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By Helen Fetter. REAL Christmas treat, musically and otherwise, should be the appearance here tomorrow afternoon of Ignace Jan Pederewski, the one professional musician who will give a recital in Washing- ton during the holiday scason. Next week Bess Schreiner is go- ing to present an unusual Christmas program called “The Other Wise Man.” We are not yet let in on the secret of precisely who Miss Schrei- ner’s Wise Man really is. It is our opinion, however, that “The Other Wise Man” would he an excellent title for Mr. Paderewski. He is a wise man whom Washington welcomes with generous greeting: It seems that it was “upon the direct request of President Coolidge to benefit o charity designated by the Chief Executive,” that M. Paderewski will give this, his first concert in Washington for 10 years. The proceeds will go to the American Legion National Endowment Fund, for disabled World War veterans and orphans of veterans. What other object could e been more fitting at Christmastide? This concert wiil be the third in a series of four planned to raise 000 for this wort cause. At the first, given in New York Decem- $9.500, the New York Times reported : “M. Paderewski played with an exalted mood, plainly shared by the 3000 who heard 1 * Three times a Carnegie Hall audience stood up the tlags of the United States, the legion emblem a the Polish-American Veterans' Association, borne on and $2 ber 12, netting in siler first, to the stage by a special color guard in the uniforms of America and Poland; again the house rose on Padercwski's entrance alone, some moments later; a pause midway in the recital to present a laurel wreath to the pianist evoked the same demonstration a third time.” The other metro- politan pa were equally full of enthusiastic reports of the event. Surely ¢ Capital City this great statesman, as well as musician, should 1 receive a fitting ng pen-portrait of this son of Poland is given in an ar- aderewski—the Paradox of Europe.” written by Edward lished in the new issue of Harper's. Several comments vould seem not inappropriate at this time. It says, in ticle entitled “T M. House, and § from this artic part: and one of the | His genius as 4s an orator, as a fiery those fe best known, one of the most written about hose who stand foremost among men. ired his achievements as a statesman, iguist and patriot. * * * The peace conference became furnace and few survived its cruel and relentless flames. Of 1 should place Padercwski first. He came to Paris in the minds of many as an incongruous figure, whose place was on the concert stage and not as one to be reckoned with in the settlement of a torn and dis- tracted world. He left Paris, in the minds of his colleagues, a statesman, an incomparable orator. a ling and one who had the history of his Europe better and than any of his brilliant associates. * * * If you would fa look in the windows of a great soul you must needs in the quict of his home. Here one may get he measure re personality. He is always geaerous in his praise of other Ar € of this may be found in his estimation of Chopin, and what him applics more nearly to himself than it does to his compatriot Chopin irst conferrec beauty. * * whole race. It is, therefore, with special significance that ail-Chopin_program for his four benehit concerts. in New York and at Acaden of Music, give here tomorrow and in b next Sunday o g of h “Musi; palpitation, arc stealthy, inau TH R something abo; re he says of P who of reautified, ennobled all he touched. He it wa nobility upon our peasantry, the exquisite nobilit Pdle fistening to Chopin listens to the voice of Paderewski chose an Such programs he gave 0 Philadelphia, and will Paderewski is quoted as Her clements, vibration Wherever life is she also is. the art that actually lives ments of life itself nrecognized, yet mights 2 t Christmas that brings to the American mind at Ch t ¢ atmosphere of the old English yuletide and many of the greeting cards for_the season cmphasize the English motifs. Probably it is because of the Christmas I and carols, vet France and, in fact, all nations have always had their own particu'ar chants, etc. At any rate, i is quite appropriate h to mention the charm- ing production b bond Players of Baltimore that has been given the ecarly opera, written by John Gay