Evening Star Newspaper, November 18, 1923, Page 60

rg AMUSEMENTS THE SUNDAY STAR WASHINGTON, D. C . s NOVEMBER 18, 1923—PART 3. e ————— e e ey YD RO Ry ey U DR 20 Jeae ST AdvocatesUniversityTrainin‘g ** A UNIVERSITY course for motion picture directors.” This is the only answer to the Question, “Where is the coming gen- eration of motion picture directors to come from?" according to Victor Fleming, a Paramount director. “Directing motion pictures has be- a profe and therefore re- ssional tralning,” states “This is the day of the specialist in motion pictures, just as in other professions. The finished photoplay of 1y is as different from the two-reeler of ten years ago as Egyptian hieroglyphics ‘are from intings. And just st need instruction, director need$ experi- technical training. »uld get sufficient studio_to make ned r. (i wh in h ordinary channels how rproduction of 1924 y of the Can- trides motion during the pas this is a west or scenes will the most of society Lots Wilson, »nths in the ion, 50 knowl an old-fashic ques now thr to make FILMOGRAMS Hmr:\l«.«-\' anmounces for Janu- ary release, “Grit,” the fourth of productions, w York's un- Prominent Bow and the winner of the st held by the She has beau- her use them rd Barthel- it is winter. ter publica tiful eve mess turn to th wife “Mary Da of ring com- an Studio, ohert G “nces to ind the Fran night beh dios construc cording to Hol- Iywood advi 1 the old, rip- Broadway Af- 11 their new picture. Bell, ith Chaplin ideal- thom Keep the must, ) im ¥ awaited norous headlights of is offered by in which to howl- d the part s at ther, she (plin “discovered” her. telephone girl -in the Chaplin who was selected as the ideal The predict eing made that and youn, nglas Fairbanks' 1 hecause 1t Is ar with action. And girls pine to find in the appre ldemar, Ry n actr Natural Scenery For Picture Sets VWILL real scenery and buildings eventually replace the artificially constructed set-in motion picture pro- ductfon? Will the public thrist for genuine lo- in outdoor sets becoming extinet except for period set- | ¢ the building skelet us background catest examples re- of the desire to give audiences of the actual country and home: scribed In the original novel are the first two Zane Grey productions to_be fllmed by Paramount. In the filming of “The Call of the Canyon,” no exterfor sets were bullt. This is one of the first pletures ever produced in which this has been the case. The railway station at Flag- staff, Ariz., the plcturesque old Weath- erford Hotel, where Mr. Grey lived while getting material for his story; Lolamal Lodge in the rugged Oak Creek canyon, and m: ther quaint corners of the Arizona mountalns are shown in the pictur. Zane Grey conducted Director Victor “leming to scenes of his story and im- bued him and the cast with his own personality and his feelings about the theme of his novel. A similar attempt was made to catch the spirit of the story in the filming of “To the Last Man,” which was made in the Tonto basin, Arizona, 200 miles from a railway. — Tourneur's Fiftieth Picture ** TEALOUS HUSBANDS" {s Maurice Tourneur’s fiftieth picture since his arrival in this country from France in 1914. Before that, he had directed many pictures for the famous French producing ploneer, “Eclair.” He picked up the megaphone after dropping the make-up, for he was a movie acter before becoming a direc- tor and before that an actor on the legitimate stage with Rejane and other famous French actresses. DANCING. 