Evening Star Newspaper, October 25, 1931, Page 52

=2 AMUSEMENTS. Things Are Not All They Seem in the Movie World! “il Writer Touches on “Personal Appearances,” Lurid Advertising, Season's Business and the *Stars” Who Pose for Screen Magazines. By Robert E. Sherwood. ERE are a few facts about the movie business which you may or may not know, and in which you may or mak not interested: Whenever “hear of some big w’ m’l?“colu on a tour of al a) of his latest n see & picture advertised fn & lurld manner, with such phrases ®s “daringly frank,” “a D{nslllonll ex- posure of the vice trust® or “flaming n behind office dosrs,” you are intingly innocent of dirt. When s does contain dnn[el’ou]slly sexy elements its sponsors are usually care- to soft-pedal that fact in their advertisements. Stmjlarly, when you hear repeated need | artificial eminence of stardom. arances,” usually in con- | not inspired by clamorous public pro-| test, but by unmistakable evidences of | acute public indifference. [ * ok k¥ | 'HERE is much lamentation among ‘Willlam Powell's admirers because, in his first Warner Brothers starring picture, “The Road to Singapore,” he indulges in that form of actf which, in an elder and more brutal day, was khenown as “ham.” He struts, he leers, He disgorges rayon epigrams, he cows | zealous men with a disdainful glance— | | and he has a perfectly glorious time in | which, unfortunately, his audience does | not_share, y | _What 1is liable to happen to Mr. | Powell if he goes on like t | thing that has happened to many others | in the past. More than one excellent actor has been utterly broken by the | heavy mantle of stardom. Consider Richard Dix. He was one |of the best. untll Paramount boosted | him to the rank of star and made him the focal point of every picture in which he appeared. Then he became one cf thesworst. The same thing hap- pened at just the same time in the case of Bebe els. Happlly, both Mr. Dix and Miss Daniels have come back, but not iocat.he n- sider also Adolphe Menjou, who scored such personal triumphs in “A Woman of Paris,” “The Marriage Circle,” “For- bidden Paradise,” etc., that they made him a star, and temporarily ruined him. It was necessary to find stories with leading parts suitable to Mr. Menjou's pecullar measurements. They couldn't find such stories, so they pro- film | duced the same one over and over out her lcity de- looks and is now worl contract posing for the publ ‘Whenever & film producer announces that as a result of exhaustive tests of ublic's taste throughout the States and Canada, is about inaugurate a new policy which will Tevolytionize the entertainment world, may be sure that he hasn't really n_consulting the public at e been listening mxmg to, or rather %o, some Wall Street bankers. ‘When @ startling new star is an- nounced to make his or her screen debut gou may safely assume thae his or her first picture will be nk. “And, above all, whenever the movie announce, en masse, that they abant ter pic- eotiety Sramas) 1o take my solemn BT R o v te: that detract from many pres- tions of Shakespeare are mdgenl! away. Many players prominent on the Lon- Stratford- stage are members of the"m‘ il Siruho Barnabe, Francis Drake, 3 wmm'fln-t clkre, Stanley Howlett, Qyles 1 Eric Lee, Eric Maxon, -John R. ‘Ruddock, Gerald Kay Souper, tead, G {lkinson, moym.hh m Hilda Coxhead, Fabia Drake, Dorothy Francis, Ethel Harper, Miriam Leighton and Dorothy Massing- ‘The Strattord-upon-Avon Fe tes under a royal cl :::!re‘r the patronage of the King. The public is cautioned to observe that the curtain will rise evenings at al promptly at 8:10. The mo:"&'imrgma will begin et 2:10. FRANCINE LARRIMORE COMING. GUTHE!E MCcCLINTIC will present Francine Larrimore in “Brief Mo- * ment,” & new comedy by 8. N. Behr- man, in the Belasco Theater next week, beginning Monday night, November 2. 