Evening Star Newspaper, September 23, 1932, Page 31

e —— STATION L.o.v. E oA e R e e CARROLL SYNOPSIS FOR MP:)LE‘:‘(JSEDINO INSTALL- she flexed her own capable arm. “If you do,” she said coldly,” you're When Judy Allison had been in OBIESfo | ligely to get hurt. And I'm sure the t Elton Day wouldn't like that.” “Oh!” He staggered back in mock for six months without finding work her | father wired her {0 return to Hiawatha, her | grea 1l homé town in Nebraska, She was | downcast at he: failure and what her re- |yorror” ugurely you wouldn't strike me? 1 - the K " fum would mean when sne went to the | (RO LAY YO O tea room in the house where she lived Richard Mason, chief radio announcer &t | AOA, lived at the same house. He was | geated at Judy's table by Mrs. Malone, the | Pick asked her to pass the sugal and. in er nervous condition, the bowl slipped from TR P sorry” | should be sure. When she told him she Was go! Tome et e Said she shauld not. give | laughing. Ay p. Dick persuaded her to try for gram at his studio, .o work {hiee moFninks a weex at :40 | mustn’t make him think she wanted to e “I'd be glad to,” she said. But would she? Did she hate him? kindly matchmaking tea room proprietor. ‘md she want to jerk his perfert tie away from his perfect collar? She should be angry. and | She wasn't. She knew it. In a| ihe | moment, in five minutes, she would be B Jetelse | lsughing. - That would " be ‘surrender, i her fo try for a 1alkink | Laughing at Elton Day was a way of Dosition ‘on the new Beauty Bullder BIOC | saying. “You win,” She mustn't laugh, Judy met Flton Day, the co-|hear him trlk. She must go. ity ‘write? who originated the Beau Builder program. Lona Burdette. tall, da g00d looking. asked him why he had (hrows | B e i or bromising her_ the Job, -for | ALMOSt a5 good as & “I'm going now,” she said. show. But some mew kid from the countrs.”” ‘When Not very fond of comedians.” ghe left. Day sald Lona was good and got | Iots of radio Jobs, but was a trouble-maker: | at she mage pienty of money, but when | she made up_her mind (o get a Job she was | dangerous. Lona stared insolently at Judy | “What?" while she and Were walung {or 83 «When I'm laughin elevator. | = S | erying. CHAPTER 5. | “Ohhhhh— “Neither am 1" she laughed loudly, so Judy “I thought you were one.” “Only in my serious moments.” g, you know “It's been She I'm| “Ohhhhh—" heard somebody laughing. It |ately, made a quick bow like a tia But it was.|soldier slightly out of repair, sat She GITON, D. C.. FRIDAY. “I don’t like you after all,” she “Three more ohs and you get a said slowly, weighing the words. or you'd never have listened. But nmow you're listening, and the clown act is over for today. Listen to me.” “To what?” “To three things. First, about Lona. Tl be honest. I did promise her the Job. Because she told me she was up against it, hadn't eaten, needed money badly—all_that stuff. I ought to be smarter. I've heard the same line from a dozen others. But I fell for it. Then I happened to check up. And she'd been lying. If you hadn't come along she wouldn’t have got the job anyhow. That's true. I want you to believe it. Because—well—I'm a liar most of the time, but I'm not lying now.” “But—" “Walt, Let me finish. Then you can ask all the questions you want to ask. I said I had three things to say. Here's the second: You've got stuff for radio. Your voice is right. You don't |~ slur words, but you don’t pick up one word at & time and drop it with a thud as most radio speakers do. And you sound informal, whether you are or not. And—number three. It's a rotten busi- ness. You'd better keep out of it.” SEPTEMBER 23, g'lnltchluhuqummunlup ere. ‘hautauqua ham?” “Didn’t you know?” A faint shadow of amusement crossed Elton Day's face. “Why, that's where lots of big-time an- nouncers eome from. Straight off the lyceum circuit. That's where they learn to_be Barrymores of the air.” “That’s not very kind.” “It’s true. Ask half the men in this studio where they had their real stage experience. They'll tell you about New York and Hollywood and all that. But if you pin them down you'll find they worked six weeks in Hoboken and four in Dobbs Ferry and had one season on the Redpath time.” “You're making fun of Dick.” “I'm not making fun of anybody. Why should I? Where'd I get 3 pointing fingers? I'm a radio writer Don’t Endure Slipping ' FALSE TEETH | | candy apple.” “We're friends,” he chanted. “We are!” and I get good money for it. And what I tions in town never heard a radio pros do I know about radio? Why, I don't|gram in his life. And never will.” even listen to my own programs.” " Judy felt her head reeling. It was “But I thought—" like hearing somebody say that your fa- “Of course. Zou thought all the radio | vorite Hollywood beauty really had boys and girls were just the last word | freckles and cross-eyes. “I certainly am in devotion to their art. Forget it. The | learning things.” Alrector of one of the biggest radio sta- (To be continued.) BRING THE OLD THRILL OF RADIO BACK Have your dealer TEST your TUBES couldn't be her He took her hand, shook il | laughed that way for a long time. Not|second the smile was gone. {in all the months she was seeing no-| was thin, set almost poetic. T'm | body, going nowhere, fighting desper- ately to learn music, hoping she could stay in Chicago. ONA BURDETTE shot a ma- licious glance at Judy. Then would be sure to hear. She said something in a low voice to a man who stood near her. Some man from Station WAOA, Judy knew. And what the girl was saying was some- thing unpleasant and about Judy. And the man would repeat what was said. That was why the Burdette girl was saying it. Judy