1711 Comnecticut Ave. North 208: Katherine Stuart-Jacques Lillard Balon of Danoing New tango, tango-walts, latest fox ot ently imps; learn | will | hing their | study of their roles. Actual cattle and sheep ranches in rugged Arizona form beautiful backgrounds for many of the scenes. The {nterior sets Khow- ing homes In fashionable New’ York were constructed as carefully as real Imu 8. The spirit of the original ey story Is maintained op the sereen, a problem in itself of no nean proportions. All this rl‘fllllfl‘s! the work of highly trained experts “Audiences of today fooled They demand » and realism in photoplays. ran only be made with these qualities specialized training. With the growth of every profession has came higher_education In that particular field. We have recently added to our university courses departments :of commerce and of journalism. Now we need a faculty of motion pleture direction. “Most of the successful directors bt today grew up with the industry. They introduced new ideas and cré- ated a new school of dramatic art part from the stage. We were not | taught how to direct pictures—ws pioneered in picture production. Ou new ideas came from our own experi- enc Th- directors of tomorrow must be moni the most intelligent men of the nation. Upon them will fall the burden of ralsing the standard of appreciation of “art and the good in life throughout the United Pletures in Pola Negri's new pictur Man.” which Herbert Brenon is now finishing for Paramount from th French pl n Homme.”" is pla ing the role of in n Apache gIrl. who accompanics Pola Negri when a turn of fortune lifts them | both from the underworld of Paris to the pinnacle of its soclal life. “My The illness of Claude Glllingwater recently held up the filming of the David “Belasco play, “Daddles,” in which Mae Marsh is being starred by the Warren brothers. —Other se- quences are being filmed in which Miss Marsh and Harry Myers appear until Mr. Gillingwater fully recovers. ¢ A. Franklin has finished the ul ng and editing of the sion _of RBelasco i ch Lenore Ulri "The film will be shipp approval o Warner and Mr. Bel rom all r “Tiger Rose" s l:mn;; to be ome picture. is starred. Irvin Willat, Paramount was married October 27 to Miss Billie Dove, motion picture actre at Los Angeles. Mr. Willat Is now engaged in filming “The Heritage of the Des- ert” a Zane Grey story, for Para- mount. director, Gloria Swanson has been putting in some strenuou; va at the Para- mount Long Island studlo, where she is engaged in scenes in “The Hum- ming Bird." Between scenes she has been practicing a Parisian Apache nce which she will do in a Mont- arte Cafe scen “The Call of the C: the first pictures by e Grey which a modern them Contrary to stom, its publication will not pre- cede its presentation as a ..otion plcture: in fact, they are to be si- multaneous, as Mr, Grey has co-oper- ated with Paramount in making it into a film, one of | Lois Wilson, who plays the role of Patty Thomas, the young school teacher; in Thomas Melghan's picture, “Pled Piper Malone,” got her training | | for the role long before she went into motion pictures. She was a school | ma'am in Alabama before she won a| beauty contest and became & motion | eran character | signed one of the ! s in “The Stranger,” Henabery production. is an _adaptation b zham of John Galsworthy t and the Last.” The last of the famous bnhm:‘ beauties has capitulated definitely to | the art screen drama. Phyllis | Hayer has been selected by Willlam S. Hart to play the leading role |n| his second production. “Singer Jim McKee.” ~Although Miss Haver took “fiyer” in drama last year when she essayed a leading role in “The | Christian,” she returned immediately | thereafter to Sennett comedies Now | s following in the footsteps of Crevost, Mary Thurman and on. " In “Singer Jim Mc she will have strong emo- | tional role. | George Melford finished filming | ‘laming Barriers” in the mountainous | tion of California near Sonora, Eighty players made the trip and | more than 300 natives of the reglon d an “extras.” “Flaming Bar. 5" was written for the screen by Byron Morgan, author of the Wal- lace Reld automoblle stories. ~ Tmra RUFFO World's Greatest Bariton: Poli's Theater, Monday, Nov. 19, 4:30, Beats Mrs. Greene's Coi Droop's, 1th and G Sis, Main 5485, CENTRAL HIGH SCHOOL Fri. eve., Nov. 23 'm.uu."lll.nu Mrs. Greene's Comoert Droop 19th & G, Main 6403 Mme. Frances ALDA Season Tickets Now Selling for the SECOND STAR SERIES, which includes { CHALIAPIN Ann Paviews, Efrem Zimbalist, Olgs Bemareff asd ¥, ¥, Fhllhamoiio Beason Tickets: $12.50, lm $7.60 and Tax T. Arthur Smith, Inc., 1806 G Stseet Teach you to dabce cor- rectly 1o & few lessons. Strictly private, any bour. © 4 b Main Class and Dance Sat- urday Evenings with Orchestra Music. son’s new dan lambalina Fox Trot.” FAmerican Tango.” il the latest variations. AR Fnoroush inst Tango by appointment only. C pars and intermediates now forming. “Theater Craft Studio Stage Dancing e IAKER, formerly of [cIntyre and o L e s Botion by, star of New! York sccesses. Acts produced, clubs coached, bookings anteed. Classes pow forming. Phone Adj 123 for IWfllnlll\Dl!l PROF. AND MRS, 1127 10th n.w. (ln" Monds nd Friday, 8 to 11 lessons by appointment. Phone Established 18°* Fraoklin l‘!fl- No. 6 Dupont Otrels GLADYSE WILBUR Dupent Studig Fancy, Toe Ballet. Ballroom, Children's ( lamee Edw. F. Mll]er Stflm 1226 Conn. Ave. 5 to 6, nuo kuan- for ag- ACHER'S STUDIO, 1 SHUBERT| GarricK £E-5:E F 8t At Tth Frantlin siay Week Beginning Mon., Nov. 26 Seats On Sale Now Goarge Breadhurst Prosents & Now Play THE RED HAWK By Mrs. Trimble Bradley and George Broadhurst With McKAY MORRIS Asd A Syecial Cast z..u::‘.'m JuLiA s ROV, DODBON MITORELL, sy, h‘:m nuv’m"' Annkw M n’ Pll Bta BLE BRADLEY {has been made into a Colosso a Colossus. HE glant who plays the part of Colosso, in Harold Lloyd's new comedy, “Why Worry?” hus a real name. It is Johan Aasen. Aasen Is a native of Norway, and was discovered as an agriculturist in an out-of-the-way section of the state of North Dakota. He Is twenty-four vears old, stands 8 feet 9% inches high, and weighs 460 pounds. A natural assumption would be that this huge fellow's dinner order would | an ordinary man. As a matter ct, it is sald, Aasen eats no more n any other normal man, but he drink an amazing quantity of vater with his nieals. Unlike many who grow to such excessive stature, Johan is well proportioned, and quite & powerful as he looks. The feats hich he performs with such perfect ase in “Why Worry?” are not feats t all for him, although they would miracle: f muscularity for one, say, of Lloyd's size. It is stated on excellent authority that Johan Aasen has not always been 50 conspiruously oversized, for when he was four years of age he was not more than 6 feet tail At the age of