in the year of our Lord, 1728, “The Beggar's Opera,” given its first performance at Lincoln’s Inn Fields. The Baltimore amateurs have evi ently made themseclves ac- quainted with the manners of those days when Alexander Pope and John Gay collaborated on several lively satircs, and they wear the costumes and turn their words to good effect. In a little theater, converted from a stable on the steep hiil that lics just around the corner from Peabody Conserv ry of Music, this group presents the opera most attractively. A violinist, a ‘cellist and a piamst give inconspicuous, but fully adequate accompaniment, d theiight ballads of that opera, with witty verses that contain r tinenta'ities of the “roses I bring” variety, are | delightfully s mendable are the voices and vocal pro- duction of Mrs. clson and Mr. John F. Osborne. The best-known song of the work is the hero's air, “How Happy I Could Be With Either Were T'other Dear Charmer Aw " It is said that at least three actresses attained matrimonial peerages through the artistic interpretation of the leading role of Polly Peachum It is small surprisc that Mr. Gay ittle opera ran for 63 nights in 1728 and was the ta'k of the town, satirizing as it did the claborateness of Mr. Handel's operas and the customs of the aristocrats. In the post- logue between the Player and the Beggar, upon the Player's protest that the Beggar should end the opera happily, the latter gives the operatic ight poke he says: is v and eus removed. lor vou kind of dra tis no matter how absurdly things And the Player responds, “All this we must do to fica a ¢ whe our allo are broug! comply v All of wt the ¢ just, the ageles and suess of the piece, and the antiquity authors viewing the “public” from a great (istance, even sugzestive of a pinnacle in the formers’ positi Any one possessing a_cellccto ia for plays containing weird and unexpected aricties of the English language will find “The Beggar's Opera* a unique jnasterpiece to place alongside of the twentieth century “What Price Glory:” Bill Hart and Bad Men. of ctor AD men of the frontier days or of later periods in the says Willlam S. Hart, “were bad just as men in other places and fmes have leen and are bad ference was principally in condi nd the effects of environment ndividual. “There were pler b-in-the-back early has no morals’ would make a detest- able wretch a hero and show him ‘flourishing like the green bay tree.’ Probably he frequently docs—in real life; but we must In plays for the screen take a different attitude “T am not attempting to moralize, but I've seen quite a bit in my day and I've never seen any real happi ness result from doing evil. Some- thing higher than mortals seems to take care of that, in the long run.’ . Contracts for Bcgmners. RMS of contracts to be awarded to successful graduates of the Paramount Picture Schaol, Inc., were revealed recently when all the 16 stu- dents gave the Famous Players-Lasky West,’ d ¥ of the cowardly, E vpes of bad men, but they re despised even by others of evil proclivities. The typleal bad man was usnally brave enough—he had to he, because it was a case of quicker | adfspensing of justice if he was caught (han it is nowadays. A rope and a iree, or a few ounces of lead, spelled 1he finish of most bad men of the West in its davs of early developmer n were perhaps more plenti daye, though one doubts | t somewhat when the daily papers are scanned! They foliowed the crowd. They came with ®oldseckers, home. | steaders, any ush’ t t meant | chances for g Also they developed | @8 a result mining i ihe cattle bu wnd the population | of new territ in the form of ilers,” highwavinen, gamblers, The gambler w of higher usually, than other doubtfi wcters. There were pleaty of ‘honest wamble -at least they were honest within thefr limitations and had their own code of honor, which they lived up to. “The peace officer developed as the natural antithesis of the had man. He was tremendously essential—and he more than balanced the scale, for in time, even the worst-infested localities were cleaned out by the 4rin of the law in the shape of gun-fizhiers who could Deat the bad men at their own game. There was no sentiment about the ‘poor criminal,’ and if there was, he generally was not there to know about it! There were no sob-sisters in those days! fen such as Wyatt Earp, Bat Masterson