7This will be the second attraction of the Professional Players. Behrman's lay scored a distinct success at its pre- gllz‘e in Cleveland last week. Miss imore is to open McClintic's season ‘gn New York at the Belasco Theater with “Brief Moment" following the ‘Washington e ment. Alexander Woolcott, critic and “the early bookworm” of the radio, makes his stage debut in “Brief Moment” in a character said to have been Wwritten | today, will appear as & guest star of the | own personality. Others in | Community Institute of Washington, | turound his I tho past Are Douglas Montgomery, Louls Calhern, Paul Harvey, Frances Rich, Helen Walpole, Boris Marshalov and Edwin Morse. = Jo Mielziner designed e setting. B fman is the author of “The Sec- {ond Man” and “Meteor,” two of the ‘Theater QGuild productions, in which . n Fontanne and Alfred Lunt acted. | » McClintic has staged many successful plays, including “Saturday’s Chilcren,” DANCING I N PENN §TUDIO—Ball room e PO lesons with gance pracuice { Awe s i 26 { Phil Hayden 1 ‘%:l Stage and Ball Room danc- .,fl"’u peginners. ‘advance snd prfizar:.-lu:-l ACHER. 1137 10th Street nee with orchestra every 8 to 11:30 pm_ Private nt. Met. 4180. Est. 1900. eyt Bl iVl by appointme: 1221 Comnn. Ave. Decatur 4610 ARMODY /G CLASSE again. Among the worthy actors and actresses whom Mother Nature never intended to be big individual stars may be named Wallace Beery, Clive Brook, Marie Dressler, Janet Gaynor, Charles (Ex-Buddy) Rogers, Chester Morrls, Nancy Carroll, Charles Farrell—but this 1ist could go on for columns. Personally, lld‘:)uld add to n!lt the mfln ofM suc'h glowing pe: as ont- gomery, mh: Fairbanks, jr.; Clark Gable and James Dunn. No—if William Powell were to take the advice of this member of his legion of admirers he would tear up his starring contract with Warners and re- fuse ever again to appear in an heroic role. It would be the surest guarantee of his continuance as a popular idol. ‘There are always plenty of dashing around ~the heroes directors’ outer offices. What this coun- villains. word | try needs is more competent (Copyright, 1931.) “The Trial of Mary Dugan” and “The Barretts of Wimpole Street.” TRUTH ABOUT HOLLYWOOD. BURTON HOLMES has yielded to of Hollywood. He went a “talkie” ent, re- ong 3 showing how they work and play, where they live and the places where they en- joy themselves. will be to Agua Caliente, Santa Catalina, ta fantasy, the flowers and colors to ex- travagance and where the climate is in & constant condition of being unusual. “The Real H 0od” is to be pre- sented at the National Theater Sunday afternoon, November 1. This will be followed on Sunday afternoon, Novem- ber 8, with “New Tralls in Switzerland.” “REUNION IN VIENNA, November 9. THS first Theater Guild production of the third Washington subscrip- 3 | tion season, “Reunion in Vienna,” n at the National Theater Monday This ga; written by E. Sherwood, who has given the theater “The Road to Rome,” “The Queen’s Husband” and “Waterloo Bridge.” Alfred Lunt and Lynn Fontanne will head the cast, which will include Minor Watson, Helen Westley, Henry Travers, Eduardo Ciannelli, Leonore Harris, Ed ward Fielding, Phyllis Connard and 30 others. ‘The story of the new play, which is a gay and audacious comedy, revolves around an impoverished Austrian arch- duke and his mistress of former days. The time of the play is 1930 and Vienna is without nobles save a broken-down conditions. For this group Frau Lucher |is giving a party in remembrance of older days when she ran the gay estab- lishments wherein the Hapsburgs rev-| eled. The archduke's former mistress is invited. Her husband, a great psychoanalyst, urges her to go. The archduke himself is an exile from Vienna and if he is caught he is in danger of his life. Alfred Lunt will be the archduke, ynn Fontanne the lady, Helen Westley | the Frau Lucher and Minor Watson the | husband. | Washington Miner directed this The- | ater .Guild production and Aline Bern- | stein designed the costumes and set- | tings. "As Husbands Go,” the second of the Guild's subscription season, will follow | | “Reunion at Vienna,” at the Nattonal | | the week beginning Monday, Novem- | ber 16. RAFAEL SABATINI, COMING. AFAEL SABATINI, one of the most colorful figures in the literary world | | Tuewday evening, November 3 fn the auditorium of Central Community Cen- | ter. Thirteenth and Clifton streets. Mr. Sabatini is making his first tour is some- | impoverished group which has desper- ing. . | ately tried to adjust itself to the new THE SUNDAY Washington‘s Players NEW DRAMA GUILD. ITH *“The Trial of Mary ™ rehelrslN 1 {:; presentation on Noveml 20 and 21, the newly or- ganized Drama Guild w:{ Washington has tackled the practi problems of its lofty end—a creative contribution to the theater localy. Leaders of the movement have ex- plained sheir ends with the frank acknowledgment that they are, in some respects, their way. “They say they will suj better than aver- age-run commerc] roductions from the outset, and that they expect finally to supply another force that may be felt beyond the local boundaries. A four-presentation program has been agreed upon for the year. Fol- | lowing the three-act melodrama “Mary Dugan,” the Drama Guild will present two of the following plays: “The Devil's Disciple,” by George Bernard Shaw; “The Squall,” by Jean Bart; “Wake Up, Jonathan,” by Hatcher Hughes and Elmer Rice; “Mary, Mary, Quite_Contrary,” by St. John Ervine; “Sun-Up,” by Lulu Volmer,” and “Ned McCobb’s Daughter,” by Sidney How- . It will close the season with “If | I Were King,” by Justine Huntley Mc- Carthy, in the Sylvan Thester. ‘The selections represent the genre | in “which the players expect to Work. They have chosen well known pieces because, much as they yearn to em- bark on some serious al selec- tions, they believe they first must es- tablish a record of professional stand- ards in recognized material. In this connection its leaders are emphasizing that one of their chief hopes is that the will be taken seriously enough to merit serious criticism. Serious e—young and older—fill the roll of the group; virtuslly every one established in some profession— many of them allied with the drams. They are volun their efforts for an end they both desire and belleve attainable. Each of these earnest peo- ple has had dramatic experience, some of them professionally. As the first play went into produc- tion under the direction of William E. From these, or from it is available, they hope to draw new talent, perhaps to - cover another Ina Claire, indeed embryo O'Neill, at least to be an alem- bic of local dramatic potentialities. The original group will be enlarged as the program advances. For the benefit of those outside who wish to be in, it has been explained the route is through membership in the organisation or through consulta- tion with any of the administrative council. Pursuing the vocative of new talent, the group will be inclined to give ear to newcomers. For the present, however, it will require some demonstration of experience to partici- pate actively in the making of the productions —in acting, directing. Margie Bartel, featured player .with “The Frivolities of 1932,” at the Gayety this week. Burlesque Prospering. T the end of the first two months of the t season of Columbia H. Herk, president of the ot it e ‘wl b eliminated on account of unsatisfact business due to the unemployment situ- corresponding time a year ago,” 3 “ten cities had been abandoned for that reason. Our seven thutz- in the Greater New York ares are larger business than at ai time mm&n past three years.” b/ the privilege of being among the first cities to hear this world-po) author, upon whom, it is said, the mantle of the great French master, Dumas, has len. He _will speak on “Fiction in History and History in Fiction,” and will deal especially with the myths enshrined in history, explaining the conditions upon which history always has been written. Tickets may be had at the T. Arthur Smith Concert Bureau, the Willard, the A. A. A and the Community Institute office in Franklin Administration Build- “SUGAR BABIES.” ARRY “HELLO, JAKE!” FIELDS and his “Sugar Bables,” with Joan Collette is the announcement of the Gayety Theater of its burlesque attrac- tion for next week, beginning with a JANET RICHARDS—November 3. xs&.mmh l‘!fiICHARDs announces t she will resume her “Talks mfi‘l"“fndflwmo::llfig Hg'me and For- y , November 2, at e Willard Hotel. ‘The first fdlk will be a so-called “Hilltop Survey” of the most interest- ing and important political develop- | ments in the world's work during the past Summer. These talks will be given every Monday morning in the Willard foom er red parlor, on the matn fioor, on GAYETY—BURLESK BIMBO (Dixie) DAVIS MARGIE BARTEL uest Star JACKIE JAMES in America and Washington is to have | One Week " Mats. Shubert ELASC ON. NOV. 2 Thurs. & Sat. PRIOR TO NEW YORK GUTHRIE McCLINTIC presents As of the Professional Playe: e Second Attraction rs FRANCINE | LARRIMORE | in @ New Comedy i “BRIEF MOMENT” By S. N. BEHRMAN SEAT SALE TUES Nights . . .. mnmm Mat. $2.00 Sat. . . 