Evening Star Newspaper, December 2, 1923, Page 63

AMUSEMENTS, PhotoplaysThisWeek At the Photoplay Houses This Week. RIALTO—Lenore Ulric, in “Tiger Rose.” Shown this afternoon and evening. PALACE—W. S. Hart, in “Wild Bill Hickok." Shown this after- noon and evening. METROPOLITAN—"The Common Law.” Shown this afternoon and evening. AMBASSADOR—“The Common Law.” Shown this aiternoon and evening. COLUMBIA—]Jackie Coogan, in “Long Live the King.” Shown this afternoon and evening. CENTRAL—“Don't Marry for Money.” Shown this afternoon and evening. CRANDALL'S—"Wife in Name Only.” Shown this afternoon and evening. : Rialto—Lenore Ulric in H “Tiger Rose.” «Lenore Ulric, the famous Bela star, will appear in Washington U week, both on stage and scre Moore’s Rialto Theater presenting her in “Tiger R the film version of the David Belasco y by Warner Brothers unde vision. beginning today. appeared ulso as Little Rose, the 4t child of the northwest in Rose™ &1 in the principal s of the coun with equal succe magnifi > remarkable p to its thril preserved ipporting cast inchudes Stanley. Claude Gilllngwater x, Andre, § de Gra Eltz. The story concerns Rose “Tiger Rose,” the offspring of 3 fidel father and a mother who has been a concert hall da Then the ehild serted by he adopted by a Seotchma her up as his own. Her adventures and romance among a world cf men forms the basis of a play that “under the skin” before th fade-out musical program will inclu rd Lorleberg. solo cellist, who y cDowell's wild ve Sends a Palace—William S. Hart in “Wild Bill Hickok.™ William S. Ha famous interpreter of western characters, will make his reappearance on a Washington screen at Loew's Palace this weel, begin- ning this afternoon, as the star of his latest production, “Wild Bill Hickok, & thrilling and novel picturization of 1 phase of the old west.. ild Bill His pk” Mr. Hart of- fers the first of a new s of nine pictures to produced for Para- mount, and enacts the title role of a vibrant melodrama, based on the life and career of “Wild Bill” Hickok, one ©of the most famous gunmen of early days in Kansas, who allied himself and his phenomenal marksmanship and daring on the side of law and order, and whose own life was punctu- ated by a vomantic interiude that forms much of the appeal of the story. Mr. Hart wrote and super- Vised the picture story as well as enacted the stellar role. The cast in- “cludes Ethel Grey Terry, Kathleen O'Connor, Jack Gardner and James Farley. The story concerns the love of Calamity Jane, .a border girl, for Wild Bill” Hickok, the gunman, whose own love of a woman already | smated holds a strong touch of trag- ed “Sipplemental features will include Ben Turpin, in “The Daredevil”; the ‘Pathe News, Toples of the Day and Tom Gannon’s musical treat. Metropolitan—"The Coms« A mon Law.” ' Myron Selznick’s superfilm,. *“The Common Law,” will be shown for the first time here this week at Crandall’ Metropolitan Theater, together with Christieds “A Perfect 36, featuring bby Vernon, the Metropolitan World jurvey and added short reels, The program will comprise an from Victor Herbert's at,” Paul Whiteman's . «Wonde and an interpreta- tive score. “The Common Law.” adapted from the famous play by Robert W. Cham- bers, was directed by George Archain- baud, and features Corinne Griffith, Conway Tearle, Elliott Dexter, Ho- bart Bosworth, Miss du Pont, Doris May, Harry Myers, Wally Van, Dag- mar _Godowsky, Bryant Washburn gnd Phyllis Haver. The story concerns the love of a ®irl in desperate need of emplovment and a young artist who engaged her to pose, belleving her to be a pro- fessional model. Co]umbia—]:jfie Coogan in “Long Live the King." Yoew's Columbla