The evening world. Newspaper, April 19, 1921, Page 17

THE NRW PLAYS | “Clair de air de Lune” | | a Barrymore Festival | BY CHARLI DARNTON || Out of the cold und snow of Victor Mugo's “The Man Who Laughs” came the warmth beauty of “Clair. de| Lune” at the Empire Theatre last night, thanks largely to the poetic) quality given it by Michael Strange, | the pen name of Mrs. John Barry-! more, Strangely enough, though | THE EVENING WORLD, TUESDAY, APRIL 19, 1921. “DECEPTION” DEPICTS Mother Eternal,” the Ivan Abramson | with their songs. D. D. H. has a| Her light soprano, generally well gros| evening, an active start for the final 1 "|monologue that is really distinctive | duced, except in ‘the lowest register,|weok of the Metropolitan’ ONE MARITAL AFFAIR _ | {i Production at the Casino Theatre. |AuaM ne" kept the audience convulsed | could ‘not cope with such numbers as|75e Alaa matinee was cotnple! OF AN AMOROUS KING e takes full advantage of the op-|with his sales talk for an encyclo-|the Rimsky-Korsakoff Hymn to the| nee was comp! MORO! portunity to show that she is some-|pedia. “Indoor Sports” isa humorous |Sun from “Le Coq d'Or,” nor could| cept that cymbal balict girls apped ped! if ee = ee thing more than merely a pretty girl, | Sketch foeerine ae boobs, even Oe oar Hee nae necessary color|in “white face.” Flora Perini took | and ie fe rk flee the Ohi 5. |you and I.” me of the other popu-|and feeling into the same composer's : 's - And in her work Hes the cblef attrac: YoU O00 J oerele Camhart, violinist; | Chanson Indoue. In sonks of lighter the place of Jeanne Gordon, suddenly has. |e , 4 Uisposed, and showed familiarity The st the Florenz Duo, Nestor and Haynes, | texture, however, she was better. She | ind and the saveificen: stnugles nnd hate [the Casting Campbells and Lou and | needs to be 4 little more secure in her| with the role. Hers is not a boom fering that motherhood entails M.ss|Jean Archer. j attac! i her highest notes, while! ing contralto, but serviceable. Mias Martin plays the part of a youne| The ,movie feature, “A Perfect | well placetl, are not too pleaannt Muzlo was Aida and Morgan King mother whose baby js taken away |Chime,” is a mixture of thrills and potter rrnoee baby Je taken amy |iauehs, with Monte Blue in the lead-| Hlenore Altman, a toca! planist, has| ston, every inch a warrior, Ithadames ing part. There Is also a Ben Turpin |a decided goal in her interpretations, | thers were = Messre. | Gustafson the river and ts rescued by her son, recital in Town Holl. He has play-| Metropolitan's best Micaela, thoush mie by this producer, aod the pic- el in ithe any were “Aida” | Dit large, as to his singing estate, and ure, though : ly acted, fails to » gatemaine © operas of the day were “Alda”! Mines, Tiffany, Fornia and Messrs. live'up to the promises of the great} The cinema and musical en in the afternoon and “Carmen” in the Ananian, Bada, Rothier and Laurent! grandly, Ethel Barrymore played Queen Anne, and by no means oddly, | << John Barrymore twisted his face to} suit the part of Gwyplane, Altogether | it was a spring festival of the Barry- | mores with an audience eager to do nem honor. Far from being bleak with the epi- sode of the boy who saves a baby| girl from freezing to death by ca’ ing her to the van of a showman, the play took the form of high com- edy with the court life of Queen Anne | om its stately background, The result | was a so-called costume play, rare] in these commonplace days of the theatre, ‘The audience might have been left \ doubt at times as to the drift of he play, for there waa little expla- nation of the disfigured boy and the biind girl, This much granted, the play took a royal, if not straight, course, When the blind Dea was jured into the evil ways of the court, the distorted Gwyplane found him- self intrigued by the vicious Duchess of Beaumont, She didn’t want him to peak to her “beautifully.” What she | demanded was the clown in his ugly | nguage and with it his ugly face.) She was all silk as to skin, but fe-| ocious under the hide, The species is not altogether unknown in these days. But passion, as the word goes, isn't This is the point to make in} it with the Leaving Victor that you, | nm on the everything Mrs. Barr Barrymore utiful vision, and she gave | rity to every word she ut- the Queen, John Barrymore the disfigured _Gwyplane ily and tenderly. Jane Coop- sensitive Dea, and Violet soper, with something like ue look in her eye, car- | the part of the Duchess with | rird honors, st, it was the Bar- mores who won the night. bie she asta kha Gete Year Eight Months for | Roce Track Shooting. | HAVANA. Aprh 19—(United Nowa). | H. D. (*Nyiey") Brown, Vice Presi- \t of the Cuba-Amertean Jockey Alberto Piedra a year here, was sentenced | ight months Special for 10 Days FRET ° ce to smateh etn WRITE. On RO-DAY TEL. WATKINS §823 5-Piece Slip Covers Se large EG 1 1 fea Vive > BE PROOF th SIZE tomday , EY) FACTORY Cory 39 WEST 14'S, Brooklyn Bronch, 1449 41st Street. 