and other great peace ofil- cers held their lives in the hollow of their hands every day of their careers in the wild times of the West. There were plenty of men who had sworn to get them. Often it was a matter of sheer nerve that pulled them out of desperate situations. “WVild Bill Hikock. another famous peace officer, faced eight men who had heen planted to kill him, in a saloon in Abilene, Kans. He ot them ali! “Phere are two bad men in my picture for United Artists, “Tumbleweeds.” One is a bull i other a smoother type of ingrate. { turally they get the worst of ft. Cer- tainly, I think it is a mistake ever to aggrandize a bad man on the screen. tle must receive his proper punish- iment, even though some artistic stand- ards based om the argument that ‘art services for a period of five years. The contracts, which will be given to those who show sufficient promise ibility after the first picture is call for a beginning salary of weck, with ncreases in five option periods, the final perfod call- ing for $500 weekly. Under terms of the contract, successful ones of the oup af’ the end of the five vears will have earned a total of $76,050, a yearly average of $15,210 and a weekly aver- uge of $292.50. The contract provides for a prin- cipal period of one year, beginning two weeks after the completion of the school's picture. During this year, | @ salary of $75 a week will be pald for the first six months, und $100 a week ond six months. cceeding option periods with salaries, are as follows: Third six months’ perfod $150 weekly, four six months’ period $200 weekly. third | year $300; fourth year $400, and the | fifth year $500. The options, signed by the students and addressed to the corporation, says in part, that “any of the foregolng options may be exercised by you by giving written notice of your inten- tion so to do_ not less than 30 days prior to the date for the commence- ment of any option period, provided that vou shall have exercised your option for the next preceding period.” Neither the Famous Players-Lasky Corporation nor any of the students is under obligation to enter into these | contracts, it was explained by Jesse La rus- etc. type, char. | L. Rockett is at the First N tional New York studios, being show ered with congratulations and felicita- tions for his brother Ray and him- self on being awarded the photoplay gold medal for 1924 for their produc- tion, “Abraham Lincoln.” his | Corporation written options on their | THE YOUNG COMPOSERS (TOHEAR OWN WORK] |Arra\rv.gements Made for Try- outs of Symphonic Com- positions in Infancy. By the Associated Press. NEW YORK, December 19.—The man who jumps out of an aecoplane never knows until he feels thut un- mistakable pull at his shoulders whether his parachute is going to open. Just so, the imaginative genius who composes a score for symphony orchestra does not know how it sounds until he hears it played. The analogy here may not be pre- cise, but is intended to establish the point that the jumper and the com- poser suffer from nervous suspense until that time of certainty arrives, Several persons in New York lately put their heads together and diag- nosed the appurent anemlc uilment of mericun music. The decision they arrived at was Americans must be- come writers of genuine symphonic tuff before America will ever rate as o producer of first cluss musical art. Hearing in Infancy. The corrective measures for the ill, they concluded, were to remove that too prolonged period of suspense and &£ive & hearing to symphonic composi- tions in their infancy, or in their incubacy. They laid their plans and took them to the State Symphony Society, which decided that for the advancement of American ot and artists it would have its orchestra play scores of youthful composers who would have the opportunity to listen and recefve criticism. The soclety decided to do more than this. It adopted w threefold program, resolving, first, to interest itself espe- clally in unusual mu: second, to foster and encourage young and promising American musicians and to develop an American conductor, and third, to carry its performances of £ood music to the masses. In accordance with the first part of this plan the orchestra obtained the | services of Ernst von Dohnanyl, Hun. garian in birth and education, whose forte is popular rendition of unusual masterpieces. Will