announces the tontinuance this week, including to- day, of the Metro production, “Long Live the King,® a fine picturization of the famous novel by Mary Roberts Rinchart, with Jackie Coogan as its boy star, “Long_Live the King” reveals a mow and versatile Jackle. He lavs aslde the ragged trappings of “The Xid" and “Oliver Twist” and steps forth in the purple and fine linen of 3 crown prince and boy ruler of a . mythical Balkan kingdom. . The desi the boy to gratify all the natural desires of boyhood is constantly at- war with his mature sense of responsibility toward his subjects, and, while this furnishes much of the delightful humor of the story, it Is contrasted agalnst a net- work of intrigue, in which a band of conspirators plot to get possession of the boy and force their demands on " gng,Bovernment. The production is sald to have cost no less than $600,000. Rosemary Theby and Ruth Renick have promi- nent parts. Ambassador—"The Common Law.” Myron Selznick’s picturization of Robert W. Chambers’ “The Common Law” will be shown also at Cran- dall's Ambassador Theater today and tomorrow, together with Stan Laurel, in “Scorching Sands,” and added short meels_with orchestral music. Tuesday ahd Wednesday, Gloria Swanson, in the screen version of Belasco's famous success, “Zaza,” and Harry Pol- lard, tn _“Jack Frost”; Thursday and Friday, Lowell Sherman, Doris Ken- $on, Fjdmund Breese, Harrison Ford, Tyrone Power, Charlie Murray and Effle Shanuon, in “Bright Lights of Broadway,” in which specialties are hown by the chorus from the New "York Hippodrome and the sixteen Tiller Girls, and Ben Turpin, in ‘Asleep at the Switch,” and Saturday, Pouglas Fairbanks in a new release of “The Mark of Zorro": Mr. and Mrs, Carter De Haven in “A Waggin’ Tail, and Hy Mayers' “Life in Paris.” Central—"Don’t Marry for Money. 2 “Don’t Marry for Money” will be ‘shown throughout this week at Crandall's Central Theater, with ouse Peters, Rubye De Remer, Cyril Shadwick, Alleen Pringle, Wedge- wood Nowell, George Nichols and Lydia Enott in the cast. It eonocerns & girl whose father Is Friday. Harty Houdini, f thé Secret Service”: . Willlam Patton, tn *The Battiin 1os | children, who seeks her fortune in the city, becomes a model in a fash- ionable modiste’s and then by chance meets the man of huge wealth whom he decides to marry In order to Se- cure the luxuries of life. Ben Turpin, in “The Pitfalls of a .| Great City,” ‘the Pathe Review and ‘Wife in Name Only." in Name Only,’ N version of the Bertha M. C! novel, will be chown the fir: of u beginning this afternoonm, fe | turing Edmund Lowe, Mary Thtrman, rthur Housman, Tyrone P Dixon, in a story together with “Our Mickey Daniels. in 4 short Barrymao in_Cosmopolitan's | of YVicente Bl inemies of Wom and Saturday, Mars The IKternal Th: turing Claire Windsor. Raymond Gi E Hobart Bosworth, i Goldwan sap Ject. together with “Front.” & laugl o laugh- ! <er, short rcels and pipe organ | Apollo. M Colemorrow. | Thomas . in oman Proof.” Aeso The Happy-Go-Luck hd mezzotini, “Th: g of Tuesday, Wednesday and ., Talmadge, .in ngeance: Fridav, George ave of Desire.’ and Harry Pollard, in “Join the Circus’; Salurday, May Meavos, in “Her Repu- on.” and Stan in “Roug} tation.” ang Laurel. in “Rough- Avenue Grand. Today and tomorrow, Ernest rence and Lois Wilson, fn “Rug o Red Ga; and Harry Pollard oin the Cireu Tuesday nesday, Thomas Meighan, Proof.” Aesop Fable. “Th, and musico hat Old Gang of Mine"; eorge Walsh, in 8 and comedy, Front": ridav, McAvo; in “Her Reputation rge O'Hara, in flaldurdd.