The evening world. Newspaper, October 10, 1903, Page 9

wt THE .» EVENING .» WORLD'S 2 HOME # MAGAZINE »# ‘cure - Fay Templeton, Incomparable Plimie, Tells of ter Ambition to Make the Public Cry y ag | Well as Laugh. abl Lo play a pall | We ied e Zaza” “/ swelled up like 2 Christmas turkey” Bak by May Ea, Zeraid SqGuare Peatre: Star of “The Runaways” kooks Forward to Rlaying a Zaza Role—Snatch of Coon Song and Bit of Burlesque to bend Variety to Emo- tional Creature—Rejane, the French Actress, | Is Miss Templeton’s Ideal. ‘Amusements. HUBER’S “4" MUSEUM. “hi, MYERS BEATE i 3 itn Promotes the growth of the hair ana $ | gives it the lustre and siliiness of youth. When tho hair is gray or tadea it $ | BRINGS BACK THE YOUTHFUL CoLOR. A , You kpow 1a paturally ps play bere legliepogres Selous is oe is cheer. «ROWE, Repine not at the dire announcement that Marie Cahill and t sos Carrie Nation are to consecrate their lives to the serious drama, for through the gathering gloom come glad tidings from the Templeton. Fear not, for the favored Fay will be with you in your otherwise mirth- less hour of need. She said so upon being asked if, when she goes away from here next ‘week, New York will have seon the last of her in burlesque. She winced @ trifle at the term, betraying a preference for “im{tations,” but there / “| HOUGH your clothes be damp and your feelings soggy, be of good ’ svendous Production minded Amusements. NEY PROCTOR'S Feet ee ene (THE SILVER : “0c SLIPPER SALE By the authors of + WALLAGKS, “lorodora.”? was soluce in her answer “No, 1 shall not entirely give up my present line of work when I ap-; pear in ‘The Infant Prodigy.’ The public seems to want me in that sort of thing, and as long as it does I won't give it up—would you?” “Not while we hail our strength,” we softly murmured, “No,” went on Miss Templeton, ‘although I shall have a ‘straight’ | ieee part through three acts 1 shall introduce one or two songs and imitations. thin I “i seer 7 ss he ca vite me I y 1 31 x it of burlesque % , ORT E MEET Ul Go aalimaa Slant Gad ever anuelanyining of tne niina’? 8 he can write me one, and I think he can $f any one can. Im not] whocould 3) a snatch of a coon song at the piano, or doa bit of sa Hiab 80, Manhattan Bess ss lp viaanitcyoul conslien burlesque ’an’art?)! ambitious to lose money, but I'm willing to risk some in the experiment. {in a mirth{ul moment, make an attractive and yet convincing creature? ie 1h MRS, ata Heorite Ee “y, e miancan Ev withing fe ky th doing +: “Blacking | ; When I lived in Paris I used to go again and again to see Rejane. She is Who would think of making but one answer to such @ sensible, Ingenu- JOHN’ DREW. | CAPTAIN. DIEPPE | dihih fasted DAY. ry WRN Gal pS tus an cert sv ery thing (AG IS pWOr Core Aen Ay ‘not beautiful, as you dowbtless know, but she is wonderful. She is my]ous question? SOTHERN MARIA x LO Hoots is an art. There are thousands of bootblacks, but very few good 53 MONDAY, The Teothlacks. But lmdtaling other people ls sich dreadfully hard work, It| "°°, An excellent idea, truly, ‘nt one whieh only a Templeton could suc- "ra NOX ena Be as eE” Wee ce eat z : This prompted the inquiry whom Miss Templeton considered the great-| cessfully carry out. SAVOY: aay 2 Ras est American actress. “Then you are not tired of the things you are doing?” I theatre: fo! Al “Do you mean to say that the imitations you are now giving are more ‘ ” ff, . wir " gion bn! ty trying te yeu than three acts of ‘straight’ as eran on u ‘O-oh!" she hesitated, “I don’t think I should care to say.” “Indeed not, only I want to do something more, something better. ‘Make sae. . ay iIMANSE (EL 7 Macasti mabralad iideclared Missl'Templeton 0 “Do you-consider that America has a really great actress?” hay while the sun shines,’ you know. I can’t afford to