The evening world. Newspaper, December 2, 1920, Page 32

* “not financially responsible, QUE bas About Plays ty BIDE HE next Winter Garden produc- tion will be “Tho Passing Show of 1920” and among the feat Urea members will be Lugene and ‘Wille Howard, just out of “The Pass “ng Show of 1918." The new show Is in rehearsal under the direction of 4. C. Huffman, with Max Scheck as “gating in staging tho numbers. AUTHOR! AUTHOR Charles McNaughton sings « f “Three Live Ghosts,” but he doesn't ow who wrote it. If you recognize #, drop him a note to the Nora Bayes wheatre. Here's the rixyme They met beside the river bank, Ble kissed her checks and chi Phen waited till the tide came vp amd gently pushed her in BERGENS TO ACT. ‘The Bergen Players of Jersey City will act out again on Jan. 5. They will offer “A Regular Cop." by Joe Dris-| jooll; “Double-Cross,” by Fred Drewe-, nd a short musical revue entitled | "Carnival Days.” | TWO COMING IN. | Henry W. Savage haa arranged 10 - present Mitzi in her jatest musical | piece in New York in two weeks. | The Marilynn Miler-Leon Errol | piece will be brought to New York) m @ fortnight, also. Both attmac-| tions will be seen at theatres on West 424 Street. | CRAVEN HAS A PLAN. | Pratik Craven, of “The First Year,” received the following note in the ’ mall yesterday: “Why is it many of the young, ‘women of prominence arriving tn this country on ocean liners are pho- tographed showing their legs, even wiling their dresses up over their noes? How can steps be taken to stop this?” Mr. Craven suggests that old cam- eramen, with fong, gray whiskers, be sent to tho ships to do the photo-| graphing. GONE BUT NOT FORGOTTEN. « Brank L, Smith of the Rialto The- aire, Newark, saw a man coming out of that house the other night hatiew. He stopped him. “You forgot your hat," said Mr. h ith. © "2'l) never forget it,” snapped the matron, “It's in a seat in the fourth a under a fat man,” t THESE LEGS TALENTED. teePbe hind legs of Evhel, the horse yim “Hitchy Koo,” have turned dram- = pete ‘The legs, whose name is ri Lingen, are engaged in drama- \Hzing Jacob Wasserman's new novel, ‘Welt Idee.” BOND ONLY ASKED. "George Trimble of the Equity tells ‘UB that tho statement we made in this yesterday, to the effect that othe. actors’ organization was asking pew road managers to deposit two weeks’ salaries and railrond fares "pack from the farthest point from lew York a touring company is to ‘Play wa not quite correct. a "Wp do not-ask tho manager to tte ‘up his money,” said Mr. Trimble. “We ask, however, that he furnish a 5 for @ sum considered sufficient “4o pay the players’ salaries for two jweeks and bring them back to New Mork. If he can negotiate this bond by paying a premium, that is all well a We are merely tryi to i t our members against pitfalls hey might be led into by managers While the man who explained the | “matter to us originally had just had +A consultation with a Mr, O'Neill of “the Equity. and was apparently sure Of his facts, we take pleasure in sub- mitting Mr. Trimble’s explanation one @Wilich, by the way, seems fair enough. * DELYSIA'S FRENCH LINES. Adrien K. Du Roy of Richmond GO writes us as follows: = In ‘Afgar’ Mile, Delysia ends one of Nér songs with four or five lines of French, the final line of which 4s, | ‘Honi soit qui mal y pense.’ I would 1 l ws a and Players DUDLEY (By Way of ersion. ) T've got it yet; you bet I have! T meqp to kecp it too. It's now @ sort of faded gray: it once was bright and blue. The years have made it hard to vead; its sheets they've torn apart, but time can't wear away the place it holds within my heart. It to me but yesterday, in t of long ago, that little note was handed me, ‘way off from home, you know. this,” it said, * you love, .Doodby.”’ 1 couldn't have destroyed it any more than T can fly. The letter was the first she wrote. It seemed I saw her then, with jingere cramped, at work on it, She never wrote I've missed her now for } years and years, but this old note's been true, I've got it | wel; you bet I have! T mean to keep it too, again, Society will repeat their minstrel show to-morrow night at the Soy- | mour Democratic Association's club | rooms. Edith Taliaferro of “Kissing Time” hay settled a dispute about the pro- wunelation of her name. , She pro- nounces it "Talia-fair-ro” In the South they cal it “Tolliver.” Blanche Ring and Chagles Winnin- ger havasbeen engaged Uy John Hen- ry Mears for “The Century Midnight Whirl,” which begins its season in Atlantic City on Dec, 16, | The Soclety of American Drama-| tists and Composers will