Evening Star Newspaper, November 4, 1929, Page 24

The Week’s Attractions in Local Theaters Reviews of New Photoplays and Stage Productions | |current news events, together with the! On Sunday evening. souls that during the “Passionsof day have been attuned BELASCO | credited artist behind that buffooning | | tongue. | 'Ahd Harpo, the mute one, dependent | I THE EVENING |llne. demonstrates orally and visibly the fine and superfine points of golf in his sportlight, entitled “Duffers and Champs.” A Mac Sennett talking com- edy, a diversified film of odds and ends and The Star-Universal news reel of ialto’s Orchestra, go to round out the preg:am.—B. McK. * * % X ‘The youngr generation comes through with a STAR., WASHINGTON of phonograph records in Negro dialect which e&":fl?flefl ths Nation. This week at the Columbia their first “talkie” finds his audience sitting on the e of their chairs just waiting to laugh. fAnd laugh the members of the audience o, at the very first sound of the fa- miliar voices, whose “early bird” stuff is based on that of Octavtis Roy Oohen, The picture not only presents many of the old Moran and Mackisms, but treats everybody to a few new ones, . D. C., MONDAY, NOV "EMBER 4, 1929. | lege life, although there is not & gin bottle or a tipsy sophomore in it. But one reviewer will lay odds of two tick- ets to a last year's algebra book that 90 per cent of all audiences will find :’t elightfully amusing. Including the leans! There is little of a story. Two juniors, Eddle and Biff, are played for saps by the college vamp. Their rivalry al- most_breaks up a beautiful friendship, but between halves of the big game they overhear her talking to her flanc The colored comedian’s ac is not versatile, but sufficient. o Lee Tracy, from the Broadway speak- "Moter ™" Mae Clatke. who'ls ‘person ae Clarke, W Tson- sble and sings well, Diays opposite. Occupants in Front. Josephine Dunn is the treacherous| POTTSVILLE, Pa., November 4 () — blonde, 4 | Two shots fired at the putomobile carry- Specialty acts in the film are rivale in”the Fanchon and Marco “Bows and | ing Claude A. Lord, Republican candi- Beaus” jdea with John Irving Fisher | as master of ceremonies. CANDIDATE IS SHOT AT. Bullets Strike Back of Car—Three before last midnight narrowly missed Lord and two other occupants of the date for mayor of Pottsville, shortly | manager, James J. Jennings, jr. They heard two shots as the car approached Both bullets struck the the city limits. back of the automobile. All three oc- cupants were riding the front seat Police soid they believed Lord’s car was mistaken for another machine. The Air Pilot's Pay. The average pay of the air pilot has been determined to be $5,556 per year, including a scene on a rock pile, “Home In it are } The story of the sound film Coscia and Verdi, Shapiro and O'Mal- " an, Jealousy' to the infinite are not | upon gesture and expression and phy- | in “Young Nowheres.” TS and in the “last 10 minutes of pla 4 d th day's work 1s two and car. and the average day’ apt to seek offerings such as “Pas- sions of Jealousy,” which opened at the Shubert-Belasco Theater for the week. as a means of diversion. True it comes from the French of Louis Verneuil, but Eugene Walter. creator of “The Easiest | 'ay,” who adapted it, and the box of- | fice instinet of A. H. Woods, the pro- | ducer, had a hand in its final prepara- | ticn. Guthrip McClintic staged the | whole. It must be admitted that the com- | bined forces have produced a tense drama all the more remarkable because it is presented by but two people—and what a pair they are! Fay Bainter, who needs no introduction to Washing- ton, finds in this sordid story of a man and a woman who first appear on their wedding night, after a questionable re- lationship that preceded the marriage, a veritable rocket to carry her to the moon of high dramatic triumph. Her new-made husband immediately begins to unfold his jealousy of hcrl rdian as well as of another with whom she has probably had question- able transactions, but not unknown to >r husband. A missing photograph of tne latter and a costly emerald ring vanished from her finger which she has told her husband was the sole gift of | her father to her dead mother, but| which eventually proves to be a gift | from her guardian to celebrate her establishment in business, into whicii she has gone to furnish the means to| enable her husbana to rise to the artistic | heights she thinks he will attain, if left unhampered, are among the reasons for | the husband’s jealcusy, which manifests itself more and more harshly