Subscribers enjoy higher page view limit, downloads, and exclusive features.
\CO CALENDAR OF EXHIBITIONS CORCORAN GALLERY OF ART, Seventeenth street and New York avenue. Permanent Col- lections. PHILLIPS MEMORIAL GALLERY, 1600 Twenty-first street north- west. Modern Art and Its Sources. Inaugural Ezhibition, New %uilding. Oc¢tober 5 to Jan- uary 5. NATIONAL GALLERY. OF ART, Tenth and B streets morthwest. Permanent Collection. UNITED STATES NATIONAL MUSEUM, ARTS AND INDUS- TRIES BUILDING, Ninth and B streets southwest. = Pictorial Photographs by Severo Antonelli. November 1 to 30. SMITHSONIAN INSTITUTION, Tenth and B sireets southwest. Etchings by Frederick T. Weber. November 1 to 30. FREER GALLERY OF ART, Twelfth and B streets southwest. Perma- nent Collection. Recent Acquisi- tioms. ARTS CLUB OF WASHINGTON, 2017 ] street. Paintings by Mr. and Mrs. Charles E. Hoover of Washington and by Roger A. Lyon of Boston, Novem 16 0 30. TEXTILE MUSEUM, 2330 S street northwest. Rugs, Tapestries and other textiles of the Near and Far East. Admission card obtainable at the office of G. H. Myers, 1508 H street morthwest. GORDON DUNTHORNE GALLERY, 1726 Comnecticut avenue north- west. English - Sporting Paiai— ings of the Last Century; Prints by Contirir;porary he!tchers, En- . avers, hographers. N’;LIC LIBRARY, streets northwest. depa ment. Group of paintings lent by the Phillips Memorial Gallery. is of another couple, very ; “The New Dress” and .316::&-‘:111]1‘: sepresent possibly the debutantes 5 But 1880 is a little late for these costumes and for the attitude they set forth. Ten years earlier would be more nearly correct, Whether gorrect historically or not, however, these four eostume studies of other and earlier days are sharmingly rendered, with a real sense of pic- forial quality and exceptional freedom of brush work. Furthermore, it is gratifying to find an artist ready and able to make merry; the tend- ancy of our art today is to be infinitely too Bolemn Mr. Hoover shows chiefly outdoor pictures— ®ccording to announcement, “landscapes”—but %is landscapes are chiefly city pictures, street scenes, buildings, not landscapes at all, but for none the less attractive. Among interesting of the works which he sets iof Paris bookstalls and of a street in Berlin, all & which indicate sensitiveness to beauty and B command of medium, ' The unique feature of his exhibit, however, & group of three paintings of the theater— » LHILA ' THE SUNDAY STAR, WASHINGTON, D. C, NOVEMBER 23, 1930. ARl AND AR MECHLIN Two Exhibitions at the Arts Club—Increasing Interest in Etchings and Lithographs. Other Notes of Local Art and Artists. “Impression of Myself,” & portrait by Louise Rochon Hoover. Hoover’s works distinctly enhance their value, while the measure of success already attained gives assurance of still greater achievement. Arummmmmfi_nm. and Mrs. Charles E. Hoover are shown in the auditorium of the Arts Club an exhibition of paintings executed in four different mediums by R. Arcadius Lyon are set forth in the adja- cent drawing room and dining room. Mr. Lyon is a New Englander, a member of the Boston Art Club, and at present working in the re- search department of the Fogg Museum at Har- vard University. These paintings, of which there are 23, are in tempera, oil, pastel and water color, and are chiefly landscapes, flower studies and decorative paneis. Tempera is a medium which was used by the early Italian painters, but which, until comparatively lately, has fallen into disuse. The base of the medium is usually egg or other albuminous substance, rather than oil or Mr. Lyon uses the medium likewise with skilt, but in a manner completely individualistic. His . -“Qld . Russian Embassy,”. by Charles Hoover. down in the catalogue as “abstract painting in full intensity,” but which to the uninformed visitor seem literal and flat. Possibly, however, the terms “abstract” and “intense” 50 used may, have technical reference not commonly undere stood. Painting of this sort seems te fall be- tween two stools, literalism on the one hand and pure decoration on the other. But from the standpoint of experiment, originality, it is interesting at the moment. NTEREST in etching, woodblock. prints, lithographs, etc., by contemporary artists is undoubtedly increasing. The Grand Central Art Galleries, New York, which up to the pres- ent time has limited its displays to paintings and sculpture, announces the addition of a print gallery for the exhibition exclusively of works by American artists, Through the initia- tive of Prof. Marques E. Reitzel of Rockford College, Ill, an American College Soclety of Print Collectors has been organized, which will yearly issue to its members two prints by foremost etchers from plates specially boy who has attained in this particular fleld to foremost distinetion. 3 lately been miade an associate ART SCHOOLS. HILL SCHOOL of AR iy = _6 Dupont_ Circle. No. 1271. SCHOOL OF ART 1 Dupont Circle—North 1966 ! e g 2 Felix Mahony’s National Art School Interior Decoration, Costume Design, Commercial Art, Color. 1747 R L. Ave. North 1114 00009000090 000000000000000 S s e e S S T e Classes for Professionals erm Abbott Art School 1624 H Se. N.W. Corner 17¢th