\ and Wil Roj Through.” a, in “Break Into So- Thursday, tackaill, he Fair Cheat” a lafne | Hammerstein and Conw. One Week of Love'; “Daytime Wives." Chevy Chase. Tomorrow and Tuesd > Griffith and_Frank = Mave: in ‘8ie Days,” by Elinor Glyn, Aesop's Fa. bles “Farmer Alfalfa’s Pet Cat Critical Larrs” Bonon, | 1o p"; Th Kennedy, in “The Parpie i and Buster Keaton, in “The High 8} Friday, Willlam Ruseell, in “Aliat the Njent Wind.” and “Our’Gang. A P urney”; Saturd; - 30 p.m.), acqueline l:{;lr(own alomy " Charles Circle. Today and tomorrow, 'S of the Night" gnes Ayers AT Wednesday, Renes Adoese Mak '. Renee X in “The 6 Thursda Fora Namri n T riday,’ “The Code” “The Bagle's Fear rangers Dumbarton. Today, Mary Carr, In “The Custard Cup”; tomorrow, Mae Murray, in “Jazzmania"; Tuesday and Wednes- day, “Potash and Perimutter”; Thurs. day and Friday. “Where the Pave- ment Ends”; Saturday, Dusti - num, fn “The Man Whé Won o ©°F Elite. Today and tomorrow. Gloria Swan- son, in “Bluebeard’s Eighth v ife~ Tuesday, Fanny Ward, in “The Hard- est Way' Wednesday, F) Bushman ’and Beverly B':;?:Lf * “Modern Marriage”: Thursday Im‘xr: rette Taylor, in “Peg O' My Heart' in ““Haldane Empire. Today. Big B # clond Fonerts also comedys’ Am George Larkin, in ]n‘"é also comedy; esday, George Arliss, in “Th Goddess™: Thursday, - Miriam Coper and Mitchell Lewis, in “Her Acolqon. tal Husband,” also comedy; Friday e Heritage,” also Pete. Morrison, in “The x;":usf'rsxay;]: Saturday, Dick H , in e Blood Test,* als Episods No. 11 of the “Santa’ 5o Trail” (matinee onl “Down 0" the Ships 6 Sea O N Hippodrome. oday, “The Fai Mongay, 7The Inner Man s eatrice Joy in “The {ley s Wednesday, Herbert m'::ufi::.:""nfi Tehe Victor”: Thursday, “Enemies of ‘'omen’ Friday, - “Daytime Wives"; Saturday, Ma. 4 5 Meot Asllnx'a Marsh,” in “:Till We . Home. Today and tomorrow, Mae M In “The French Dell": Tacsqel: Gladys Waiton, in “The Untamable” Wednesday and Thursday, Pola Negri in “The Cheat”; Friday, Ruth Stone- house and Walfer McGrai Out,” and seventh episode of Daniel Boone™; Saturday. ot 3 Olympic. Teday and tomorrow, - ton, in “The Gold Diegders °’r§e'-'§3y and Wednesday, Mae Murray, in “The French Doll”; ~ Thursday, - Colleen Moore fin_“The Huntress”:; Friday, e Tie That Binde” and “Fighting 00d,” No. aturday, Glad - ton, in “The Untamable. Tyl Princess. Today and tomorrow, Colleen M and Lloyd Hughes, in “The Hulltreon‘:l:e, Tuesday, Bull Montana, in “Breaking Into Society’ ‘Wednesday, Dorothy Mackalll, in “The Fair Cheat”; Thurs- day, Madge Kennedy, in “The Purple Highya; Friday, “Lawful Lar- ceny”, Saturday, Mae Murray, in “The French Doll.” Regent. Today and tomorrow, Mrs. Wallace Reld and :James Kirkwood, in “Hu- man Wrecka, : Tuesday, Collee: Moore, in “Look Your Best”; Wednes. Conwaz tyrannical in the discipling of his!day, Betty Commgsop and \ | | ,Pipe organ’ music will be added at-| { traction | Crandall's— Thursday, George Walsh, in “Slave of LENORE ULRIC Rislto GLADYS “WALTON & ~ MARY THURMAN Crandalls OEEE el s CHARLES RAY and EN1D BENNETT- Presidest. A Page From History. ESSE L. LASKY, first vice presi- [for such a task . if it Is correctly done. ‘James Cruze has produced a mar- a_ gripping dent of the Famous Players Lasky Corporation, it is said, intends | velo to offer a copy of the film version of | story “The Covered Wagon” to the Smith sonian Institute, Washington, as record of the pioneer days in the west. We tried to make this the picture told ‘worth to the world” says Mr. in its archives, for it will be inval- Tearle, In “Rustle of Silk”; Thursday, Lioyd Hughes and Pauline Garonm, in “Chfldren of the Dust”; Friday, Jack Holt, in “Nobody's Money"”; Saturday, Douglas MacLean, in ¢The Sunshine Today and tomorrow, Ernest Tor- is Wilson, in “Ruggles ster rence and Lois Wilson, in RugEISs | by Chester Circus”; ~Tuesdsy and|ouled nail dancing girl, and in the ednesday, Thomas Mieghan, I | photoplay she casts off hoth the cus- “Woman Proof.” Aesop Fable, ® | toms and the costumes of civilization -Luckies," and musico et |,nq dons the shimmering silver gowns or\a ’r% reg mrl.