The evening world. Newspaper, January 26, 1907, Page 9

QO \‘@ \ \ \ is | AQ \\ \ ay. : : Aid SERS SS Wy \ \\ ww RAS Ss FREMSTAD'S qos MARLOWE'S SALOME - © DALOME {~-teesged nang ics SASSER RE RETIRE TE BY CHARLES _DARNTON Sudermann’s Witde’s Salomea |. Salomea , Naughty Child,--\ } Degenerate, Says i TPA YSN oa Miss Marlowe, Miss Fremstad. SET are) the uses of ad- ening: yerusement—but — not foi her grdat, glorious eyes Mas Olive Fremstad. Whe “fn almost convincing T asked for her opinion of “Oh! (and oh! the? Salome { got ft in twoavords; oned—musieal reproach of that} “A degonerate." ") how covld any ona think} jOver the ‘phone Miss Tremstad the lome of Sudermann shocking?{had told me she afraid she was Surely, you do not?” too small 2 person to talk on so big Then you donot?" ~~~ @ “subject “as Richard Blrauss'# The adroit. Miss Marlowe had}"Salome."’ She struck “me as a chosen the weapons, and I was quite}woman who wasn't afraid of any- roaily—to—fenco with interrogation {thing and quite big enough tu tell noints)s+=———— the truth: straight from the shoul~ “Why should I?! she asked, with$der, When I asked her whether she another quick parry from the eouch $had felt any hesitancy about appear- {n her dressing-roam at the Lyric.ging In the bloodthirsty role she -——_—_} “] shouldn't Mike to call her | as _ehe_s) hed her tawn} S should you?” pompaceur and atraighaencd oe = ewe "Not _eren_ suggestive’ in her chair; | sa a = = = +4awkward way of avoiding her thrust, BUtIt was the only way. Well -Pin-rather-s-dare-tevtt-sort or person, you know, But I must! “Weil, of course,” and she disarmed me with a fashing smtte, “that }contcss that-l_necded—ah my nerve, for It was the hardest thing I-38 "What is thoroabout kied.* . . z = . “Tackid" was the word. ‘There were no operatic aira about this prima. Jonna. Her strong-armed English ‘scored u knockout at avery blo’ The; vigor and. freshness of hor views .were-a-deljght-to a-jaded—“Interviewer: ‘ “But the dance,” she protested, drawing Salome's silken mantle about{J’d sit throuch “Parsifal" for her, her throat, “is suggestive of nothing more than the girl's joy {n ber youth “When I first saw ‘Salome’ in Cologne {t nauseated me. I was ab- Yoked with an and ‘her pride In her skill. Dancing has been her daily exercise, and when{solutely sickened by It. It was horrible, disgusting. Ugh!" ; for the firet time she dances before men, her one motive, her one desire is to She shuddered at the recollection and shrugged her white blouee int 2 ih Un believer. xoiia ts, ieee Blernity. ans tha please Herod and lis xucsts by doing her prettiest. Like most girls, she} wrinkles. ng the hahds clea. then pour the mixture Into some vessc' aw mu i vould hide his broke &e, &4$ has eyes for men, She tells her malds, you may remember, ‘When I was “Was it well acted?” idee the asia a al L ‘ 4 i em p 3 resides the assid-| and allow it to cool. Soften a lump 0: No, tt was-yery-badly done. Germans like to yell and scream, and: je OUR nen Of BAP the ealve-in-the palm of the hand and It_was an Jealth and Beauty -By Margaret Hubbard Ayer. i Plain Tales fromthe itills depends -entirely-upen-what- you mean-by—“euR Restle her that could possioly be considered ‘suggestive? =-Fer_theseke—of argument—l_men! the. dance, from Marlowe was-stili-glowing. By -Rudyard-Kipling. not, Here je a formula to apply after Hands Won't Stay Clean. (eee you say the soap and water will Cc. RB. = There) washing the hands! Suet or lanotine, 1 are othe! ounce; camphor, 20 grains; glycerine, 1-3 eWay of keeP=| ounce, Melt the .togredients eee Net It ; eer At Antioch with my fathor T saw fair-youthz—they wore red shoes!’ Her unas toca —aftord to Watt ae cs, ut HEN the Gravertn]_tender left the Syanged affpctions, Be, €2. relurn 1% dance ts the dance of the times—a dance, I thho It, that was.a development} they stand ettit-while they're doing tt. But I had my own thoughts ou and water, if that! rub {t well into the skin before retiring W phemePa miter ene) Rrre Tt WEtleh peuree. Not of view. it waagot tHe Greek dances-we seo on vases. Perhaps’ all the princestes of that} the subject. . My thoughts are yery forceful on most things, and I havi toes not prove em-| for the night, 4 u cae eae MAS enor wary neat work Sut ao rulnary 0 Hef day, did not dance just ns Salome dences In the play, but that danclug was} io give In to them In soine: way.” ee | tur Bats 0°" For Red Nose. ees in gH 1 feellngk—not ihe ones che re caf general among girle of the period {8 Indicated by Salome when she says “You had no thought at the time that you would one day appear in sduahy with soap Mo LL. J. A.