The evening world. Newspaper, October 30, 1916, Page 16

* feminine affection. would COMIC PAGE ; ABOUT Plays and Players By BIDE DUDLEY HB Shuberts are planning | establish in New York a per manent private musical stovk company which will try out ali mus cal plays submitted them. The use of the word “private” in this connec don means that each piece will te played before the Shubert producing staff and a number of invited This audience will pass on the of the production when the final cur tain falls. If the verdict be favorable ests the piece under consideration will be staged again—this time for the pub- lie, The private last week wi tock idea was tried verdict of the “private” favorable. Therefore, Gus" ts to be produced for way consumption immediately Lieutenant Broa MISS STEVENS TO LONDON. Emily Stevens ty to be seen in Lon don, before very | fn Louis ik Phe Unchaste >W appe Princess, Chic ton’ and Phil Bngland. “The hastened Woman’ will be the first London production under Oliver Morosco’s direct man agement, He was associated with Alfred Butt in the prosentation of ‘Peg o' My Heart” there. BY WAY OF DIVERSION The chestout is with us, im glo ror mo it Is always ir 1 like it we it when raw. 1 yuld fill you 1 make the shells fy Waen I really begin, while over my spreads a satisfied grih. And yo real anger I fume and 1 squirm biting 4 chestnut « we 1 get quite a handful but the sgeond! me @ worm of the Ii that works on my temper and make me revile the swarthy Italian who. with his broad smile, aseured me the chestnuts were fresh from the 1 want to chastise him for » When | am President, say—-I'll visit the © and House some fine day ar that @ very strict Jaw is put througn ic bad chestnuts that's ye what rie do. I'll make it @ crim® to gol] chestnuts with worms and meu who're convicted will serve prison terms, or maybe they'll hang or be ment to the chair. Heware, chestnut ‘vendors; I've warned you~ beware! SNAPPY BROADWAY NEWS. « ABy Our Own “Rambier.”") Well, Martin, how about the poker) game Saturday night? Oh, you ten high flush! | Sam Schmid plays poo! as though | he were in love, Who is she, Sam?! Tip ye reporter off. Jay Barnes is gaining weigh Must have quit the old tango thing cold, Jay, Or is it the rich food? Say, Walter, they tell us some body's goimg to sue you for $100,000 for stealing some perfectly good What ho, Walt’ That was a nice gown you wore ft the opening of the Winter Garden show, Grace, but i's a good thing | it didn't have a train, with all thwt | yromenading you ad between the! atre Nov. ets you're ving on top of a building, are you, Karl Carroll” Well, | when people call on you and you don't want to see them, we suppose the elevator starter will tell them you're out of town JACK HAD AN IDEA. Patrons of the Bronx Opera House who go out between the acts ure not given pass-out checks, but are re- | Guested to show their seat coupons | when they return, After the first| act of “Very Good 1 her , & man appeare ne eat with his wife inside the the Jack Rosenthal, who happened to be/ standing nearby, had an idea. “You were in during the first act, were you?” he asked, replied the man. epening chorus and we'll let you) base. | i] GossiP. | George Mooser is beaded for San Franciaco on Morosco business, Marjorie Rambeau's mother ts in a hospital. She has suffered u nervous breakdown. J. J, Shubert has gone to Boston to sive bis permnal attention, to the | musical piece, “Her Soldier Boy.” | Nellie 'V. Nichols te to play the Orpheun circuit in a new act ar ranged for hor by Perey D. Standing | and David Blaufox Two new “Flora Bella” companies | are to be sent on tour soon, and It in probable here will be two new “So | nizations, will | “US'MATTER. | “'S’MATTER, PoPt” oad