Evening Star Newspaper, April 6, 1925, Page 28

Page views left: 0

You have reached the hourly page view limit. Unlock higher limit to our entire archive!

Subscribers enjoy higher page view limit, downloads, and exclusive features.

Text content (automatically generated)

WOMAN’S PAGE. THE EVENING STAR, Bolero- Source of New Silhouette BY MARY MARSHALL. The bolero, which hus been revived 8 the Spring fashions, migat be enumerated among the styles that lead away from the perfectly straight, up-and-down silhouette. And it was doubtless as a meéans of suggesting & waist line in a subtle manner that the French dressmakers turned to the bolero. Certainly it was not through MAUVE TLACE BOLERO. AND FLOUNCE TRIM THIS FROCK OF MAUVE CHIFFON. any direet application of the Spanish mode. Frequently, lately, the French dressmakers have tried to impress upon the pages of fashion a definite Bpanish vogue, but with the excep- tion of the fad for the Spanish shawl and the Spanish comp, none of the Spanish tendencies have met with much_enthysiasm. The milliners tried very hard to popularize various Span- ish shapes, but without marked suc- cess. Patow receives credit for the. in- troduction of the balero, but the idea has not been Te€n6rI by the other dressmakers. Always they seem to accompany it with a fairly full skirt. Not only does Fatou make frocks of this description but makes use of the idea with coats. One clever coat of his has a circular skirt edged with a wide band of fc The bolero is shown in the back only. Not at is all new is the introduction of the bolero at the front and not at the back. The sketch shows the carrying out of the bolero idea in an evening frock. The foundation is of mauve chiffon with circular lace flounce and lace bolero. The waist is outlined by a ribbon, just a little above the hips. An American dressmaking estab- lishment has been successful in mod- els showing black satin frocks ac- companied by brightly colored Span- isn sash, placed between hips and waist, giving the characteristic Span- ish molded line to both hips and waist. Sometimes, as in the model shown in the sketch, the bolero accompanies a skirt with fullness introduced by way of a flare. Again, the fullness is gradually introduced, by means of circular treatment or godets, from the hips to the hem Rice Cheese Cakes. Put over the fire half a cupful of sweet milk and two tablespoonfuls of butter. Let the mixture reach the boiling point, then stir into it a table- spoonful of flour that you have mixed with two tablespoonfuls of cold boiled rice. When the milk has been sorbed, add gradually four eggs thoroughly beaten, and then a cupful of grated cheese. Season the dish with salt, pepper and a little cayenne, then remove it from the fire. When the mixture is cool enough to be dlefl, shape it into small fry them in hot fat. - cakes and Menu for a Day. BREAKFAST. Oatmeal with Raisins. Omelet. Rice Cakes, Maple Sirup. Coffec LUNCHEON Creamed Oysters on To Fruit Sulad Currant Buns Tea DINNER with Peas. Lamb Stew Carrots and ked Potatoes. Pear Salad. Cottage Pudding. Tea OATMEAL WITH RAISIN To three cupfuls boiling wa- ter add one teaspoon of salt, then add one cup oatmeal slowly and boil 10 minutes, add one-half cupful chopped raisins and cook in double boiler at least 45 min- utes. Any eooked or dry cereal is improved by the addition of CURRANT BUNS. At night mix one-half yeast cake dissolved in u cupful of water, three cupfuls of sweet milk and enough flour to make a soft sponge. In the morning add one cupful of butter, one cupful of sugar and a little soda. Let it rise until very light, then add flour and one cupful of currants. Knead and make into buns; put into tins, e a then bake until brown. While hot, rub the tops with butter. LAMB, CARROTS AND PEAS. Use flank of lamb, onions, car- rots, turnips and potatoes, any quantity that may be desired. Cut the meat in rather small pieces and put in hot water. Let it boil, then turn into colander and pour cold water over it to wash off the scum. Return to saucepan, with car- rots and turnips cut in small pleces, and boil very slowly two or three hours. Add the onions about one hour and the potatoes one-half hour hefore the stew will be ready. Thick- en with flour and water after the fat has been removed. Leave the onfons whole if small. The Daily Cross-Word Puzzle (Copyright, 1825.) 1. Large. 8. Foremost. 1L Girl's name. Despise. 