Evening Star Newspaper, March 19, 1922, Page 56

-'AMUSEMENTS 'HE Attractions|Photo Plays . This Weelk: (Continued from Third Page.) = and will, no doubt, please lovers of thrill serials. SU C ] AL—"The i | Yutes_in “Between Dances,” Abbot NATION Gold n‘"_"" | ana“White in songs and piano ‘selec- 3 David Belasco's latest production of | tions, Van and Vernon in “A Peach “The Gold Diggers” a tomedy by and a Stew” and the Four Bonisettis Avery Hopwood, will be presented at |0, ®ensational athletics. the Natlonal Theater next week, open- | The added matinee feature will picture Gladys Walton in “The Wise Monday night. March 27, follow- | Kid,” a first-run Upiversal picture, i I oy O s vaers ut|and the film ‘laughmaker will be Lyric.. ccum Theuter, New York. “The | supplied by Al £t John in “Studio| Toduy and tomorrow, Louisg Glaum Giold Diggers” has been declared a|Rube,” a Fox production. and Mahlop Hamilton, in “Greater worthy suc or to the Belas 1 Than Love"; Tuesday and Wednea- day. Wil Roge in “Doubling for Romeo”; Thursday, Miss Dupont, in “Shattered Dreams”: Friday, William 8. Hart, in “Prima} Lure,” and Batur- edy triumph, “The Boomerang, Iy with a Past,” “Daddies” and “Call - the Doctor.” Among the players in STRAND—L. Wolfe Gilbert. | Next week at the Strand Theater | three headline acts will feature the % g % ‘e McRae, H. Rooves .é'.’;n?.“.‘\;Jn-f.fié‘“’\/fl.‘.i'fié..m .llfmvnalsu»s composer L. Wolfe Gilbert (and | day, Frank Mayo, in “Across the Howland, Beverly. \est. Theodore company), “The Author of a Thou-| Deadline.” = Babcoek, Ruth Terry and Cora Wil- | sand Song Hits.” in person, with R. b ? Tiams. Riley at the piano, and asisted by New. 3 - Fritzic Leston; Ethel Jflllr:nu'fi":nd, L : a , | company in “Dance gina oduy and tomorrow, William Des- _B. F. KEITH'S—Daphne Pollard. | 35 " sexter of charming dancers, | mond in “Flahting Mad~ and: Harerd Next week at B. F. Keith's Theater and Marie Russell and Bambo, in “At| Licyd in “Pinched”; Tuesday, Marie the bill will comprise Duphne Pollard the Cabin Door.” by Blanche Merrill. | Prevost In “The Parislan Scandal”; the London comedienne: Doc. Baker Others will inciude Will und Blondy, | Wednesday, Johnnie Walker in in. “Flushes™, Vaughn Comfort, the eccentric athletics, and Brown and Jolt": Thursday, Buck Jones Bar American tenor; Elsa Ryan in “Peg|Elaine in a comedy, song and dance[Nothing”: Friday. Corinne Grffith in for Short;” the Hedegus sisters: the number, “The Fatai Wedding Day.” | “Single Track,” and - Saturday, all- Runaway Four; Bronson and Iid-, Shown for the first time in Wash-{comedy nighi wards, and the Clown Seal ing, Pola Negri in “The Red Peh-] | cock,” will be the photoplay feature. | Olympic o4 Aad | =i i) COSM0S—"Cave Man Love. GAYETY—“Garden Frolics.” Today and tomorrow, Pearl White, Richard Bartlett and a talented | in “A" Virgin Paradise” Matinee, § company_of six will bring to the! To the Gayety next week, starting Tuesday, Alice Brady a mos Theater next week @ musical Sunday, March 26, lrons and Clamage | George Fawcett, in “Hysh Money' novelty in five scenes called by the | bring an eluborately staked and cos- | Ha) Hoach's “Zero Hour, and Kineto Sensational name. “Cave Man Love. | tumed production. “Garden Frolics.” ! review; Wednesday, Clara Kimball Which nevertheless 1€ an enjovable | Heading the cast is Danny Murphy.|Young, in “What No Man Knows' and thoroughly harwless production | comedian, who is sypported by the “Silent Years,” with Rose ¢ in the following episodes: ‘“The Pres- | serpentine dancer, Vearl Hamilton, pline Starke and Tully ent” “in Medieval Times, and a chorus of beauty. An added ; ‘Annette Kellepmans fn “Art attraction will be E¢ Holder's trick | i Aucient Egypi.” “Pre-Historic Times" | i of High Diving" und an edugational and “The Awakenin, It is replete | mule, who defies all, riders. A fea-i(im, “Bees—How They Live and With entertaining cemedy and is|ture plcture, vaudeville and Short-i\Work": Friday, Agnes Ayres, In "The beautifully presented. | subject rcleases will be other atirac-| Lane That Had No Turning”; Bobb. Others will include our and | tiong Vernon. in “Fresh From the Farm' j Saturd Max Linder, in “Be My " Master Film for Local Debut. ™ .. "~ - . Today and tomorrow, Charles R NTRAC s announced drama. “The Two Orphans” that had @ jin “R. S. V. P."; Tuesday, Loy De Kay, ) SONTRACE has et heuter | half century of success. The Griffith | “Sin< of the World"s Wednesdu by which M to Theater gl (5 aid to utilize every bit of dra- [ Edyth Sterling, in “A "Daughter of obtains the big D. W. fiith.picture, |y, action in the play and d‘dpplur)"u the "\}Vwfll : Thurse vuo::"m l)a\'llln‘. “Qrphans of the § for exclusive | it against a_titanid barkground—the | in “Enchantment”; ¥riday, Puuline "m,, :-L; time during the