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ACROSS. 1. Scorch. 5. Raging. 10. Preserved. 15. Vend. 19. A fruit. 20.To cut off the final syllable of a word. 21. Near. 22. A hint. 23. Entrance to mine. 24. Theory of govern- .Genus of sheep. . Leavening agent. . Blockheads. . Vex. . Canvas shelters. . Vigilant. . Shelter. . An original writ; law. . Musical instru- ments. 97. Surprise. 99. A motorless air- plane. THE SUNDAY STAR, WASHINGTON, D. C, NOVEMBER 1, 1931, Cros's—-_i—Vords . Din. . Recounted. .To lounge. . Devastate. . Machines for cut- ting bread. . Likeness. . Native. .Making agree- ments or cove- nants. . Abstains food. from ment similar to | care of a father 100. Entangles. for his children. 102. Goads, incites. 103.A contemptuous t. :g: md‘:s name for a child. 29. A witty saying. 104. Pacing. 80. Methods of busi- lOB.tAablx;op\xhr vege- ness. L 82, Part of the face: 109.Jogging. 33, Stays. fi:g: . tenta- .Genus 0! 35. Vulsarp,e os. n = - — . Contumely, indig- plants. e A " 117. Always. 118.In bed. 119. Old Iroquoian In- dians. 120. Untarnished. 121. Scarce. 122. Artifice. 123. Refute. 124. Paradises. 125. A familiar Winter storm. DOWN. 1. A mollusk. 2. Secrete. 3.In the midst of. 4. Trains of attend- ants. 5. A meal. 6. Winged. 7.Wound with the 49, Tnsects. $0. A kind of monk’s hood. @1. A hereditary class of society. 53. Fragment. B5. Ancient city of . Greece where the i Olympic games ! were held. 56. An interval. 517. Carriers. 69.Boocks of old Norse legends. teeth. $1. Epoch. 8. A smal carp-like 62. Adroit escapes. fish. 64. Loud cries. 9. Pertaining to the 66. Ailment. skin. 68. Parts of a chain. 10. Strews. $9. Light ropes. 11. Wholly. 0. A twig. 12. Empty. 1. A tributery of the 13. Worms. Missouri. -14. To claim as due. f13. Gazed steadily. 15. Write carelessly. 4. Amusement. 16. Ardor inspired by 77, Heated. enthusiasm. 98. Command. 17. Part of our 80.Fix in the mind breathing mecha- + _ again. #82. Even; contraction. News of the Music World — , and that there should be a musical daw to keep the reins on a man who is strug- gling some way to find the light. Mr. Kindler's light is, of course, the orchestra. By this means he hopes to be able to carry into & symphonically unchartered city music which, he says, is a “spiritual force.” Already you detect that this music will be of the finer , that it will breathe of the glorified and tly musty air of some of the classics as 11 as of some of the more intrepid nioderns. ou feel, however, that there will be no “Woz- mecks,” and that the conductor will tread cau- Siously rather than gaudily. It is an amazing experience to sit in on one of the rehearsals of this orchestra. You feel ghen the tremendous vitality which surges ghrough Mr. Kindler's musical cosmos. He may gear his hair, he may sigh and he may groan, #e may frighten the female passerby at the door by his earthy remonstrances—but you have to admit that his tremendous admiration for the music before him and his anxiely to re- treate it with as much perfection as is possible §s something to marvel at. Listen to him stop dn the middle of Beethoven's “PFifth Symphony” n evident agony at some one who has over- ptepped his mark. He pauses—for a minute he #ays nothing—and then, “Please, gentlemen— ember — Beethoven — have some respect.” t is all. Monday will be a great day for Washington. Whe eyes of the whole country will be focused here. Walter Damrosch said recently over the padio, “I am indeed delighted that the Capital of our country has at last, through responsible and influential citizens, initiated the founding of a symphony orchestra. * * * I congratulate those who have begun this enterprise and look Mwith eager interest to the fruition of their 4abors.” Mr. Damrosch is not alone in his eagerness to see this enterprise succeed— $Stokowski and many other famed maestros are @l watching the firing of the first gun with Bhining eyes of musical approbation. They, fust as we, see in this the fulfillment of an $deal which marks the beginning of a musical Penaissance in this city. All that remains is for the entire community to do its share— Bhere is little else one can ask. Mr. Kindler and his splendid musicians have done their share. Now you do yours. NE of the outstanding features of the re- cent International Oratorical Contest, and one which unfortunately was little publicized and which ever since has been much eulogized, swas the rendition by the Interhigh School #Pestival Chorus of the Cantata “Lincoln,” by R. Deane Shure and Dr. E. N. C. Barnes. It Wwas more than a creditable performance, splen- didly led by Dr. Barnes and ably assisted by JHerman Fakler, baritone, as soloist, and Mary Garrett Lewis as accompanist. The work of fhe Tech Symphony of the McKinley JHigh School, under direction of Dore ton, was also more than favorably com- fmented upon. . Measures of length. . Encompassed, blockaded. . A Scottish title. B oo . Cautious. . Sorrowful. .The art of pre- paring food. . Mistake. . Gratifies to ex- cess. .A piebald horse, Western U. S. . More painful. . A district of Bi- har and Orissa, India. . Perch. . Increased. . Heraldic name of the fleur-de-lis. . Stays, part of ladies’ attire in the 90’s. .A dense fine- grained rock. .Combining form from the Greek word light. . Admirer. . Resounds. . Volcano in Mar- tinique. .To pass & rope through a block. . Penetrate. . Goddess; Latin. .Lies at ease. .Run away in a panic. .A monk of an austere order. . Wastes. . Break off denly. .Brings into cor- rect fiorm or alignment. sud- 94.Cry of a sheep. 