Evening Star Newspaper, October 11, 1926, Page 11

D. 0, MONDAY, OCTOBER 11, 1926. Opening Attractions in Washington Theaters. GEORGE, | HAD To Looks FERFECTLY LoOK AT THAT, ___(Continued from Tenth Page) performers in songs and dances, and prmoirent among th in Tex Hen drix, female impersonator. There is ®n element of I pride in the ap pearance of Mulroe and Kuehling, two Washington hoys. The overture is a delightful ar rangement of n o Verdi's operas synchronized to a short screen version of ineidents in the life of the famous composer. An “organlogue,” by Dick Leibert, and news reel com- plete the pragram RIALTO—"Take It From Me." | Reginald Denny clowns his way | g at the Rinlte this week in what | i« one of the best feature comedies produced in a long time. The piece 18 chock full of laughs. Real humor- ous situations of the unhackneyed sort are a great relief from the pie- slinging of the short comic. Denny is the whole show. Of course, there 1s the pretty little Blanche Mehaffey, who used to play in the short come and has risen to higher afd finer things through unquestioned merit. Her work Take It From Me” is all that could | be desired The story is of a young man who. having spent a legacy of $50,00% kef by his uncle, finds himself, in pauperized state, sans fiancee, s home und sans anything else that might happen to be valuable. The uncle’s will, however, discovered about this time, provides that if he take the huge et department store and run it for three months, | showing a profit at the end of that t time, it shall become his. The hero takes the store, tries to wreck it s sncceeds in winning it and the h r vdon, who is none other than Miss Mehaffey | The Rialto Orchestra presentation, | a violin solo by Henri Sokolov, i Krazy Kat carte news events and a scenic reel complete a good bill. COLUMBIA--"La Boheme." & kept over for two weeks n of merit in a picture, *La deserves to stay three. The factor of the production that stands out beyond the acting, the settings und the direction of the story. But if the story was mediocre the perfec- tion of the other elements would raise the plefure above the ordinary. It is the story of woman's sacri-’ fice for the man she loves; of her self- rder that she may s. Even the joy- Ty with them u tinge of sorrow. but the prime motlf is victory and the happiness that goes with it. In this wh every week whic n one sees pictures attempt to plumb the depths of human , whether the emotion be frivoloua_ or tragic. the audience becomes Rite blase and what is shown on the %en seldom does more than touch tl. gur- face. But “La Boheme” is diffegent. it is the sheer earnestness of it that grips the andience. beautify” Bver made. George Fawcett, Montagu Love, Bar- | Madeline Hurlock, Kalla Pasha, Betty D e dv forms @ safety | _Elsie ¥Buson appears opposite | bura Dean and Paul McAllister. Franeisco, Mario Carilio and other valve for the program without remov ing the reaction from the main pic- ture. And one of the big contribu- tors to the success of the film is the i which at all times caj the atmosphere of the Latin quarter of Paris. WARDMAD ARK—"Forever.” Continuing the policy of present- tng only the bast example of cinema art. the Motion Picture Guild at dman Park Theater this week is “F with the late . Reid as star. This is the screen version “Peter Ibbetson,” which ix the first of the la productions to he reléased in W sh ngton since his death several years | a0, There has been a movement | afoot for some months to reissue the Reid pictures. and the large| audience at the Guild’s house last| night signified that the star's many admirers have not forgotten him and are receiving with enthusiams the reissuing of his work “Peter Ibbetson,” or “Forvever,” as | 1t i« named for reen purposes, Was Refd’s most ambitions role and con- | sidered by him his best picture. Reid leaned more to the comedy and type of story than the idealistic and, as is usually the case, he longed to do a finer thing. In the title role r er Ibbetson,” which was one t roles he created, he reail- lite'’s ambition and it will edly be by this picture, which BUILDING { ASSOCIATION | PAYS 5% | Compounded ff| Semi-Annually || Assets Over | $13,000,000 i Surplus, $1,000,000 | Cor. 11th & E Sts. NW. Temporary location during _construe- Hl tion of our new bldx. 1004 E St. N.W. JAMES BERRY, President JOSHUA W. CARR, Sec'y So Fast Cook a hot breakfast now in 3 to 5 minutes UICK QUAKER cooks in less time than it takes you to pre- | pare plain toast. That means a hot, nourishing beeakiast 10 a hurry. It means an excellently balanced wation; combining protein, carbo- frydrates and vitamines — plus the “balk” to make laxatives less often ooked and served without Xauss or Why on with Jess nourishing Boods ? 6:3&5’ Oats and milk is the sictetic urge of today. Start every ,day that way. 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Abbreviated camera subjects and special pipe organ accompaniment and solo intervals complete a bill of which a full report will be found in connec- tion with the Metropolitan Theater review. TIVOLI—“Fine Manners.” Gloria Swanson displays the full scope of her art as star of Paramount’s production of “Fine Manners,” being shown as chief feature of the bill for the first two days of the week at the Tivoll. The story is of a chorus girl in a cheap burlesque company who at- temps to achieve social prestige by an assumption of “swank.” The comedy for the first bill of the week is Mack Sennett’s two reels of “Spanking Bree: and as an added attraction a ne ue of the Pathe Review. The program is completed by added short-reel subjects of varied interest and pipe organ accompeni- ment and solo interludes by Otto F. Beck, concert artist at the console, and Ida V. Clarke, assistant. 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