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_SIGNS OF SPRING. —By BURTIS Oun shEOS 442 GoamaNTEF?) /J MOVIES AND MOVIE PEOPLE BY MOLLIE MERRICK. HOLLYWOOD, April 2 (NANA).— With local producers discreetly silent regarding the new ethics code for the making of talking pictures, the village faces the same problem which a few years back confronted silent pictures. It was tacitly admitted this morning that leading moguls would rather not be quoted on the better-talkie project. It was generally agreed that, did they talk, nothing of vital import would be said. At such times the village would rather let the other fellow talk. Barring profanity, ridictile of law and sympathy for criminal$, limits motion picture talkie production to the love story. And the love story has been the ‘Waterloo of the talking screen. Sex, which once dominated the silent | ™8] screen, has two possible angles—the young love story, with & boy and & f\rl and another boy or girl and the ulti- mate triumph of the sweet young thing over parental wrath or shallow infatua- tion which carries them away from the true love; the other angle is the good old triangle story—husband and wife and the other man or woman. The cutting room will receive more expensive scenes in its wastebasket | than it has for several years, no doubt of that. The village is half full of pictures of this type not yet completed. Profanity has been ctly guarded |all along. Anna Christie’s “darn” was & concession to the purity of the screen which would have wrecked a less work- manlike celluloid. “‘Obscenity in word, gesture and sug- | gestion,” is & neat little line. But the censorability of obscenity in suggestion | is the moot point. I am minded of the |lady who at the conclusion of “The | Cockeyed World” approached a well | known actor, her face empurpled with e. “Such suggestive lines!” she panted. “Really I think it's most outrageous. Any perfect lady would be embarrassed beyond words at this.” “Any perfect lady,” said the suave gentie, “could not admit that she knew what the dialogue was driving at and remain & perfect lady.” I referred above to a campaign of this sort a few years back in silent GRrRAY That's Telling Him, Lady. BUO Fisuss A Friend in Need Gathers THOUGHT Muw WERE AWFUL | SMART, RUNNIN OFF AN LEANIN' ME ANT MESTERDAN, DIDNT MU ? TRED YO_MBAXE B SH® O AE BYE MOM AN’ FORSYTHE €ETWeLL, ALOYSIUS P HSEINLY 13 ONE OF THE BUSIEST INDIVIDUALY IN PALM ' DEACH MONEY, SURE EMI T LIKG ME! X CeRTAINLY DO APPRECIATE Go INTRODUCING ME TO A Bid SHOT LIWE HIM!! Forsyve claMg MOST OF Hi3 TIME AND AL 13 QUITE KEEN ABOUT “THE BiG MAN OF AFFAIRS. Goory Bowers 13 ST WAMNG FoR POP- -0 WELLO, \TCHM- QoW ‘MY waN 2 NOW T GET DOWN T COLD FIGURES - ==~ THATS Too BAD - THAT'S SUST GOw' 10 BReAK ME AL ue- The pew edict, willingly subscribed to by M:ldlnl lots in the movie indus- try, hits at the most fertile source of story material today. ‘We are in the full swing of the erim- inal cycle in motion pictures. Air tures have had their day. The conquest of the ether has been romanticized in heavier-than-air craft and lighter-than- air craft. War has been run ragged. The West is beginning to get a bit frayed where its checkered cuffs meet the buckskin gauntlets. Prison life remains. theme was heavily leaned upon in it days. But the rich argot of the :enudu; new t.ng ;M m’m (i pictures an away from the love scene, whiek all producers have learned to dread. But if your hero is & érook, how keep him a hero and not gipsify an offender of the law? 3 films. What happened then? Exactly 3 €SS - -- SO LONG JUDGE - -- g Tkl _TILL T SIGN VP, THosE FIGHTERS ! - TWENTY THOUSAND PEOPLE \N THE ARENA AT TEN BUCKS R SEAT MAKES $200,000 = “oc [F WE GNE SHARKEY AND SCHMELING FIFTY L LEAVE US A T\ PAY ‘EM $75,000 ¥ A PIECE ----- 4 THE ARENA i\l BE FILLED O R . THRTY THOUSAND CRPRCITY M08 AY 1 20 BUCKS A THROW -+~ % 1 LEAVING ME A PROFIT from the gelatin canneries. p) little by little, the stern eye of , the vigilant censor will wander to brighter fields and we will slip into the the motion nating Then, pre- talk- /oue 1o ME? HOW CouLp L A FIGURE /N % 00 A ROLE. AND HE BrROUGHT ME IN TEN DOWN HOWARD FREEMAN Underwriting Her Social S5 8 9¢ i et ME AN MY LI’ BROTHER ET TWENY-EIGHT PANCAKES BUNDAY MORNING. WE 5 FINISHED THE WHOLE . FAIR! YOU'RE THE ) Across. % ‘mfi ¢ . Culmination. 5 . A desert. . Song for many voices. 3 th American river. . Chinese measure. . Jewish month. . A constellation. . Mystical ejaculation. . Presently. . Pester. Geometrical function. . Convened. . Disposing by will. . Wire measure. . Willow. . Slatted container, i et. . Title of an opera by Verdi. R S . God of war. . Dish of . Capital city of eastern U. 8. a1 eggs. . Long outer garment, originally fur 23 lined. 1% . Renegade. . Troops in position of steps. . Cape elk. | To grovel: coll. or dial. . Unfruitful. . Church festival, Bristly. Down. . Celestialy. . Interjection of surprise. . Oriental nation; poetic. . Insane. . ind of wine, . American band leader. . Edict. . Pronoun. . Breed of duck. . Proposed international language, . Japanese jsland. . A vegetable. . ’;‘.f’f&‘f u; French. ication. 1 X . Colophony. : g’rg‘w:i“ S . A proj language. . Unhappiness. 3 gll;:lr or fortify. 5 m&i{‘vxfii‘..u,._ . Unit of square measure, . Mode of travel, g mVecP" m facrl;nd. foms . Oklahoms city. 45, Oriental country. . That can be dissolved. = Rl‘nnarmemlxmm 3 ver A 53. Buff) t. Spanish article. 5. Deposit in certain Chinese rivers. . Maddened. OH DEAR ME, IT'S NEARLY TIME FOR MESEAL - L DO HOPE PA PIFFLE DOESN'T , COME ALONG WITH HIM TONIGHT 1 FEEL UKE SPENDING A QUIET EVENING JALONE WITH _HIM BOOK, HIT SAYS, = A MEMBER OF TH WEDNESDAY... |JURY AINT SUPPOSED ™Y DATE NEHT. |T© 60 GALLIVANTIN =\ 1 GOTTA DATE [OFF BY HISSELF =) WITH MISS A NOWHERE'S ..NOW, SALY. N .. MEBBE.... A2 { TONIGHT'S By SLHUNTLEY ISEAVIE] (&S] AZuE3 [N TIES ¥ LIS [~ 1XI5) Company Arrives, Q0 TN o) Waney V210/N] DN IAD O AN I<ID] NN WLIRAMSNOL 54, 5! 56. 59. 61. 64. 66. 69. 1, U DRI (2| WAL h R (RNS IR | Lyons Given Commission, Ulrich 8. Lyons, 4515 Chesapeske meet.umdly.humnmmln!medl Qe ™30 Oz AR & 200