“ Y s Norma's supporting cast is heade: ana Clift Bowes, in “Simple |, JorCaE So ot and Arthur Bas Schildkraut, a Vien- nese star, created a sensation on the Harian and Mirlam Cooper, in “The | g ork Broken Wing” and Stan Laurel, in| 0%, "0k, Song of Love “Roughest Africa. was the Svengali in “Trilby,” and in “The Song of Love" York. Ramlika, a bandit chief of a flerce Norma Tal- | tribe of 'desert-nomads. POLI’S--Bag, Tomorrow, Mon, Night Dec. OFFERING FOREMOST ATTRACTIONS UNDER DIRECTION LEE & J. . SHUBERT. MATINEES DAILY THEREAFTER (EXCEPTING FRIDAY, DEC. THE GREAT AMERICAN PICTURE AT LAST "G rmu-umi-mn@-.uwmuuummofim-n;m - LOVE, ADVENTURE, ROMANCE, COMEDY, THRILLS - - SPECIAL ‘IDURING‘_S\"MPHONY ORCHESTRA OF 20 SEI-ECIID-MCIANS zotint, “That Ola_Gang of Mine" May McAvoy, in “Her yGem'ge O'Hara, in Saturday, Kenneth d tomorrow, ] m_"rdo::y i:“ es of Vengeance™; Tuesday, Enid Bennett, in 'Strangers of the Night,” and Aesop's Fable, o Happy - Go - Luckie: Wédnef'T:;;e. Ainen Ayres and Jack Holt, in ‘The Marriage Maker,” and the Spal B ily, in “Let's Buil Tt'lur!dny, X Novak and Bryant Washburh, In -- n,” and Sun g et o e Friday, James Kirk- wood, in 'T!:; Clift Bowes, Jack _Pickford, in and Harry Pollard, cus —— Barthelmess is starring in a ]-lc‘fll:x:dvemlon of Sir Arthur Win Pinero's “The Enchanted Cottage. t been started at Production hnf'"!u;nder the direction obertson. Studie N . ACHER'S STUDIO, - 1127 AN e Monday and Friday. § to 11 esnons by appointment. Fhone in tablished 1900. é Fox Trot Waits ‘Tango PRIVATE AND 0] 229 1st St. N.B. Day phone Main 6165. 12° DAVISON'S Teash jou to, dance oon. Prof. Mrs. Btrictly private, any hour. Class and Dance Satur- Latest_variations. STATTORD PEMBERTON, Ex-partner to Mae Murray-Gertrude Hoffman. s in all styles of dancing. Studio, 1850 Blitmore st. Phose Col. 2002 1711 Connecticut Ave. North 2082. Katherine Stuart-Jacques- Lillard Balon of Dancing. Now tango, tango-walts, latest fox C::.i. Catherine Balle, 719 9th St. N.W. eu o daoce tag o |- Metropolitars USE PETERS g, Central " Dorus Kenvon : Asbassador - ‘: Scese frouc 5 " Tae COVERED WAGON po’ifA Just Like Valentino. N NOVARRO was once a pro- 1 dancer and traveled over - 2 JACKIE CoocaN” Columbia ng made for ased through Metro Who “Wild Bill” Was. some curjous fashion the charac- ter of Abraham Lincoln continues to who make our |3 Louis B. Mayer his spectacular career as a friend, ally and familiar of such fam | order “men of the old asterson, who later became a fa | writer on sporting toples: Wyatt Earp, portrait of Lincoln in|{the famous deputy marshal, who still | lives, and-al the others of that fmmor- tal company that included Charlie Bas- William Tilghma ki ‘Do¢”” Holliday and Griffith gave “Birth of a Nation,” and later, John stirred up a controversy s dramatization of the emancipa- comes news of se of a mammoth twelve-reel story of Lincoln's | another Lincoln ecreen portrait is shown in “Wild Bill Hickok,” Bill Hart's pic- £ the old west 1 Bill Hickok Chalk” Beeson— bravery and hip on the side of the re- s when men packed the law in a holster on their hip. “Wild Bill" paid a visit to Washing- after the ci President Lincoln at the White House. His mother, Belle Hickok, had been a schoolmate of Lincoln, and during the visit Bill drew out a daguer- reotype of his mother, standing side by It brought & warm President’s otherwise sad il