as the play progresses, until the climax when it appears that, maddened by torturing thoughts and suspicions, he finds his way into the guardian's apartment. strangles him and gets away withoul | detection. The arrest of another man | for the murder stings him into a con- | fession cver the telephone to the police, and when they take him away the crushed and semi-deiirious wife, totter- ing amid the ruins of her much-hoped- for happiness, is promising that in his trial she will tell the whole truth nndi nothing but the truth, that he may be enabled to come back to her. In high artistry Miss Bainter runs the whole gamut of the emoticns with in- comparable discretion and skill. Her work alone compensates for the sordid- ness of the story, the painful frankness of the dialogue at times, that suggests box office consideration, and any other deficiency that might be suggested in the entertainment. She is accorded fine support in her exacting and tryjng ordeal by Melvyn Douglas, whose per- formance might be improved, perhaps, with less strenuousness in the earlier stages of the story. Be that as it may, however, the pair fairly held the audi- ence spellbound from the rising of the first curtain until the close of the play. Whatever comment may be induced by the character of the story, there is no question that the performance as a gnm:m: success is thoroughly estab- ished. A word as to the antecedents of the upon the same material that entered into_the photoplay, “Jealousy,” which late Jeanne Eagels as the wife. Bui there all comparison ends, for the Be- speaking stage to drama presentation in the talking product of the screen, in- appeal to the eye, for in the play it is the mind and the heart and not the taxed from beginning to end. —W. H. L. PR POLI'S and _irresistible clowns, ers, and Crackers” having as supporting fea- tures an excellent mur of musical e chorus and a number of tuneful songs, San Harris' production of “Animal nce, filling every « chair, chuckled and rocked and gyffawed itself collecticn of entertainment-seekers as the season has brought out thus far. Groucho, Harpo, Chico and Zeppo, but the routine of the chorus and the Ma settings and the songs all contributed in go:d measure. Cullough and Jimmie Durante, the Marx Brothers share an idiom of absolute without rhyme or reason, but they yield priority of foolishness tognone. Taking even the lowly pun, Grcucho weaves It‘ into a pattern of farce which, blended idiocy. Rapid, merciless, inspired as seems his banter, it is not a thing of ad libbing last night, moments when he stepped out of character and in- along: you could see then how the man worked, feeling out his audience sical trickery, much more in the genre of the pantaloon than Grouchs, & “grimacier” where Groucho is econom- | ical of facial capers. Yet, to recall the robbery scene, staged in utter dark- ness, one remembers that Harpo, unseen and speechless, convulses with the mere suggestion of his presence, the wild clatter of iron tools, a dozen insignia of his drollery. Chico, in Italian style, has his own restrained, mcre dignified, if one can remotely conceive of dignity in con- nection with these Marxes. His role is more that of the “feeder,” though in such skits as the travesty bridge game and the same dark robbery scene he reveals an individualism which is not submerged in, if subservient to, the numskullery of the other two. there is a plot to “Animal Crackers," Kaufman and Morris Ryskind. It con- cerns the theft of a valuable painting at a house party, a mere peg upon which to hang the fancy and gay hocus-pocus of the whole doings. Included among those who contribute to phere of the party, the commissicn and solution of the theft, are Margaret Du- mont, Margaret Irving, Elinore Hunt, Charles Baron, Louis Sorin, Neil Col- lins, Dorothy FitzGibbon, Marjory May Martyn, Julian Winter and Arthur Lip- son, all entered splendidly in the feel- ing of the piece and are valuable to its success. Zeppo, the fourth of the Marxes, has a small role as Jamison, but to Groucho and Harpo and Chico, with their madcap sense of nonsense, go the medallions. F. O. GAYETY “Social Maids" i Recommended by all the chief ingredients of a good burlesque show, “Social Maids,” led by a dancing star billed as “Miss Personal- ity,” opened at the Gayety yesterday. The young woman who sails so surely and so effectively under the personality title is Minnie Pitzgerald, her talents much renowned around the Mutual cir- cuit, but new to Washington. With & flair for dance and song, she set the time of “Social Maids” and eniirely