The evening world. Newspaper, April 6, 1911, Page 19

‘Ihe Eve ‘“‘Them Was ningsWorld Daily Magazine, Th the Happy Days!’’ Coprright, 1011, by the Frese Publishing Co, (The New York World), GOW’ To TELL PRoF, MERRICK. ON Me & 1 CAACKED YoU OVER THe Head WITH A BOARD. & wave You EAT MVD & You eaten me A BIG ASH CAN & — Batwa! - Rememper 2- | Rorteo You Back THRY THe Tustues. HA! HA YES INDEGD ,WE HAD LOTs OF Fun pack Tere , Jimmy! — Do You Recart The Time, Jimed , wen | mace You fh Trne oFe YouR snoes B. STockins fe WALK Tako THe TITLES B. You erieo 8 said Yo WAS AND YouR UTTLE StsTeR Run ve & «FIT me WITH WER Doty & { SLAPPEQ WeR Face’ & BRoKe all -Haipaigal eve noon GTANDIN? uP FOR. YOU - UTru® Red. HEAD SHUD-NOSE Tring —— HA—HA— JIMMY, (TS CERTAINLY Fine OF You (NWT? ME OUT Here TO YouR NeTHeawooy Home. ITS GREAT OUT Here , dim’, cooL ,BeAvTiFUL, Thees & THINGS, Reminds me, OF OUR oLO Home TOWN yen We weee Hids. AW, | OFTEN TWINK OF Them Goop OLD DAYS Jimmi —) ursday. April 6, 1911. ‘Yes! Nest Yesil ( Revtemser —— THEM WA Buzz — A-Poo! BIzzz-A-Poo— Bv22— Buzz -2 AN POO! AU— Kiced — YouR- Face — — AW—Poo- WT -Nou — YS Copyright, 1911, by The Pree Publishing Co (The New York World) ‘An Old New Yorker’ a FareWell Message to New New York, BY CHARLES DARNTON., | F there are any old New Yorke I @tep up and slap “Tom W keep “An Old New Yorker” a After taking off his coat and helping Harrison Rhodes write the play, Mr. ‘Wise has found an old frock coat that he can button with perfect confidence in {te etaying qualities, and thus arrayed he stands as a monument of reproach to the business skyscraper af to-day. As Samuel Beekman of the shipping firm | of Beekman & Corliss, he is 60 old-fashioned that he says to his aged clerk, “How Ye your granddaughter this morning, Gibson?" What more need be said to indi- » cate the slow, easy-going character of the play? | The truth Js that the play ‘s too easy-going to “got there.” Its dramatic weak- | hese les in the fact that is no real clash between old Beekman and young Corliss, between old and new business methods. Instead of fighting with all the “ginger” that ho is supposed to lack, Heekman buys the dnterest that the eon of his former partner holds in the firm at @ figure that practically ruins him, and then lives in the old house downtown on ‘191l port’ and corned beef and cab- bage that his sister provides when the price of chicken gets beyond her reach. If it has ever been your good fortune to know an old New York family, you can epprectate the fine, gentle quality of the kray-hatred sister, Bilzabeth Beekman, for Miss Gertrude Whitty makes t character as genu aa old maho Like the furniture, her performance kept in the back- ground, but it means @ great deal to the play. You must use your own spotlight GO‘WAY, CHICKEN ! DON’ TEMPT MUH— SE REFOMED ! AW DONE TOL’ YO’ TUH GO (WAY F°OM HEAH ! I°SE GOT SLIGION! eb to left in this busy market place they ought to on the back for the good work he ts doing to ®. CLAR’ T'GOODNESS | AW/L. DES NATCH’LLY HAVE TUH TOTE DIS YERE CHICKEN BACK To HIS KIN-FOLKS - ts the char- B he reminds { (Copyright, 1911, by the Boble-Merrill Co.) “With Erik? in in this floor, in this|through the door which he had Just; “I have forgiven him the herm which) “Why, the ecounterdatames thet | he is an es y ING CHAPTRAA, With Erik,” ome!" | ed, showed him the actress's room |he he J the whole of thie wall om te its A. OF PRECEDING CHALT fe dn fen, enking Raow) ¢o| op I do not understand you, You treat | You surely don't expect {t go meve it- q ‘ and no one 4 of Nim footsteps, led | 11 t the end of the pas-/him aa a monster, you speak of his) sel¢ by enchantment! If you wetem you work, Ho acts whol 4 contrive an # which Raoul had | sa sth of which R i you barm and f Gad | will oso the, salser Sous Hse 68 tan i ; aie © tv nich had | sa , xplicable pity that|/or two and then ehift an inch er two though it may a + Oh," he » even at the time |h ir when I suw it in| from left to right. It will then ®een a T recogniaed the| wt ed to take him for | | pivot and will swing round/" | walks + gh that rabyrinth | not reply. He fetched| “It's not turning! @sid Reow)-tm- im, then?’ | “If only Dartus has come!" said the it agains wall facing | patiently. a ‘The Persian did not reply, but heaved| Per | that filed the whole) “On, watt! Tou hare ‘enough te x “4 sald Raoul, “I do not know| ‘Darius? My servant.” | Christine's dreasing room, which was as| Climbed on the stool and, ui obviously become rusty, ore eo} q 6, but can you, They were now in the centre of a| Raoul had left it a few minutes befor F, agemed to be {orbtas |epring teers svar ng A + _Umiese tt is 8 do anyth me? I mean, to|real deserted equare, an tmmense| Closing the door, the Permian went nd ater e eee or ee an-enz- elp C apartment ll-Mt by @ smal! Iamp, The|@ Very thin p rt | « ed Raoul and, t of whispers, asked at did you say to the © Chagny, and that} I waif that Christine Dane'e ab. in that we are coming th hee vin dike a farewe tor was the Angel of Muaste, an Ppl Bib vt be bes are oy 0 ie it, or he a glass of old sherry. Ar CHAPTER NIX. era ghost, and that the rea pei ae nem that aaa d he oy stam. 4 not yielding yet.” h - ‘Ohpiatin 1° © © And 414 he believe " i - The Pers Agai hn at, The Persian said coldly: ~ The Persian Again. wie, bomed onda «0 reall ail tat tin man's pos Strange Inventions Renner as : i 1 mo out" “bh . I | Credited to Women rou roout" |, ve EN4 much the Detter!” Caught With the Goods # & by “Grite” | GET BEHINE MUH,OLE SATAN, BEFO’ AW FO'GITS MAHSE’F “Cheer Up, Cuthbert!” By Clarence I. Cullen Caprright, 1911, by the Pres Publishing Oa, (The New York Westd). Fiddler (2 that you never ITD felf-fympathizer neein't neces- sarily be Boused to Bound Maud-| repatet tint ——t Gurreptiious ite ste ton | nace Mttle ~Commisera- fton we have to for the Fellow's | Chasere to strike Pay Rook! e Genuine Tragedy when we ourselves are Slightly An- noyed! to tre) Trafling Arbutus! ‘Take Your Time” te the the @nafit ra _ Penne | When the Tep-Metcher Gea, | “They Gay’ "be Jee Lafts! ut the Getting. Lonmossa Home Idea always gave us the eame old Theat | ninety, Michael Angelo ¢ill he wae | clmhty-flve—and nobody suggested that | they “needed new etuffi* pe | It fwn't mecesartily @ ign of Oett- Complacency ¢o be @atiafied with your | own Sooalety! over knew alweye made it (Boost hie Rivals Goode! & Boy give up ea Tig. Chaps, but somehow most of these we've known gure had the Goodat the heroine namwewly Another trouble about Paying @he| talked to deatnt” dress! in the ser above his head in the pattern of r 9 turned round end commis. | ne? He did not build them Yes, air, that fe Just what ne tained ap acrasion aa : aighed the | talved ap we I ation i , vlan ona me And they continued their road. A . o 6 M. 8 ° ing up and « several @ ; ‘ “ ‘ > 1 * t ts we i] . M « . aks * Mont aver ni 1 os r le as ‘ 1 his p Mm ance for deadeninx sound ‘ 40 st the mirror, after « s tenes ¢ ¥, e inn 4 aint! eala: the Paraia m, in the J ate him it ated enine for driv Arn sing @ score 0} 4 ng eo have ad q . wenerator, a baling press, a n4@ jin Y ase both in va for Christine | ct u know at house too?" ‘Chris harm.’ jp -. 4 fume Box, an automatic fk aan notion, Daae is here!” ¢ is not there, as may be herg! And th letting Raoul| “Jlas he done you harm? at (To,Be Continued.) 4 $ THE, What’s the Use of Being Blue?‘ There Is a Lot of Luck Left. @tuft foren'e-@mn Nobody ever got into Trouble trying Told what Ite a Gme thing te Arrive, but the Qian in © Clase @y Mimesit te Liable to be Leassomet | Bit down and write @ Getter te gour- aes self about (t-and your ‘Temper Wil) if gee euaft be Bappy this minute, try aan Thaw! he Retweapectove Stull! VICTIM 08 —_ (bas SUCKUMSTANSHUL] | Be Brief due not Brueque! ‘We'd vother Gut Left at the Fost than Ey'DENCE / | — Go 40 Pleces tm dhe Stretehi ——— ‘Titien the Painter worked (Mi he was It Helge @ Lot to Howe a little Bet Down om Yourself ALL the Time! Gweest are dhe Ones of the Goft Pedal’ ‘The most Creskerieck Galesman w: ‘When we are ¢eotieh enough to sit and ; ae poneapntyy cx gdindlggutdint Suerte td No Aeroplane oan remain perfectly | feotly well that we're going to ait in the | ett in the air—and when an Ambition | “rst time « dead ome pushes beck bis 4 | comes ¢o @ etop # te bound to hop! abaiet ‘ | cate —_»—__— | Another Cimnce ie a thing te ee SOCIETY ORAMA, i Asked For—not Demanded! “Your play eentaine tee much em —d vereation, You need « hawbreadth o- We don't care much for Cockeure|@ape of same kind.” « “Whate the matter with the @aré act” demanded the éramatint, SOC “Why ghould he? He does not tnow " yore oy ose geb-e ene Blogan of ae aed ® point to i