war and need only be . is a dramatiza- tion of the career and personality of a famous gunman, who waged many sanguinary battle on the side of in the days when the west raw and woolly. Is a Buffalo Dumb? full of human side, with Lincoln. | sions’ and ambiti smile to the oung, when ave grudgingly of its w brave and inured to hard- disaster with a termination to « d—the plai are filled with unmarked g of hardy ploneer: t . * | wiped Lask Prints will be oftered the | {CF {1 Smithsonian Institute for preservation | sc sl s | grim ¢ of a decade—a living, moving, his-!Yp 5, of the western torical spectacle, a document of un-|state: that we tod ade a dash big animal had changed his course twice In a few seconds, the cowboys had missed him with their and it looked as though Brown was about to be a sacrifice to his art. Not more than ten feet separated him from death when one of tho cow- boys got his rifie into 1 animal that would spoil good plcture is scarcely fit for food for a motlon picture troupe,” “but we ate him." he added, *damn ture is stupendous be uable. Probably never agaln will a | the conception of the outsider who, if real buffalo hunt be stages it Is | he doubtful if any producers will again | pare for the undertaking, would deem undertake the immense task involved, | it hardly possible of accomplishment.” *The Song of Love." ‘OSEPH M. SCHENC] The Song of Love” as the per- Trati manent title for Norma Talmadge's St ':tlhe Algerian Sahara, which was made under the wo Savoy. ust of Desire.” “The Song of Love” was co-directed Franklin and Frances Norma plays the role of an dumb animal he put the dumb just to show he considers a buffalo dumber than most animals. And there are a number around the studio who talk about especlally those who were h_the buffalo “The 'Covered The camera men had photographed elephants, camels, cows, horses, lions —Iin fact about every kind of a four- They thought they knew how most of them reacted to given conditions, but when they ar- rived at Antelope Island Salt Lake, they decided buffalo were something “else again. Fven a rhinoceros will stand for a close-up, so when Earl Brown, cam- era man, wanted a close-up of 3 bull buffalo, he asked the cowpunch- one toward him and then lasso it just before it reached camera. Brown and his machine were perched in & wagon, with two strong horses attached so they could run along with the buffalo it necessary. But the buffalo had ideas of his or his mind was a complete Brown never Instead of starting out for the camera, head and plunged for the horses. the emphasis on ce what it meant R TR in Utah to has chosen photoplay footed animal title of Will Film “Cytherea.” OLDWYN has secured the screen rights to Joseph Hergesheimer's and it will be pro- duced for the screen on a large scale by George Fitzmaurice as his second Sam Goldwyn-First National produc- ers to driv mund Carewe. The story deals with modern so- Ho is Norma's leading clety life anad is imbued with the spirit of tense drama and sweet ro- ‘has the role of The film will be produced in New York and Cuba and has been adapted for the screen by Ouida Bergere. sce L.La VERI ZO=-~0COOIV =zcOoZ>A>V > Tax. All Seats Reserved. Make a ‘. AMUSEMENTS. —8" Hollywood Gossip BY HALLETT ABEND, Special Dispatch to The Star. LOS ANGELES, November 30. News arrived that three states— Pennsylvania, Ohio and Illinols—will bar Chaplin's “A Woman of Pari Just before 1 saw a private pre-view run of Thomas H. Ince's film version of “Anna Christlfe.” I am wondering what the censor boards will do to Mr. Ince's very beautiful photoplay based upon the stage play which has had phenomenal success. Why Chaplin's play should be barred