won the opening audiences. Miss Fitzgerald is not alone well known on the current .ist of players. In “Social Maids” are such other com- petent performers as Ethel Spears, a soubrette; - Arthur Rampe, eccenwric comedian; Ben Plerce, straight man and Dot Fuller, alluring and capable. Plus, as always, the chorus. “Socfal Maids” is among the best of the Gayety's shows this season. F.O. e Some day somebody is RIALTO going to write, and the “Big News” Movies™ will no doubt show, a real newspaper play. The prediction is based on the generally accepted theory that right will triumph in the end. But to date no such play has appeared. “Big News,™ is merely additional evidence that it has not appeared. “Big News” adopts the currently pop- ular idea that a modern newspaper office is a madhouse, and that news- per reporters and their superiors are either drunken roughnecks or maniacs. ‘Working on this assumption, the result- ing picture is not a bad movie, but it is a poor newspaper story. as well to call to the attention of movie directors and movie audiences the fact that newspaper work is a hard task- master, exacting and precise in its de- mands, and that while there are hectic moments in the history of every city roopr, sobriety and cool judgment play as important a part in getting out a newspaper as in any other of life's more leisurely callings. “Big New: like other newspaper plays, overlooks these points entirely. Such plays compare newspaper men to dope addicts who can't shake the=habit off and try to drown their troubles in drink. The result is a farcical parody that, like any well done parody, has enough truth in it to be entertaining. ‘The Rialto play is a movie version of George Brooks’ play, “For Two Cents.” Robert Armstrong is cast in the leading role of the drunken newspaper reporter who, fired for drunkenness and other crimes, goes out to seek revenge upon his erstwhile employer by digging up an amazing expose of a dope ring. If more reporters who get discharged would seek this particular form of revenge more of them would be discharged, for the story that this particular reporter dug up was without doubt a pippin. A slight complication is added when the editor of the paper, with the dope-ring expose on his desk and about to go into print, is mysteriously murdered. The reporter is apparently caught with the goods, but he gets a lucky break by producing the record of the boss’ dic- tograph, which was turned on and for- tunately running at the time of the crime, thus exposing the real criminal and glorifying said reporter. Arm- strong does a capable piece of work, and Carol Lombard performs adequately in the feminine role opposite him. play may not be amiss. 'It is based Washington has already seen, with the lasco offering is a fair challenge of the finitely superior in everything save iis optic equipment of the audience that is Dominated by those antic “Animal the Marx Broth comedy principals, & supple and comely rackers” o at Poli’s last evening. into complete sympathy, as amused a Honors, quite naturally, went to kert-Peterson dancers, the costumes, the With such jesters‘as Clark and Mc- madness. an extravagance of persifiage the most illogical discous imaginable, with witty delivery, makes it supreme | automatic flow. Witness his occasional vented his exaggerations as he went with the shrewd sensitivengss of an ac = \\\\\\\!H Grantland Rice, with Willie MacPar- 11 claims to attention. though he is more | It occurs as an afterthought lhall furnished in the book by Gecrge S.| the atmos- | the feature film at the Rialto this week, | 1t may. be just | Cooks who know how to bake a tender, flaky pie-crust will appre- ciate what a fine cracker Sunshine Bakers have madein this delicious, new, salted square. Krispy Crackers are unusually flaky. This means that they are tender to bite, and still they are “’?.so.l’i”c THE THOUSAND ‘WINDOW BAKERIES of Loose- Wiles Biscuit Co. Nowheres” be truthful, its triumph | rests on economic reasons. | When the boy and girl whose lonesome !'love affair it depicts are able to have be- | tween them only $16 in six months— | well, there's not ‘much left for wild | parties. | “"Richard Barthelmess and Marion Nixon surmpunt difficult roles in this| lking picture, showing at the Earle.! he difficulties are, chiefly, that the action is almost altogether in their hands, and that this action for the most | part consists of their timid and un- | grammatical conversations and their | hunt through New York for a place to Isit “every other Wednesday night,” when the boy doesn’t have to run the