twenty-four he wears a slze 20 shoe, and other garments of Gargantuan proportions. And, it s said, he is still growing, with prospect that, under the restrictions of present-day photography, at least art of him will finally be perma- nently outside the camera lines! Homer Croy, Author, IS a Humorist HOMER CROY has tola something about himself. Recently he admit- the anonymous story, the Water Tower,” which Paramount ple- ture with Glenn Hunter the star. Now he is admitting other things His first serlous work, “West of the Water Tower,” resulted in a gen- eral demand for Information of a more personal nature, so he wrote to his publishers as follows “I have received your letter asking me to tell you something about m self. I am glad that I have so If -an do this. However, I don't s it's going to help ‘matters. ather my readers thought I was great and wonderful heing with nd god s instead of ju n ordinary individual subject to co! he head. But _if you want I am forty years old. I rried and have two children f cach. 1 hate to do chores around the house. The knob has been off our sitting room door since May. Last week 1 set up ambition nto fix it, but could not find the screwdriver. “What probably I hate to do worst of all is to carry up the ashes. 1 have two cans, and when they are full 1 throw the ashes against the wall Then my wife comes down—the next morning I carry the cans out. “I hate to wash the car, and at the garage In our town it costs $2. 1 promise my wife that 1 will wash it, then put it off unil she is ashamed to in it. It alway When we go v 5 back in the wrong chair ose to 200. When company comes to us I always crack the same joke am a poor carver. I hate to carve worse than anything else I know. My ideal of a meat for company is liver. But we have it only when we are alone and eat in the kitchen, Yours, etc., HOMER CROY _— Martin Faust, well known character . has the colorful role of Spike vie in Allan Dwan's production “Big Brothe! dapted by Paul Sloane from Kex Brach's stor ted writing West of to risk’ it herc m TOMORROIW d RENEE AL STRUG. AND 2105 Pa. Ave. Phone W. 953. Ample Parking Space. BERNARD, ALE; RR RDON, “'POTASH cma_ You St. Bet. 14th & 15th TODAY AND TOMORROW v CARR POTASH AN VERLMUTTER R. L Ave. AMERICAN I DREE LAFAY: EIGHTON HALE, THE DAYS OF DAN- Episode 4. North Cap. a REX BEACH with MILTC SON. ROBERT ED! LIBERTY 1L RN ATS0" donEDY, PRINCESS :t?n',! Stearos, “THE_THREE AGES. Y. HIPPODROME °3% % 4% All-star cast, in “PENROD AND SAM. & N. C. Ave. B.E. CAROLINA 98705 Ariitox TULLY'S “TRILBY,” with ANDREE LAFAYETTE. 6th & C Sts. N.E. NEW STANTON °8.# 20" T GLORIA SWANSON in “Bluebeard’s 8th Wife” A Paramount Super-spectal. MBARTON 1340 Wisconsin Ave, DU MARY MILES M TER, in “THE TRAIL OF THE LONE- SOME_PIN] TRUXTON *i&Ave == ¥. Ca ROBE! N. 1o n{"gssfllfi"d'l' PARTNER.” Comedy, “THE RAINSTORM.™ u‘r J14th Street and R. 1. Ave. E ELAINE HAMMERSTEIN and BERT LYTELL, in “RUPERT OF HENTZAU." OMORROW AND TUESDAY—TOM MIX. £ LONE STAR RANGER." and S “QOLLARD, in “WHERE CRAND ALL'S TETROFOLITAN F_Street et u!"n‘ k—HAROLD LLO =iy S WHY WORKY." Added hits and special music. mDAu’s A.IA.BIADOR TOP“E"‘I"ERG‘.““I’I “DON'T MARRY F‘Oll MONEY. " NomowW_ KENNSTH D TOMO! —] TOPARLAN, 1 “THE BROKEN WING." And__*Our Gang” Comedy, “LODGE CmD ALL'S Theater.SthaESs, TODAY AND TOMOR- ROW — ROCKLIFFB_FELLOWES, in STRIFLING WITH HONOR." CRANDALL'S *Avoy rueawen 14th and Col. Rd. MATS. 2 P_!