-Your red nose, whieh sid —Warin— Wier: You-say ta worse -when_yauenter. Ro water mem-after-taking-&-walks jUgHT te removenat : Mire and dust, and !s probably caused’ by poor elreulation, 8 rean|You should (ake a course in phyatcat ‘@ulture~ or elses: regular exércises ere 1 to her maids: ‘Yesterday we could dance uiveiled in-the garlefic They} the-opera?” z : Ianced for the pleasure of dancing.” | “Heavens, no! 1 could hard)y sft through it. Tt was revolting to me. Satootarhichthinit-alter the fact-that Salome danced for the head of But now that I have appeared in the role, I'm glad I did {t. The music ap- Aver ahd— felt word he Tan—«he brutal fect, I might say—but not to the radiant face of Miss! peals to me—Wilde ilocs not. Wilde is about this big’—she held her gang a—portion of 5 Tor ated two days and at igs ; Or He iil di ; v0 lemon will usually re 1 4 val pala TnaWiaai Woker: before the lint} afaciows. 3 fn few Inches upart—"but Richard Strauss 1s lke .this”—throwing wide Ut Jemon wil Wet Ty ue nanty eee ist of tise excreines iftyou fend “Put she— doesn't _belleve,” contended her “champion. "that" John} ner arins, % remove me your name. a stamped envelope, Ao. Oe dealtar ve. he otied and put lt axay, Mes nD) In almond meat’ will surely i a ~ May Manton’s Daily Fashions ~ air simple circular caps einen ieee sti ‘1s a wrap that ts a BOA are far—detter —thin—'any— other sort. This one adapted “to th wil loge -his-head- Her only purpese is-to-meke aim realize “her power— be able to save the man who has séuried her. She expects him to bog ys, with girlish pride in “hex” power, ‘Now beg me,’ and she x foallzes What 1s Lappenng when be cain y> witke past her Touts’ ution.” z se Mies —Mariowe dHd not carrs—herdicfouse. off-stage," - whore ne Silas. “Unqueslonably, The play {e Sivall, always harplag Of the sensational and the ugly; but the muse, It sonra on the wings of poetry. The music: niarges tt tor-mer~f-tHire—'Salome’—becatsett-ta-n~ tremendous—work: Uke to get hold of something big. The music {s almost too biz. It th hard-to-got_de-iu-yoar_throat. When 2 first tried it 1 culind Strauss every ? mt Shi Salome is supposed’ to continue her dance with John's head on aS name tm te alphabet. No composer has qver made such a demand upon en wan hot eS purith “haat ycbarger, I was Telt to conclude tual bere the gslddy young tim also 10st} the voice, Abd the necting ts-eimost as -great a-strain. I male belleve I'm did” what nmay “nhineix Taye) her head, = Saree Sarasa qokid of fiteen and try at the same Ume-to keep-# strong gtip on the, him-that [sto say,” } art Ind Sy marty a Huh —Sudermann's Salome ts the biblleal Salome," sho went on, picking upietupendous n lome requires the strength of n womah, the tricks of}! riental and the naivete of a child. Ir ia the’ ARH an-otd-Bible-and-reading-a-passage-ip-prove-it-yowH-find-tho-versomewelltasiron,the asility of an — Pat GB married Donmaya by just where it should’ be. “So in demanding Uie “head of John sho mercly$ most difficult part ever written for a singer." - hip trienda’ J e Hania: Courey ang 9 does ai hor mother tolla her. She saya to her mother, you remember, "You! “Did you approach it with any’ fear or-revulsion ?” rae uae ite Fe ues wil ke mesa cre my will. Sho carries out the plan only to make John realize her poy | = * Phat Dloody Wud slckeied me at Mret. “ft pould hurdly bring “mysel i \ wey and in this way to win him“to her.”