Try Compositios To provide for rehearsals of un published symphony scores the society has set aside ten Saturday mornings. In charge of these trials it has placed young American, Howard Barlow, retained us associate conductor of the symphony. It will be Mr. Barlow's part to adapt the scores submitted, re hearse his orchestra in them and | then, at a private sitting with critics and members of the symphony society, play them through while the composer listen | . Barlow, orchestra nd off { will thes onfer, jand bad feature ics, members of the 1s of the society cide on the good of the work, and {then offer their finiings for the con sideration of the writer that he may tuke them home and meditate on the result. If Le chooses, he may revise his manuscripts and return them to be pluyed again. And the young musician—generall pictured as frayed at the elbows und too poor to live decently—gets all this service gratis. He is only required to write the music and orchestrate it for encugh pieces to satisfy the de- {mands of a symphony, |Albert Spalding, :netican. Treats Young Violinists. LBERT SPALDING, violinist, will give a tmediately upon abroad, playing in the Washington Auditorium January 4. under the auspices of the Peggy Albion Concert Bureau. Because of his interest in young musicians—the artists and composers of tomorrow—Mr. Spalding has in. | vited the best violinist in every school in Washington to hear his concert {here. His interest musicians, | oupled with th t at to Europe | Spalding represents the highest pin. nacl tained America in the music of the violin. won for him the {honor of being the nrst American to judge criticize at the examina- concert in Washington returning from and tions of the J’aris Conservatory. | Mr. Spalding now is completing his triumphal forelgn concert tour, hav- |inz given six concerts in Paris, three in Berlin, two at The lague, two ot Amsterdam, one at Monte Carlo, one at Florence, one at Rome and other capitals and cultural centers of the continent. He will sail this week for his concert here, tickets for which now are available at the Albion bu- reau in the Jordan Building. 1239 G street northwest. R - Army Band to Feaure Works of Native Composera. VWEDNESDAY Capt. Stannard will present a new feature in the pro- | grams of the Army Band, the idea be- ing to include in euch broadcast pro- gram a short perfod with an American composer, specfal attention being given to those who were band leaders | during their career. The first will be D, famous bandmaster from Rhode Is. land. Speclal Christmas music will be given on this cecasfon. One feature will be a duet, “For Weal or Woe,” by F. Luscomb: this will be played by Master Sergt. Joseph Dufresne, cor- net, and Technical Sergt. Jan D. Hen- ning, euphonium. Sergt. Henning was {recently acquired from the Naval Acaderny Rand at Aannapolls, where he was euphonium soloist. One of the most important phases of ‘Army Band w at this time of the vear is the music furnished by the Army Band Symphonic Dance Orches. tra. This organiziion plays the best grade of dance music for military functions: aiso performing concert music of classicai nature for the din- ners and receptions that often precede the dances. Master Sergt. Carl Hub- ner, leader, has developed this or- chestra, ably assisted by Technical Sergt. J. L. Young, pianist, who has talen for transcribing from band scores for orchestras and making originul arrangements for the com- bination. Sergt. Young has written several dance tunes which have proven popular. Master Sergt. Huber was 4 bandmaster when oversea: i W. Reeves, the {late ! Choy {in Rounding up 5,000 head of long- horn cattle with automobiles was the unusual feat performed by the Rich- ard Dix company, on location near Houston, Tex., while filming Western scenes for “Womanhandled.” Using 20 fiivvers stripped to the chassis, Dix, with the aid of & squad of chauffeurs 18 said to have completely rounded up the cattle in almost half the time re- quired by a similar sized troop of cow- boys. . A new baby star is about to appear. She is Mary Louise Miller, 20 months 1d, who plays with Mary Pickford in scrape.” Little Mary gives evidence of becoming as famous as the famous Mary with whom she plays, it is de- clared. * “The Kid From Montana” will be the title of Richard Barthelmess' next roduction for First