12. The sovereign of 4. Afghanistan British major captured during the Revolution. Covering of false hair. Incite. Ancient name of the Island of Nio, fn Aegean Sea. . River encircling the glons. . Heavy cord. Ablaze. A quarrel. A drink of spirits. lower re- 26. 30. Public conveyance. 31. Marry. 38. Mimic. 84. The positive voltaic pole, to “cathode.” 86. Kingly. 38. Large stream. 39. Outwardly manifest 40. Part of an‘act in a play 41. Nuisances. up‘wsed Down. . Eats away, little by little. Send in return. . Meditative poem with @ sorrowful theme. . Malt liquor. . Ancient Phoenician city. National emblem. . Bleotrified particle. Wireless telephone. Sharpen a razor. Plural of this. Dirt ground in. Carved memorial post erected by Indians. A color of he rainbow. Marks of wounds. Sudden, unreasoning, ing fear. 25. Over. 27. Acts wildly. 21. 23. 24. overpower- 28. Separate. 29. Dissolves. . Bxisted. 32. Let fall. 35. Lair. 37. Evening. Answers to Yesterday's Puzzles. 8] A Ve R go[u[R]s IR joOllVIEARINEIR IR | [o] [A[D] These unusual little candle shades were very simply and inexpensively made. Small parchment shades were used, and the litlle medallions cut from old colored prints «nd pasted on. The line of black around the print is merely painted on and the outside edge of the shade is finished with black passepartout. This s just one of the many new ways In_which old prints are, being The fashion used ladies from the | i Goda Ladics’ Books, the amusing Currier and Ives lithographs, the English hunting and coaching prints and old French prints of many kinds are being used on lamp shades, on box covers, in door panels and framed either alone or with mirrors to be hung on the wall, Me and Puds Simkins was setting on Mary Watkinses frunt steps tawk- ing to her ,about diffrent subjecks, and she sed, I painted a painting with my new box of paints today and maybe my father will have it framed for me, he says maybe he mite G, 1 bet fts good, show it to us wy dont you? I sed. I bet {ts a peetch of a pickture, go on in and get it wy dont you, 1 bet its swell, Puds sed. 0, its not so mutch, hee hee, it did- ent take me so long, it reely not good enuff to show anytody, heo hee, Mary Watkins sed. Meening it was, only she wunted to be coaxed, wich me and Puds kepp on doing, and after a wile she sed, O well if you insist 1 gess I haff to. And she went in and brawt it out, being a painting in green and all different colors, not looking like mutch wen you ferst looked at it or even wen you kepp on looking, and Puds sed, G, thats grate, G, thats better than a lot of picktures you haff to pay money for in stores, G wizz look at that ocean, that certeny looks reel. The ideer, thats not the ocean, thats grass, I dont see how enybody can be 5o dum not to tell water from grass, Mary Watkins sed. Me thinking, G herray, he got him- self in rong that time pertending to know so mutch. And I sed,.Jimminy crickets thats one of the ‘peetchiest picktures I ever saw, I bet you could be a artlst if you wunted to, holey smokes look at those butterflies, their grate. - Their not butterflies st all, If you think your so smart, their flowers, and Im going rite in, Mary Watkins sed. Wich she did proud, Puds wawked down the street: to- gether feeling bum, byt not as bum as wat we would of felt it we hadent of had each other for company. BHistory of Pour Name BY PHILIP FRANCIS NOWLAN, KOOPER. VARIATION—Cooper. RACIAL ORIGIN—Dutch. SOURCE—AN occupation. and me and The family name of Cooper is often met with in the United States, par- ticuiarly as a variation of the Dutch surname of Kooper. Dowt Ezpeot 2 * Wena =" |Doroth yDix| <= The Trouble With Many Women Is-That They Expect a Man to Be All Kinds of a ; Husband Rolled in One. $6\[¥ DEAR,” said an old married woman to a bride, “let me give you one plece of advice, and that s not to expect too much of your husband. Don't demand the impossible of him. “Of course, there will be plenty of times when you will feel that there 18 & lot to be sald in favor of polyandry, and you will wish that you had two husbands, one to play with you and the other to make money for you. You may even feel that it would be « comfort to have a third husband, who Was a poet, or a man milliner, or something like that, who could really understand, and sympathize with the feminine complex, and know when your hat Was on straight. “But don't expect one and the same man to be all of these things, and then some. That is the trouble with most of us women, and why we find matrimony so often a faflure, and why we get