The evening world. Newspaper, January 8, 1916, Page 13

1 ‘ RICHARD W. TULLY, AUTHOR AND PRODUCER, PROMISES NEW PLAYS. week of the tourney, but public tn- ts clalmi Samuel Rachmann, He comes from The world of the theatre boasts of| Berlin, where he was a theatrical no more promising a figure than |manager and promoter. He conducted Richard Walton Tully. Born and| the Apollo Theatre in Berlin, the Cen- ratsed on the Pacific Coast, Mr. Tully| tral Theatre in Dresden and some fif- invaded Broadway with tremendous/ teen road shows, asbeta at his command. His play of| Herr Rachmann “broke” into the j theatrical game a# an actor—he ad- | mits that he was billed as @ comedian. He soon left the boards for the bust- | office and a further admission that he proved a better business | Manager than he was an actor. About ided to come to New he brought Syl- jacffor, kK do anything. ny soon after his arrival he , the mighty r, walking along Broad- idea of an tournament In Europe mat men, He those who could ‘ar-bound countries rs were already in Herr Rachmann and the first inter- g tournament was Manhattan Opera st spring. seasons York his entitled “Omar r Khayyam. ntmaker.” M ‘Tully is now writ which he will produce at the f next season, He > purp extend Ss manag i y present ng Guy Bates in a new play chet Soe BIG WRESTLING TOURNEY RUN BY S, RACHMAN)? Herr SAMUEL RACHMANN. ONCE A BERLIN ACTOR. | ypy MOTHER'S ROSARY” The wrestling tournanr t Manhattan Opera Hou enter upon Its tenth cor terest in the man who te responsible i for the revival of the ancient sport tention. Fis name ts wn as “tho man] managed many; Bai | IS LATEST SONG HIT OF | IRVING BERLIN’S FIRM. | THE EVENING WORLD, SATURDAY, JANUARY 8, 1916. lished the cream of all the pop- “wi I Leave the Down the Old Green ‘Winky Chinatown,’ Down in Dixie Land, Picker” and “Bird of . For 1916 they offer “My Mother Rosary,” “Hello, Hawall, Hello, “When You're Down in Louisville,” “Tm Simply Crasy Over You, the Rocky Road to Dublin “When You Were a Baby and | Wae the Kid Next Door. | a “POP” VAUDEVILLE | IN GREAT FAVOR, | SAYS B. S. MOSS. | | “Competition may be the Iife of observed B. 8. Moss, “but If this mad scramble among us ‘pop’ vaudeville managers to outbid one another for the services of ‘big time’ performers continues there is no tell- ing what vila may be wrought this now fruitful etd. “Although ‘pop’ vaudeville won signal recognition this past year aud encroached upon ‘big time’ terrl- they are, making} tory © prodigious outlay for eal- nselves financially, independent. | aries is certain in time to play havoc tarving in gavreta for art’s| with tho right side of the ledger, ‘oung writers. as some 6 considers that the old scale aid, » They have | oj at the box office still main and they give ft to ctor ecoms to be get- he puts it on the} t int does his goods, weft Its melody rellarm by bein give | Al JOLSON IR ROBINSON | CRUSOE JR4 NEW WINTER | GARDEN BRODUCTION. has \sndustry. whereby | Bake for lof the ola mi an articl ded Mr. Moss with 4 t smile, “the returna up the box offices of my| been more than com te with the extra outlay in of programmes, and crowded sare the rule, But it is not the t 1 speak of. While the new rder of things is a novelty, al! well nd good, but my personal feeling [ia that in time public interest will | pail with the expectation of more and and then we shall have a sit- hat I leave for the res to think over.” M Mo said that “pop” are 80 closely re vet at least 50 per cer the pub- | whether it be ballads or ragtime, | re we have had a ¢ J und nieo “inothy the hi My Mother's y Waterson, Berti « follows time and fed to of the 3 iets now distributed over his New | York eireult ¢ appeared on the so- Irving ong genius and a| * Tak Wi Pre eth member of the firm of Waterson, |°*}e? (bis oa cule Berlin & Sny The B, 8. Moss enterprises 1 foremost Moss circuit of theatres in and writes m cesses for the fir he receives in roy song success mor dent Wilson, Vice a © Jeffer- Regent, tres, the aansing'’s salaries for |forty-four up- . He not alone wooes| Basi, and the t ed muse, but has written ;ture Corpora hits as “When I Lost | Week iave Much to Be Thank- and not only is the Music 1s as old as the world, but it| fil Por” My, Bind of Paradise,” js eekaual to rhe nightly “symphony o! ten|has taken the latter day writers to| world Behind.” which will be released in times as great as {t was in the first | commeretali: it and turn it into en In 1915 this successful firm pub-| January. LNT VN INP SPLNNY, ISP PSP] We a ae ee VV VV VN NT ak anak ad ak al INN VIN Motion Pictures and Prices OU’LL probably be in- terested to know how the price you pay at the box-office of your motion picture theatre can buy you the utmost {a photo-play entertainment. Here's an explanation: There are many channels through which the theatres of America are supplied with films. One of the oldest of these dis- tributing organizations is the Mutual Film’ Corporation, It has branches in 68 cities in the United States. It sup- lies a regular daily program to thousands of theatres, it controls the productions of many of the largest film manufacturers. Several hundred motion picture stars are employed to make films exclusively for the Mutual, Recently arrangements were made to release Bight Million Dollars’ worth of film plays during the coming year as the “Mutual Proggam.” These plays comprise the film versious of many famous books and stories. There are thrilling dramas and cheering comedies. There are beautiful ecenic productions and elaborate allegorical works, Combined, they represent the Mutual Program. Leading theatres everywhere have contracted to show this Eight Million Dollar Mutual Program. At these high-class photo-play houses, you can see several new Mutual offerings every day. Because of its vast organization and its extensive and diversified Program, the Mutual Film Corporation can supply theatres with the Mutual Program exclusively and daily at a lower cost than other film organizations whose facilities do not provide for such broad operations. This enables Mutual Program theatres to charge lOc, 15¢ and 25c and show you the very best film offerings. At every theatre showing the Mutual Program, you will find the posters outside the theatre marked plainly ‘‘MUTUAL PRO- GRAM." This is your key to good motion picture enter- talament. Watch the posters. When you find Mutual Program” on a poster, the theatre is showing the new Eight Million Dollar Mutual Program—the very utmost in motion picture entertainment at reasonable prices, due to our large facilities. Mutual Film Corporatio” HIN R. FREULER, President Executive Offices; 71 W. 23rd Street, New York City Local Exchange : Mutual Film Corporation: 71 Went M. F.C, Western Vilm Branch; 4 new “Mutual Masterpicture’* in 5 or more reels is releaud every week throughout America, Other Mutual plays such as “Di '' and ‘'The Diamond Frem The Shy'' are brought out as ‘Mutual Special Features,” PISPISP ISP SPS Ww ANP INE | SP NP INP WISTS PISPISE 1 SP LSP 1 SP 1 SPS INF VV VV OLN IN MUTUAL PROGRAM PIII PP PT | | —¥" _ Sabian labldb lah ae lahlanls biableelé NVINY NF NE NP NPINE NPP NY NP NE NP NP INP INP NPN NNN ISP ISP IST ISP ISP SP) SP] SPS SP] aS aside lactaktae Rae Al abide lanl ablaplabidblahidnldblahidniahl dala PISPISPISP1SP1 SP) S01 SP SP SP SP SP SP eS VII IINT IVIS7INVISP SP SP ar SP lae ais INV [NV INY Lanlanlé wiv idea VISVIN7 IAPS MISS MIGNON ANDERSON Mutual Star oppearing in plays fer the Mutual Program, FSP TSP] WF) SP SP SP S| S|) P| SPS [vr hidklab laa lablabl au PISPISP ISP) SP 1901 971 SP) Seer | Se in wise- | SEEN THE [AOOSTER SFathe If not, you owe yourself a real pleasure. Adapted from tamous plays or celebrated novels, they are produced in the very best manner by men at the top of their profession. In their casts are the most noted players of the stage—men and women whose talents com- mand the very highest price. Among those for release in the near future are: 72 Excuse Me; from Henry W. | Savage’s great play, written by Rupert Hughes; featur- ing George F’. Marion, Ger- | aldine O’Brien and Vivian Blackburn. New York; from the A. H. Woods play; featuring Florence Reed; produced by George Fitzmaurice. sits Py “3: Zé The Love Trail; adapted from the great novel ‘‘The Dop Doctor’ by Richard Dehan; featuring Fred Paul, Agnes Glynne and Booth Con- way; produced by Sam- uelson Film Co. Madame X; from Henry W. Savage's great play, written by Alexander Bisson ; fea- turing Dorothy Donnelly; produced by George F. Marion. The Light That Failed; trom Rudyard Kipling’s famous | novel; featuring Robert Edeson and Jf ose Collins; produced by [dward Jose. ate Sete 3 | HazelKirke; from Steele Mac- kaye’s immortal play; fea- turing Pearl White, Bruce McRae, William Riley Hatch and Creighton Hale; produced by the Whartons. ee But, fine as they are, the Gold Rooster Plays are not all. Pathe serials and series have acquired a world- wide reputation, and The Red Circle the story of which by Albert Payson Terhune is now running in this paper, is in keeping with the Pathe standard. Balboa made it and Ruth Roland is stamping it with her own charming personality. In February will be released another strong serial The Iron Claw written by Arthur Stringer and George B. Seitz, and featuring the wonderfully popular Pearl White, supported by Creigh- ton Hale and Sheldon Lewis. Through the whole gamut of features, serials, comedies and educationals : PATHE LEADS SOS ICIS SL HHS bt The Pathe Exchange, Inc. Executive Offices: 25 West 45th St., New York, N. Y. wrew wis SS ws \