National. He will ve the role of a young cowboy who falls in love with an Eastern heiress, NACE JAN PADEREWSKI. WITH high officials of the Govern- ment and prominent social lead- ers already announced the American Lexion endowment fund for disabled as subscriber: soldiers anticipates great success in M. Paderewski's hene- | gy fit concert at afternoon at but a few r sterdu Poli's Theater tomorrow 4:30 for the fund. maining seat ¥ evening, according 1ent Ly Mrs who {8 managing this concert American lLegion M. Paderewski Chopir announce. Wilson-Greene, - all benefit t Poli's will includ 497 four nd 24 ‘Sonata, ent hus for including cted program four the one # morrow It Opus ufternoon Fantasia, ludes, numbers 1 Nocturnes, u o Opus 15 1 i Finale) wrp Miy 3 Opus Maker of Stars. N ) other An more con rican author has becn t ma F Youn stage thar author Blood, of the new now having Hel Eric M n Hayes, Dressler Forbe to create every play he has writ vidual has emerged fre become famous ove Theatergoer will remember Rose Stahl was unheard of except as a vaudevillian_untij she appeared “The Chorus Lady’ it was this tle role in A L Success t made her into un il stage favorite comedy, that brought MeIntyre. ten ¢ 1 the internati sman.” nors to Fr ter his real recognition umph. “The Famous LTy EEh @ % ? | to contribute An|s s were sold |} ] tol Waushington lr.uh-rwm will be met by a comr | representative, und rhes, g | Tu | addition to five Eu A rhes’ | o i | found | appear- | reau ately M. Paderewski, who has declined to play in Washington for profit, recently communicated with President Coolidge and usked the President to designate some worthy national cause to which the proceeds of a con- cert in Washington. Mr. Coolidge im- itely designated the American Legion endowment fund for disabled Jldiers The President and accepted @ LoX o uttend the oncert. It is probable e former premier of Poland will Mrs. Coolidge that t he | n€ver again appear in the Capital in for the | concert, us he has designated this visit to America as his farewell Upon arriving in Washington M. it tee headed by James C. White, treasur f the Republican national committee, who will be National Comdr. John R. McQuigg's personal John Hays Ham chairman of the Dis. and_committer; Cc r, chairman id commit mander n Assistant 1 MeXNider Roland Hayes. Tenor. ROTAND HAYES. the phenomen: here in litorium snorary endowment bert N. Har District endowre Pey American the fot Gen colored tenor, t at the V evening, of the m famous both will appear concer AL sy rloire January in a songs which h 1 Hayes is probably the most 15 vocal interpreter of negro folk i pubiic n particular, is said to show ity and an appreciation that unpossible for the singer of any other race. The present season marks his thini tour of the United States, in Jpean tours. Dorn an ex-sluve mother on a nall farm in Georgia. this remark- able concert figure worked his way I » Fisk Univ in Nashville, joined the ubllee Sing jcert abroad rican has ey His sing “spiritu- is 920 and achieved ess that brougl ‘command v of e concert will Wilson Greene's Concert 100 G street northwest, immedi KATHERINE RIGGS. HE incidental music to be used in the presentation of Dr. Henry Van Dyke's Christmas-time legend of “The Other Wise Man,” next Sunda December 27, and Monday, the 28th, in the church auditorium at Luther Place Memorial, on Thomas circle, will employ only the harp, with cym- bals in certain numbe Katherine Riggs, who has made an interesting study and research of the history of harp music, has arranged the music, not as a musical setting, but in order to create the impression of certain feeling and events in the beautiful story in the minds of the audience. In the first scene, in Persian home of Artaban. excerpts will be played by Miss Riggs, including “Clair de Lune,” from “Le8 Orientales,” for piano by MacDowell). and the “Garden of Iram.” from the Persian suite for organ by Stoughton, as well as parts of Oriental suite for harp by v Brittain. At the finale, when Artaban sees the star, just a suggestion of “It Came upon a Midnight Clear” will be played, giving the thought of an angelic choir with harps. In the third scene, a humble home in Bethlehem of Judea, Nina Nor- man as the young Hebrew mother, will sing an ancient Hebrew lullaby, “O, shlof main feigle,” (Oh, Little Bird of Mine) arranged