peevish and disgruntled when we discover that our husbands are not a composite of all the different arts, and graces, and virtues. “When we get married we expect our husbands to be masterful and forceful, yet putty in our hands; to be great lovets, but no philanderers: to be all soul, yet money-makers; to be as domestic as the house cat, yet always ready to step out of an evening. “Believe me, there {sn't any such animal extant. Nature never produced any such human freak as a man who combined within himself two entirely different sets of characteristics, and we haven't any right to feel that we are cheated becausc our husbands do not possess a dual personality. P € JUST remember, my dear, that the very qualities that make a man a success in one line inhibit his achjevements in an opposite line. Yet every day you liear women whose husbands give them every luxury complaining bitterly because they are married to sordid-souled men, who never have a thought above the stock market and to whom a primrose by the river's bank is just u wecd that spoils the grazing. “These women forget that dreamers who are Star gazing never see the opportunities to make money that are under their noses, and that the man who has a talent for idling gracefully never has any ability to get up and hustle. Sentimentalists ure never practical. Nor are loafers go-getters. “Every woman pines for a husband who understands her, who gets the feminine point of view on things, and is interested in women; who remembers anniversarfes, and shows her delicate little attentions, and pays her compli- ments, and keeps up the Romeo and Juliet business even after she s fat and 40. But she wants to be the only petticoat he ever sees, and for him to be blind to all the balance of her sex. “She can't have it, The man who is what we call ‘a lady's man’ has ever a roving eye. There is allure for him in every pretty face. He is a philanderer by nature and instinct. He just slops over with sentiment, and he can no more resist making soft speeches to every good-looking woman he meets than he can help breathing. He may mean no harm. At heart he may be true to his Poll, but love-making is an art, a science, game with him that he is just bound to keep practicing because he fancies the way he does it. You have either got to have &« dumb man, who chokes on his Adam’s apple whenever he tries to say anything sentimental, or else a professional sentimentalist, 5o to speak. *wE 5 p YN/ OMEN complain that their husbands are stick-in-the-muds, who want to stay home of an evening, and they can hardly drag them away from their pipe and paper to any place of amusement, These wives want husbands who are dancing partners, entertainers, who will show them a good time and trot them from party to party and from cabaret to cabaret “That would be fair enough if that was all that they expected. But they also demand that their husbands shall be hard-working money-earners, and make enough to supply them with expensive clothes, and fine houses, and big cars. Now, no man can be a business wizard by day and a jazz hound k night. He goes broke and breaks down with nervous prostration if h tries it. It Is trying to live up to wives' expectations that makes bankrupts and pretty young widows. “A lot of my friends wail and weep because they say their husbands | neglect them. They say their husbands are so absorbed in their busin that they never see them, and that they might as well be married to dummies for all the companionship they get. “But I have never heard one of these women offer to go and live in plainer style, or give up her limousine, or & trip to Furope, o that husband wouldn't have to work so hard and could have more time to devote to her. “And there you are, my dear. If your husband is « hard-working, practical business man, don’t expect him to be a poet and a dreamer; and if you want the money he makes, don't feel i1l used because he devotes himself to his business instead of to you. And if you enjoy him because he is soulful and intellectual, don’t expect him to be a money grabber “It isn't fair to & man to expect him to be a lightning-change artist, who can alter his personality to suit all your moods.” DOROTHY DIX. (Copyright, 1925.) WHEN WE GO SHOPPING BY MRS. HARLAND H.ALLEN. as often as in clothes, poseibly, but they change often enough to .con- stitute an economie factor in the world markets nevertheless Every Year or so a new style tendency developed by some manufacturer, and