The Seattle Star Newspaper, November 24, 1923, Page 11

MOSUL aw USEMIEN Mbe Seattle Stal SECOND SECTION SEATYLLE, WASH,, SATURDAY, NOVEMBER 24, 1928. PAGES 11 TO 20 Dis UUM UU ELLUM UML LU ELiLiiicistissssiinisinitissat ie itsscstnnitistntsatetn teem t tt inesseit tesatittetentessstaientiteteestatesente tne aeeetitete ete teeea teeta PILES ILISisiiiseesitiestesssetssistittesesecessiititessaattassstiostisstecsssssr iiss ist csc r of 0 2% | Screen Classics of 1923 Offered at Seattle Theaters in the Week’s New Bills Bt UU iui iiiiie teas iii ists sini itstitistiitiitet ites iti atL tLe LMS Lestat eee eseeset MIT te SSeeeeeeeT tt estSesatiec testes tstesstots Imperious Pola Negri forgets, for | the moment, her famed imperious ness and “The cave man twins” when he ts #0 commanding aa An- tonto Moreno in “The Spanish | } Dancer,” at the Coliseum, ir ay What Fans May See Screen Bills r Hugo's famous clans The Hunchb BLUE MOUSE LIBERTY STRAND» COLUMBIA night COLONIAL Ke Fleur de Lys—“Flower of the Lily'—that’s Winifred Bryson’s part in “The Hunchback of Notre Dame,” at the Heilig this week. And it’s an appropriate character, too. As) “Fleur de Lys,” Miss Bryson is as tender and graceful as the “flower of France” and as} unyielding, in bits of passionate acting, as is the ancient javelin head which the fleur de! lys resembles, | jayne and Francis Rushn re AIR. % sein Ss. Siamcueesan An odor of lavender—and tea roses—and the Gotham of the days of our great grands “tne || fathers. That's the appealing presentation of Marion Davies in “Little Old New Yorke which opens at the Blue Mouse. It created a swirl of laudatory praises when it madé \its recent debut in the East and in England. ARDEN— Saturday ‘ Might”; #un¢ Le MARKET THEATER Relations 4 Edith @ SONOW PLAYING fH MATS. 2:15 4) fad EVES. 8:15 ce SEATTLE ENTHRALLE LAST NIGHT’S PREMIERE OF “THE HUNCHBACK OF NOTRE (| DAME” WAS ACCORDED THE MOST ENTHUSIASTIC RECEP- \ cine EVER GIVEN A THEATRICAL ENTERTAINMENT IN THIS wy THE OF Np LON CHANEY PRODUCTION ERNEST TORRENCE, PATSY RUTH MILLER, TULLY MARSHALL, NORMAN KERRY, BRANDON HURST, RAYMOND HATTON—75 OTHER PRINCIPALS AND 3,091 OTHERS. MATS, (2:15) + + + + 5O0¢, 75¢ and $1.00 EVES. (8:15) + 50¢, 75¢, 81.00 and $1.50 a PLUS TAX Patsy Ruth Miller and Norman Kerry as THE LOVERS Thirty-Five Artists Led by Max Fisher | offering a beautiful musical prologue and rendering the specially written score that is now accompanying the show- ing of the picture in New A L'L York City. SEATS ; RESERVED | THIRD AND MADISON ELLIOTT 2131