by Henry and Constance Gideon; and an old und anonymous chant will be played by Miss Riggs as accompaniment to the finale of that scene. In other scenes music will braique,” by of the story include ““Chanson Rimsky-Korsakoff, au. thentic Jewish Passover music, and an old choral, for the crucifixion hour, “Ase’s Death,” from the “Peer Gynt” suite by Grieg, and for the finale, the ‘Benedictus,” from “8t. Cecelia Mass,” by Gounod. the He- and | nstantaneous | | | | | | the | Sons. “Hark: | than any other form of music. SUNDAY STAR, WASHINGTON, D .C DECEMBER 20, 1925—PART 3. GREAT POLISH STATESMAN-PIANIST-COMPOSER JAZZ IS INDURSED BY MAX REINHARDT Famous German Says Music Reflects Spirit of the Times. Correspoudence of the Associated Press. BERLIN, November 25.—America, through Its jazz, its rhythm, and its modern dance, has found the proper expression for the spirit of modern times better than any other in the opinion of Max Reinhardt. That John Barrymore is the great- est American actor, Jeanne Eagles and Lenore Ulrich topnotch actresses, {and Bell-Geddes a veritable genius i1 devising stage scencry were further opinions voiced to the Associated Press by the noted German stage director. Hits Modern Hamlet. Hamlet in full evening dress and Shylock in bathing tights constitute 50 much nonsense, said Reinhardt. “America is on the threshold to a tremendous theatrical future,” Rein- hardt observed. “There is a yearning, @ craving among American theater. goers for the best in art such as is equaled In but few countries. “This yearning, coupled with your American temperament—pep,’ 10 use a slang expression—and with the ca pacity of vour people to absorb new ideas, predestines America for a lead- Ing position in theatrical art.” Elaborating his ldeas concerning juzz, Reinhardt explained “The American feeling for rhythm, as exemplified in jazz, gives better expression to the spirit of our time Jazz is literally crylng for some one to do for it w for instance, Johann Strauss did for the + ve it con- crete expression In a manner that will endure through generations. KFor Some Modern Settings. It i going too far, according to Reinhardt, to produce Hamlet in eve- g dress suit, or to lay the scene of the “Merchant of Venice” in the fashionable Lido off Venice, with Shy lock in bathing togs. us suggested by one theater producer. At the same time he is not opposed to the idea of Riving a modern setting to old dramas in which the time eiement is unim portant “Remember that the Shakesperean plays themselves were offered in Eliza bethan costumes when f pro duced,” he said, “although the scenes were often laid centuries earlier. “In the course of my work us reg- feseur I have often observed that actors made stronger impression during rehear: when they were dressed in their street clothing. than did afterward during the per- formance, when they wore historical costumes 1 therefore costumes are plays. But, of course be done within reaxon. Hamlet in fi Iress is nonsense. Let me add, how- it T regard the whole question of costumes as secondary. The main is acting dt has just prod ing his first large venturae into the field of interpreting American plays to German audiences. Marine Band's First Orches- tral Program—1925-26 1y believe 1t often justified in old evervthing m modern 3 FRITZ A. MUELI TH¥E first eymphony prozram of the series of Winter concerts will be given the United States Marine Band Orchestra Tuesday. at 7:30 p.m., in the band auditorfum at the Marine Barracks. Capt. Santelmann®has ar- ranged an_interesting program, with incipal Musician Fritz A. Mueller, st cellist of the orchestra, as r. Mueller will play the * ntasie et Variations Br 1" by F. vais. A gra by Joist. Desir lant O uate of { the Peabody Conservatory of Music, in Baltimore, Mr. Mueller past 20 years been an honored ber of the Marine Band. Mr. is also a composer and has of successful compositions credit. The ent Overture, “Carneva Solo for viloneello, et Varistions Brilla mem- Mueller number to his e Program wi " Opiis 92, Anton Drorai Le Desir. Fantasie Givis 4 ¥ A. Mue! rtiniShied Frani Schubert 11 be: 5 Servais n Fritz 3 “Symphon: « ) Al } Andante con moto d'Orchestre, “Scenes Alsaciennes. Jules Massenet a1 “Sunday alloezo moderato. (b) SAt Mornine, Cabaret. the Landen The be omitted, weekly afternoon Friday concert Dbeing will Christmas Christmas Program by Columbia Conservatory A SPECIAL be given Wellington A Conse ory Christinas program will under the direction of Adams at the Columbin o Musie, 1911 inth street northwest, Tuesday evening at 8 o'clock. All the students of this colored conservatory and their friends are invited to be present. The program will be given with ac- companiment at the piano by Mrs. L. J. Evans. The selections will include. Opening song. .. .0 Come, Ye Faithful” & ol choru b PlanosIméti:. .5k ciai Select Miss Estollo’ $ioot “and ‘Mrs. Julia’ Marehall. \ milin' Through Arthur-Penn Odessa Clyborne, mezzo-soprano. 