Furniture Buying. he average woman does not ‘shop’ for furniture,” says a man who has sold furniture long enough to adopt a tolerant attitude toward the p WASHINGTON, D. C., MONDAY, APRIL 6, 1925. COLOR CUT-OUT THREE SPINNERS. A Queer Visitor. As the lazy girl sat weeping, sud- denly the door opened and three ugly old women entered the room. She had never seen such rideous creatures. The first had a splayfoot, the second had & memmoth lip, and the third had a strange broad thumb. The one with the splayfoot spoke first. “Wo are three spinners ghe sald. “We have come to help you. But first you must promise that when you marry the prince you will in- vite us to your wedding feast. You must seat us at your table and call us your aunte.” “Of course I promise,” cried the girl eagerly. The first spinner's dress and hood are gray. (Copyright, 1925.) What Tomorrow Means to You BY MARY BLAKE. Aries. As this morning you experienced a lethargical feeling, s0 tomorrow you will feel full of pep and vigor and determined to make good on the proposition or task you have'in hand, notwithstanding the many rebuffs you { may have had. This attitude is favored by the planetary aspects, which indicate a beneficent influence during the morning, and which, as the day progresses, assumes a more intense character, until toward the latter part of the afternoon they hecome excellent, while the vibrations ¢ stimulating. Any sane un- dertaking, provided it is not tainted with risk or hazard, is, if initiated under such conditions, bound to suc- ceed. The new life created promises, after more than a fair share of infantile sickness, to be a long and healthy one. Do not allow fear to grip vou, but rest assured that with proper attention and care- ful nutrition this child will outlive, by dint of its good constitution, ail its ailments. Its disposition will be rather complex. At times it will be entertaining, sunny and bright; at other times it will be gloomy, morose and dull. Its character will be de- pendable, and its actions will always be predicated on sound prineiples. tomorrow the design for some time may be ex- clusive and expensive. No sooner, however, does it take hold and its popularity become proven than other manufacturers recognize the oppor- tunity in it, competition sets in, and quantity production results in lower costs of manufacture, which in turn affect the customer in lowered prices. Now is the time “ripe” for purchase by the economical buyer. The worth of the style has been proved, it has been distinguished from the “fads in furnishings” by the fact that it did not die out almost as soon as launched, and the price is at a moderate level The other day a salesman told me that he had on his floor a wonderful mahogany bedroom suite which of- fered a surprising value to the shop- culiar buying traits of our sex. “I have learned from experfence that every woman starts out with a firmly fixed ides of what she wants, and she will have it, too, generally speak- ing, in spite of such minor things /s economy or the advice of the sales- man.” This is a mistake, for which we often pay dearly, in expending larger sums than would be necessary to furnish our homes attractively and in good taste. Tt does not always pay to carry too fixed an image of what & bedroom jor the dining room must look like. “I must have a Queen Anne or a Chippendale suite or a colonial four- poste: she says, or Whatever the particular style may be upon which she has set her heart. Such a wom- an has probably had her taste formed The only similarity to the English by seeing such a sulte which she ad- | per discriminating enough to recog- Cooper, besides that of spelling, is mired in the home of a friend, and | nize it, but that no one would look that both the English and the Dutch then and there made up her mind |at it, becauss just now everybody family names have been derived from occupations. ‘But the occupations were quite different. It will be remembered that the that when she has a home of her own. that is just ths kind of fur- niture that she is determined to have. What she does not take into con- was “looking for something in wal- nut.” Why must we all have walnut at the moment that walnut happens to English “cooper” of megdieval times sideration is that market conditions |be “the thing,” or painted furniture as not a maker of barrels, but a may have changed since the time that [ when it is at the height of its popu- ‘cupper’—that 1s, a maker of cups her friend bought hers, and that par- {larity? 