50c other | ONE STAR, WASHINGTON, Susn Miriam Hopkins, co-star with Clive Brook in “Twenty-four Hours” held over for a second week at the Metropolitan. Divorce Ad Lib. out ofeevery six marriages is sald to be wrecked on the reef of divorce. ‘This and other statistical data 4l5 | were obtained by Richard Wallace, Paramount director, when he began preparations for filming in Hollywood of the up-to-the-minute play of Ameri- icen life, “The Road to Reno,” now shown at the Warner Bros. Earle. The last year of the tabulations shows that 1,232,559 marriages were performed and 201,475 divorces granted in the United States, Wallace said. In 1887 there were 5.5 divorces to every hundred marriages; in 1901, 8.2; by 1908, 9; 10.4 in 1915; 13.4' in 1920, and in 1926 the steady increase of divorces reached a percentage of 15 and in 1930 it was estimated at 16.6. ‘The high mark numerically in wed- was reached in 1920, despite a large incresse in population since. The divorce figure has made new records yearly, Wallace said. Reno has the highest divorce rate per population of any city in the United States. At the current rate at which split-ups are being granted, it is possi- ble that Reno will issue 10,000 divorces this year. This will affect 20,000 per- sons. ‘The recent bargain counter divorce laws of Nevada inspired the story of “The Road to Reno.” Mystery Intrigues. SOM:I: wiseacre among the medical authorities has said that “a good scare is a great nerve tonic and mental stimulant.” Perhaps that accounts for the popu- larity of the stage and screen thril) :.w. seemingly never loses its Poi’“llfi y. t isn’t only the “average” man and woman to which this type llfpel.ll. Even our great men, such as Lincoln, Theodore Roosevelt and Woodrow Wil- son, were known as avid mystery story enthusiasts. “A Dangerous Affair,” now at R-K-O Keith's Theater, is sald to have all the elements of a mystery story and then some to make the heart action quicken, the eyes and ears more alert and the mind to race ahead in trying to solve the marvelous. Popular Eddie Eddie Cantor, star of “Palmy Days,” which has proved so pleasing to Wash- ington audiences that it has been held for a second week at the Columbia. NOW T:K IWLT—II““A%'I.I""V“ o Dflfiém a1 «CONSOLATION fiA::u:ycr’_ ;;L'm John Halliday Terror! A Paramour: Smash With LILYAN TASHMAN BUDDY ROGERS PEGGY SHANNON —On Stage— SHAW AND LEE FOLIOWINO the cancellation during the week, first of “Melo,” then of “The Vinegar Tree,” and then again the cancellation, in their turn, of both those plays, comes the announcement that the single performance of “The Unknown Warrior,” which was to have been given tonight, with Martin Browne, the dist founder of the Chicago Civic Theater and pro- ducer of “Journey’s End,” at the Shu- bert-Belasco Theater, also has been canceled. Little, if any, explanation has been offered for the fluctuating temperament of the Shubert booking offices in New York for this treatment of Washington theatergoers, and Manager L. Stoddard ‘Taylor appears to be as much in the dark as anybody as to the cause, al- though, with his accustomed loyalty, he intimates that Mr. Browne may appear here in “The Unknown Warrior™ after his return from the Pacific Coast. Heflgie a Fine Actor. P. HEGGIE, who has a leading ¢ role in “The Woman Between,” now at the Rialto Theater, will be re- ‘membered by many for his unususl work in Molnar’s “Fashions for Men.” His was a mystifying and compelling role in a play that baffled even many critics, yet perhaps did not add much to the great Molnar’s reputation. ‘Though the Molnar play had a short Broadway life, Heggle, who hadls from Australia, was a survivor. His real fame took form when he left the stage to en- the Lily and provides only a fine contrast. His pla; , however, offers the proper re- straint to her dashing, hoydenish per- sonality, In other words, he is a de- lightful balance