apartment hous2 elevator. The proper tast> is debatable in al- | lowing a star such as Barthelmess choice | from so limited a vocabulary as that | which Binky, the elevator boy hero of |1 A. R. Wylie's story, has picked up. | Ceascless repetition “of “Gee, sure,” varied with “Aw, gee, sure,” grows monotonous. * Likewise, should one's hercine say, “Look at that there moon?” | Even if it is in New York. |~ Not the fault of Barthelmess or Miss | Nixon, of course, but of the dialogue | experts on the new talkie lots. | The story intends to convey.the help- | lessness against a big city's cold im- | mensity of couple of waifs, who want | to get married, but can't, and who meet taunts and sneers for even this| | honest intention. They wind up in| police court on a morals charge. ~The atmosphere is one of drab fuility un- {til the finish, when the judge takes heart and sees to their future. Miss Nixon plays charmingly opposite | Barthelmess, reminding greatly of Janet Gaynor, though this review intends. no | comparison. Barthelmess is thorough- Iy convineing in his acting. | ” The Evening-Star Universal News- reel shows a half dozen or so spec- tacular shots from varicus parts of the | country. Vitaphone singing acts and | the orchestra round out an altogether | interesting bill. J. M. P. L METROPOLITAN § 8 Ven 'he Greene Murder Case” ‘talking my thriller, “The Greene Murder Case." swooped into mystery-consclous Washington yesterday with an assort- ment of murders, shrieks and crimi- nologists that would seem to make cer- tain local murder cases appear quite insignificant, in comparison. ‘As one of those who emerged, gasp-| ing, from the Metropolitan remarked yesterday _afternoon, “If only Philo Vance could give us a hand in some of our own strangling mysteries!” The management of the Metroplitan could not have selected a more strategic time to spring this excellent film version of Van Dine's “best seller.” The book itself is said to produce goose flesh on ths lover of detective tales. Its audible picturization certainly had the customers holding to chair handles at the initial performances. There are laughs to relieve the tension, and the most appreciated of these suggested by the remark of the bungling detective sergeant that if he only could locate & certain revolver used in killing om bers of the Greene family he woul ready to pronounce the deaths suicide and resign from the force. There is no foundation for the report that this priceless line was inscrted in the dialogue as a bit of local color especially for Washingtog audiences. It wouldn't be fair to Mr. Vance, greatest of all super-sleuths, to divulge here just what all the shooting, sleuth- ing and shushing is about in the for- bidding Greene mansion, or to give away the criminologist’s crime-detection methods. Suffice it to say that Mr. Vance takes the laurels right away from the police department and the district attorney’s office and express the whole- sale murder in very startling fashion. William Powell, as Mr. Vance, scores a disiiact hit, repeating the success he attained in a similar role in the “Canary Murder Case,” a previous Van Dine thriller. He is efficiently sup- ported by a convincing cast. includin, Jean Arthur, Florence Eldridge, Ullricl Haupt and Eugene Pallette. The di- rector of the picture deserves com- mendation for careful handling of & difficult subject. He does not permit the suspense t- lag at any time. Unusual photography rnd voics recording con- | tribute much to the show. | As though the feature picture were | not entertaining enough. the theater | offers In addition a Pathe talking | comedy, “Beach Babies,” pungent with | pulchritude, and a taphone \'nufl?-i | ville skit well worth staying for. Pathe | Sound News and selected house subject {complete ~ the highly satisfactory | | bill. R. O. * xinve i 3 3 ‘Ther= is a moving COLUM I'I‘\demonstrqnon in | “Why Bring | town this week of | That Up?” the old adage that | things & man sha whatsoever good 1l do will stand him | |in good stead afterward. = Several years ago Moran an: S. 8. Van } | | d Mack, | “The Two Black Crows,” made a serles | a salted cracker that is as flaky and tender as the most perfect pie crust ol A I//; S S ;/lll\\\\ Z just as crisp as crisp can be! They are salted in just the right ‘way to bring out the delicate wheat flavor without being too salty. Even allowing for our enthusiasm ...you will agree that Krispy Crackers are the finest table crack- ers ever made! Again.” is based on that of Octavus Roy Cohen, and purports to tell how these prime favorites of the