Casper Daily Tribune Newspaper, April 15, 1923, Page 21

Casper Sunday Morning Tritume And WYOMING WEEKLY REVIEW VOLUME 32. ‘ MAGAZINE SECTION , ; CASPER, WYO., SUNDAY, APRIL 15, 1923. MAGAZINE SECTION The Symphony Concert \ By W. E. HILL Copyright, 1923, by The Chicago Tribyne ET AT The soloist of the afternoon 1s singing something about “O, Mighty Ocean!” and you can almost see the waves rolling around, and the fishes swim- ming, and people being drowned. = : : ES = | 2 | = = i sense of subscriber’s box showing a patty of merry Sunday afternoon back to take oncert-goers enjoying a Strauss tone poem to the utmost. It took no less than seventeen telephone calls to fill this box, but it was worth it. Cousin Lucy Rumford, whoesits on the ex! ie left, was the seventeenth phone call. Her dear Cousin Nell , ‘the center, iving the party. Cousin Lucy, who came thi ‘way from the subur! is shown thinking Cousin Nellie spoke to’ her. Cousin Lucy will subside for one whole minute, and then she will just have to ask Cousin Nellie if dear Cousin Lester is juite, quite over his to: trouble, The stylish stout lady at the. right of Cousin Nelli just discovered the gallery: shouldn’t think,” she is saying, “they could sce a thing way up there. They do say, though, that they are the real music lovers!” * ting M4 Ob! th {the withering look on the face of the very cont} Wy 6Setvative music lover, hurled in the direction oleae one who has had the brazen affrontery to applaud a very modern piece of music, is thi sacri piece o ic. Who is this Schoenberg, ‘The young lady who rattles her progtam—a terrible person 16 ait near, ’ ‘did you ever hear anything like her head_tones? a where the ought to get off. Ei The lady standee. “There's Always Room for One More” is the slogan f the lady standee, ‘If ther inch to spare next the rail the L.»S. ‘A very warm ano ican work herself into it. At the very moist con- | close of the afternoon she will be on ductor acknowl- excellent terms with the people edging the so- around her, and they will know all called plaudits of about the time her husband heard the audience, “Fidelio” at the Dresden Opera House in 1890 with a cast which in- cluded, cts. etc, ” The man behind the kettle drum very much on the job. NUMBER 38. |