tour. 16 | BTGa Vernon, with William Hodg | who haven't cars to and from the the- -lslavey tp | ino! ludes Eva Le 1 | — World Daily Magazine Monday, October 30, 1916 And Willie Fell for the Old, Old Story! SWAN! wio T SWANt wo | ewe HE ae) — Miat 7 Hutt \q DONT WHAT HIND uv INJURY IS He [ fwierseva) ff [wie AT DO YA T THINK IT US ba — ECAUSE +e REASON Scared HE 2. YER — f rer Never| ( Mt unuet Lal Vn lien ows [SPANKS You) 5) ey or ly, RG wommen 108, Prom Potnetng Co iW Y Sanne went) HAS ENPF EFFER HENRY ( You emp wr! > nt (‘sve seo wor / OO A . tiv Wl, Po THATS ALWAYS s TH WAY DES Wie Die: No INDEED! X _ AL Wats } WANTED “To OWN en DIAMOND RING = & ? BoucHeT Me HHS rene Ol one AT A ated } nygtmnchict na Good NIGHY MU (O'R _ENouGHt $4 WOT AAT 2 A’ DIAMOND 9) RING” MAGGIE / eT) MARRIED! ‘ J (a Se GUY MUST Be ND_AXEL Y'SEE, THE IDEA IS TO Take. A BIRD'S EYE VIEW OF THIS SCENE, SO WEVE SET THE CAMERA UP IN THE RAFTERS! NOW LET'S GET BUSY! ‘ What Puzzles Flooey Is, SEVENTY Feet! eee! NEw STUFF.) 6 without a preliminary | @ no} FLIVVERS! It Keeps You Busy Dodging ’Emt “Fixing Siste sixtieth annive but at Maxine night. The, chorus giris at the Century | have “chipped in” and purohased an auto to be used in transporting thowe | * will celebra sary of hor Elliott's Theatre to WHENEVER. YOU 5 5 aT 7] ANYONE STANDING HERE LEANED KE DRIVE RIGHT THROUGH bu PRESSED “4 THAT MUD- PUDDLE TO MAKE CLO atre, If you don't believe it, go up to the Century and they'll show you the exact spot where tho auto stops | by the stage doc May Voke: nabelle,” she has man 6 May Vo! ANOTHER TYPICAL CAST Wreast for the new Owen Davis Mile-a-Minute Kendall,” has mpleted by Oliver Morosco, It ienne, Donald ALLOW US TO PRESENT JOE STITCHER THE TAILOR - AN aa 4 ng 0 HE ALWAYS HAS AN EYE out ron NEW BUSINE SS -AND HE GETS IT- HO, EH VERY WELL, I'LL CHARGE LL CAN'T IT IN THAT CASE DY YOUTHAT) ITLL BE WITH SYRUP THAN WITH QUININE - FROM THE CHESTNUT TREE. Lawyer (to Irishman bit by auto) Why not sue for da orra, Ol've \S LIBERAL (7 HIMSELF ),WHEN CUSTOMERS | HE CAN PUT CREASES Pabrate 1 ANE THEIR SUNS CHARGED. [THAT NOTHING CAN OBLITERATE PAYS MORE ATTENTION To THE CUSTOMER WITHOUT A CENT THAN MO THE ONE WHO IS RICH- . THAT SUIT ; lf: @ING To The latest advance in beauty cul ture has been made by a specialist who has created a prescription wnteed to make any woman twenty-five look at least five younger. This specialist worked y*urs to perfect this treatment. All any yvoman does is to massage it in at night and wash her face thoroughly in the morning. The result is truly marvelous, The “crow's feet” disrp- pear as by m 3 The skin be- comes many shades lighter and is fresh, clear and youthful. If you banish “crow's feet” and juvenate your skin, take this treat- ment. Go to Macy's, Riker's or your docal dealer and ask for Creme L'Ame years |p (La-may). In order that all women, rich or poor, may have it, a special Do not forget th _|WHEN YOUR SUIT ‘}IS"FINISHED” THE ONLY? FIT" (S THE (NE YOU THROW) WHEN YOU GET IT HOME ! every one | grateful won red my skin, | and given | at Aye tt): CAN TELL. BEFORE YOU EVEN KNOW ads There ler aso 4. deliet IT'S A SUIT HOw IT IS GOING TO LOOK La-may face powder.