1" Trovatore Co... Verdt Mrs. Alice ‘Anderaon “One’ Sweetly Solemn Though.” Ambrose Addie M. Adan i Piano, Voeal. Mr . Mez20-S0prano. 2 Selcoted Daney Song. Mohr-Gruber Piano ected n di_and Mrs. Marie Vocal, ed_ con the' asper Walls, music b icton Adanis, vidlowden, soprano. . © iolin pelectiy y Mr. e Herald Ange School chorus. nation, | TH® mustc for the annual Christmas tea of the University Women's Club will be given under the direction of Mrs. Frank Howard at the club- house tomorrow evening at § o'clock. The Tuesday Evening Music Club will present a program composed of both solo and ensemble numbers. Grace Tooke, pianist, will assist, and Alma Patridge will play the accompani- ments. The program will include “Morning" “Summer Is a-Comin Oley Speaks ) Old English Sen “‘Hark. Hark, the Lark " Purcell Nymphs and § Tuesday Evening € ‘Blow. Blow, Thou Winter Wi { Laura Haye Piano solos . “The Virgin's L Telen Newmeser | “The Firat “We Three Kinkw of Orient Are Tuesday Evening Club. “An 014 Sacred Luaby Arr. Louis “Behold ! A Virgim Shall € “Holy Night - Tuesday Evening Cu i §7. .. Fischer Grace Tooke Dudley Buck Traditional Traditional by Corner Praetorius There will be no program of the Fri- day Morning Club this week or next { because of Christmas and New Year | day. January 8 will be the first sched juled meeting of the new year. A two-piano recital will be given by Mary Howe and Anne Hull. The Tuesday BEvening Music Club is planning a’ series of musicals for the homes of the “shutins.” In De- cember a prog was given at the Salvation Army headquarters. Next month the program will be given at the Lutheran Home for the Aged, and in February a program will be ziven at the Tuberculosis Hospital. Mrs Frank Howard is the directoy Hazel Bachschmid, soprar beth Gardner Coombs, planist Clayton Lindsay, flutist of the ates Marine Band, will be the ists on a musical program to be giv at the first tea of the season at Congressional Country Club this : noon. and nited 1 the ftere | illiam T. Reed was the meeting of the Missour State Society, held at the Washington Hote] Tuesday evening. Mrs. Reed | gave two groups of solos. Mrs. Wil liam C. Stferlin was the accompanist Recd ulso was soloist at the ir n of officers of Esther Chap- er of the Order of the Eastern Star the Masonic Temple Thursd when Mrs. J. Harry Cunninghamn wis at the plano. The contralto was solo 1 n of the Zonta Club el Tuesday hen L group of songs and Mrs. Murie S. Little Mrs. ist MPy. Reed gave | three e play accomparin Ernest Wendell Ni of national reputat tege of Carr appeared wit A. Guest | programs. at the Eas evening, under East cton Henry & G sisting arti H. R. W. Miles of voung piani > s Frida; Aug sololst Edith ita Gorsett, ret Lyon, Mary Rosé McGi tis Phillips, David W topher San Feliipo, Kathlee gett, Celi Worksman, } Ad Coopersm A. Wri Winas 1 n. who s a pro < presented in u rn Hi Commu 5 ening, olard, Brown, Be nette Lyon, Sara K. Mildred Wrig] Members of Master School of the Piuno held t { monthly meeting recently with a | gram including works Ly Be Grieg, Liszt, Schumann, Sc - Chopin, Heller und Mendelssohn. Miss Grace Gilehrist was in charge of the recital. Those participating included Robert Relneck, Mrs. Charles Cassidy Anne Jenkins, Pearl Dinowitz, Hilda Burke, Mrs. Samuel Rosenberg. Hazel Waseon, Emma_Egolf. Helen Wid mayer, Haskel Milstone and Gustav Weckel. Telen Barbee. 1 Joseph Di Meglio Iightful recital at St. Rosa’s Technical School lust Sun Lit e and Frances McElroy, chi and Mrs. B. W. McE { teenth street northwes: | ful readings gave <.}.