDON 2w OTHER ACTS @@ FOX PICTURE "VIOVED fiou [~ WEONEsbAY [co st o VICTOR JORY & E"B“" 2l B | | ‘ iriom JORDAN 0OW [ Clhe musicaL s SATION of the YEAR. ./ E | %fik’ BING CROSBY BURNSEALLEN Richard ARLEN JACK OAKIE * masount eicTuRs [Omro, ke L commng! DAY,\ES . Q' AT [FREE ADMISSION | LEN ECH() L AMUDSMENT P/ - FOR FROLICSOME FUN FROM MORE_THAN FIFTY AMUSEMENTS BESIDES Swimming IN CRYSTAL WATER POOL AND DANCING IN THE ‘| Spanish Garden With Orch. of Fifteen Several coins lay on the table, mark- | at 5:30 o'clock. John S. M. Zimmer- | WARNER BROS. THEATERS she wears in “Berkeley Square.” belle. costume. Two-Faced Women Give BY MOLLIE MERRICK. HOLLYWOOD, Calif., June 20 (N.A. N.A.) —Hollywood’s two-faced women are raising plenty of trouble with the make-up divisions. According to Wally Westmore, the colony’s expert make-up man, the greatest amount of valuable time for the studios is lost in the make-up and replenishment of make-up on the two- faced types in the motion picture in- dustry. “The place is full of two-faced men,” says Westmore, “but the men are not supposed to reflect the beauty and ex- quisiteness which the women are. So how to save time on an actor's make- up. But oh, the deadly time loss with our two-faced women!” The difference in time required to make up the two character sides of an actor’s or actress’ face is illustrated in the case of Marlene Dietrich and Maurice Chevalier. Both given a 9 o'clock call for the set, Chevalier is not required to be in the make-up depart- ment until 8:30. But Marlene Dietrich must be there at 7 o'clock to be ready at the appointed time. And this hour and a half difference exemplifies the time required for the average actress. “And this two-faced situation turns into a real bugaboo when players are forced to change make-up during the day,” says Westmore. “During the filming of ‘Midnight Club’ we had to make up the two faces of Alison Skip- worth and George Raft as many as three times a day. Elizabeth Young, New York stage success, offered the same problem on the production, ‘Big Executive.’ " The heavy loss of time in the appli- ACADEMY ©f Periest Souna Fhotoolay 8th at G S.E. . Lawrence Phillips’ Theater Beautiful Healthful, Modern Cooling System NORMA SHEARER. CLARX GABLE in “STRANG! ,UD] A TLOR'S LUCK. 11th & N. C. Ave e Feature and “NO MORE CAROLINA CIRCLE 105 B Aretl, 5. 0003 Matinees Tues.. Thurs.. Sa LORETTA YOUNG, GENE RAYMOND, IN BUDAPEST.”_Gi Comedy. DUMBARTON DOROTHY WILSON in Comedy. ANACOSTIA, D. C. FAIRLAWN GEORGE_RAFT in “PICK-UP." PRINCESS (Matinee Tuesday, 2:00 P.M.) HELEN HAYES and CLARK 'GABLE in “THE WHITE SISTER,” also “THE VATI- CAN_SPEAKS.” STANTON T SID! STATE snome “WOMAN ROLL. Doubl TO ARMS" TLL BOYD and “LUCKY DEVILS." oth Finest MURRAY BETHESDA, in SIDNEY LUST, DIRECTION OF MD. of Western Electrio So ACCUSED,” with NANCY Ci Comedy. TAKOMA 4th and Butternut Sts, No Parking Troubles L‘lom BARRYMORE . ‘SWEEPINGS. i JOAN BLONDELL in " BROADWAY BAD. bt Gl A ket HIPPODROME oK% 2%, Carol Lombard, o More Orchids.” Warren Willia; onor_of Family. MT. RAINIER. 3 CAMEO By M Gene Raymond. “Zoo_in_Budapest.” ARCADE TRy Maurice Chevalier, “Bedtime Story.” AMBASSADOR co'®3a *¥'w NANCY CARROLL. EDMUND LOWE, __“I LOVE THAT MAN.” Sport. H St. NE. GEORGE ARLISS. “WORKING MAN,"” __with BETTE DAVIS. AVALON yfinicy RAMON NOVARRO. M “BARBARIAN." e SE. ve. 8. Matinee—2:00 P.M. MIRIAM HOPKINS, JACK LARUE, _"STORY OF TEMPLE DRAKE" ' “BONDAGE” COLONY_ o= &= g gwem RAMON NOVARRO. MYRNA LOY, “BARBARIAN.” Bobby Jones. HOME 1230 C St. NE RA ON NOVARRO. MYRNA LOY, RIA! SAVQY 14 St & CoL Ra. N.W. DICKIE MOORE. ~OLIVER TWIST." s . N.E. R. C. A. Photophone JOHN BARRYMORE and MYRNA LOY _in_“TOPAZE. Comedy. ist & R L Ave. N.W. _ SYLVAN contfiNes sEmieets 1n “‘OUR_BETTERS." SILVER SPRING. MD. QECO CHARLES LAUGHTON and LEILA _HYAMS in “ISLAND OF 4 Cartoon. " Comedy. Special Added Attraction. “BAER. FIGHT."