- 5 to approach it at rehear: Ll rort- of sidied- up todG. 1 knew4t- was: papi —HF5 yon think a gin ke Balome-would-care for aman ike John?” -; macho, of course, but 1 had to touch tt with my fingers to satiety myselt, i 4 { “You feel that the muele justifies) the performance?” prancing herss_o pac BLS exec’ spracrirrewsangd-ieeie aaah uals £0. ravers fi nd Wight colors and ais of many sorts, Also can te varied 4 a num ‘ber of Ways. As IMustrate there jp a hood with the cat slightly open at the neck, b {tceans bec sn3an clone ® Wan not atrong In Nts Views and opln- ij tagjishm “Sirs and Principicn: end -proygitie-naver other Seamextox-actial gtiefetie: friends -woret RUSE ATTN tspalerixs and bec saa sh ‘A smilo deiayed tho answer: “She 1s Interested. in him and linpressed by$ The fact that it 1s an exact copy of Van Rooy’s head—a fact that ts not nnisned with the collar, | __ thankful ener nei gand-b nd | an Ens aly In dress andQ jin She cays, you know, ‘I have aeen none nilghtier than thou.’ And she} generally known, I belleve—made it allthe more hideous, I was told of} liked. or the hood can 1 sriilinae=They: fg aieaine cre Wetter Tay fo Agne-'e$ alsd gays,, “Teach me, master,’ What are we to fudge from this?” this a the besinniig and advised -to-get-used to-the- ghastly tbing. But deol eal eaten ete tesa y' arcboy!-Tict ter Teaaite, han * “That sho {sn't all bad?" (I was besinning, under the Marlowe spell, toz even we hardened stage people shrink from some things, -you know. -When§ the centre front can bo used your face -ngain,’—or, at loa’ what Phil was glven-to unasetia Sp ate ms Re ci 7 Tne, re hettted | band w: al In the course ort Tited | pand. iM vat bras and tizers 0 ihe viln hove thedg think her a saint.) . ig tim Mer hus} cphaq gio wishes to learn, atcany—rate,"” sald Ollss Marlowe, Tp} With that dagger smeared with plood, I wanted to get out. The lead In } ‘Salome’ affected. me in the same way ae 1 saw Richard Mansfield in ‘Richard IIT,” for instanco, and he walked on as means of closing or sim- ply cords with tasscls. White broadcloth is the material grore {nto-collar—and- Ais = work’ grewd yeqra ettes Ni csInmarriad— and hts ‘Sme. she is merely a neughty, impulsive child. She-Is depraved -by- the} ‘ Jamia oj toe ‘ Ate after Ne. Wa a vibe ghty, perl! aint verte, Mustrated, but all pate ‘ us eter hint cits face at Agnes ROL Ee and Almeria for nis depravity of her surroundiigs—that 1s nll She ts the eréiture-of her en } Did-yourteel slits on dur} gg the, pet formanee Fex-gietye polore-ara—In—vorue tata aut of Nie mind OHTY G 4 : - = 5 : ‘ : Rabenncn he ee raledtar alae eaa one Hues feos. Reing 49 vironment. She commilte her greatest sin by obeying her mother,” No; T sliould not be an artlate if 1 had, Y had'to ‘get fd of that, It}material and a «reat. many F on hie devtn ” would have choked me if 1 jiadn’t. But grovelling over that fearful heaagof the heavier silka and Qwas not often. He’ wou et all about her for a frtn ver Ker with a star WHO has forgutien to Sle ald not forget I wan of the kind that never forgets, Only, another mana really desiraple vating are m feen wit Mning of silk and Interlinin of some soft wadding, for the street dark ¢ cloths and ve to be noted. The quantity of matoriat ana ! | “Then she isn't distasteful to you had f Ale % “She doesn’t interest me,’ was the evasive answer, “There is very Ilt- the gte.!V and the bh daales) Anad tle in the-character It Js the third character In the play, and T play tt {Rute SaBhexe:a vith deme sts ae only to give Mr. Sothern his opportunity, Mine will come in te next? eneieahers tnd aor play; ‘Jeanne d We arrango our repertory so that one and then the Wis ¢ at hand. Yothor may haye an opportunity, anid.” with a emile, “f think we have stiown for twenty minutes was not an easy matter." “Did the performance exhaust yo “Not at ali. hat the end as at the beg! . and 1 could haye done tt r again, But the constant singing made it the ardcst (asic r performed. ‘For an hour and twonty minutes I hardly: had (me t) bres 1 hated the music at first; then I began to wonder atx vo YOUnr 0 nted. Nircself before) It was wrong and Improper, of cours ¥ s < Mr talioriand the chines br armars | but wei, decided, ine erolnes) ~aurIe Fy at two stars can revolve In the june orbit without Clazhing. Aalde fronvall} at lend {ially rendered myself to It completely,” reqitired for the medium slz riage with Phil was as far off an ever;| fim ter hand and her Rold and wih Mery that, however, J consier ‘John the Baptist’ a good: play, and, furthermore, been soyerely criticised 1n eome quarters,” 1 ventured. I 5 sarin oithor 44 inches wide when the it has been generally roasted,” she sald, “but I belleve and his letters were #0 uneatiofactory; | eoend tho feat of her tito ln some. spo 5 rane beet onal Gilaihe i i Hea thate: ua TR cerlatne area cre; | Eee ream unmyinpatiiclig noulsr Bat haes w WooU-play. fOr: New. ork-te-eag.s1t wae thie bailét:that_leil tn to produce eas a great work in time, Just aa 'Parsital’ wie pocoe.2 made without « xeam at Oi for two montis alone In Watson's Totelg John the Baptist.’ Otherwise] should never haye played Salome.” ble setticd down to a aane appreciation of ita beautley 2 back and: We’ trood-tevie nibh a a beauties, . dqmesite pressure brought to bear on} elaborating Wile dociclon, and the 5 thevwirl: ana the young man realty wa! {ure-waan pretty one. Then she mat eut “You do not feel, then, that the religious atmosphere of the play ini 1 ‘an-ellgible peraon as tnoomes go; ang{ in fearch of PhH Garron, asatstant on apgoured by .the sensual suggestiyeness of Salome?" pire aretend sot allisthineeswastthi & ted plantation WIth a more than usu- toy * e Vy A Mi a that Agnes| muy unpronounvesble name. “By no means. Sudermann's Salome iy pot the morbid, abnormal married him, &nd wrote a tempestuous . . . . . . . creature of Qscar Wiide's imagination, It is true that the language ip Whirlwind of « letter to Phil in the! sho round him. She spent a month overt Pauhor free In places, bul according to all accounts the people-of those days owas 4 4 y cided step forward in modern musle. It certatnly is yards oy young composers. They at least-will understand IL” = nevir understands. It doesn’t come prepared to under- ny ‘Salome! from the purely bestlal point of view.” 8 your view of the character?” ‘0 jn A ncam at the wilds of Durjiling, ond said ehe should] it, for is. plabtation were, Inclined to be outspoken, For my purt, I should prefer never to. utter never know a happy moment aj Darsiling district at ally but 3 F an doe a Rite ti 7 hood fh ‘ Siarcin’ Witt Rablaoteherallteceatilen cone eu ane eae Pr wat very yey a speech on the stage that {s not elovating and edifying. T have never felt! eels Ait pA AY LC RHO EEARG UE this mipposed Balome? Poop hood Imus, {hor ae2 2h 8: vice with Seseheey i 90) Dunmaya was very nice to her, {he feast desire to play Camille, Mrs, Tanqueray; or anyirole that’s'on thes talk abe ia) BiG ERG . but dees any one know anything about her? rd oy Now. tit rulou ind shame af eet ne * es t 3 well ny-Turkish d. { a = xe, PHI Kot that Tettse, and held pajmeai | Me, WHO! ferdcular eln-ond shame «73 bing. Nething could-{ndice me-to play & role of that kind : Sea raya ee y TH High danclngt girl and hat we un: con Cmitreated. ‘thin war two qgee meal [tenuis de int Worth thinktie or imee gu RRON nothing could Induce you to play. Wilds’ Shloment finterauannanndith Peta ere Ae Mate se hie halt come outs Gut by dia of think | Seen Tey ed Be ere aRyA ANG more Nothing. T have never seen the play aeted, but E read it in the French} tho eatiated court uf Herod Waren read Salome {sa product Pre ee j Ing Axbdly of Annes Laiter, and-tookin Peek Aeneas the whole off some four years ngo, and that wae quite enough for me. I should be inter-} ueneala to. ime, pas : eco pasine: thetssortof thins.: Satony {Calor pend by mail t@ THM Y 1 MAY MANs Raph Ret PigtemrNeh. And patting himmors Gara tata RUD TA a making ngested, howover, in soeing and hearing the a. Music seems to cav Fyaneen Fo ma.purgly..ond-etmpty'thyough: the Intellect, “not through the FASHION BUREAU. No wonty-vyit) etree Now ory bt doce Of himiand he will be wet " ‘i i r ; Y art. : t gonuatns 1overn ah tt Pal aih mately we Perdition. gravee PHBE es raren th Who wouldn't dream ‘of letting thelr children “Do you fecl that Jokanaun really appenla to Salome?” 4 ae ten cent ih coln oF Dat x the Work na he went’ one hen deainlor: : H y \ © healtancy tn taking them to ‘Traviata,’ of giving them HC bes Portoall yet ea aled LEdPaREALe owe dete PORTANT—Write your ubine aid & : sate Feally| His manitertly unfair...) QA pleasant etterioon at ‘Tristan und Isolde. Gf mn hot. t know ho wouldn't appeal to me, 1 ways upecify else wanted. \ + Laake ‘ : RAEN ON A PD Uke healthy people, not people who live in wells,”