knew that Elton Day’s face had a strange, almost worried, look as he stood beside her. Then she was inside the elevator, standing beside him. “Seventeen,” he said quickly, as the door closed. This was too much. Not bewilder- ment at Elton Day, not fear of the cold menace in the girl's eyes, could stop Judy now. “Stop,” she said sharply, moving, for- ward. “I want to get out.” “Sorry, lady,” the operator answered, not looking. “No stops before seven- teenth. i “But I want to get out,” Judy said, feeling like & small child crying for candy. “Sorry,” the operator said. “Thanks,” said Elton Day. And as the elevator stopped. as the door clanged open, he whisked out & bill with a lightning motion, stuffed it into the operator’s hand, murmured, “See to it you don't ever stop before the seven- | teenth!” and took Judy's arm with a careless, possessive. easy gesture. Then things happe’ | Judy stepped back. She looked at | Elton Day slowly, carefully T Gon't like you, after all,” she said slowly, weighing the words. “I don't| lLke vou at all.” | BEEH. | “Back home,” she said carefully, “we | have a word for people like you. It's a And it was a strange thing. She hadn't | down at his desk, faced her. And in a | everything. And he said he'd help me.| | yprinkie on your plate: . Tolds Seeth firm. His face | And—" § Gives fine feeling of ecurity sand esn GOk Mie by, DLE fecling, et Pasteeth, today at Feoples ThE C i | That Comes to a Close Tomorrow Night Any Single Item “Judy,” he sald. And his voice had changed. “Judy, listen. This is busi- ‘ ness. I had to clown until you laughed Dick ever since—well, ever since he quit | = NATIONAL FURNITURE CO. “I must have a job.” “I know. But why & job in radio?” “I don’t know. Only I told Dick about t elabor- you talk, eat, laugh or sneeze? I annoyed’ and embarrassed & minute longer. Pasteeth. & Do your false teeth drop or slip when i DIOTRONS HEART OF YOUR RADIO powder to “You don’t seem to mean that.” Drug Stores or any other drug store.— “But I do. He's all right. I've known Advertisement. I EASY TERMS ON EVERY PURCHASE - ORNER SEVENTH and H STREETS N.W. $1.79 Electric Iron sl.oo country word and maybe you wouldn't | Temember it. We say theyTe too fresh | to_live.” He began to laugh. She couldn't help noticing, even in her anger that he had | beautifully even teeth. And she couldn't | help knowing that Elton Day knew his | teeth were white and even and she couldn't help feeling he had practiced | that laugh in front of his mirror for| many hours. She pushed the “down” button. Al-| most in the same second a red light | showed, a car moved down to the floor, the door opened. Judy stepped toward the car. “No,” said Elton, loudly. “We've changed our minds. Go on, Jim!” The door clanged shut. The car was gone. “Now,” he said quietly. “We're going to talk a little bit, you and I. And if you won't talk here, I'll follow you and talk wherever you stop. And if it takes 10 years to catch up—T'll still be fol- lowing you. And—oh, hello, Mrs. Mor- rissey. How'd the show go? That so? Good. I knew you could do it. And Mrs. McGovern! Fancy seeing you. . . .” People were all around Judy. None of the nice young men Judy had ever known would have embarrassed her by speaking out in front of other people. But this man would, and she knew it. And the rules she had learned back home meant nothing now. “My friend, Miss Allison,” he was saying. She managed, “How do you do?” She shook hands with Mrs. Morrissey, Whose hands were fat, and with Mrs. Mc- Govern, whose hands were thin and cold and limp. And then she realized that she was walking with them, talk- ing. Siying “Yes” when Mrs. Mor- rissey said it was a very cold day. Say- ing “No” when Mrs. McGovern asked if she went to the So-and-So Club. Saying “Yes” when Mrs. Morrisey in- formed her that radio was very inter- esting work. “Sorry,” said Elton Day to Mrs. Mor- rissey_and Mrs. MoGovern. “This is my office and Miss Allison and I have to go over a continuity for tomorrow. See you again. Here you are, Judy.” The door opened, the door closed be- hind her. Gallantly, Day spun a swivel chair. “You're not cragy,” Judy sald oon- ‘versationally. “Not really. You just want to be.” “And who doesn't? Is there anything in being sane? Why, if you stay sane, you'll go mad. So why not be mad in the first place? Why not, indeed?” “I told you a minute ago I don't like “Youwll not say that many times more.” “Why not?” “Because I knew the moment I saw you that your mother brought you up to tell the truth. And when you didn’t tell the truth, you got your mouth washed out with soap suds. And when you say you don't like me you're not :aulng the truth. So—wait a min- utel” From s desk he extracted a cake of soap. He began to rip off the wrapper, he took the top from a water carafe on his desk. “‘Open your moth!” he sald. | “I won't.” “Must I use force?” Judy regarded his thin hands. Then Women’s Pains ' A Liquid Remedy is Quicker For relieving periodic pain, neu- |ralgic or rheumatic pain or head- |aches, nothing is_quicker than| {Capudine because it is liquid and | |the medicinal ingredients are al-| ready dissolved. Thus your sy I |can absorb them at once without upsetting your stomach. Capu-| dine brings delightful comfort. ! Strained muscles gently o narcotics. 10c, 30c, 60c Advertisement. After other methods have failed and that stubborn corn or callous keeps coming back . . . just spread E. Remover on corn or callous with little glass rod. N - Ca® SR S o B $49.75 3-pc. Mahogany-finish Bed- FOpm SUes. (tivic g $29075 $64.50 4-pc. Walnut-finish Bedroom $ $79.00 4-pc. room Suite $89.00 4-pc. 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