1s furniture such an ephem- and cuplike utensils of varfous de- scriptions—and that he worked for the most part in wood, with a lathe. In the language of Holland, haw ever, which, for many decades, was also the language of New York, the “kooper” was not an artisan, and the only connection hé had with cups was when he used them to drink from or handled them as articles of me: chandise; for the word ‘kooperr” meant simply one who followed the occupation of trader, buyer, or mer- chant. (Copyright, 1925.) ———e Prices realized on Swift & Com- sales of carcass beef in Washington, or week ending Saturday, Apr 4, ticular type of furniture may not now be the most economical or com- mon-gense purchase. It is well to cultlvate a generous, an impartial attitude toward all good furniture, provided it shows quality, fine lin beautiful and durable wood, com- bined with lovely color values, with- out too much prejudice for or against any particular style. Styles in furniture do not change eral thing that we put it off and on ltke & scarf that matches a certain mood for color? It would seem a better way to select woods and styles that are good in themselves, secure in the comforting knowledge that no matter what adaptations or fresh combinations would be made in these woods in the years to come, a cer- tain harmony wowld always exist be- tween the new and the old. Qur Children—By Angelo Patri on shipments sold out, ranged ‘from 11.06 entd to 15,00 cents per pound and averaged 5.66 cents per pound.—Advertisement, Parental Debts. Some vonscientious people teach their children that they owe a great debt to their fathers and mothers, They {mpress upon the awed voungs- ters that a lifetime is all too short to repay the debt. I know a man who opened an account with each child when it was born and kept that ac- “ ” count until the child went out to sup- Brand-New. port himself. Then this upright man The expression “bran-new” or, more | presented his bill for board and corregtly, “brand-new” t5 describe | clothing and tuition and doctors and something that is quite new and has|carfare and what not. He even in- never been used Is a good exampie of the | cluded the nurse and doctor who at- wealth of color that lies concealed {tended at the birth of the child. So in language and is disclosed when |each of his children started life with we trace to their origins some of{a great burden of debt hanging about our most commonly used words and | his neck. If they loved their father expressions. they did not show it. They paid their The modern use of “brand-new” |debt and called the deal settled. takes fts origin in the Old World| He was one extreme of & parental “brand” meaning a torch, which re- |error. I do not believe that children tains its significance today, its deri- |owe any such material debt to their vation being from the Anglo-Saxon |parents. I cannot but believe that to burn.” any debt save love is on the other An old expression familiar in|side of the book. Any attempt to Shakespeare was “fire-new," the refer- [ prove a material indebtedness ends ence being to the obvious newness |in disaster. Only love can hold a of metals just from the fire. The fol- |child to his home and his duty to lowing is a quotation from “Rich- | those in it. HOW IT STARTED BY JEAN NEWTON. ard I1L” which illustrates the old use| I hold that a child owes a duty to of the phrase his parents, but I hold that the duty Your fire-new stamp of honor {s | must be one grounded in love or it scarce current.” cannot be fulfilled. How can a child From “fire-new” com- | serve his mother as she should be prehensible how came | served unless he loves her? And how into being with its obvious signifi- | can he love her if he is taught that cance, buried from view in modern|he is In her débt until the end of speech. time? Demands based upon selfish- ness. will be met by selfishness and (Copyright, 1925.) R the end of that is bitterness and dis- . illusion. Cheese Salad. “I should think you Wuold fesl that Mash three hard-boiled eggs fine |you had to stay home with me. and #dd one cupful of grated cheese. | Think of the hights I sat up with you. Then add alternately melted butter | Think of all I've done for you. I and vinegar until of the consistency | brought you into the world. I've slaved for you ever since. Now, of whipped cream. Add salt when you're able to get about by per to taste. Serve on and pep- yourself you want to go and leave me here