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annem Ten iene rer crn THE BISMARCK TRIBUNE, MONDAY, DECEMBER 4, 1933 “Since I painted it no one would guess it is an old car.” ae THE GUMP3—THE PEP TALK TAKE OFF YOUR WRAPS AND SIT DOWN, MILLIE= | WAS JUST GIVING SOME SERIOUS To THIS TERRIBLE AFFAIR OF OWNSEND ZANDER- DO YOU REAUZE BIW api ‘Ss Se DANGER EVE! INUTE, DAY ? NOW IF YOU WERE SMART YOu'O GET BUSY AND HAVE THIS: MARRIAGE OVER WITH BEFORE ANYTHING HAPPENS ‘TO POOR DEAR BIMBO— . MY> MERE IT (S Baar CHRSSTMAS - rien et rs NER A YEAR THAT YOU TWO HAVE BEEN KEEPING COMPANY AND ALL ALONG, I'D BEEN HOPING TO HAVE A _/ SON-IN-LAW BY CHRISTMAS e l ARE YOU GONNA Guz HOLLER ‘UNCLE’ P DAVIS 1S DOING A Goop JOB OF PROVING To TAG THAT OF YOURSELF....HITTING A BOY SMALLER THAN You ARS ? WHY, HE ONLY COMES UP To YouR OH, TM NOT GOING TO EAT 1T.— I WANT IF L HAVE STRENGTH ENOUGH LEFT TO HOLLER UNCLE’, I STILL HAVE = i WORLD — HIS CURIOUS A TABLE TOD MADE FROM THE EAR OF AN AFRICAN ELEPHANT! MADE BY THE LATE CARL AKELEY, NOTED EXPLORER, FOR HIS WIFE, DELIA AKELEY/ ‘THE EAR MEASURED MORE THAN SIX FEET IN LENGTH. ELEPHANT TUSKS FORM THE LEGS OF THE TABLE. MRS.MARION CLARK, LOWACITY, IOWA, 1S ONG OF SEVEN WIDOWS 1gi2 KITTY! GosH, "'e GLAD )weLcene Home, sar! t WON, wo cad GOT YOUR TELEGRAM vo see Val 1 KNEW You'd surety GE HERE! MEET OUNCAN BUNN, SAM AN’ HEN, HOP RIGHT wt AND HER BUDDIES | WALIES SUGGESTION TWAT THEN GO UP FoR A LITRE RIDE AND GET AWAY FOR A SPORT WHILE, AT LEAST, FROM GWENDOWN , WHO WAS BEEN SucH A WEADACHE EARLY ZOOLOGISTS DICTUREO THE POCKET ae Weir oad of] Ne if i AT THE Aun so, For ours... SREMED To BOOTS , TREY SLID THROUGH CLOUDS, WAICM LOOMED FOR ALL THE WORLD LiKE MOVIES ‘Dancing Lady’ Is Eye | Filling Musical Dram With Joan Crawford and Clark | Gable headlined, a smashing parade} ¢f sizzilng song hits, an eye-thrilling | cavalcade of pulcritudinal chorus towers to new heights in screen mu- sical entertainment. | Here is the Joan Crawford of old, the lingeried lady of “Our Dancing Daughters,” “Our Modern Maidens”! and “Our Blushing Brides’ —the Crawford who stampedes the box of- fice, and leaves ‘em panting for more. | ‘Teamed once more with Gable, Joan plays her chorus role with all she’s got. She wears the kind of costumes that men will gape at and women will try to copy. And when she dances— well, she dances! Metro-Goldwyn-Mayer has topped them all with this musical smash. that stagger imagination and throbs with @ romance that alone would make the picture a grand evening's tertainment. tion— | Ellis, Margaret Lindsay and Guy : Kibbee will be seen in leading assign- en Wednesday at the Capitol theatre. | Some of them are screen “names,” Bie PUFFS OF COTTON WISE OL WHE ! Paul Muni Heads Cast WE KNOWS fT SET WHAT BOCTS NEEDS in ‘The World Changes’ | —_“S An “all-star” cast begins to mean| WASH TUBBS more than it ever did before in Holly- wood, Look at the names that Warner TO LAIR, AND FIND IT OESERTED, THO ALL FOOTPRINTS OUTSIDE LEAD INTO SHACK. DONT BE SILLY, GAIL. THERE'S BOUND TO BE some of them are stage, some of them are equally potent in both mediums. But “names” they are, and no mistake «bout it—authentic, first-string names —any dozen of them worthy of elec- irics on a theater marquee. Paul Muni, of course, is the big star of “The World Changes.” It was produced as his vehicle. But as plans proceeded for the picture, it was de- elded to fill the cast with as many noteworthy players as were available. Aline MacMahon, a magnetic name to all moviegoers for her outstand- ing work in such pictures as “Life Begins,” “One Way Passage,” “Hero- +s for Sale” and “Gold Diggers of ag lyr ta a role of great Lend in tl im—a pioneer woman wi passes from youth to extreme old age | ALLEY OOP fa the course of the. picture. Mary Astor, Donald Cook, Patricia ' ern LITTLE RUNTS! ments. Jean Muir, rated as an im-