\ | Arrangements | son’s program v | night by the Dalzleish Musi, dy {Club. Musical selections were given |by Mrs. Robert H. Dalgleish and the Madrigal quaret, composed of Viola Schippert Klinge, Edith Schilling, Ma. bel McCallp and Edith White. Pauline Knoeller was the accémpanist. W. J. Oates directed a programi at the Methodist Home Monday evening which included orchestral numbers, Christmas hymns and vocal, piano and violin solos. Those participating cluded: Fra er, Ida Geory Mrs. Clarence Bruce, Margaret Mor Ka ertrude Smallwood, Helan Boyd. and Archie ted Mond: section of se Women's Club gave when the music Chevy sical weluded with car G. A. Birch, Mrs.| R. McBride, Mrs. | Mrs. Herudon Morsel with Mrs. Char Imlay and Mrs, Charles Morg:. accompanists. program by . Dale, Mrs, Mrs rd vivia Lent, violinist of Washington, | who appearcd with the Detroit | Orchestra in Buffalo De- | under the auspices of the | 1o Musical Foundation, has been | d to appear with the same or- | in Detroit in a pair of con-| February 25 and 25 certs, The Glee Ciub, | Gertrude Lyon | the Women's City following (1 4:45 and 5:30 c’clock noon tea ut the clu the Midmgnt 0 the Orient X just 3 Lairman of music of | Club, will sing the ristas carols todav at during the after house 'own ! “Luther's Cradl Mrs. Mary M. Dishr manager of the Washington Music Bu- reau, directed an entertainment much enjoyed by those ut Mt. Alto Hospital recently > participating included | Ruth Grabo. Caroline Norton Bost, Duncan Thomson. Kittle McLeoud, | Charles Hunter, Isabell P. MacArthur, Florence Adams, Lorenzo D'latto Buddy Litehfield. Mat Toomey and | Mr. Wells. ! The Columbian G. Ledig, first tenor: W. L. Diraith waite, sccond tenor: Raymend G.| Moore, baritone. and John €. Smith basko, sanz several groups of songs in | a delightful concert given before a| large and enthusiastic audience at the | Foundry M. E. Church last Monday evening for the benefit of the Colum- bia Polytechnic Institute.for the Blind. | Their selections were enthusiastically | received_und_were compelled to_re | Male Quartet. Paul Tenor Banjos, Mandolins, Guitars and Ukuleles —rtor reaxonuble terma. € ete 1 uceeswories. Sole agmey r the famous Bacon Banjos and Stahl Mindolin and ulturs. WALTER T. HOLT STUDIOS 1801 _Columbia Road, Col. 946 le on e of l | not 1 MUSIGRAPHS 5pond with several encores At the Christmus services held ar Keith's Theuter We inder th auspices of the | rtment of the Federation of Women's Clubs, the quartet furushed the musical portion of the services with a group of Christ mas songs, and Thursday evening t furnished the music for the Chrictm dinner and party at the Chevy Cha School for Girls, singing sever groups of Christinus songs and carols as well as man numbers from their regular repertoire Genevieve strest, New where she violin musie servatory under the di Ladovitch Phillips Academy, visiting his mother vacation and will ta with Prof. Ladovitc Miss Wilis of left the conser home for the Emily Ha been heard fr concert prog is the soprar copal Church rold-Marsh Cons: r and has studied with priv She Kw which concert Beckwith Haven, is shingtor taking a irse the Washin Music, Dupont tion Firnst W Mr b's son on Cor iy of is I studied 18 a member et organized will give The two carols Wednesday Wood ym the balcor bout 60 vo £ W. H. Sta tte anvi service reld Thurs A Girl Boy Scout. ONCE CHEF OF KINGS IS BELIEVED SUICIDE Despair When His Menus Fail to Appeal to Patrons Driven tc becume poc the cafe of cen for hir Boza farm in Serhi artists in Belgra rants. His fan to becom ven One nging . e door Those who v food found a si It rea Getting Back at the Barbe: From the Path As the dollar's w Don't by parcel post Or a package o t office clerk ban mps he a 1 want to send som Hav ndy Dt wering ¢ the py amazement “Oh, that's t the post o rin. “Did vou he bt MUSICAL INSTRUCTION. " BESSIE N. WILD Voice Culture. Piano Harmony. Studio. 6824 5th st.. Tukoma Park. D. C Phona Adams 5549 .SAXOPHONE Puano. Tenor Banjo. Guitar, Drume, In 10 to 20 Lessons Jazz_and P a specialty, rot. . Fros CHRISTE: 1322 G St Emily Harrold-M 213‘3'"'\3’ ':gt.' Nw. PipeOrgan Tuition—T. Address MATN Guy Lucas Concert Or of University London H bow Walter T. Holt Studios TENOR BANJO. MANDOLIN, GUITAR BANJO, HAWAIIAN GUITAR AND UKULELE Cambrid e of Orean) Ensemble Clubs. PHONE COI CLEMENT LEAVITT P CEAND HARMONY Conching and_Accowpanying 706_Eleventh Street N.W Avartment 53 Franklin GUITAR. MANDOLIN. Sophocles T. Papas T 1017 &5 N i Res. Studio LE MARQUIS.