wheel. Heggie is a finished actor, & man of extraordinary intelligence and always brings to his role a genuine note of re- ality—a player in whom interest never SABATINI “Fletlon in History” A Grcsented b 13th TUESDAY, November 3, Tickets: $1.00, $1.25, Concert Bureau, Wi and Frankiin ing. SINGLE TICKETS NOW ON SALE FIRST CONCERT BY THE NATIONAL SYMPHONY -ORCHESTRA OF WASHINGTON, D, C. HANS KINDLER, Conductor CONSTITUTION HALL. Mon., Nov. 3, 4:45. Demonstration TELEVISION INDUSTRIAL EXPOSITION TOMORROW NICHT 8P. M. The Auditorium 19th and N. Y. Ave. WARREN BAXTER New Adventures of O. Henry's D. C, OCTOBER 25, 1931—PART FOUR. HAT the picture patrons may en- tion of pleasures the following announcements: OHN BARRYMORE in “The Mad Genlus,” Warner Bros.' dramatic production, will be the at- at the Warner Metropolitan as “a gala Holly- wood . opening.” The event will be & great dancer, kidnaps a boy, him the art and then dom- inates his life. Marian Marsh, Donald Charles Butterworth and Louis Alberni are in the supporting cast. “SmIWALK! OF NEW YORK,” featuring Buster Keaton, is the announcement, of Loew's Palace for the new week, starting Friday, with Dave Schovler heading a new revue, “Mak- ing Hay,” as the outstanding feature of the stage program. John Barrymore, “Gm ABOUT TOWN,” a gay comedy of a couple of gold dig- 50:; & Paramount production, and ames Hall, screen star, in person, are the attractions announced for the ‘Warner-Earle, starting Saturday. Joel McCres, e lette and = Allan Dinehart be found in the cast of the gold. T merriment. James Hall probably do something to celebrate his personable appearance, but the ad- vance notice didn’t chronicle it. save wny;.&nhcwfllbem:dwlthn RISE” will bring the great Greta Garbo and Clark Gable, to Loew’s Co- screen, beginning Frida: picture leng anticipated and very much discussed in its making. [ INSOLATION MARRIAGE,” with ager Hardie to R-K-O Keith's Theater, starting day, as usual. Manager Meakin has much to say of Miss Dunn and her per- formance in “Cimarron,” and she be su by Pat O'Brien, a “Front Page” ; Myrna Loy and John Hal- P e - 0. mKnflv ‘Em. HILE O. HENRY will always be | known for his incisive stories about New York, which he ned “] now impersonated to the life by Warner Baxter at the Fox Theater. - Lee Hall, the famous Ranger who hfi: him to 3 fm and shoot. accounts for Teality of his ‘Western creations. PHILHARMONIC SYMPHON Publie Questions: Home and Foreln FIRST TALK Mondsy, Nov. 2. 10 Season Tiel AMUSEMENTS. Light Comedy Does Not Please Movie Audiences Producers and Directors Unable to Get Away With This Type of Picture on Account of Too Much Dialogue—Plans for "Marriage Circle.™ By Mollie Merrick. HOLLYWOOD, Calif., October 24. s HERE is at yet no place on the screen for light comedy, be- cause this type of entertain- ment has not found its true place in talking picture an- nals.” George Cukor, a stage director who has become a brilliant figure in the motion picture world, attributes much of the screen’s failures to this | lack in placing subtle laughs. Nine out of ten other directors lay the mistakes of moviedom to “overmuch dialogue.” ‘When Maurice Chevalier makes' his next talkie it will be a talking version of “The Marriage Circle,” a famous silent made by Ernst Lubitsch, with Monte Blue, Marie Prevost, Adolphe Menjou and Florence Vidor in the cast. Ernst Lubitsch will supervise the story, which did much to establish his fame in Hollywood, but George Cukor will be the man directly responsible for the of the picture. 5 One of the most interesting features of revivals is the establishment in our minds of the impression created by the first version and the ensuing disillu- sion which a glimpse of the original in- ly evokes. Before seeing the silent version of “Marriage Circle” you'd swear that here was the perfect movie; that noth- ing ever topped it; that for economy of gesture, swiftness of tempo, excel- lence of interpretation, it could not have been sui . Often I think those not circumstanced to have ac- cess to such things are the ideally happy. They can write letters literally bristling with fury over the sins of talkie producers. Bulwarked by mem- ory as they are, they can invest their