--Ady, ON YOU - Copyriant_ 1914, Preas Pobitghing Co OF ¥ bremne Wor By Jack Callahan i IES For. A PROSPEROUS | LOOKING MAN LIKE YOU KNOWS MORE FLIES CAN BE CAUGHT TRA EB und AND SHUT YOUR - By C. M. Payne He Just Sez IT Wound HuRT im MORE THAN I(T WouLd HuR By Bud Counihan WELL, (F IT Tve BEEN Done ouT OF * BURT Han Where Is the CAMERA? WE WERE TAKING A VERY (IMPORTANT SCENE tt! Mollie of the Movies By Alma Woodward ‘Copyngiit, 1916, by The Press Publishing Co, (The New York Draning Workt), ROENE The G studiog at 9 AM watch ie so overdone these daye I had IRECTOR (wandering about) to substitute something newer, @o he with acript in his hand)—I ust wear a boodle-bag below the deft knee, pera man (rudely)—What in heck’s a boodle-bag? . Mollie (gushing)—Oh, one of those Puy on | perfectly divine Mttle flowered silk on | thae’ the acreen, He ain't got any pep 18 | Sou honale tee Re garter, to carr; him ba " Extra (ashen pale) —Mise—mies! Camera man (with sophistication) pjeage Aw, why don't you do Romeo and kiestic, ‘thence See Ot Hamlet the thinking of. can't even pi legitimate, with © goes and puts t Jullet 2 Director (kindly) —Cor © Director (wildly) — Romeo _and| next tevtnont tie on aint eee |Jultet! 60 many companies have , ! 7 i Mollie (peeved at the interruption) n't hire @ bal-| I'm afraid that person will have ‘8 bad enough retire unlews he can keep ettll, To done It now that you c cony In the city, & o do the one w going to do continue, as long asl am ‘to; Hamlet, ian (briefly) —t\ gotcha, | ObNela, 1 wanted the part Fy efy)—I\ go! ° ) wonkmera man (briefly) —1\ gotche. | out—Ophelia is such « bY she's not she gets through making the altera- ‘ Gecldeds for that matter -enaee mee, tions she's thought of for the) so Tye dug up a grand reagon for hi (scenario {t'll have ‘em hanging tO going joose in the thatch. Ter father their seats with excitement. and brother have been killed at Wer- Director (as one who knows)-—It! | dun and. can't be done! Wasn't I advance man arene aa for a repertoire company featuring | PR aay (oxpostuletiog eae, | this gink Shdkespeare out tn the Mid- |; mn | ivec e West, and didn't I have to coax |'"a77 Extra (weeping into a yellowed sik handkerchief)—Sacrilege! Out- rage! Perfidy! Director (sternly)—Now, lissen, Just because the young lady skips a few Sb! Here | Years don't mean a thing in our bual- Ishe is, Just for fun, don't say any ess; the thing I really object to is thing until we see what 1e's done. | that I don't want to start any of this | Good morning, Miss Mol war stuff—it's been done to death and Mollie (gayly)—Good m |Gee, I passed a sleepl Was making notes on this \thing until I was blind, Fut say, you | wouldn't recognize the stuff, the way | into the theatre with sugar and erything to get even an inter- ttent audience? And if masters like |" Mollie can't—that's @ me can't do It, | cineh, Camera man (suddenly). there ain't money in it any more. s night! [ (Shouting)—Set her up for the para Hamlet Pet scene, boyp! We're off in ten minutes, rning, folks. it is now, I've changed it from the | flattest kind of beer, really, into the fizgiest kind of fizz. Gather round me, children, till [ read Extra (coming up tmidly)—May I \interrupt for just a moment? For thirty years I played the role of Po- loniua with the most famous Hamlets the stage has ever kyown. I have been told by Booth, Barrett and the more modern artists that T was their inspiration in the big scene, I would like to suggest——— AvpuB0N BALLROOM Broadway, Cor, 166th St, DANCING | Director (throwing up his hands)— AFTERNOONS ‘suggest nothing. If I can get to It Ri NIGHTS |you can play the shadow of the Two to Six Eight to Midnight ghost on the parapet, ‘cause I see CABARET ORCHESTRA {00--INSTRUCTORS--100 ‘iiss, 25¢, Includes 3 Dances Private Lessons 500, Healt rN ade EGON MARWIG, Dancing Mester SN aes bot you're down and out an’ I'm sorry for you, old ‘un—but for the love of Mike don't suggest. We're trying to jack this writer up to some kind of speed as it ts Mollie (unfyrling the much-marked | seript)—Oh, Pgot the right line ot dope ail right. In the first place, to make it modern right off and get the audience guessing, | wanted to give Hamlet's attire an ultra accessory | He wae @ mild boy, bat the wriste _