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THE SEATTLE STAR — ) | COLLEEN GETTING CHAPLIN ON LOCATION Pat’s a Young Pioneer || WAT CING| : : BY DAISY H Zam Pitts, Mae Murray, Viola / Dana and Bebe Daniels are all winners in light comedy roles, but \ they don’t any of them seem to hit the real stride in this line, Mae Murray hasn't exe Under such a director as | Ernest Lubitsch, Marie Prevost is destined to find a little niche all her own in the cinema world. Marlo is as delightfully feminine a» Billie Burke, and in the Lubitsch comedy-drama, “The Marriage Circle,” now showing here, she blossoms forth as a | charming little comedienne, | eee T wouldn't be right to mention comedy favorites and n ng in the name of Mary Pi rd, The edienne when ¢ wanted to “grow up” and be |aay, tn spite of atic; but they do t that it ts « has somo The Last Token From the Painting by Frederic Remington o Vernon of Haddon | Hall.” ! Pat Moore. This youngster, tho he has not yet reached his teens, is a pioneer in the| te ee eee sereen world. With his brother Mickey, he has been playing in the movies ever since |S ike ave thir: waeed, he was a baby in arms. Pat points to “Out of the Dust,” the photoplay now showing| eee ry y ‘ . , ‘OU have to hand it to Elinor, at the Heilig, as his greatest professional effort and well might he do 8o—his role is of LY" n; she hasan eye for public thé same strength as such co-players as Russell Simpson and Robert McKim. Ity teaica her es = — — ~ fam ! characters hero of any as } known as Glyn's Would-be Heartbreaker pall indore ous, manly, I used often to wonder what such being could become if awakened by » great love, and inspired by a woman of mind and temperament,” Miss Glyn once remarked, oc6:.8 T to show what would happen, | My horse is down with thirst, boys, The sun it rises higher; i wish they'd kill me first, boys, But they're building me a fire, My heart it is not broken, boys, But my lips are sealed with . flame; Therefore I leave this token, boys, To tell you I died game. —By Owen Wister. Shrilling ! hor wrote “Three Wee jand Paul has been famous ever since, cee AURICE HENLE, our New York correspondent, contributes the following: | Here's little inside story on the theater ticket situation in New York. Imagine the same thing happening in any other Underlying cla Boots” “Fal Castor nary one of the \\ by h 3 ‘ in it. Each wanted to get a pai supe | Spoge tye ae Benn most brilliant a\ Ouc ing / ULATORS. Western : Se ) sr * fied Sica Tecorete at Spectacles | RY nsptting! [ee ell ale ever conceived . . . 1B —a melodrama A picture of this calibre bs |the door hangs a sign which reads il |“At the Sign of the Lipstick." The | is a rarity, indeed! | \ agement installed a cosmetics * , © iicsepand now uaksly evicy fort whe f replete with the The Capable f | mouth, Merger Makes | . | ° Loew Dominant | be ing ae of ape . . | aiher and mother love M oute at igure Q\ that has seldom been equaled Lier: Gate a eo cet on either siage or screen district, today 1s perched on the pin | Robert McKim \\. MasterPat’’ Moore Dorcas Matthews Russell Simpson glamour of redskin and prairie schooner pe «O's a heart- |leaves the Strand has a cupids-bow B naclo of America's theatrical con- trol. Thru announcement of morger of the Goldwyn, Metro and Louls B EL lot-8623 for Informa: tion on Mayer motion picture: concerns, BUSTER LORENZO, TENOR Loew emerged as the dominant fig. LEON GREENMAN’S MELODY MAKERS ure in the country's movie industry. Ho assumes control of the concern which js to operate under the name of Metro-Goldwn-Mayer company. It has an estimated INTERNATIONAL NEWS COMEDY TOPICS OF THE DAY capital of $65,000,- 000. Its main ‘ating base will | be the studios of the Goldwyn com. | pany, at Culver City, Cal. Thru the} merger Loew obtained control of | the Capital theater, New York's pal. | nee, and the California and Miller's, two of the finest in Low Angeles. Leow's wand of dietatorship fs now extended over 60 theater companies and 500 theater houses, “GEMILLION DOLLAR. G “The price that speils succ ee oe a, a Next Friday: “THREE MILES OUT” —the thrillingest comedy-drama since - Volstead becai Ki ee 4 REAL JUDGE IN CHRISTIN, COMEDY One of the new Christle Comedies, starring Dorothy Devore, which has scenes in a divorce court, had the Ys iy added distinction of being presided Y y l j over by Judge John 8, Summerfield, the most famous divorce court fudge : ; in Lon Angoles. To look at this pretty, innocent young thing, you wouldn't think she was a bound- Sa EVAR BeCien pT determined little home-wrecker woul’ you? Just how far a love-sick girl will go to win|,, Ramon Novarro, Rex Ingram's F i 7 the mon she has set her cup for is delightfully and humorously pictured in the Ernest agate Leah illph slab ; Lubitsch production of “The Marriage Circle,” now showing at the Columbia, piven 5? acs ne . : Marie), star and will start work Prevost is the girl pictured here. She's the cause of a merry mix-up in the film play. |trst starring picture soon, a “We lead, others follow”