® Entire Ten WILCOX BERNHEIMER Comedy. Cartoon. Ro FALM THEATER P 5% * ‘IAF\' P;&tflwlfl}lfiw- JUNE 20, 1933 BOYS’ INDEPENDENT BAND ADDED TO SUMMER FETE Community Center Department An- nounces Concert Will Be Given Thursday Evening. ‘The Community Center Department of | the public schools yesterday announced | that the Washington Boys' Independent Band, led by C. J. Brown, jr., will be added to the third Summer Festival, to be held in the Sylvan Theater, on the | Washington Monument grounds, on | | Thursday evening. The band will give a concert from 7:30 to 8 o'clock. D. C., TUESDAY Perform in Advanced Music Students Two Recitals | Mine. Von Unshuld Pressnis: Piaxo Pupils, Wik Soprano and Violinist—Mr. and Mrs. Potter Show Work of Vocalists and Pianists. By Alice Eversman. HE commencement recital of the The Kilowatt Glee Club of the Po- e vy ot | Calvary Methodist Episcopal Church | and won the unstinted praise of a large tomac Electric Power Company, con- | Music took place last evening at | audience. The program was divided ducted by Harry E. Yeide, with Miss Alma Harris as guest soloist, and the | Columbia Symphony Mandolin Orches- | tra, conducted by Sophocles T. Papas, | | will likewise be heard. | | _ Soloists with the Glee Club will be {J. K. Marshall, tenor, and H. W. | Molineau, basso. Accompanying the | | club will be E. H. Preeman. Assisting | the mandolin orchestra will be: Miss COULD RIDE A HORSE BEFORE HE COULD WALK. | man von Bernewitz and Franklin C. An. | derson, offering 4 banjo-mandolin selec- | Schubert, displ: d a st , well v b Ever Faithful,” “Carmena,” by Lane Wilson, accom- the Willard Hotel and was en- joyed by a large audience. Be- Miss Olson played a sonata by ing an excellent tone and the waltz song, ‘Whenever Marie Dressler goes to the studio or on a shopping or business trip she carries the same shapeless leather handbag she has used for years. elaborate and expensive bags have been given to her and she cccasionally carries one of these to a formal party. For business purposes, though, she prefers the old bag which was in style over 12 years ago. In striking contrast to present-day styles is Heather Angel's costume which Foyr sets of undergarments and a modified hoop skirt are used to bring her into the character of an eighteenth century A lengthy time is consumed each morning by Heather in getting into the At first it was difficult for her and the costumer to remember which undergarment went on first and which last. Out Where Movies Begin Problem—Richard Bennett Taking Off Flesh. Alice Brady Watches Details Intensely. we don't sit up nights trying to figure | | tips and enjoying that aliveness. | tion, and Mr. Papas, offering guitar panied by Evelyn Foster. Her voice is CREWS. , INSTHE SILVER CORD, PLAYS HER FORTY— FIRST MOTHER. ROLE. wowslor— Many Hollywood Big Make-up cation of make-up many times proves very costly, all because of these dual characteristics in every face. ‘They call her “Never-Miss-A-Trick Brady” because nothing happens that | she doesn’t know about. She can tell you precisely what costume she is going to wear the next day—or next week— | and personally sees that it's ready and | correct to the last detail. She is cog- nizant of more things about the pic- ture she’s in perhaps than any other person concerned with it outside of the author. She’s in on any joke, any plece of gossip or any small happening on the set. She's alive to her finger- In her present role in the “March of Time” she covers three generations in the theater. She starts as a young vaudeville dancer and ends as grand- mother of a rising young motion pie- tice star of today. So there are count- less changes in make-up, in wigs, in costumes. She thinks attention to de- | tail is what really makes for a picture’s | success. And she is amazed at the perfection of detail which motion pic- tures have acquired. | “See the bird on this hat?