I do not know, except that it obviously tells the tale of a woman who lives with a man to whom she is not married. But we have had our Carmens, our Camilles and our Sa- phos—so why not “A Woman of Paris “Anna Christie,” too, tells the story of a hapless victim of men. There Is nothing in it that makes vice allur- ing; in fact, the wages of sin would seem to be prohibitively high—but so ‘were they in “A Woman of Paris.” Consider “Anna Christie” on its merita. First of all, it should bring to Mr. Ince unbounded praise from those who want the screen to amount to something. Not because it is a perfect photo play, for it Is not; but because Mr. Ince has had the courage to take a sound and daring stage play and to transform it to the screen without sugaring it or adding any hokum. Artistically the film deserves serfous appraisal and commerciall Blanche Sweet, who plays the title part, earns for herself a new position in filmland, and th direction adds substantially to the reputation of John Grifiith Wray. DMiss Sweet avoids all slushy sentimegtality in her acting and gives to th cen the kind of an Anna Christie that Eugene O'Neill must have had in mind when he wrote the play. George Marion, who played the part of Chris, the girl's father, in the New York stage presentation, has the same part in the film ve fon, and Wil Russell fs Mat Burke, the lover. The principals are all fin but It s Miss Sweet who does the really distin- guished work. . New Western Epic Likely. Because the last of the great cattle herds of the west are soon to b driven into Mexico, photoplay fans are to have an opportun see a photoplay which the produce will be another film of epic quality similar to that of “The Cover Wagon.” Land in the United has become of the west and southwest ar dly being cut up, fenced and settled, that there is no longer ade quate grazing space for the hundred of cattle of the cow use of.t there will soon be staged the st gigantic cattle dri N his: . when more than 300,000 cattle will Le herded over the internatfonal line to i secured by Am. f can government. will continue, but the g t herds will be gone and the ma source of the country’s beef supply will shifted southward. Motion picture producers sean the newspapers for iten will give them as for ph Recently the publication of news of this cattle drive has stirred tie i of Associated First National already preparations are und to weave a photoplay plot around the drive. Franc Marion, who wrote the script for “The Dramatic Life of Abraham Lincoln,” is already busy on the scenarlo and a director will soon be_chosen. James Cr director of “The Cov- ered Wagon same cat- tle drive for hi i i of “North of Thirt deal with a period of seventy ago, while the First National produc- tion, to be called * *will be modern. Long Fi];s:)r Short. von Stroheim: believes that the day of the twenty-reel motion picture is rapidly approaching. The director points to the fact that a few years ago a film of 7,000 feet was con- season has seen many films of 10,000 and even 12,000 feet, and Mr. Stroheim believes that picture plays to run about two hours and fifteen minutes and to constitute a whole entertainment, - without 13 or prologues, will soon be competing with stage attractlons ai §tage play prices. He thinks the old bellef that patrons will not sit through twenty recls is based upon the fact that in the past so many five- and six reel fiims did not hold the interest. ~ Give proper interest and suspense, he says, and the people will sit_through a motion picture from 8:15 to 10:45 and go home happy. Just the contrary is the opinion of Maurice Tourneur, also a_director, who believes that five and six reei