( DAILY, 8 P.M. SUNDAY. TOMORROW—ENID BEN “STRANGERS OF THE CRANDA”'S AVENUE GRAND 645 Pa. Ave. S.E. MATS. 2 P.M. DAILY, 8 P.M. SUNDAY. TODAY AND TOMORRO D BEN- T, in “STRANGERS OF THE T o Theater Garden tinee Satus TopAY " AND S TOMORROW — POLA EGRI, “THE CHEAT.” ~ And CRAND" L Ym\x THEATER Ga.Ave.&QuebecSt. MATINEE SATURDAY, 2 P.M. TODAY TOMORROW—MAR MUR- RAY, RENCH DOLL." RAPHAE O St. N.W. TODAY and TOMORROW, matines _toda: .m.—ANDREE LA: FAYETTE, in ILBY." RICHARD WALTON ' TULLY'S version of GEO. DU MAURIER'S (amous novel. Cast fn. cludes ARTHUR EDMUND CRYTOHTON HALD and. OERTHUDE in OLMSTEAD. 15th amd Cal. St. N.W. CECIL B, DE MILLE'S duction “ADAM'S RIB" with MILTON SILLS, ELLIOTT DEXTER, ANNA Q. NILLSON and others. the | one | Plenty Paramount Pictures. DFESPITE the sensatlonal storfes printed recently about the cur- tallment of producing activitles by the Famous Players-Lasky Corpora- tlon, motion picture patrons need have no fear that there will be lack of film entertainment this winter. Inquiry at producers’ offices In W York shows that nearly all the companies have a large number of pictures already made and ready for release. The Famous Players-Lasky Corporation this week announced in de papers that it had pictures al- ady produced or nearing completion ould carry them through n their regular releasing edule of one picture a week. ade plain that thero 1k in the releasing rch 1, as the read- has already begun tudios, It {8 un upply after Marc ming Para- 1 this week ALTHOUGH nearly every woman longs for the slim, graceful figure which will enable her to wear mas- cullne attire becomingly, it Is a fact well recogmized by artlsts and mo- distes that very few women really look well in men's clothe Maude Adams und Marie Doro have been notable stage exceptions. Both were the lucky p sors of straight, slender forms which look quite as well in mannish garb as in the frills and rufes of femininity, Now es Marion Davics in the role of ¢, in_the Cosmopolitan plc- D Tk e who saw Miss Davies as Prin- ool o e o e [0 ] 0 [ [ 0] 3,5,7,9 P.M. Week Days— 11,1,3,5,7,9P.M. JIIIIIIIIIIllllllllllllllllllll T | Zane 1 production ac- [ by Alfred theaters | & Joseph Sl’le BOYS. | signed the | boy in this new production. inoludes: “The Light That Failed,” a George Melford productic is | Children’s Chlldren,” Sam "Wood's production of Arthur Train's novel; “Stephen Steps Out,” Douglas Falr- banks, jr's, first pleture; « special | travel production, Around the World | In the Speejacks”; Willlam S. Hart, in Wild Bill Hickok”; a James Cruze production, “To the Ladies”; A | ¢ production, “The | n"; “Big Brothe I “Hollday | Hu West of wer I'nlu. Negri, in produced by Herbert | Branon: Zune Grey production, | “The Herltage of the Desert,” direct- ed by Irvin Willat; “Flaming Bar- riers” a Melford production; Glor! Swanwson, in The Humming Bird," directed by Sidney Oleott; Thomas Melghan, n “Pied Plper Malone,” a Booth Tarkington original, directed en; ““Th ‘ilr.lln.’