—ws=ll, that | was the thing then. They even wrote | a song about ‘The Bird on Nellie's Hat' | —that’s why screen stories are often | so0 absorbing, because of their great cor- Tectness of detal Yes, Alice Brady never misses a trick. | Movie Actor Has Bump Over Eye, i:?:e:o play polo while working in pic- | played “Fruh | went to a country club yesterday to | and excellent technic finish. The Schu- | | exercise his pony selections. | a powerful one, which she handled with freedom and ease in the two contrast- | ing numbers of her program, and with | it 'she should be able to do a greater variety of interpretive work than is | usually the portion of most sopranos. | Three pupils of Mme von Unschuld | who are to receive their degree of | | bachelor of music in October after the | required individual recitals, were also | heard on this program. Elwood Back- | enstoss gave a masterly rendition of | Tschaikowshy’s “B Flat Minor Con- | By the Associated Press. i certo,” bringing a velvety tone quality HOLLYWOOD, June 20.—Spencer | in plano passages and a resonant vol- | Tracy, movie actor, was home in bed | umne for the climax. His phrasing was | last night recuperating from injuries not only thought out with care, but was | received in horseback riding. | finished with care, giving a satisfying | Spencer was ordered by his studio | polish to his = SPENCER TRACY HURT IN FALL FROM HORSE Sprained Leg and Lots of Gravel in Arm. ' Performnnca Adele Meriam | ings Stimmen,” by Strauss- | He did not jlay polo, but he | Grunfeld with much poetic expression | and took a spill. | bert-Liszt “Ave Maria” was the number | He received a good-sized bump over | played by Virginia Coffman, unfortu- | the eye and a sprained leg and more | Nately too early in the program to be | than an hour was required to remove | reviewed. bits of gravel from one arm. The sterling qualities of tone and technical proficiency which charac- terizes Mme Von Unschuld’s teaching was evidenced throughout the pro- gram, which, although colored by in- dividual degrees of talent and stages of advancement, showed the influence of her true musicianship. To demon- strate her method with young chil- dren, she introduced little Miss Bints, 8 years old, who, although not sched- | uled on the program, played & minuet | by Beethoven with astonishing finish to a second plano accompaniment of ]Mm_& von Unschuld. Another young | pupil displaying advanced musician- |ship was Nelson Hart, who gave the | Schuett waltz, “A la Bien Aimee,” with | mature expressiveness, and aroused a |storm of prolonged applause. ‘The | third of the younger puplls was Irving Phillips, heard last week in a recital of his own and who repeated last eve- ning his brilliant performance of two movements of Weber's “Conzerstueck in F Minor,” with Mme von Unschuld at O‘ihhee secondflsph.ngb = r pupils who appeared were Innis Skinner, who gave pflch:mlnnde’s “Pierrette”; Elizabeth Cates, who played Chopin’s Sharp Minor Scherzo”; | Charlotte Sprenkel, interpreting Hen- selt’s “Repos d’Amour”; Margaret Alex- ander, who played the Chopin “Po- aise in A Flat Minor,” and Laurette Martin in MacDowell’s “Concert Etude in E Minor.” The playing of Beethoven's “D Minor Sonata”and Schumann’s “Aufschwung” by Mme. von Unschuld was the culmi- nation of the evening’s program. Pre- ceding the numbers by a short explana- tory talk, Mme. von Unschuld gave an | inspiring interpretation with the sweep | and b-illiancy that characterizes her playing and the poetical conception of | a great artist. She received enthusi- astic acclaim and was presented with many beautiful flowers. Several num- bers on the program have been heard this Winter on the weekly broadcast