week be- | Fremeh revolution. - - Starke. in “Silent Years,” and Satur- inning Sunday. March 2. in all For the first time since the “Birth|day, Anita Stewart, in “Play(lings of of @ Nation” the two Gish sisters ap- ! Destiny pear in one film, as the two orphans, | Other players include the magnet - Jeseph Schildkraut, star of “Liliom”: Monte Blue, Frank Losee, Hheldon s o Lewis, Creighton Hale, Kate HBruce|Hart, in “AVhite Oak,” and Harry und other GriMith sclections. Pollard, in “The Bow Wows"; Tues- The big feature of the production,iday and Wednesday, Betty Compson; cutsoide the heart interest, {8 theiin “The Law and the Woman"; {remendous scope of the reign of ter- | Thursday, Pola Negri, in “The Last ror portrayal. The last half of the| Payment” and Mack Sennett's “The filn 'is described as “a soul-rousing | Duck Hunter": Friday. Sessue Ha- whirl of acuyte suspense. vakawa, in “Five Days to Live,” and | Gaylord Lloyd. im “Dodge Your Debts"; Saturday, Viola Dana, in “The ourteenth Lover,” and Jimmy Au- in “The Messenger. probability. “Orphans of the Storm’ is déclured the latest trivmph of the genius who produced “The Birth of « Nation.”| Intolerance,” “Broken Blossom: ‘Way Down S| The picture booked as a strictly “hig-time” propo- | ion. The reception given it in Bos- on. Chicago. Cleveland. Detroit, Pitisburgh and other large cities, it/ s sald, was an echo of the praise, given it in New York. It is based on the stirring melo- Experts to Film “Blood and Sand.” Today and William 5. THE collaboration of an interesting rector Fred Niblo for the purpose. . Truxton. = ¢ t cérng thidel wM Muthis, it will be recalled.} Toduy und tomorrow, Florence 3 sTOUD Of experts. covering adapted Senor Ihaner's “The Four | Reed, in “The Black Panthers Cub. - ’ (¢ phases of the story. is an-|Horsemen of the Apocalypse.” Four | and surprise tonight: Tuesday, Alma months she worked with the noted continental author and is considered as knowing more than probably any ! other living person as to his individ- ual thoughts and psychology. Reubens, in “The Firefly of Tough Luck”; also Joe Martin. in “The Monkey Schoolmaster”: Wednesday, Prevost, in "Don't Get Per- also comed Thursday. 1 with the forth- ng production of “Blood and Sund.” the Spanish novel by Vicente Blasco Ibanez, which will be the ini- sonal”; modern Spain. later delivering na " |tures on his findings. Even before his I pLte to handle “Blood und Sand.” lent _to D blo was in demand as a tech- | = espert for all pictures requir- D~ NEXT WEEK —9g MOORE'S RIALTO DWGRIFEITHS at 2:30 p.m. York, ! azimova and Kudulph Val- entin, ‘Cumille” ille’s “Saturday ilent Years.” an Fred Niblo and Alvin Wyc manen: member of Cecil k company, who has becn off. a per- ¥ . cinematographer, photugraphed Cecil B. De Mille's ver- - great Spanish story. “Car. ture which at its time was considered to mark & nmew epoch in lavish and accurate photo presenta- tion. Mr. Wyckoff is considered to ex- cel in his minute knowledge of how to light and photograph massive panish sets in order to preserve to he full the wonderfully colorful at- {mosphere of thut strange country of h les and bull fights. Harry Pollard, in he Bow Wows": Wednesday. “Dan- gerous Li and Mack Sennett's “The Duck Hunter”: Thursday Avres. in “The- Lane That Turning riday, Wanda Hawley, in “Too Mu and Jimmy Aubrey in “The Applicant”: Saturday, - liam Desmond, in “Fighting Mad.” Excellent Orchestra- '1;' Kept in Trim N MIRSKEY will return as ductor of the ROAD ATTRACTION Cleo Desmond othw Gl orchestra. at | the reope !lhll week. Mr. Mirskey in the short epace of a few months developed the Metropolitan orchestra into one of tras in the country and won favorable comment in the foremost musical publications upon the excellence of Andrew BiSIIOP iris organization and the skill with —IN— which it interprets the scene pletured “THE STORM?” | “Iaving no ‘mind whatever to sac fice all tha: had bcen gained durin MAT., TUES.. THURS. & BAT. by e 526 : 8 ithe period of enforced inactivity wt Mat. 25 35e; Night. B5c, 35e. e Metropolitan, owing to the fempo- o | ry closing of the theater by THE DUNBA 1 D Commissioners, Mr. Mirskey S0 e e ;)"nr (\.! ;‘.‘ erchestra intact und hus s s 5. i required « members to report foi bl 3 5 The Journey’s End' ALL SEAYS ..._<RVED ¥ NOW ON SALE — PRICES — Matiure —Orehestra. 55 : Box. Night—Orchestra, Box, $1.09 War Taz Additional —— idally reheaveal 7 7 ing that period not a member of the organization failed to report without first having secured Mr. Mirskey's permission to be excused for adequate reason. The result is that when the Metropolitan reopens the orchestra will betray no diminution of esprit de corps, finieh or individual and en- semble proficiency. Dorothy Dalton. DOHO‘TH’Y DALTON was born in Chicsgo, 11, September 23. 1593. She was educated in the Sacred Heart Academy, Chicago. " ZunBELASCO THEATRE mm ?;g;nning This .'fiftgr{"l‘ébnfal 3P. Specially Engaged for Shubert Vaudeville | Direct from a Year's Engagement at the Gaiety ! Theater, London, and Shubert Theater, New York support of Virginia Harned stock company. later playing in Huntington. Later, seasons in vaudevilic. Then she joined the Thomas H. Ince Picture Company. “The Price Mark" and “Love Letters” were among the pictures she made for Ince. In December, 1919, she signed a con- tract with the Famous Players-Lasky { Corporation, her firat picture being James M. Barrie's “Half an Hour." she spent two A LONDON FOLLIES - s Produced by ALBERT DE COURVILLE HEADED BY { EDITH KELLY GoOULD AND A HOST OF —London’s Greatest Revue Stars— . INCLUDING - - MAISIE GAY—— ington Side Tri lectric _cars legve and Le W.. on the howr. tnaylvanis Bupning time 50 non open daily except S % HINGTON-VIBGINIA RATLWAY DANCING GLADYSE WILBUR, @ Dupont circle (Dupont Ktudlo). Ph.Fr.1435-W. Baliroom and fancy dancing. Children's clasges fancy dances. Ballroom danciog, clases every Wedseuday ; night. T |Wfivnfifx‘u‘mscw‘c"&:usu t steps. Miller's, I = Latest stops. | Millee's, 1238 Coan. “av PROF.. AND MES. ACHER'S 8TUDIO. 1127 -w, Class Monday and'Friday, 5 1o Private lessons by appolntment, orth G786 __Establighed 1900, 21+ = CATHERINE BALLE. Fr. 6506, will teach you lessons, 934 produce results, 53 ———A8 WELL AS A SOORE OF— o Ty FAMOUS GAIETY GIRLS .t LERGY H. THAVER B e = it = CHARMERS AN ENGLISH NOVELTY REVUE NOTE :—Despite the fact that “Pins and Needles” has been playing in New York at a. $3.00 admis- sion scale, the regular Shubert Vaudeville prices will be maintained for this engagement. “ALWAYS A $3.00 SHOW FOR A DOLLAR” MATS AT THESE BARGAIN PRICES NIGHTS Bbour. Seperate studice (Excopt, on 38 | Glase Haluve. Tanirastions 4od Gancing. & 1o 13 Saturday. Private classes instructed form your own claes - TOB DANCING CLASS, Wanfed—10 g ladies to join the special v i il Information, cul! W. _Dupont Studio. 8 Dupont ecir. tment, lessons by appol dai la: ns Thus 'ym “h‘lhl’l‘ ne s 0 evening, Joi Shone. Main_ 5080, e Jack Hoffman aad Lillian Hoskins, " Formerly Mrs, H. L. Holt 1141 Conn. Ballroom and all branches of e. sl dancl correctly taught. Classes £ ehildren-and adotta.. r. 03, o Sunday and Helldays.) sous. by appoin v The | i H | | & of the F street house ; how they will look if they adopt the bizarre style. Mins Heie “The O'Brizn charming creations, and It was of in- terest to note that her skirts were very thort. of delicate orchid chiffon, strangely, the finest permanent theater orghes- | | | = graduation began her stage career in: in a | | Gordon Balireom, 10th aud Eye Sts. .| sourceful n e N elosed the mortgage, U , foreclo: 5 :;llocl‘:lrolne on the front of a speeding locomotive, stolen pennies from the baby’s bank. hung ‘em by ‘Coun. ave. 4 With delight at hearing th . 3 < Gown of Invender chiffon, ribbon- trimmed, worn in *The O’Srien Girl.” BY ELINOR DE WITT EBY. HE pust week marked the presen- | tation of “The O'Brien Girl,” onel { with claborate scenic effecis and well jarianged musi {made it especially appealing to those | {ln(erclltd in fashions. Sinee the scene wus luid at un ex- clusive summer resort in the Adiron- dacks. with the numerous chorus girls representing the guests. it ix easy to| imagine riding habits, and sports apparel of ewery descri tion, summery frocks of organdy and i georgette, Indian costum: ing wraps and ball gowns, In the! act the girls uppeared in tuffetu flower-trimmed fluffy white crinolines, dd-effect of & hooped cape wus g As Paris fashion experts are now | Leon- ! introducing bouffant taffeta wraps for | street wear Crandall's Metropolitan Theater upon | fhe GUiSioe, Follow Rembrandt’s Footsteps. cd their immortal materpicces ©f they little dreamed they were to play throughout the foyr | an important part in the development weeks the house hae been dark. “Dur- {of another great art which was to arise hundreds of years later. Nevertheless, the old masters of the brush and pallette have exerted and {are constantly exerting a powerful in- | N0t Play an important part. {fluence on the art of the motion pic- qure. Progressive producers, recog- nizing true artistio values ing to the painters of the past for {lessone in_composition, grouping and lighting of screen scene pioners in t has come to be known as “Rem- brandt lighting.” stantly making use of the works of | 4nd upon j famous painters in watters of group- ing and composition At the time whe enue ( experimenting with roles, with Hart Conway and Wright ; the assistance of Alvin Wyckoff, his chief cinematographer. ture photography was flat; every cor- ner of the picture was flooded With the same degree of light. Following in the footsteps of the famous Dutch painter, Wyckoff attempted to high light one side of a other side remained in deep shadow. Critics of that day prophesied that | their efforts WO:dldflPEk!““ |ln fflf“ll‘r‘ 'lhcl ky :!ud,(lohre;elrch dzp{arlmenl. Sh A . T }l = |dld_\' But they succeedes n spite o - | Is intrusted wi the task of enlarg- ;. ancer. versecriticism. _ Today _“Rembrandt | ing this collection and superintend- owsAmEnIcan s iecanigne lighting” is a feature of all Cecil B. H OILIN(.;v the villain. thus registering sters hiss me with unrestrained a triumph of virtue over mean- { feature of drama, both on the stage in that category. ind screen. Naturally, in order to present new | W; ways fo be “foiled” the villain must ill Reissue Old invent new ways {o be mean. As an Clagence Burton, in Paramount pic-|the best pictures of two and three tures, i In eleven years he has “villaine 287 different pictures. has been in “The Ordeal, Aives picture. in which he makes| ives ::le‘:sl;‘:tlew her crippled sister and, Dance, Phrows her brother out of the house.| band, prosaic way 'stunte calculated to irritage i:? :;d‘er the hero of the motien pictures concerned. “How fine A character of the opposite players ap- pears in contrast to _the meanness of i illain! r‘e‘:o!zad ‘scores of letters asking, for instance, if I really in ‘Forbidden Fruit. instincts of kindnese and tendernéss within them, dormant, perhaps, but brought ~out quickly when™ the op- | was Hirected by “1I'vé gat in audiences and grinned |jole, and “Behold My Wif 1922—PART 3 MARCH_ 19, Hanrny pub] tan Theater. carefully short, ing. the Commission; ing committee tion in regard Crandall for the authorities, === Tuesday, | | SORG ’ maurice (¢ Thomas J. 3 R computed; every A MUSEMENTS. Crandall’s Metropolitan. to Insure Its Safety.’ what has transpired during the period of darkness of Crandall's Metropoli- It is declared that no theater has ever been subjected to a more rigid |tions as the Commissioners desired. series of examinations than the Met- ropolitan has successfully undergone. It has been checked and rechecked |theater architect, the suspension of by District, Army, Navy and civi engineers; every steel stress has been dead and live load borne by any part of the structure figured; beam bearing has been uncovered:; | every bolt has had u wrench every rivet a hammer. has been could’in any way have even a remote | bearing upon the safety of the build- Teft £,0n Februars 13, the statement setsi {forth, the Metropolitun was inspected | designed 10 carre by the committee of five appointed by | ar. bl ers. made no recommenda- | {he symmetry of the s to the Theater beyond the advisability of a | complete and thorough 1of the steel stresses and dead load ‘This work, at the time, wax practical- | Iy finished by the engineers who ten | ¥s before hndhheen employed by Mr. that express purpose. | The results of Mr. Crandail's privats | oog survey were at once communicated to . who FITZMAURICE, Mrs. Fitz- at Bergere) Ouida Geragl turned to the United States from the every Friday, Februa | 24, eleven -davs after the first exan | ination of the building. Command: George A. McKay, engineer, made an behalf of the District, and thereaft {devoted his time to such comput At the suggestion of Commands McKay, and under the personal « an | the ceiling of the theater was tran ferred from the concrete roof slab steel framing at the same time w {reinforced to bear the added 1 truss and|with o maintained safety factor four—that is, sufficient strength w Why It Was Closed and What Has Been Done M. CRANDALL huas made in the building, but made no dcfinits a statement of exactly | fecommendations. ey o1 United States Nay investigation on o1 u pervision of Thomas Lamb, a leading to the steel structure of the roof. The as d ul on it finsured to bear four G d our times the actu; Nothing. in|joad wi b undone that ;o,“t"‘ out reaching the breaking | balcony be strengthened to bear of the 1,200 pounds it was original This was don columns in 1 back of the main auditorium, whe Metropolitan | previously been impaired. The completion of the work nece sarily entailed the need of replast. ing, redecoration and other contrii tory tasks, such as complete rens computation ings, etc., the | bouse. Although the Metropolitan has be all of which required tis continued closing of 1 private made |the desirable improvements been 1 fknown to Mr. Crandall at once necessary work could have been oo pleted within « comparatively 1. 1. the second the Columbix. and SWeetheart o and. e Right he is the herg . Alice Terry, in All in the same wes hty have re-lig0, known | closed four we. i 4 their wish to have the findings cor- e e . bl roborated by another committee rep- resenting the District. _ February District committee spent some time da FILMOGRAMS It was further suggested that the load of 1,600 pounds per seat instead Mr. Crandall’s order. 10 make assur February 18 the ance doubly sure, house, with six others, was ordered | situied the ereetipn ot closed. The reports of the investigat- | ough it nece 1 ucture had not tion, the la¥ing of new floor cover [ Paramount London studio, where! Gloria Swanson, it is announced }l:' bt 1 |2POUL 10 put the Queen of Kheta «ii / j they en for several monihs of the sartorial spotlight with g imaking Paramount pictures. Mr. | Beous gowns in her new pictu. g | Ghosts { will soon start Mins Marion Saki's frock of red i mount picture, | fetn and silver lace worn at the Na- tional. line worn at Jeith's, iris. | Alec 1 ‘ | but nevertheless effectively trimmed brilliants which served to set off the {whose spe with bright scarlet picot-edged rib-|coiffure of bobbing brown curls 1o sorts, bons. The bodice was made in & especial advantage. quaint basque fashion., with chiffon Miss Marfon Saki. a father in m piquant littie | Danicls-Jack tial Rudolph Valentino starring ve- m:‘:‘_"fgfl:“!:;,‘;’;":_“";i';,f,‘.f:fi: heiwics Mauriee . Do i dhially nighi, [0f the best musical comedles of the, folds covering a satin foundation. The | dancer in the sume piay. apbeared in fmount picture hicle. for a large portion of one yvear he| Friday and Suturday, all comedy, und | 5€8%0n. at the National. It was in|large « ll::rzh:‘.trén‘::"c-hn; ;crfiu"\?-fi‘:‘:‘::ogg:fufhg“»t:‘h”'n T According o The individuals are Juns Mathis, lived and traveled in every section of | “Adventures of Tarzan, ati- way a beautiful production. made of white crepe to give further | as piauant and dashing as the wearer. | from the co of red taffeta combined with {lace and white chiffon. Silver r fustened the trim Peter Fan c silver lace at the front. and ribbons tied around the hips t a low waist-line effect. Little silver bows also appeared at the top of euch | diminutive lace sleeve which pro- | truded from the straps of the red silk The vanel at the front had a of silver luce. over bung flounces of white chiffon in silver threads. Miss Saki's smail hat was of red taffeta. with liny pompons dotted around the brim, and a bow of silver ribbon was added at the back as the only trimming. “Tri Miss Florence Reed appeared ai|chased by Keith's during the week i an amusing tabloid comedy of French court life of the reign of Louis XIV.: | Her costume. therefore. possesses all | direct | the elegance of that period. There ix | Ilack & tightly fitting bodice of shimmering | TOVel silver-green cloth. scalloped at thej -, lower edge. and a voluminous crino- line of pink chiffon with panels of silver lace. Silver rose garlands pear among the folds of drape add an effective trimming for skirt. while a single pink rose placed on the corsage. sitver | role Whons | and llar of ftino wi other | Fred IMay McAvoy w but it w te touch of color contrast to the gown. The slecves would have been long had not s slash been made so that the lower pait of each hung in a grace- { fully draped panel at the side of the arme. A lacing of red ribbons appearsd from the shoulder of each sleeve, und ter- | mingted in bows above the elbow. so that the dxnflln( ribbon ends mingled with the folds of chiffon. Add!tional! ribbon lattice work was appliqued at the sides of the bodice, with the ends hanging nearly to the hem of the flaring. gathered skirt. A short cape of orchid satin drooped to the walist in the rear to add the finishing | touch. Miss Mann wore with the gown a small hat of lavender satin trim- | med with a curled ostrich plume. | with tints of red in its waving fronds. Her evening wrap of pale daffodil vellow velvel also was especially lovely. for its folds were caught in graceful drapery, with slender points extending below the hem line here und there. A brown fox fur collar harmonized with the yellow velvet ard formed the only trimming. Miss Mann’'s frock, which was later re- vealed when the luxurious wrap was removed, was of filmy white georg.- ette with swansdown trimming, and with it she wore a slight tiara of wi while the costuming why S0 muny attractive| were displayed. ~There were nd swimming suits, Borgeous Wraps worn over S0 that the uart Paton Herbert Bag. this spring, the ladies m | were probably grateful | tunity of seeing exactly versal Mann. in the title role of the Girl,” “wore several The model sketched was !@omb and a waving white plume. In the Spotlight. Will Pay ‘¥iter, has le other notable production {orisinal stor Compostion and grouping are im- ‘Dnrkll’!l elements in the picturization of all stories. Here again the pro- ducing directors have profited by the splendid models furnished by the masters. Hardly a photoplay of note is made today in which the masterly composition of the old painters does X iscreen by him Gladys Bryant hax just returned home for a short visit after a lu(‘»‘ cessful season with show. Following the “Margie” | Dictator.” “The Rose of Stamboul.” it is said.{James Cruze. has scored such big success in New York for the Shuberts that they are | Cessfully. Tt organizing a second company for the road. Mr. De Mille boasts of one of the best libraries of art reproductions in the world. Not only has he a com- plete flle of excellent reproductions of the masters of the brush, but this library also includ photographic picturizations of the finest works of ancfent and modern sculpture. This collection, it {s said, is being added to constantly, and it plays its part in the production of every Cecil B. De | Mille production. ‘Wardrobe departments, costumers, | technical and art directors and even | the studio hairdresser refer to the famous works of art for their guid- ance. One of the coiffures worn by Gloria Swanson in her most recent picture, “Beyond the Rocks.” owes its origin to a portrait by Leonardo da Vinei. Recognizing the value of these paintings for technical and artistic guidance, Paramount has assembled a studio collection of reproduction that vies with the De Mille personal | collection. Miss Elizabeth McGaffey, are turn- Georgia O'Ramey, the well known comedienne, has been signed by Ar- thur Hammerstein tota five-year con- tract. A new and original play, yet unnamed. has been secured for her to star in. 4 story by John One of the this field is Cecil B. De who introduced to the screen — { Temptation. Word comes from Chicago, where j Apache. Bobby Clark has been cavorting injher “Chuckles of 1921.” that he has been | dainty: ¢ngaged by Sam H. Harrie and Irv_| n erlin for the next revue at the; Masic Box, New York. Clark re-|and eympathet cently was at the Belasco and who is con- De Mille began lighting, _with motion pic- ] Grace Kingsle Times is authority for the story that Marguerite Marsh is to appear ‘Will Morrissey’'s musical farce, Yourself. coast. Miss Marsh has been appear- ing in Fox pictures. has been De Mille and character face while the pressly head of ing fts care. ¥ "The Loves of Pharaoh” Ernest " Lubitsch, the European director. whose “Passion” and “Deception” | Where | 5 is | Pinkertos ::::e;l- considerable comment in_this | Pinkertor United States. shows his first reaction |starring Bebe to American methods of picture-mak-| .1 Auiman ng. “This Paramouni picture shows the best elements of American technique in continuity, grafted upon the best direction that Lubitsch has ever dis- writes Randolph Bartlett, who titled the picture, in a letter to the New York Times. “As a result, | was able to.cover eight reels with only 130 titles, which is far less than are usually required in an American {Where Do You Ways of Being Mean. hatred. Bectuss I realized that if they L e man. portrayed long been a principal | they'd never do anything to put them has “Molly O Favorites IN order to comply with many re- Quests for the return of some of i | expert in being mean, said to have but few rivals | vears ago Paramount Pictures will in| release seven pictures as a unit for ¢ ’, - five-reeler. You will also be inter- one week's program—“The Miracle | eated in knowing that of these titles. an Agnes| Man," “Dr. Jékyll and Mr. Hyd®” “0ld | fully one-third have five words or for New.” “On With the fewer. 1 take no special credit Irfi “Don't Change Your Hus.|this. because the picture lent itse id story-telling." ‘Behold My Wife” and “Male g Pk o of OB Ot s hovas It ix also interesting to note the € " v of el “This e, | 2nd Female- \ ew developmeny in the handling ] 2 lights by the Kuropeans. Th- past ndividual mas locked ‘em| Many people have complained that|\UERIS 1Y e uroprans Th Past tied the hero on a raflwayafter a good picture is shown it is{ljttle light for subdued scenes, or ied! shclven and becomes dead. In order |light the entire scene with 'i.onm! sprav of illumination. In “The Loves {o Bive the movle patrons of today & | of'piaraoh” we begin to see the first | chance to see what were considered | development of light manipulation. the successes of yesterday Para-|There is one =scene, for instance, mount {8 making this experiment. | where there is a very large crowd ‘The seven pictures will be shown {n|assembled in & great throneroom, and the Rivoli Theater, in New York, firat, | Mr. Lubitsch, instead of flooding the and then will be released throughout | crowd with light to prove to the the country as a unit. audiericé that he was employing . Three of the pictures—"0ld Wives|vast number of people, leaves the for New," “Don’t Change Your Hus-crowd in the shadow, casts his high- | s band” and “Male and Female"—are | light one-half way up the side of the Cecil B. De Mille productions. “The Miracle Man” was made by the late room along a great row of pillars, so that it leads the eye to the foc¢al point Gebrge Loane Tucker; George Fits- mau; roduced “On With _the of the action away in the distance. is a perfect marvel of applied opties. Dance”: “Dr. Jekyll and Mr. Hyde"| There are various other Instances of | ohn S. Robertson, ! the same nature which indicate that | in the dual|the Luropezn broducers are nwuuyl His latest job the life of his wife. is un- | those {special review. new and is | Bruce's Tales,” put soap in the .soup, their thumbs, killed his pet canary, and a few other the ‘tenderness of s Burton. “I have en. killed the canary Everybody bas to thelr attention. with John Barrymore is called LWES & ing whatever is best in our 5 technique. e young- -Geoige Melford production. Gloria Swansou. _{"Beyond the Roc Franci falty s is now playing sion Hol King Baggot. pieted “Human Hearts.” is preparing cn {{o make u film version of Charles T. picoted | Dazey's stage melodrama, “The Sub- urban Handicap, preparing the scenario. burg Liebe' med and Burning’ CUniversal un’s next starring picture. of mystes the Paramount picture. tinent.” Wallace Reid will next make | Ot Richard Harding® Davis's play. “The; With under the direction of | handled mobs. This play i | Fitzmaurice produced and “The Man From Home™ { while in Europe, who +Three Livej Th¢ Gilded Cuge Big Tree. an Indian of the Sen: tribe, is a veteran of Lubin pic duys and stll does character wo tbat, 5o far, is said to rank him 1 has completed 5 5 finest actor of his ree. Hix prese by Elinor Glyn.frole is with the Bet (‘n’n.b‘»\::: rk on her new Paru- | “Over the Border.” u Tom Moore pr “The Gilded " a|production. Big Tree was the mod Sam Wood production by Elmer Har- an Lila Lee will p! Tbunez's in which Rudolph Valen- Jar debut under fe i his x direction « chosen for the part, ed she was not quite suited to the type. r de: who 1 3eo! has been selecte Rawlinson Joseph Vance Louis ¢ and has secured to Hooth Tarkington’s novel. Flirt." and will make a Jewel pro- 2Pbq | duction of it for the fall ““Across the Continent,” Byron Mor- : i% | gan's automobile story 3 Miss Reed {duced as a Paramount picture with wears with the costume a large white | Wallace Reid in the star role. wig. elaborately enhanced by a high { most nine-tenths of the scenes in the picture are exterior, showing a trans- continental automobile race. e. novelist and #hort sto: ft_Holl ever w the screen by Walter Woods. George Melford's new picture will be “The Cat That Walked Alone,” an adaptation by Will M. Ritchey of the | version Colton. Betty Compson’s beauty is displayed in a great variety of costumes fn her recent Paramount picture, “The Green As she is vivacious and darin ‘Columbin the she is bold and fierce: in the costume of a Red Cross nurse, she is quiet c: haughty and proud as Paris’ most noted actress; demure York tearoom. is Ama { < of the Los Angeles! Theodore XKosloff. famous dancer. entertaining_ Thom: in | Fiuney. well known Engiish actor. “Be |[who brought hix fourteen soon 1o be produced on the jdaughter. Genevieve, from London e: fo have her dancing edu tion_completed under the instruction of Koxloff. Kosloff believes the young | has a wonderful Grace Drew a former soprano of light opera, who has been heen heard in “The Chacolate Soldier” and “Alma. and Katherine are authors of the story " From Nowhere,” a Realart and who recently visited the | pjcture for Famous Players-Laskey, Live? the screen’s leading lovers. At the Palace Theater this week he appesrs character “fathers™” enes magazine story for completion of Across the for the statue, “The End of the Tra at the San Francisco exposition. Agnes Ayre; be Three of U actor. of all a Franciscan n the Bebe tarring Para- ' a Slage success of picture. “The Shiek.” way through 287 photoplayx duri: eleven years of screen announcement v the “Blood ; that he says he feels that 287 were angels in ¢ s “Originally | ence Limself ix officially declared his friends 10 be as mild as a su mer zephyr. the otk Dorothy Dalton, whose symmetry ghape won her the part of Aphrod in the stuge spectacle of that nan wn't as gentl | garthian lines impl of the Lady Letty with Rudolf V hae just com- In rge C. Hull is & lentino. in “The Cri Clarence Burton has “villained” hi is to be starred in “T few seasons back, and u reward 1+ making a success of her first stell. work. His present role is “so low-down mean mparison. Clar- by m- it i feminine as her Hu. “The Mora she has a scra son Challenge” she has a riding gun production-in-making, * hus been pur- Wiio Walked Alone, Hoot Gib- kissiug ler—a former Yale athl nd the biggest man in the fight is a real tussle in Dalton wins out. o in_“The adventur | — In “The Bachelor