alone.” D1d you ever hear a story like that? And did you ever ses a child happy under those conditions, or did you ever feel that content reigned in that home? Or that it was a successful home? Of course not. Unless the home is built upon love the children will feel no ties holding them to it The only debt they will éver recognize and endeavor to pay is the unpayable one of love and gratitude for unsel- fish devotion and tender care. They sense that and heed its appeal. Noth- ing else matters. The debt is on the other side. Par- ents owe their children first of all unselfish love. That, of course, car- ries all the rest. It means the best home that can be provided, the great- est amount of happiness that can be crowded into it, the best training that can be gained through its ad- ministration, the finest traditions that can be laid on its ideals. Parents who feel that way about it never think of their children's in- debtedness to them, but the children never cease to feel it in the days that come after they have gone out from the love and protection of father and mother. It Is the old story. To win, you must lose, Mr. Patri will give personal attention to ine quiriés from phrents or school teachers on the care and development of children. Write him in care of “‘l llrr. incloslng self-addressed, ope for’ reply. Stamped envel (Copyright, 1925.) Smooth Apple Sauce. Instead of rubbing apples through a sieve to make a smooth apple sauce, much time may be saved by the following method: When the ap- ples are well cooked crush them with a potato masher before removing from the pot and turn through the flour sifter, Owing to its rather peculiar make- up, it will be more contented and sat isfied in outdoor work than in any occupation demanding much mental concentration or sedentary surround- ings. Is tomorrow Your birthday? 1If so, you are very brilliant in conception, but weak in executio You like short cuts and are not very thorough. You can plan with facility and ease, but often lose the reward for your original ideas, because you, after a thing is started and set going, be- come weary, and leave the details to others. At conception, and dur- ing the period of generation, you are assiduous and painstaking. At birth, however, you turn the child of your fertile brain over to nurses, Who, very naturally, have not the same inter- est in the creation as its creator. Your friends are many, and your intuitive instinct is very strongly de- veloped. You are proud—not vain— and frequently allow your pride to stand in the way of your real hap- plness. As a lover, you are very loyal as well as exacting, and as sincere as you are jealous. Well known persons born on this date are: William Ellery Channing, clergyman; Charles F. Barnard, phi- lanthropist; Jacques Loeb, physiolo- gist; Lewis Nixon, shipbuilder and politioian; William A. Pinkerton, de- tective; Willlam Wordsworth, poet. (Copyright, 1823.) MOTHERS AND THEIR CHILDREN. A Home-Made Movie. FEATURES. Trousseau Linens; Wedding Silver BY LYDIA LE BARON WALKER. The time for Easter weddings is|ed to trousseau articles. They bring approaching, and thoushnis of brides- | back precious memories. It is a to-be are a-flutter with the thought. | pleasure for a w 0 has been There o 50 many things to decide, | marricd muny years to find soms so many things about which to as- sure one's self in the matter of cus- toms, etiquette and good form, they are fairly bewildering to contem- plate. And so I want to write you, whatever your problems are, to come to me with them, and T shall be only too glad to advise. Just now & let- ter lies before me from one puzzled bride. She wants to knaw how the wedding silver should be marked. It 18 @ subject that has perplexed many a bride before her. Wedding gifts are sent to the bride; therefore they should be marked with her initials. These gifts form part of the things that the girl takes to the home as her contribution to the furnishings. They are presented in accord with this view; that is, if the giver knows the tradition of wed- ding gifts. The articles may be given by the relatives and friends of the bride, or be sent from the relatives and friends of the bridegroom, but they go to her and form part of her contribution, as mentioned. There s no question, therefore, about the marking of the articles. They are engraved with her maiden initfals. Second Marriages. In the event of a woman marrying a second time, her linens, etc., should be marked with the initials