American people in the amusement fleld cam: together. Just how much of it is true, end how much fiction must be left to the wishes of the ingividual = spectator. Certainly the avérage auditor will get a good ldea of what goes on behind the stage. Among the many films based on stage life, easily the leader in_the “talkie output, this Paramount offering is not one of the least. We are presented with the solemn, short George Moran staking his last four bucks in a crooked deal in a pool- room, and the advent of the large, easy-talking Charlie Mack, who re- into partnership. The career of the two “boys” is built up much as it must have taken place—although noth- ing is introduced about those phono- graph records—until finally Moran and Mack, and the real audience at the own, doing their stuff before a picture audience. Right here is the best shot of “Why Bring That Up?” The au- dience in the film titters at Moran and Mack, pnd the real auditnce at the Columiia titters back, titter for titter. This surely leaves the real Moran and Mack “sitting pretty,” with two au- diences to laugh at everything they do. Perhaps no entertainers in world's history ever had things stacked better for them. The action of the pictures shows Moran falling for a vamp who attempts to work the old badger game. Mack sees through it, and out. of the compli- cations develops a sobby bit wherein Moran goes to ths hospital to attempt to revive the unconscious Mack out of a coma with some of the old-time “early-bird” chatter. The power of the unconscious mind is amazing, for Mack immediately comes out of it. and Moran gives up his bad girl. “Well, well, well.” The bill includ-s & Mexican singing and dancing act in color, Frances White in three songs and a Metroton: ceel. C. R R-R40 KEITH:S L sh s k nit little “Street Girl” story of four jazz troubadours, guided to the realiza- cleverness and loyalty of a ragamuffin beauty whom they had befriended, “Street Girl,” the first talkie production of the Radio-Keith-Orpheum combine, is presented in its s2cond week at R-K-O Keith's to continued capacity patronage. Based on melody, comic interlude and the personality of iis players, “Street Girl” employs the talents of Betty Compson, Jack Oakie, Joseph Caw- thorn, Ned Sparks and Johnny Harron to depict the musical unit, which struggles from a $100-a-week engage- ment at a beef and beans cafe to the featured spot on the Club Joyzelle's glittering program. A tale of Tin Pan Alley all over again, but saved from repetitive pitfalls by a sturdy simple- ity of plot. TFhere are momen's, to be sure, which strain the spectator's cre- dulity, but they are so nicely spliced into the march of plausible incident that one forgives them. That a prince- ling should forfeit his pretensions to a throne because he kisses the brow of a cigarette girl in an American cafe is scarcely to be credited, but, taking it for cincma logic, one admits that it was a singularly inviting brow ‘and a thoroughly well-bred prince, and ac- cepts the whole thing as part of the picture’s mood. ‘The music of “Sireet Girl.” those “specially composed” themes which too often stamp the talkies as a half-bree; of drama and operetta, are here inter= polated with excellent taste, well fitted to the grace and tempo of the work. “Lovable and Sweet,” for instance; "My Dream Memory,” and the “Broken-up Tune” have an integrity of their own, appropriately rendered. A trailer on “Rio Rita,” which comes to R-K-O Keith's next week, gives a foretaste of pleasant fire and romance. Bebe Daniels, this brief excerpt im- plies, is to be done a service by “Rio Rita” similar to that rendered Miss Compson by “Street Girl,” to wit, to be lifted cne rung upward on the talkies’ none-too-easy ladder. A comedy based on Fontaine Fox’s group of comic-strip youngsters is too reminiscent of “Our Gang,” less ebullient, more sophisti- cated; youth palpably under orders. F. 0. * ok ok % A little woman in a . raincoat with two youn, SoThis jadies of high Sehoot s College ag> at her elbows came out of the Palace Theater last night with an opinion of the Metro-Goldwyn- Mayer talking picture, ‘So This Is Col- lege.” One of the youngsters acked how she liked it. “I think it was too cute for words,” she said, which was fair enough. The deans of our colleges will not be writing pleces to the papers deseribing the picture as a true portrayal of col- ALACE SIMPLY PUT A DROP ON YOUR HANDKERCHIEF AND INHALE ITS DE. LIGHTFUL VAPOR P e e e ] Frer hdw refreshing Vapex is. See how ewiftly it clears your head, opens up congestion, and destroys all the annoyance of a cold. . . . Use Vapex wherever you are. It is very economical and very power- ful, because it is highly concen- trated. A drop on your handker- chief in the morning will give you relief all day long. A drop at each end of your pillow lets you sleep and fights your cold then. . .. All the Vapex essence used in the A drop on your handkerchief KRISPY C‘RACKERS . 