let any grass grow in THE (Old Heldeib . Bag mecha r e Hee ee cad acts aus adaeds etiebacialenuee “Yes,” said Miss Templeton, “I think America has at least two great}under my feet. 1 belleve in keeping an everlasting hustle on, When I CRA NE! SPENDERS. Ritiea te AiR lo Sate Tapa Tiare Be go , eee ene oel cai CIES chute ate amr lnillstlonad att owe much | actresses’ : was younger I let a lot of opportunities slip. Then the theatre was merely ; ara GRACE GEORGE In “PRETTY PEGGY" & = rather go through a whole play than give two imitations, It would be “ BS t 3 e nuulne & st entertaininent."'—E i Secaiy ee ae Ur arare (RT LLARINE EOUId Ouet sR AUET mam tuatloeee And do you hope to some day become greater than either of these?” |fun. I came into it and I went out of it, and that was all there was of | Api pia x oe ‘ a onevinsyour mind Mad Gee eyeralnlont | cinathutle nl Okkitonelaceivonl will A smile lurked on her lips before she answered: it. But now it is work—downright, deadly, earnest work.” ue MAN PROM aoe eee vou lentate and ihe aitiealsy sovses| yon Not Stenters but verhaps ws great. Now, mind, 1 am speaking frankly, “And do you care as much for applause as you ever did?” CHARLES HaWTHEY BLANRLEY'S, |X! e, honestly. There is not an atom of conceit in my make-up. But I do believe t “More—I can't get too much of it,” was the greedy response. “We|GARRICK gi!E THE x i PRINCESS "3st § fm remembering that person's Mttle, individual peculfarities. You must] have not yet cive ; , : ; ty ven the public my best work. And I do hope that some day | live on it, you know. When I don’t get it I feel—well, I can't tell you ; [ it i ay | ivactly how 1 de feel, but,” with @ shrug, “I don't feel ihe way I like toj Maxine Elliott’ study them out for yourself and, in most cases, by yourself, It means|] ma: ea : ;whiee eG Gre | Taka toe laalausetiioy lusltationy of UAllika’ Rastell Publ co semething worth white, To tell the truth, I want to make the eel. GARDEN “HEA, Suerte’ | WEBER & FIELDS? Muse {While I am giving that 1 take a vocal lesson every afternoon. Ordinarily Miss Templeton laughed merrily at the conte ~ (eulidon't you sometimes get tired Of encores?” Stephen! PDiitt = UL L VELES & BOth yi Pidontt bother about my roloe, for don'e-belleve the/publie/carea\whether|[[puniic ery Would ba ue iillect Geree ce eee TE ted ATT acouRed cewietitnee are car bat Ge it we dunic careta reneee| ATTIC CITE co, aa“ WHOOP-DBE-DOO I have a volce. But when I undertake an imitation of Miss Russell I o © ej out Tittle biter but, belleve te, we do. I know I should be broken-hearted | OALY'S “ay an ty a believe the public expects me to sing.” omnis C * Oa wt wt if the public showed it was tired of me. But you're not interested in this} 3 LITTLE MAIDS. AMERICAN GH E CKERS In the course of the interview Miss Templeton said many things, but here's an odd thing about this brilliant, buoyant, blooming artiste: | aimless chatter, are you? What? Oh, pshaw! Well, don’t make a fool IOs nothing be so funny as this, ! She thinks the public Ilkes to cry and laugh in the same hour, jot me. PASTOR’ Ss cox “iyvous TED MARKS CONCERT ‘If ever I get my longed-for play,” she said, “I shall wantit ‘And you"’—to the man who makes faces—‘‘don't you dare have this hat! vei, ort pre chs MURRAY Hint THEA Lee. Av st Cd ot Bd make the woman I play a many-sided woman. Why would nt to poking out about three fect in front. Now, remember!" i DEAWBE, SHORTY, Surfin bE Wirt, Mats Pa aw 2 n't a Zaza, say, CHARLIZS DARNTON, ATER Gow. tOsn Ay. é Evs. &Sat. Mat. 250, to$).50, Wa. Mat. boxt a wt a | ihe Ree Mies Templeton from depreciating her rare art of mimicry, she was asked if she had seen the compliment Clyde Fitch paid 5 7 MAJESTIC THEATRE, i her when he declared her to be the most wonderful actress of her Two Brand-New Theatres