“l' ¥ abery prod | . in “Singer A | orner,” i Bum Wood |cess ¢ Tudor when she pluckily donne the disguis of Brandon's young brother and fought a sword duel with kome ruffians tn “When | Knighthood Was In Flower,” will not | wonder that she makes a bewlitchin As “Pa! she wears the costume of a New York | boy of a century ago, when graceful- 1y flowing capes and ruffed shirts | kave a little more color and variety | [to mens attire than in the present | practical age. She wears her blond coming short bob, | Oleott direc “Little Old | rk.” who de- Knight- hood,” s sets for “Little Old | EEEEEEE:—EEEEEEEE From the Great American Novel and Play By Owen Wister A STORY OF THE DAYS WHEN LIFE WAS ADVENTURE AND ROMANCE WAS REAL KENNETH HARLAN, FLORENCE VIDOR— and a Notable Cast ONE WEEK—STARTING TODAY PRESIDENT Penna. Ave. at 11th IN APPRECIATION OF YOUR LOYAL SUPPORT THERE WILL BE NO RAISE IN PRICES AMONG _THE THOUSANDS OF MOTION PICTURES PRODUCED, LEVEL OF GOOD PICTURES, BUT FEW REACH THE PINNACLE OF GREATNESS. MANY RISE TO THE HEN THE LIGHTS ARE LOWERED | services as a scout, and asked as his lone reward to be allowed to shake the | Miss Swanson ¢ | Holly wood. | Californfa some time A_Touch;ng Scene. ! have been a schoolmate of Abra- ham Lincoln surely was some- thing of which to be proud. That was the boast of Belie Hickok, mother of James Butler Hickok, who, known as Wild Blll," was the greatest two- gun man of the old west. After the civil war Hickok refused a handsome renumeration for his hand of Abraham Lincoln. At the White House he was presented to the chief executlve by Gen. Sheridan. Hickok drew from his pocket his most cherished possession, a daguer- rotype of Lincoln as & young man and Belle Hickok standing side by slde. The picture brought a warm smile to the kindly President's face. The moment is one of the most touching scenes in “Wild Bill Hic- kok,” which Willlam S. Hart has pro- duced for Paramount release. TO LI.VC x'n New YOP‘(. PARAMOUNT stars seem to be drift- ing eastward. It looks signifi- cant. Gloria Swanson plans to make her home in the east in the future. She nted her beautiful home in a year and expects o main in New York indefinitely. This fact became known recently when nfided to friends that s desired a c e and would make York her home “I have been In Los Angeles almost continuously since 1916, sald Miss Swanson, “and I think it is about time I changed homes, don't you? When I was a child I traveled a great deal, and it is hard for me to stay in one place long. 1 need a_change of climate. I find that New York gives one such a wider and more diversified viewpoint than Hollywood, that it is a great help to me {n my work, “Then, too, there are the theaters, the opera, concerts, museums and all the things that one needs in one's work. These you cannot get in Perhaps 1 may return to in the future, but for the pregent Tam content to remain in New York i IlllllIIIHIIIIIIIIIIIIIIIIIIIIIIIIIIIlIIlIIIIIIllllllllllllIlIlIIIIIIIIIII|IIHIIIIIIIIIiIIlIIlIIIIIlIlI POPULAR | PRICES— i 40 and 55 Cents, B/ Incl. Tax the ville an an o= T Av I. T L e T L T FEATUII! STARTS TODAY, 3 AT THE RIALTO TO- DAY, THERE WILL UNFOLD ON THE SCREEN A TRULY GREAT PHOTOPLAY. THE STORY BORN OF THE BRAIN OF RIDA JOHNSON YOUNG, THE SETTINGS CREATED BY JOSEPH URBAN; THE LEADING CHAR- ACTERS LIVED BY MARION DAVIES AND A SUPERB CAST. THIS OF- FERING IS REPLETE WITH ARTIS- TRY AND, INDEED, MARKS A NEW . ERA IN MOTION PICTURE PRO- ORCHESTRA DIRECTION GEORGE WILD RIALTO ™ 00, 5:00, 7:00, 9:00 P. M.—DOORS OPEN 2 P. M. DAILY, 11:00 A. M., 1:00, 3:00, 5:00, 7:00 AND 9:00 P. M. SR R R : gnmmmmmmnmmmnnmmmmmnnmmnmnnmnnmnnnmmmmumummmuu HHHHHHHHHHHH"HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH= sl Ir EIIIII||I||IIIII|HIII|IIIIIIIIIII WITHIN three years the Amerfcan public has paid more than $5.