'VAPEX Preathe your cold away *Res. U. 8. Pat. 02 stores his four dollars and takes hlm“ o News- | BT tion of “big time” ambitions by the | your cold away he dashes out to score the winning touchdown. Foot ball fans will find the picture immense. Long shots are lifted from a Stanford-Southern Cali- fornia game, with its colorful crowd of 90,000 spectators. The performance of Elliott Nugent | and Robert Montgomery, as_the boy | friends, and Sally Star, as Babs, the college vanmp, is as neat and enter- | taining as one could ask for, Snappy conversation, plenty of freshman tricks, tuneful songs and attractive dancing all go to make the picture a fast- moving, breezy description of how youth spends its lighter moments. Clff Ed- wards, Phyllis Crane, Max Davidson and Polly Moran bolster the piece with comedy touches and add not a little to the movement. And now we know where the high school firls and boys of Washington spend their Sunday evenings. Action pictures of -the ing high school foot ball teams, Eastern, Western, Cen- tral, Business, Tech, et al, are in- cluded in the newsreels, and from the cheering last night one judged himself to be on the sidelines after a touch- down. The songs Babs sings in “So This Is College” will be heard in many high school homes before the week ys out, never fear. Al Evans contributes a notable achievement in a musical trial that pins ' guilt on one of his players for killing “Sonny Boy.” Teamed with a picture slower and less entertaining than “So This Is College,” the stage presenta- tion, “Shanghai Jesters,” doubtless would enjoy a better reception. Even s0, Seed and Austin, comedians, and the Williams sisters, who were among the first “hot songsters,” get a big hand. Others who contribute to the | revue are Electa Havel, mezzo-soprano. Madama Serova’s “Chinese Rosebuds” | and Bemis and Brown, dancers. H.C. | % Ewin | FOX ,, The time seems near when | <\ the American movie public| | i E will bs so familiar with dress- ime” room lingo and back stage life that this device of setting, secized upon with joyous whoops bv th» entire talkie industry after the triumph |of “Broadway Melody,” will have lost | its heretofore glamouous appeal. Goimg back stage will be almost like going | into a friend's kitchen, with fewer in- ducements. Certain originalities distingush “Big Time,” now being shown at the Fox, from many of its cotemporaries, though the plot again concerns a “hoofer” equipped With personality ‘Wlthnul brains. After he attains “the big time" his partner and wife, whose ineeliigent coaching got him there, is pushed out of his life, for the time being. by a scheming blonde. This ruins the act, for the dance man does nothing but brood in repentance. He | slides back to the three-a-day and thence to the brake beams. Matters mend out in Hollywood, ‘where the “hoofer.” recently a tramp, bnt now an extra for a day, finds him- self on the same set with the restora- | | tive h2 had been seeking, his erstwhile | wife. It develons she has done quite | | well in the movies. | ‘The show contains some tuneful music and bits of exceptionally good ! vaudeville. with a generous display of dancing girls. It aiso contains Stepin Fetchit, who spends an entire evening | | hunting a trained seal in the wing: Turns Right Out’| Pain Stors Instantly! “Outgro” is a harmless anti- | septic manufactured for chirop- |odists. However, any one can bottle containing directions. { A few drops of “Outgro” in the crevice of the ingrowing nail re- | duces inflammation and pain and | so toughens the tender, sensitive | it can not penetrate the flesh, and the nail turns naturally outward 'almost 'pver night. . Use VAPEX anywhere, any time—and breathe } United States is imported from England, where it was discovered during the war. Many tests have proved its efficacy—tests con- ducted by scientists and some of the foremost laboratories in the country. . . . Always insist on V-A-P-E-X, the original inhalant in the trim, white box with the green triangle. Under no conditions ac- cepta cheaper spbstitute. Vapex is very:conomimt.really,costingon]y 2canapplication. The $1 bottlecon- tains fifty applications. 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