give a din-| ner in honor of James Forbes in the| society's rooms on Sunday evening, | beginning at 7.30, Olga Borowski, daughter of Felix Borowski, the music critic of Chicago, is dancing in “Mecca.” She made ther stage debut Monday night, i ANSWERS TO INQUIRIES. Providence—It is Co-han, with the accent on the “Co.” Babette—Harry told us one time he simply detested publicity, A THOUGHT FOR TO-DAY. | “The morning acedmmodation train got into Wellsville on time the other day and everybody was surprised un- til they discovered the engineer was drunk. . FOOLISHMENT. A dentist by the name of Fuller, Was looked on ag a great tooth- puller, His work was painless, Pa told me, That is, no pain was felt by he. FROM THE CHESTNUT TREE, “A woman is like a gold mine. We never know her trut value.” “That's so, but many a man has gone broke prospecting.” Interpretative Paintings Shown At St. Mark’s By W. G. Bowdoin. St. Mark's-in-the-Bouwerle, No, 234 East 11th street, with much courage, is holding the first of the 125th Anni- versary Exhibits of Portraits and In- terpretative Paintings by stewart Reinhart and Mark Tobey. ‘The cata- jogue contaffis twenty-nine numbers, and the work of both artists is cer- tainly “unusual.” Mr, Reinhart, lution, scrapes @ city. His character studies and moods in the present exMi-| formal acquaintance | art audiences in this foe deeply grateful if you would print rs. lines to which I refer." iL W. A. Page Kindly favor us s the lines? Bi GOSSIP. . Harold Vermilye has been engaged “ky Wilner & Romberg for “Pagans,” «The Lenox Hill Players will offer “Twelfth Night” at the Lenox Hill Settlement, on Saturday and Sunday _ Sights. Catherine Huth has been given the “role of Ireland in “Good Times” at ite digpodrome | © MMarguerite Clark is working in films again after an absonce of neg dy a year, < Arthur Bourchier and hi wife, “Kyrie Bellew, are to appear in motion Pictures under J. Stuart Blackton's | direction, Tpe Benda Masks of “The Green Wich Village Follies” are to be secon! y in the new Cochran revue in London The St. Aloysius Young Men‘: KNOW? QUESTIONS. “in, 19107 Sige 7, What ies declaration ath ca 8. Ww it dialect 2 Rom We DO YOU | 1, What great discovery was made it desert is in Eastern| | under | ‘ the name given to the are intense and gripping, no matter | what else may be said about them. Roth exhibitors are strongly inftu- | enced by modernity. | Mr, Reinhart is Imaginative | point of view, and in his "Petr | Impression Ballet Russe’ he pit | the miraculous automaton and exem- | plifies the latent power of the stra’ line as d to the interpretatte in hls brought out by Nijinsk: n his 4 Sylphides: Im t Russe’ Mr. Reinhart py a| pretation of t in rhythm ture is in Out of the world of the dancing figures graceful vitality and "g themeelves into the dar aplomb {1 iy eminently effective 8| Th nr | passion witht medium that bizarre a “Study of a Personality: A Portr L.” is both decorative an itionalized. The nodel — is full lengt Her expression ‘Tobey n the | i work is carefully 4 interestingly Much the same thing Is crue ing his portraits numbered 26 in the catalogue. > honestly be traits and ot Fer cope el P CANT You Do “_AN' THEN HE LE GET “THs ep - 1's RucH! L— YKNOw “THAT SoUR CoP “THaTS* ALWAYS PICKING ON ME F (HELL - HE STOPPED ME AGAIN YESTERDAY, —HA-GA sls SAID HE CouLBNT “THINK UP ANY NEw way © BAWL ME OuT!! ~{ HAWR -HAWR - HaWwR! oer id / om! by MA, © ore Ve FAMILY Ve! . {T TAKES A) ie. UPSTAIRS TARE &/ TLL Go uP DIPLomaTiC BiRD NOW AY,\T AGAIN! )e / aN REASON |I/ Uwe me-m sete |Pows * LIGGEN FoLKs ) wih ‘em ! a ON 1s THAT MAN CONG To Y To TTVIAN THE in “THROWING WIS BRAVE STRONG ARMS ABOUT HER SLENDER WAIST WE DREN HER TO HIS MANLY CHEST —~+ U-AAS'D ( mame ¢ | EE ai A” MAN AN’ WIFE” ~—— Bi TELL Yop I Dont KHow!? Twist te» SO ON HOME o Vv AM P. —~ COVERING HER FACE WITH KISSES FROM HIS FEVERED LIPS —. LISTEN © BOSS Lou Went —~ ( THAT HALIBUT ) STEAK YOU | SENT us is. / i NERY BAOL ) ¢ WELL IT AS CERTAINLY * BAD L— ARE YOU SURE OU CUT IT FROM 5 | A GOOD Fist\ e. ui SAY, MIsTER. ARE You GONG Te STAY To Lunct ok seen arenes enna Zine HY Ly am The Boss WHY (S (T THAT EVERY TIME ET COME IN HERE T CATCH YOU POWDERING YOUR NOSE OR READING A *7INE NEVER BEEN ABLE WH SIRIKE Ur A PERSONAL ACQUAINTANCE WITH TRY Gish | IM MY STORE a Bet Joe Is Praying It Isn’t the “Sour One”! - Tm Tein Ter. you —— “They'S A COP STANDING OUT “THERE. BY YOUR CaR Mow! Dip Y'teave. 1 BY A FIRE -HYDRANT ? ee —— HE Does NT KNow tmtHeER \T'S ON ACCOUNT OF “THOSE RUBBER HEELS YOURE WEARING; Boss oo UKe ONE! 7 “oy