- | 000,000 to Florenz Ziegfeld to see one of his productions, and that produc- tion mot ally,” with Marilyn Mille Errol, American stage people. Broadway Florenz child and he has denfed it nothing in three ye Marilyn n, has been on the years of member of a family appearing in vaude. called. o clothes ances. @ natural dancer. n she ted to costardom with rol in * Leon F actor, auth man, allaround QT ez ee AMUSEMENTS. Florenz's Own Favorite. rports. Afternoon teas i one of (e comedian’s div During the 1 ship series Mr. taxied ¢ betwen » v York, wh to root and Mrs. the famous “Follie nd Leon two of the most scintillant of | a4 pereo sho six big-tim sketches; made a knows Ziegfeld's that “Sally” 13 | produced favorit, brain s i s of fts Miller, 11k promi trait, for his lik noted seulpto hed over four M. Co- ince four | was 2 orE stage age. Like him The Columb Like him, s basket between From a tiny tot Mari When barely ed premi The 1 the during the threc 1y was a fe re in feld “Follie Leon Er- ducer, 1 frst rank, pat aviator, golfer of athlete and “Apri ——CRANDALL’ METROPOLITA F ST. AT TENTH Today Doors Open at 2:30—Daily 10:30 A. M. to 11 P. M. P&~ SECOND WEEK 8% Hal Roach Presents [ o roch s | AROLD LLOYD Supported by Jobyna Ralston and Nine Feet of Giant in Siz Reels of Hysterica HY WORRY Funnier Than “Grandma’s Boy’ and as Thrilling as “Safety Last” EMBRO!DERV* KLEINSCHMIDT'S FAR NORTH ADVENTURES vaclty-—"l'hrfl Old Gang of Mine.” Joe Griffiths, Tenor WORLD SURVEY OVERTURE—"“ZAMPA” (HEROLD) CLASSICAL JAZZ—*“SOUTH SEA EYES™ DANIEL BREESKIN CONDUCTING WASHINGTON'S FINEST ORCHESTRA CRANDALL’S AMBASSADOR | 18th ST. AND COL. RD.—8— MATINEES SUNDAY AND SATURDAY 'ODAY — MONDAY: Ezhibitors’ Film Exchange Presents HOUSE PETERS mmu by Rubye De Remer, Oyril chadwlck Geo. Niohols, Wedgewood Nowell ‘z‘;‘:mx”?) btl Cu M dad HWM Artistie Domestic DramGe— Premiere esontation DON'T MARRY FOR MONEY VARIED ADDED ATTRACTIONS OVERTURE—“THE MAGIC FLUTE” (MOZART) Ambassador Grand Orchestra, Balley F. Alart, Conductor —_—— %7 7 LT Oomdueter Taes.-Wed —MAE MARSH IN D. W. GRIFFITH'S “THE WHITE ROSE” Desoripttve Fantasia, “The Evolutiom of Divie” —_— e e Thar.-Fri—STAR CAST IN “RUGGLES OF RED GAP” Maok Semnett’s “One Oylinder Love” Belections From ~Franted* (Bafley F. Alart) —_— T T = iy B Alart) Saturday—VIOLA DANA IN “THE SOCIAL CODE” Harry Pollard in “The Walkout” Pathe Review—Selections From “Adrienne” ORIGINAL Bost Beantiral Theater_|[[IIITIINIHININIIL CRANDALL’S [ CENTRAL ||[c ~—NINTH BET. D & Today—Mon.—Tuss.—Wed. KENNETH HARLAN MIRIAM COOPER With Walter Long, Miss Du Pont and Star Cast in Tom Formaws Fine Film Version of the Famous Stage Success by Paul Dickey amd Ohas. ‘W. Goddard, THE BROKEN WING BXTRA O'R GANG N LOGIE NIGHT * KINOGRAMS Thurs—Pri—gat. Bupported by Carol Demp- ater and lvor Novello in D. W. Grifiti’s Latest Produc- tion, The WHITE ROSE ADDED Kinograms W. E. Thompson's Popular Organ Recitals CRANDALL'S NINTH AND E— Today—Mon.—Tues. ROCKLIFFE FELLOWES With Admirable Support in TRIFLING WITH HONOR Adesop Fadle “Farmer Alfalfa’s Pet Cat¥ Wed.—Thur: RUTH STONEHOUSE And _a Distinguished Ensemble in LIGHTS ouT Charlie Murray in “Wild and Wicked” Fri—Sat. BULL MONTAKA In Hunt Stromberg's Comedy Hit, BREAKING INTO SOCIETY Ned Sparks and Harry Tighe in “Easter Bomnots” Pathe Review T eecemmaeemmr mrmeeemn TTTT midalr raions. Philadelp re the game eriesy tage most of the t -hour performaner n into his ow 2 home He M I s e 22 Howse orwecninine T vreemimence || I R T ST Iit LA ILL O 1 i L OO il I Al