96. Small Dutch coin of little value. 98. Ecstasy. ERGE RACHMANINOFF, the great Russian pianist and composer, will make his only concert appearance in Washington of the 1931~ 32 season at Constitution Hall on Thursday afternoon, November 5, at 4:30 o’'clock, as the opening attraction of Mrs. Wilson-Greene’s philharmonic series of afternoon concerts at that auditorium. Outstanding on the program will be the first 105. Under a ban; var, 106. Pieces out by & scanty addition. 107. Fluent. 101. Trap. 103. Man’s name. 104. Asterisk. and “Tarantella Venezia e Napoll.” Notes of Art and Artists Continued from Fourtcenth Page maker, is already becoming notable among American lithographers. He is a graduate of Haverford College, Ph. D. of the University of Pennsylvania, writer on classical archeology and for some years teacher and supervisor of art in schools and colleges. He studied at the Pennsylvania Academy of the Fine Arts and elsewhere in Philadelphia and early won recog- nition for his masterly drawing in charcoal. When he became interested in prints as a medium of expression, he turned naturally to lithography, and as naturally to training under Bolton Brown. His work has been well re- ceived from the start. It has been accorded numerous one-man shows, has been accepted in such of the larger jury exhibitions as admit lithographs and is already represented in such public collections as the New York Public Library and the Los Angeles Museum. THE print exhibition in the Smithsonian building changes today, block prints and lithographs by C. A. Seward of Wichita, Kan., being placed on view at this time and for the coming month. Mr. Seward is the president of the association known as the Prairie Print Makers, and is exceptionally skill- ful in his lithographs of landscape subjects. NNOUNCEMENT has been made by the Southern States Art League that a paint- ing by Clara R. Saunders, “The Bouquet,” to which a purchase prize was given in the recent annual exhibition, has in itself become an award and been presented to the City of Brenham, Texas, for having procured the greatest number of sustaining members of the league in proportion to its active members OT only our local, but the national art world has suffered loss recently by the death of W. A. Rogers, the illustrator and car- toonist who for some years had made his home in Georgetown. Mr. Rogers was intimately associated with the American school of illustration which de- veloped in the "70's and came to full maturity 20 years later. He worked first on the Graphic in New York, the first fully daily newspaper to be published in In 1877 he went over to Harper’ work with Abbey, Rhineheart, oy Ettinger and Thomas Nast. making his first Herrick drawings; Nast at the zenith of his success. 2 the story of his life and of his interestingly and delightfully some years in a book entitled “A World Worth While, w;mnmmrmmmmted-m word. trustees of the Baltimore Museum of Ast have issued invitations to the opening of an exhibition of contemporary Italian paintings Wednesday evening, November 4, at which time our Ambassador to Italy, John W. Garrett, will be the guest of honor. This exhibition consists of paintings selected by the 112. Extended. 115. Gold monetary unit of Rumania, 116. Former days. 109.A woody plant. 110.A terrible Rus- sian tsar, 111. Roman emperor. Continued From Sixteenth Page Musigraphs 26 years, assisted by Anne Munson, sSoprano, and R. C. Masters, violinist, will present an interesting program. D. C. Dounis, noted violin technician, whose arrival in this city was recently announced by ‘The Star, has opened his studio at 1221 Connecticut avenue and will remain indefinitely in Washington. Friends and former members of the Chami- nade Glee Club are invited to attend the tenth annual banquet of the club, to be held at the Shoreham Hotel November 10. Miss S. Eurelia Thomas, National 7870, has charge of the tickets. o Mme, Marie Zalipsky will give her first musicale for this season on Wednesday evening at 9 o'clock at her studio, 1501 Park road northwest. The Lowe-Nevins Orchestra in the lobby of the Shoreham Hotel will present part of the “Beethoven Syrphony, No. 5, in C Minor,” at its evening recital tonight from 7 to 9 pm. The remainder of the program will be devoted to the “moderns” and Adolph Turner will sing & baritone solo. The Schubert Chora! Club has announced that its official season will open November 11 with a dinner in honor of the guest conductor, Mrs. Blair, now of Boston and formerly of Washington. Mrs. Beatrice Taylor, president of the club, has announced that this dinner will be given at the Hotel La Fayette. W. E. Braithwaite is the active conductor of the club this season and Robert Ruckman is the accompanist. Announcement has been made by the Rho Beta Chapter of Mu Phi Epsilon that the scholarship offered recently has been won by Claire Ducker, pianist. An additional scholar- ship was given to Louise Kiee, soprano. Interesting musical services today at the local churches include a rendition of “The Ho City,” by A. R. Gaul, at All Saints’ Ch : Chevy Chase, tonight at 8 pm., with J: D. Mann as tenor soloist, and a presentatio o fthe Bach “Reformation Cantata,” to be sun by the choir of Concordia Lutheran Church 8 pm. i soloists including Cath s C. Kelly, Howard Samsel