diatribes with certainty which comes from retrospect. But oh, the awful glimpse of the picture of 10 or 15_years ago! which red ‘We find the comedy as something subtle and infinitely pro- days to be vocative in those gestures and all the accompanying parsiey of the old regime. It comes to us with a shock that dialogue, the much-opposed dia- RACHMANINOFF Sty '::'ol-:i. 180" Fi5.00, Philharmonic Nov, 5. m Dee. 1. Jaa. 15. LA $i1, 89, $6.50. Course, 4:30 oFY. FiFuony " Conductor. EVENING COURSE, 8:30 A_popular-prieed series of o eyening b 50, $10,89, 'K RUSSIAN ov. 21 DON “Singing_Horseme: the ™ Ribditl brated Spanish Planist. Course tickets. -~ R Droop’s, 1300 {I“lt“fil: .|“'...-. logue of the day, has reduced our pan- | tomimic play to a mere nothing. And | after dipping back into the eye-roilings, |coy finger-curlings and broadsides of | wrath we ars ashamedly grateful. | So one understands something of | George Cukor's contention that light | comedy has not yet found itself on the | talking screen. “The movie actors, for the most part. have not learned to put ‘cnm?dy lines over,” says Cukor. * 'y labor too much. They do not give the line the correct emphasis. ‘They have | not yet come to understand that quiet lnlly of line behind an almost unreveal- ing countenance. They want to give the audience all—and for such comedy the audience requires only half.” “One Hour With You” will be the story, then, of the gay Viennese flirta- tion which was, in its day, a daring thing, but which seems rather tame and quite a lot of ado over nothing today. But where music found its place in a pantomimic version of “Kiss Me Again,” with the organist following as best he might to create an effect of realism, five song numbers will brighten the talkie of “Ths Marriage Circle.” “Since human nature changes very little and life changes not at all save in its e: , the story of the plece is as good today as then,” says Cukcr. “Whenever problems of & story hinge upon human sense of adventure and their effort to fulfill it within their scope of life and through their instinct for variety and thrill, that story is as easily made in 1931 as in 1891. There are only the externals of 1iving to alter. The basic theme goes on unchanged.” ‘The story will be dialogued with re- gard only to giving it the best possible presentation, and without that effort to shorten the speaking footage which has resulted in some sorry gelatin today. (Copyright. 1931, by the North American Newspaper Alliance, Inc.) | NATIONAL [ THIS WEEK—MAT. SAT. ONLY NIGHTS, $4.40, 85, §2 and S1; MAT, SAT. ONLY, 83, §2.30, 85, $1.50 snd 81 300 GOOD ORCH. SEATS NIGHTLY AT $3.00 1Direct from One Solid Yoor MAX GORDO i~ The Revue of Revues THREES A CROWD' Conceived & Compilec, by~ HOWARD DIETZ B HASSARD SHOKT — 2% by HOWNND DT NEXT WEEK, BEG. The Second Visit to Washington of the STRATFORD-UPON-AVON SHAKESPEARE FESTIVAL CO. From THE SHAKESPEARE MEMORIAL THEATRE (Incorporated Under Rogal Charter) PATRON: HIS MAJESTY THE XING Monday Evening, Novembder 3 24 ¥ WINDSOR” aday, Evenin der 3 Weangsday Matines, Novembver ¢ ‘A TALR" mING HENEY THE FOURTR® (o 3 DIRECTOR! iy oy S b LR T Woek Begioning Monday, November 9. Mats. Wed. and Seb THE THEATRE GUILD PRESENTS (The First Production of the Third Subscription Seasen) “REUNION in VIENNA” A Gay Comedy by Robert B. Sherweod. Staged by Worthington Minor ALFRED LUNT Watsen Travers Harris EEETELT, B BURTON 1031 TRAVEL ADVENTURES 8 SUNDAY AFT’S AT 3 P. M. WL l!fi_”'.‘ul‘l"!"xol' y"oléln!. NOV. 1 Nov. 8, With & Brillant Gass: AT 8:20 i the wyn Theatre, Now Jrosents MON. SEATS THURS. Thursday Foening, November § b NIGHT” 'P'? I!lfilu,’.'l zo.l!:“lllw [ Saturday Matinee, November 7 aturdsy 2oening, November ¥ e TAMING OF THE SEREWS W. BRIDARE ADAME $1.00; 24 Bal, $1.00 & Se. Siee, 26 2 S Settings by Aline Bernsioln LYNN FONTANNR Helen We snd many $3.00. 5o, s, 35:06, 3156, $1.00 & HOLMES TAKOMA ‘%, i Rer et SYLVIA_SIDNEY In “STREET SCENE” TN CIARENTONVE— ASHTON 30ofy 08 "Riesdar— JANET GAYNOR and RELL. “MERELY MAR' X PRINCESS 72 s WARNER BAXTER in “THE SQUAW MAN”" IO A X HOME™ ™ 123 0 st n2. TAT0T o o ow. . mm. e AR TR f%'l_r'fi'n & Pat me mw. b 7 L YORK = are- & auebeo e m.w. S SRR ke % CIRCLE_§,7% el