for New Vork. TUS, ; me, BEES IN TYLA, DEWEY| Matinee To-Day, : kind in the world. Burn sr iKnicserbocker Burlesqaens ; 8100 lorrow Night—Grand Concert — “Yee,” she said, simply. , “And what did you think of it?” F N W Pl Y N t W CR. 1G tae Ev. cr “T swelled up like a Christmas turkey,” she laughed. WO new theatres—for only the wails’ ‘Tha Lyrie maken the sfeenth Our e a S ex e «| acnoeM OF NUSIG LASS OWE EK Grand % 2 “And you were satisfied he spoke the truth?” of the old Ei loft stand wht ih the Shubert Brothers now own, (Dela Dodge with beautiful, paintings. ‘ nCH AS, W ARNER = DRINK} - Best week Tne Wey ward t9 * Ay ing—Wwil disclose their architectural ‘The version of “Old iT "gin \ 1M design and decoration the intent St, B we: { on ARete Bea ean mea aa prctesens Bay beauties next wok, 4 which Mr. Mansfield wil be Alen Seen to return to the ofiginal to ‘i a Virloes 23.90,75,1 00 Mats, Tdy & Wed.8. Ev.8. 15, ICIORIA, 4 S550 es But do you know,” she hurried on, “I never dreamed I had the least| Mossre. Sun and Lee 8, Shybert are S A) of theatre, especially to retain the ont 4TH ST. THEATIG, SEARS ALE THE AisiéR MADER. e ne} 14 by Mata Wed. & sat iteral translation of Herr 3 tre as it existed In the| and his viay deals with the pe: Dit of talent in that direction until I attempted to give “an imitation of }Justly proud of wi handsome Dew) ter'a orginal. ‘Dhe story moves back @xbteenth century, in contrast with the knows best—the peasints of the = ATl Aamo Russell in ‘Catherine,’ at Weber & Flelds's, and friends began trying | Piashouse the Tyrie, wicuated just west [and orth between the palace at Care: May attempta that have recently bean PPh! Spain that I wWihk, ANDREW MACK | ATLANIIC gorse, rors Tea" Quatre, | tae rete believe T had it In me, Why, I ueed to alt and etch cae [ot Eraaawoy. with entrances on Forty; | bure and the haunta of the swagner si- sity" "ine gtnaral arta Thal Gee Ian Bion We ARRAUNASPOGUE,| Faz trie 1s EAN Cri ke oe : S8Y | second and Forty-third streets | dent corps at the old university town of Sh ener angem 5 Senne —va VEY SV SCLC jomatograph, Alma. Eechert's Groh, Loftus in her imitations and say to myself, ‘Oh, gee! if only I could do} wiich will be dedicated Monday Aight] Heldelberg, ‘Dhe lation sounen have dilons, ant thoele te old et Say ee mooue same URE EDEN SIN WeMA'SS Rae {hat!""” by Richard Mansfeld in “Olt Heldel-| been taken as an opportunity to intro. ZCeMUM Arab treatment with columns | and Mrs, Flake has rected ity staging, | it Bmw nen ounce ING peste ims EET: “Which do you consider the best imitation you have given?” Dar sector and interior were do-| WUC? & Ire body of students who sins ini a "rich setting of Frame fo Oe ‘age| abes in Toyland.” Has BL NE BATES 8 an avd i i “Ethel Barrymore as Carrots,” was the unhesitating reply. “I am very| signed by Architect V, Hugo Koehler peice Bul leartal perk thier Mies ited ini alan oid staontoren ewe Mitchell's successor to “The nines at & Ma & STAR: Next We z . e. | Oz,” will be at the Ma, ‘The Mansfeld engagement at the Lyric |urwatment of the tre Tuesday night Rahs I for four weeks only and "Old Hekdel-| to the extent of ellminating all ce aven| basta in the old nursery tale of berg’ 18 the only play which will ve/ind thus permitting an unobstructed | panes in the Woods.” but the then fond of Miss Barrymore, and I was almost equally fond of Carrots, The| The style ts classic Ttallan ran nienanioh which echool is futhfuliy cart out in character, with Its simple, wistful pathos, appealed to me strongly. You tea mtal plasterings, decoratic 1 BEN-HUR as know”’—this in confidence—"“I ain naturally serlous-minded. What few] cheme is apple urnishinge. The color scheme 1s app! ‘ Bute th scrisnten aeen | vlew « all polnts of th s THE, Wway & lat St things I have written have been