features will be more popular than ever. Mr. Tourneur says there will be a revulsion of feeling toward the long film, because several long attractions of the year have length, but onl: ordinary story value, and are padded to the point of boredom. What Others Are Doing. Ramon Navarro, after several days of overtime to complete “Thy Name Is Woman” for Fred Niblo, is bound for Cairo, EEYPt, to join Rex Ingram and star in “The Arab.” @ Hoxle starting work on a ing story, “Hard Rock,” by Jaques Jaccard. Luciano Albertina, famous fn Eu Tope as a picture star, who has made photoplays in Italy, his native land and in Germany, France and Eng- land, has arrived here to work at Universal City. He is sort of combi- nation of Tom Mix and Douglas Fair- banks and a cirey nt man rolled one. thleen Myers, who recently re d from Sou America, n_announces that his next will be a snow picture. He casting about for a new lead- voman, since E Purviance star In ber own pro- ays he wants a brunette beauty d of the usual blond ingenue. Rupert Huges' next picture, to be nad, ™ a scenario w! he has jus will be called “True Steel.” long owner of three of 'n Los Angeles the owner of Para- has just sold hix e to Paramount for b . It understood will bufld several theaters in Hollywood Ibanez to Visit Hollywood. Vicente Blasco Ibanez is coming to Hollywood to write an original screen story for Mae Murray as her Miss Murray 8 e pleted "ashio Lila Lec and James Kirk: were married last summer, are fo co- star in Sht for Tnce pleted “The Street d Women.” < X. Bushman will probably ioldwyn's “Ber chosen “Racing five-reel comedy Ford, in the ing parts. but first honors go to Wallace Mac- ald, who pl the heavy. “May sentimental story g three generations. Jack Hoxie has completed another western, “The Man From Wyoming.” which Will be released late in Janu- ary. It is the usual hard riding, hard fighting story about the west, with Hoxie as the hero and Lillian Rich as the lovely heroine from the city, but i is swift of movement and well put on. When Pola Negri completes worlk wder Hi Tt Brenon's direction on “My M he will go to Honolul | for a’rest but will return to Holl for Christmas, (Copyright, 19: by North Am: sidered the maximum length. This | rights reserved.) ST g e Beenrer Tneeser TIIMANITTTIITE [AMBASSADOR 18th ST. AND COL. RD.—— MATINEES SUNDAY AND SATURDAY T——————=TO0DAY — MONDATY- Myron Selsnick Presents ELEVEN STARS BATRUAE Kty pod s g s and Aritsts colony THE COMMON LAW Stan Laurel in "Scorching Sands” OVERTURE—FANTASIA, “GRAND OPERA ECHOES™ (TOBANT) Ambassador Grand Orchestra. Bailey F. Alart, Conducter Tues-Wed.—G loria Swanson in “Zaza” Harry Pollard in “Jack Frost” Mootay’ T/Aglon Orokestra o6 9.18 2. m. Only Z Thar.-Fri—Star Cast in “Bright Lights of Brosdway” Ben Turpin “Asleep at the Bwitoh” —mn Turpie TAslow oF $he Bumod Satarday—Douglas Fairbanks in “The Mark of Zorro” The De Havems in “A Wagoin’ Tale” Seteotione—Tho Lady of the Bitgper” (tierbert) = TR TR CRANDALL’S [ CENTRAL | —NINTH BET.D & E ARl TMs Week HOUSE PETERS RUBYEDE REMER 6-& a Dr»allaul GNGALC‘ by gria® Chaduwick, le, George Nichols, Hank m:fi.'c%m;‘c’m Mayo. Lydia 20 ENns’ Others of ‘Nots in DON'T MARRY FOR MONEY . ¢ a o Dome s sy Other Season ADDED BEN TURPIN “PITFALLS OF A GREAT i CITY.” Paths Review Kimograms — Organ Reoitals i L NI ORIGINAL. CRANDALL'S NINTH AND E Today—Mom~Tuse, tion of Bertha M. Clay's Famous Nevel, WIFE IN NAME ONLY “OUR GANG” COMEDY “BACK STAGE” Wed.—Thure, LIONEL BARRYMORE With Almd Rubens and @ Great Cast in Ibaner's ENEMIES OF WOMEN Fri——Sat. CLAIRE WINDSOR And_ Brilliant 8 Uarshall Neitan's The ™ ETERNAL THREE OOMEDY “FRONT” . 10000 000000000 A0 01 SR SR §