she bears at the time of this engagement. The same rule of marking wedding silver prevails. A widow is apt to have many things ready to take to a new home without providing herself with an entire new trousseau, as would be the case when first married Everything that the bride takes with her for the furnishings of the home becomes part of the household effects of the two, Inasmuch as they should be used in the business of home-making. However, they are TROUSSEAT reaily her things. Good form dictates | WEDDING SILVER that they be marked to indicate this. | WITH THE GIRL'S The husband supplies the major part | ITIAL for the home, of him. The and this is expected bride brings certain | of these things instantly re choice and beautiful things to dress | by the initials of her maiden n up the house, to beautify the table, | among the regular linens, etc and to decorate the rooms. Such |she is using. But it is not s things as are marked bear her in-|ment that governs the marking itfals linens or wedding gifts. Th a definite and logical underlying re Initialling Linens, Etc. son in each instance. The ir This matter of lettering is of even | of the girl are the only pr greater importance when it applies | correct ones to use to linens, such as towels, bed linens = x and napary. These things the girl e gets' either for a hope chest, when | Salt Meat Dish unattached, or after she becomes en- | gaged. Nowadays, it is quite cus-| Slice the t very thin, tomary for the girl to wait until she | water over is actually affianced before she starts | each slic her hope chest. The name seems a | This w bit anomalous then, though hopes are | cured han made by fe sometimes blasted, even after an en- pour! gagement has been announced. A girl cannot very well initial her linens, etc., except w those of her own name when she makes them for a real hope chest, She has not met the man! Errer in Marking. It should be remembered that the o = = onty Taittats e minn reaiy mae wie| |T theive on admiration. those she bears at the time she is = preparing these articles and having It s?‘md‘ts‘ my them marked. It is sometimes dis. mind — astrous to have the pieces marked in any other way girl who made the blunder of embroidering the final initial of her flance's name on he We all might be more brilliant One trousseau linens learned her mistake | [ [f everyone when it was too late. The engage- N ment was broken, and the girl was were kind. at a loss to know just what to do = with the things. Fortunately, she Recany had a friend whose last name began with the same initial as that of the fiance, and this friend bought a great part of the things from her. It was not more than a vear later that this girl again became engaged, and was married, to another man. But she did not make another mistake. All her trousseau was embroidered with her maiden name. There {s alwa; & sentiment attach- Orange Pekoe Tea AsK for Tetley’s in the hand- some oriental caddy. No extra charge, but a big extra value. Makes good tea a certainty IGINAL in being the first Ready-to-Fry Cake ever sold. And in its delicious fresh-from-the-sea flavor. Famous Gorton’s Codfish—No Bone One Mother Says: I taught my children how to make a “movie” which is thelr constant de- light. To make it, paste pictures from newspapers and magasines with very thin flour paste on cheesecloth strips. When dry, each end is fast- ened to a six-inch spool. Thesa are set on spindles made by two nalls driven through from the bottom side of a board heavy enough to set firmly. Shingle nails put in the tops of the 8pools and bent over make handles by which the spools are turned so + “flm” winds from one spool to other, ltke a typewriter ribbon. A “proscenium arch” is made of th top of a hat box. It stands before .the “movie,”” 50 the audience sees the pictures only as the “operator” turns the &pools “back of the scenes. (Copyright, 1925.) RSl e The value 6f America’s 450,000,000 chickens is estimated at $350,000,000, and the value of a year's eg§ produc- tlon is $600,000,000. MOTHER:~ Fletcher’s Castoria is especially pre- pared to relieve Infants in arms and Children all ages of Constipation, Flatulency, Wind Colic and Diarrhea; allaying Feverishness arising therefrom, and, by regulating the Stomach and Bowels, aids the assimilation of Food; giving natural sleep. To avoid imitations, always look for the signature of W Absolutely Harmlegs -~ No Opiates. Physicians everywhere rccommend it.

Other pages from this issue: