The Daily Alaska empire Newspaper, December 13, 1934, Page 3

THE DAILY ALASKA EMPIRE, THURSDAY, DEC. 13, 1934. IHHI!IHmfllllflmnflllIImmllIIIIIllllllllIIIIIImflflllllllllllllIlllllmlllllllllllll . TONIGHT ONLY! || PAGE AFTER FLAM. ING PAGE RIFPED IIIIIHIII"HHIIHMIIIHIIIIHlmlIImlIIIIIIHIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIHIIIIHIIIIIII FROM Old pdpers for sale at Empire Office STARS GALORE ENTERTAINING Hollywood_f;;y' at Capi- tol Theatre Has Musical Hits Mickey Mouse, THE TEAR: STAINED DIARY OF A WOMAN'S GUILTY SOUL! the cartoon, tually acting with human actors; a ac- B tiful garb; a girls dance in lion stampeding a great Hollywood party—these are just a few of the sights, cellophane laughs in “Hollywood Party,” ro-Goldwyn-Mayer much heralded muiti-star entertainment now being played at the Capitol Theatre. The new picture presents a dis- tinctive new form of entertain- ment. Basically it is a straight dra- ma, love romance and all. But in- jected into it, as a logical detail of the drama itself, are screaming comedy interludes, brilliant musi: cal spectacles, and other swift- Adolphe Menjou CLAIRE DODD GEORGE BARBIER RUTH CHATTERTON bares the heart of a love-cheated wife in JOURNAL: CRIME ikt Notianal s dramatic senistion AND ALL OF THESE ‘Hello,” by Rodgers and Hart; Jimmy Durante’s comical “Reincar- nation,” by the same authors; Had My Moments,” the love motif by Kahn and Donaldson; “Hot Chocolate Soldiers,” by Brown and Freed, which embelishes a remark- ably clever Disney Silly Symphony introduced by Mickey Mouse, and. “I'm Feelin' High,” by Howard | Dietz and Walter Donaldson. Acting honors tween Laurel and Hardy, Jimmy Durante, Charles Butterworth, Pol- ly Moran, Lupe Velez, Frances Wil- liams, Jack Pearl, Eddie Quillan, June Clyde, George Givot, Richard Carle and Ted Healy and his stooges. “T've “PENNY A PEEP” Vitaphene Pepperpot “KENNEL KINGS” “SILVER SPRINGS” LATE PICTORIAL | LATE PICTORIAL NEWS | - - “READY TO ) All” 600 SEATS ANY TIME Cards—packed, wrapped and mail- ed. Winter and Pend. adv. 25c¢C [ S “Tomorrow’s Styles Today” i “Juneau’s Own Store” -3 flllllIIlllllIIIHIIIIIIllllIIIIlllllIIIlllllIIIIIIIIIIIIIllllIIllllIIllllllIIIlllIII|IIll|IIlllIIIIIlllIIlllllIIIIIIIIIIIlllllIIIIIIIIHIIIIIIIIIHIIIIlllllll|||||||Ill||IIIIIIIIIIIIIII|IIIIIB ‘WE ARE CO-OPERATING A Financing Plan to five years. Repairs or alterations often do wonders by adding to value of your home or other propetly Y Do you want to know about the plan sponsored by tions? [RES wed i ! Program. AN TELEPHONE 587 . 0O T Efil IN SPECTACLE gri‘at orchestra suspended in mid- | huge glass sets in which beau- | thrills and, the, Met- | meving incidentals that keep the picture at top speed continually. Song Hits Galore | Among its lilting song hits are are divided be-' Framed pictures and Christmas| Repair and Modernize You may apply for credit to make housing improvements, if you can repay in regular installments over a period of’ One to United States Government and approved by fmanmal mstltu- We are co-operatmg fully with the Federal Better Housing Columbia Lumber Co. JUNEAU Rosita Is Mary—Not Ruth! Rosita “The First”, former member of the intérnational dancing team of Ramon and Rosita, has threatened fo seek an injunction to| prevent her estranged husband, Ramon, from using the name of) Rosita for his new dancing partner. Rosita, whose maiden name was Mary Louise Hanrick, is shown, left, in her New York apart-| ment. Ramon and his new partner, 19-year-old Ruth Herbert, are shown, right. PEGUES SHOWS PRINGIPLES OF ! “‘No one \xould say that because this customer kept depositing a | few dollars in a checking account so he could pay off his loan you |'should count the theoretical loss | he sustained from not being able | to invest the money at 5 per cent /Com.mued mom ~age One) as part of the interest charge on A h(-' loan. ‘‘That is almost identically the one check and pay off the loan. He would have had a 5 per cent loan, he would have accumulated | the repaying fund in a checking !account on which, by law, he | would have received no interest, and that would have been a ‘“real” 5 per cent loan. No one would dis- Complete Explanation of Per Cent Interest Charge Given cent, he would have been well saL-‘ isfied. {way the transaction is handled for “‘On an open loan basis it!, porrower on the Modernization would have been hard for him t0 credit Plan. He pays 5 per cent get accommodation for as long as & | giscount—never more, because the year (against one to five Years' Government won't permit it. Bu! now). But suppose he succeeded.|pecause this plan is intended for As a man on a salary, he would, non-depositors, particularly for have had to start saving to Pa¥,those who haven's been able to the loan on the due date. The porrow for some years, the Gov- | chances are he would have begun 'ernment requires that payments be | putting aside a little every month 'made (in effect about the same as into his account so that at the. g necessary to the collateral bor- end of the term he would, draWyyrower) in definite monthly install- ~ffments. On these payments, as a ru]e he gets no interest, just like { the checking account customer re- ferred to. The fact that the month- =|ly installments are required oy = contract is to the borrower’s advan- == tage. That is a sure-fire safety de- vice against “forgetting to pay.” ‘The monthly installmens plan, with its twelve to sixty payments, costs the bank more than if it were deal- ing with collateral customers who would pay off in one lump sum. They can’t handle such loans any other way, however. ‘‘ ‘Whether or not the borrower saves up this monthly account by putting it into a checking account, having it apply on his note or car- i rying it around in his pocket, does not make the slightest difference in the cost to him. The cost of the loan is only 5 per cent related to that something we all think of as = | “Interest” when we mention loan == costs. It is true, of course, that if | he puts thi§ money away safely in | a bank either by means of deposits = or payments, to insure that the | £ loan will be taken care of, he pro- | £ |vides funds which the bank in| A i turn can use to extend more credit. | But that is exactly the same giiing | that happened when our checking decount customer saved up his | money in his checking account to | pay up his loan. Turnover Brings Profit “‘Taking the- two- clements to- gether, the note and the accumu- lation plan, the bank is able to | turn over its funds on a basis that ‘mu bring an amount greater than | 5 per cent on the original loan, but | that is always true on every bank- that makes it possible for banks to | ‘ ‘Keep alive. i “\When all is said and done, the | rty” owner, without the re- | qutremcm of a checking account, | | without any collateral except his earning power and his good name, | gets a 5 per cent loan, just as surely as the Collateral borrower. (And there are many places where :fie latter cannot get credit so0 | eaply.) the the | | *‘The mathematical ‘“ratio be- | tween gross return and average balance outstanding” exists almost | exactly the same—and sometimes at a higher figure—in every bor- | 1owing rélationship. It is often | overlooked that the simple discount | arrangement of the Modernization | Oredit Plan includes in one pack- | age the three things that have to | be considered together in an ordh nary loan: “‘l. The cost of the credit; “‘2. The cost of the repayment plan, paid for in the lower return | or no return on Mcumulatmg‘ sums, and ‘3. The deposit account wmch\ adds to the “ratio” of the ordinary | cnltomzr but as a special ‘con- cession Is absent in the Moderni- | |IIIIIII|IIIIIIIIIIHIIIIIIIlIIlIIfllIHfl!IIIIIIIIIIIIlIIIIIIIII|IIIIIIIIHII|I1IIIIIIII||||| T ||mn||mmummmmmlmm|||||mnmmm|m||m|||mmumm|ml|ml|mu|m||m||nHm!l||||||||mm||mmmluuumnmummmmnuuun zation Credit, Plan'." ADOLPH MEN)OU ‘Journal of Crime,” Dram- | part ing transaetion. It is the only thing | 74 SUAVE STAR OF COLISEUM FILM atic Play with Paris Theatre Background Suave and debonair, with the manner which has made him popu- lar with motion picture audiences thrgughout the country, Adolphe Menjou will be seen tonight at the Coliseum . Theatre in “Journal of Crimé” based on the powerful dra- ma of the French playwright, Jac- ques Deval. With the scenes laid in *Paris, Menjou gives a verile and con- vineing performance as the play- wright husband whose infatuation for the beautiful and popular star of his musical production brings about stark tragedy. Ruth Chatter- ton, who plays the role of the wife, goaded beyond self-control by the situation, has one of the strongest roles of her career as a star. } Lovely Claire Dodd is the beauti- ful idol of Paris who causes all the trouble and takes excellent ca of a difficult and unsympathetic Much of the action takes place in Menjou's theatre and gives an‘ insight into backstage life in a| Paris musical revue house, as well | as portraying other scenes in the gay cafes and night clubs of the | French metropolis. There is plenty of fast action which leads up to an cx(‘)ting climax. t e | { | | | ) JAMES DUNN IS STARRED WITH JOAN BENNETT New Screen Team in “Ari-| zona to Broadway” at | Uptown Tonight James Dunn, Joan Bennett and Herbert Mundin open today at the Uptown Theatre in the featured roles of “Arizona to Broadway” the new comedy from the studios of Fox Film. Tt is the story of a young confidence man who will give no man—or girl—an even break, until he falls into a trap created by his own inadvertence. The story revolves around a small time gambler in a Western carnival who comes to the rescue of a heau- | tiful girl. The girl is about to be | “taken in” by a group of other | confidence men, when he sets out | to protect her interests. He suc- | ceéeds in what he sets out to do, but does not reveal his purpose in doing it—to perform a little “tak- ing in” on his own account. plan is knocked awry by the fact that he falls in love with the girl. ‘The plot of “Arizona to Broad- way” moves in locale between the | points of its title. The hop from Arizona into the heart of New York night life is said to present admirable opportunities for com- parison between the methods of the midway and those of Broadway, from the petty and humorous prac- | tices of the petty confidence man | to the hilarious large-scale prac- | tices of metropolitan racketeers. | In the supporting cast are many comedians well known to screen | fans throughout the country. Light. . . fast-mov- ing" fun from the sticks to the!stick- ups, | RIZ BROADWAY ' JAMES DUNN JOAN BENNETT " HERBERT MUNDIN Directed by James Tinling UPTOWN His | LAST TIME TONIGHT HOLLYWOOD PARTY Jimmy Durante — Laurel and Hardy Lupe Velez — Charles Butterworth STARS! GIRLS! MUSIC! STARTS FRIDAY PREVIEW TONIGHT 1 A M —here’s Joe's most HOWoLarious hit. See him as a gunman who was too honest to live —and almost_didn't! By the author oj “Lady For a Day”! “Son of a Sailor” as the world's funniest show With | ALICE WHITE \ Alan Dinehart-Robert Barrat SHOW PLACE OF JUNEAU APITO THEATRE Anne Morris; Pierrette, Chaminade —Kathleen Carlson. Preludes one and six, Chopin; Gondeliera, Nevin—Sylvia Davis; Norwegian Dance, Grieg—Mildred Webster, Erotik, Grieg; Butterfly, ny‘lcg—Emma Ness; March of the | Dwarfs, Grieg—Rachel Borleck. Morning Meod, Gncg—-Kathleen REGITAL TO BE GIVEN FRIDAY Special Musical Event To-| morrow Night by Carol Davis's Pupils Cx (Jtltg—"m i (ris; In the Hall ‘ng Griég—Emma Ness, vanced pupils of Carol | Borleck. ve a recital in the | Church Parlors ing at 8:15 o'clocs | ublic is invited. i ATTENTION RAINBOW GIRLS am and participants| W I their regular meéting g Friday nt at 7:30 sharp. Initia- Schubert — Shirley |tion to be followed by social and Canzone Amorosa, Nevin— |dancing, —adv. The Modern Shopper Says Cfiqqc it/ an Impromptu, Davis; Realizing the value of eredit, she uses current income to meet current expendi- tures EDIT is exténded by merchants * expenditures out of current in e e et cororoms They realize it isn't always conven- fent or safl to carry eash to/pay for Al\duodh.mperlyuud.h\cmm each purchase. It’s a nuisance too, in value just as a friendship 10 have to waitaround the house for stronger through close mhflm a C. O. D. delivery of a telephone Using your credit regularly and pay- 4 ing bills promptly according to agreement puts you on the records of the stores and the credit bureau order. But credit js more than just a con- venience. It has a definite value to the user. For most people dependon @ @ Person of known warth. a monthly salary or income paid at That’s why the modern shapper says : some regular interval. By usingtheir “Charge It” and religiously pays all L 4 credit, they are able to meet current bills promptly! “ Use your credit freely and pay all bills by the 10th or promptly as agreed . ALASKA CREDIT BUREAU CHARLES WAYNOR, Manager VALENTINE BLDG, PHONE 2§ P