Daddy.” Meighan's new picture. dren who play the roles the rights S ights tlie five of his udo 1to pieces. in‘carnest and the star o equally i being pro- “the only perfect fi ith | the camera has to record. Th - | wasn't a flaw in the reel. The British Museum, it | has filed a_complete set of the boc by Mrs. Elinor Glyn as “records | future generations who might wood for his know what kind of lived wintes home at St. Petcrsburg, Fla % 3 S Marion ~ Morgaw's Dancers arcjdainty: as the “Amazon Warrior. e e booked foP Keith's the week of|ion of “The Truthful Liar.” a Wands | HEN Rermbrandt and Titian paint- De Mille pictures and of the majority | April 3. wiley Reajart ploture and the v ho Sheik's Wire,” an o ritten for the | .qory. filmed in th | French producers. d g | New York, has made wha “!advance agent calls ashing h Others, it is said, have been deligh its photography, colorfut an de the one|and a tent as a mean little whack at Sheik.” of Pierre Benoit's “L’Atlantide,” which was crowned the French Academy. The photop! was produced in France with a C of French cinema artists. concerns the adventures French explorers in the desert. of t Genelle, the piquant and zon Warrior. “liter rizona, Louis Victor Eytinge. a the state penitentiary of A the author of Herbert picture. whose name has changed from “Peterman” to : Man Under Cover.” The new name, 0 convicts in the prison. M ceur-old ) of the 100d,’ Under T that pelling cnaracterization frocked preacher in “Sin support Priscilla Dean, in Flag: The title implies play is an adaptation from novel, in_which case the have to look like a “Greek god, type which the French genius manded of all her heroes. future “as a i { Tom Santschi villain and for change will star i series of two-recl western drama. but—being tle s rested that the director records it trial that has left off being attle with a big outiaw. and in her 3 he Womu1: she fights off . mounted policeman who insists upui which t Thoua- ed family bave a mantel clock to tah- They were so delighted! ere is reported waunt it e skillfully atmosphera fe that is the real thing fin which Willie Collier starred suc- |and not suggestive of “a corner in 3 in being adapted for | charity bazaar evidently intendc “Missing Husbands,” is the screen nove by iy asd The story wa Sahara " s Rawlinson 3 been “Tha L 1 id, was substituted at the adv irkwood. who made a con - wils wo tha Ouidau < hero wiil ' di- q « \ star needs must be a hero and heroct ort i are not villains, Danicle. of villain that registers thrills with is_becoming one of|ever dastardly deed. the chauces a4 that the presen{ program is one to 4 sidc-tracked ~ when "occasion com.{ along. Even a_ villain must be 1T as the sweetheart of Mabel Normand, while d lFon the first time in the history of the critical bulletin published by the committee on exceptional photo- plays of the national board of review of motion pictures, a scenic film of one-reel length has been submitted to | the Board which, it is said, contains exceptional elements and has gained This picture is the first of Robert series, called Must Weep,” released by the Educa- tional Film Corporation. “And Women Must Weep" is foun: ed principally on Charles Kingsley “Three Fishers Went Sailing Out into the West,” coupled with a shorter lyric, and may be called an attempt to transfer the images and the emo- tion of a poem to the motion picture n this attempt.” says the review, “this_little one-rcel film is ments decidedly successful. It | presents one of the very few Where actual transterence of written poetry has been made to the screen!vil in terms of movement in picture: This is the shot from the top of the | 2 cHff. where one lookx down at & long | sage- shadowy line of swells moving slowly | gone into rehearsal. own F street,l best of his kind. ~ An Exceptional Photoplay. exact sensation to be recsived fr reading the lines, ‘And bar be moaning. dering of ‘And the night rack ca rolling up ragged and brown.’ “But where the picture attempts “Wilderness | “And Women | to be unique. although alw perior to the average Here is no longer the translation one medium in terms of anothe: becomes simple illustration * ¢ “But that one image of the mi ing bar, with its movement 1 sound, tremendously suggestive on the screen. ture was worth doit —_— Felix Krembs, who is featured now running t mo- D ¢ t instances | “Lawful Larccny, presentation, They and “The End of the Both_playlets have air | New York, has written two vaud in to the shore and experiences th. om the harbor The gloomy shois of the mist appearing on the dark sca are likewise an effective pictorial rey- me {fell the story of the poem throug the action of the characters it ceases and what may yet be done in literal and spiritual rendering of written Poct: For it alone the pi n