in that veln.” qreon ang Rose du Barry. in combina-| for the producuon of voleirs: Haasan | 20 architecture. and | deen treated In 9 novel manner, Tnstoud up WAY. ¢ ORRIN JOHNSON 1s As Miss Templeton said thi¢ she gazed pensively at th lon, giving against the ivory toned of) historical tragedy, “Ivan the the interior is strictly of | fe ean he Heart of the taregg OUD: | tata “Wve : : a y 6 opposite wall +e cai work a pleasing and re-| Will be remumed directly and Mr 3 : XVI._period and the color | tered in weart of the forest, t ay Yt | Hearts Courageous. iw. COLLIBR| mass of her rose-tinted dresaing-room, the ornamented Woe walla of the twol Geld, oxpeots to add the play ia bas rep-| #ovome te red and Rod Hoe eed archy. veaaels WHON le eee ‘an abe BIJOU} mv EatnoR? ‘resh! hi erto! as a ie ia" is “s ean way h at pe RR TE de oe os ry » R s ot lower floors, including all poses are: berg’ in satisfactory condition. ae Maven ihae) cednare cates tinal hes KNICKERBOCKER fs: ayes $ Share t ; oF ” i ered with a rich brooaded # one: * been attracted to Justin Huntley Mo-|t E ERS ROS. IN LOND} IN. n Amusements. DON'T mind telling you,” sald this interesting woman, “that I hope} qy wurry in color, ‘The Wilton carpets! Charles Frobman's Bmpire Theatre, | a now'play, “The Proud Prince. | demnated. bY a Ee ROR ES latins Batursag ie Brooklyn Behasarseni 2 some day to de something serious, in minute design, are apple green. The] which will be opened Tucaday event: of the cénsorious criticism It} who makes @ 1 the tove for rid roadway aod uuth St MONTAUK + “Comedy?” , Apple kreen is introduced also in the up-| by John Drow In “Captain Deppe,”” Be Nroseionvade ise inal aeocs mitten, ta to sendew one of! his Ce b MATINEL by 8 WED, & hoistering of the seats and in the hang-| been entirely rebuilt, cond act will be eliminated when | whe are com co. WARFIELD with i “Oh, you wouldn't call comedy serious, would you? Still, some comedy The principal en.rance remains 0 a xX lings, with the exception of the grand Ms a Gutacs vesth on Hotnecn Rppestar ta it ae tne | cneie wicked “uncle to assume fs @erious, isn’t it?” the answer to which was her own querulous, infec-| s:age curtain, which keeps to the Rose Brees Anished in Caon rude Week| Herald, Square Theatre Monday night, | qulses of duis of human. sin tidus laugh. du Barry color, and is richly embrold-| the shape of a niche, with three rches, Untied Prince Brice belne ease Paar aa. a yoloante erat oP ‘ gree. f them leading into the theatie. “s . o! 0) or and No,” she continued, “I want to play a really emotional part, like Zaza, on purser Tas rhent. asta can The, inner Veatinule. tn, classic oe ios | ROERneG, ARO laray rest Pesta te, enya | atroye cher yslollition ve ee Wel bin lain iu period, and {8 treated i Hs } fine opportunities. Vas. ate, We and, what's more, I intend to some day when I get out of a manager’s|tieatre is perfection. There 19 not a JOue as stone, with Hautevite martio scenieheauty and ‘tlavorate Cecilia Si Mee leur He btu, The EIR. PL RACHEL GOLDSTEIN homes of New York is hands, which, however, won't be for three years. Thon I'll manage my-|veat in the house from whith a full/ Moors, bases and sents. ram this, en Loftus is ett Mr ett deaaix* | book and Wries by Glen MeDonough. bidet: RACH CHILD WI newspaper that the” trance it lary porte: 10 self and I'll play tho, kind of part that I've had my heart set on for yearg, View ot the stage '# not obtainable. The [hoiGy "a. tuyer separated tom the crowding het for ‘tree nore. . we York Day by Day, [reach thelr help, For other news 2 of theatres see 3°% ees RS Ti have my own little compeny-and a play of my own choosing. Mr. Fitch modem type. ~ BeBe ena the Yympantim at the west Corona Riccardo ‘will appear et the! Page 5 Som Remote a es ste ‘ ye eae ey * ji i f s ; ; cn