3ronk Branoh: 1568 Wilkins Av., n¢., Boston Ri [Horde Deauar'ate Canes! ware eacavrepans, \farraraeard | mother love theme. ‘The cast includes | ment this week at the Rialto Theatre % Farle Metcalfe, Thurston Hall, J, W.| 1s full of novelties. What with Elsie ‘ , Johnston and little Ruth stillman. | je y ' Teuson, who played the heroine in ; . There is a well acted stage prologue. | «sacreq and Profane Love” on the legitimate stage, leading off with cin-| “STEP LIVELY GIRLS” ema honors in the same piece, and! ARE THAT AND MORE | }uso Ricsenfeld, the musical man- | AT THE COLUMBIA\*®*" °C te Big Three, providing | | anniversary melodies harmonious to| ‘The “Step Lively Girlie” are at the| the Car and appearing simultaneously Another Gérman film--"Deception”| Columbia Theatre this week and they | imselt with his orchestra on the screen, | |—has come to town. It is atopping|!ive up to the title, for there is not | *°T" re temporarily this week at the Rivoli]@ dull moment in the show. Don Sighs, EAMApas SMART han gH Theatre. “Deception” is released on| Barclay, the eccentric comedian, 1s aa | 1% a rr ee ee the Paramount programme, ‘This tilm,| popular as ever and causes muoh {vided the "sixth Hungarian Rhap- with its advertised 7,000 persons in y" ae an overture. ‘This is where| merriment in his antics with the aid| Mr. Riesenfeld demonstrates his ver- the cast, was produced by the same atility BP “ *lor several other comedians, A|satility by wielding the baton in the| person who gave us “Passion.” The oalee bo pit and on the screen, theme of the cinema is worked feature of the performance is the ’ ‘0! around the second unfortunate. wife) Wilson-Audrey Trio in exhibitions | ,,tourto, Albano, in / a prologue, | of Henry VIII. of England. There|of “manly art.’ delights lovers of pianoferte with the were others, but Director Lubitsch| A large delegation from The Friars| Rachmaninoff Prelude. Bobby Rumps concentrated his action on Anne/| attended the performance last night and a Mutt and Jeff comedy, con- Boleyn. The role of Henry VIII.,|aa a testimonial to Friar Arthur! Ciuding with Dr. Riesenfeld's new pic. played by Emil Jannings, like that| Pearson, owner of the show. The! torial, complete a well-balanced Dill | of Anne, depicted by Henny Porten,) Friars had a good time and added to/ a¢ the ‘Times Square cinema get The most successful shopping trips begin—and end—at was accurately portrayed, if we are|the entertainment by introducing] torium. to believe history. several of their members, who recited, sianninlinentine Director Riesenfeld has accom-|sang and told jokes. meee (Fame NEW YORK. *Meet me at Huylers” 4 musical interpretation. | There is @ f ™% ; ‘ I z erate eter was] “7 seoabwar reeares | In ‘Carmen; e °| ALL GOOD VAUDEVILLE (iar as So ha pease a mice Bear eee Muzioin‘ Aida’ we are told on the programme. There are so many excellent fea- eererenncmmaniataat, - |tures on the bid at the Broadway| A soprano and two planists occu- | VIVIAN MARTIN GIVES Theatre this week that it is hard to|pted the concert stage yesterday. The STRENGTH TO PICTURE | pick out the act deserving of top-line | singer was Kitty Beale, a member of | 3 honors, Comedy, syncopation and|i. ye i | “THE MOTHER ETERNAL”? | good dancing are sprinkled through an |‘ Metropolitan Opera forces, who ae junusually well balanced vaudeville | Presented a somewhat different pro- GO = |mill, in addition to several interesting |equipment was not adequate for ae i: i Vivian Martin gives a surprising |cinema features. {equipment was not adequate for the exhibition of emotional acting in ‘The |_Whiting and Burt_made_a big hit purposes of thorough interpretation, “It’s the way I bake it,” said Job de Bote “that makes it eut so even and thin’ 66%7.0U can cut thick slices for the chil- sure that after you try this bread once dren or thin slices for sandwiches you'll be in line every day with the rest of from the same loaf, if it’s GRANDMOTH- my ‘satisfied friends.’ ER’S BREAD. You'll never find airholes “So that you can always get this better or soft spots that make ordinary bread loaf of bread when you want it, I keep a hard to cut because I know just how to fleet of big trucks busy carrying it around bake bread so you'll like the way it cuts— to all the A & P stores in and near New as well as its taste. York. ‘T’'m watching every minute to keep the “It comes all neatly packed in a waxed quality and cleanliness and taste of paper wrapper so that it’s bound to be GRANDMOTHER’S BREAD away above clean and firm and tasty—as you would what most bakers consider par, and so I’m want good bread to be.” Grandmothers Bread Caticura Is Just Right For Baby's Tender Skin Bathe bir with Cuticura Soap and warm water. Dry gently and if any agn of red- nees, roughness, irritation or rash is pres- ent ‘anoint with Cuticura Omtment to soften, soothe and heal. 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