of Constance repeated last night by request. £ Xo¥ TH! artist and student pupils of Mr. Constance Bennett in a scene frc and Mrs. Louis Potter were pre- (Copyright, 1933. by North American News- paper Alliance. Inc.) her newest picture, “Bed of Roses.” sented in recital last evening at the YOU RASCALS— HOW DID YOU EVER GET THIS SNAP- SHOT OF ME IN THE ORCHARD | between organ, piano and vocal num- | bers and opened with a brilliant ren sides the piano students of Mme. von | tion of the o Unschuld, Alice Olson, violinist, pupil of oo el J.C. van Hulsteyn, and Elsie Schulze, soprano, pupil of Myron Whitney, were also presented. | “Ruy Blas,” played by Esther Spier, [Theodnsln Armes, Barbara Sweet and | Margery League, with Mr. Potter at the | organ. " Two duets were sung by pupils of Mrs. Potter, Sue Hubbard and Carol le:h?pd betin‘g hm{sdhx: the “Tis Eve- ning” duet from Tschaikowsky’s “Pi Dame,” and Theodor and Bertha M%‘: gan singing Hildach's “Now Thou Art Mine.” Mrs. Morgan was also heard {n the old French song, “Charming Mar- guerite,” and the aria from Saint-Saens’ “Samson and Delilah,” while Mrs. b~ ;ardbag%‘ve tlae l:{ve-r popular “Trees,” by asbach, an rs. Bishop the teful “P.i::cmrgs." by Veracini. o b 'wo German songs, “Die Lorelei,” !Jszt. sung by Doris Smith, and Bl’lhl':.ly' “Sappische Ode,” by Margery League, were welcome numbers on the program, as well as Debussy’'s “Romance” and Weil's “Spring,” sung by Mildred Colvin. The aria from Flotow's “Martha,” “Ah, So Pure” was sun by PFred Gross and Gilberte's “Two Roses” by Theodor Morgan. Other vocal numbers, John- son’s “A Song of June” and Beach's ‘Ah, Love But a Day,” were sung by Rhoda Doyle, and Grieg's “With a Vio- let” by Marie Thiemeyer. Harriet Frush and Esther Spier acted as accompanists. The organ puplls of Mr. Potter were represented by Willam Dulin, who played Merkel's “Fantasie in Pree Style”; Harriet Prush, who gave two sketches, one in D flat and one in P minor, by Schumann, and an “Inter- mezzo,” by Bonn Dorothy Dodge, who played Sibelius’ “Finlaudia,” and John Wells, who was heard in the Cesar R;Q'Ck "tChome" in A minor. 0 of the younger pu plano department, ngdel pl'l?: dflwmm and Dorothy McCullough, were ed in the first part of the program. Those who appeared later were Jeanne Baade in Schumann’s Bird” and Nevins “Shepherds All and Maidens Fair” and Barabara Sweet in maninoff’s Spier was heard in De Falla’s ‘mm rituelle du feu,” and the program closed with the rendition of Liszt’s “Polonaise Brilliant” by Theodosia Armes, with or- | gan accompaniment. The excellent musicianship, fe for style and appreciation of t?mem ity which are salient features of the work of both Mr. and Mrs, Potter were | visible in the performance of the of thetdégem;t ents. It was a presentation of a season’s stu great credit to the teachers :nddyld demonstration of the technical 0 pupils. The program was oughly enjoyed by the audience, showed their appreciation in applause. TRIAL BEGUN IN CHINA American Charged With Murder of’ British Business Man. SHANGHAL, June 20 (#).—The of of Glenn Mortimer the Von Unschuld Piano Club and were | and The blow, the authori= ties contended, caused Bell’s death. YOU WERE IN THE SHADE—-BUT THE FILM WAS VERICHROME How VERICHROME differs from other films Double-coated. 2 layers of sensitive silver. Highly color-sensitive. Halation “fuzz” prevented by colored backing on the film. Finer detail in high-lights, portions that represent light parts. 3 represent dark parts. 8 Translucent, instead of Finer detail in shadows, portions that transparent. Made by an exclusive process of Eastman Kodak Company, Rochester, N. Y. It’s almost impossible to get poor pictures when you use the new Verichrome film. Always ask for and see that you get Kodak VericuromE Film. .. in the yellow box with checkered stripes,