The Seattle Star Newspaper, July 3, 1920, Page 3

SATURDAY, JULY 3, 120. THE SEATTLE STAR ROGRAMS ance Talmadge ta xpert.” 2 Dane tn “Danger a) \| \| Fairbanks in Rambesa tn 1 Waith Regen- COLONIAL Skies CLASS A—Mae Murray in “Oa With the Dancer” opens Sam Tam Pitte in “Bright LIBERTY — ~ * + “THE LOVE EXPERT" j Y s (First: National) | Rade « Mr. Mardeoastie ; Dorcas Winthrop 1 r 4OUJTHEN you are fn love with al m you will b @ will beat faster will pal is te the infallible test of 2 Constance al picture which be shown at the Libert first time today | She tries it on her father’s bust ness partner, It fails to i She tries it oad a college — 1—Douglas Fairbanks, as he, appears in photoplay at Strand, 2—Viola Dana and Milton Sills at the Clemmer. 8—Marjorie Rambeau and Frederick Burton in scene from Coliseum picture. 4—Antonia Mo e tert Is negative. She ex > ure. 4 bei at Rez. - " * . eae 8 Bir as Constance Talmadge and Edward Kapler at Liberty. 6—Zasu Pitts starring at Colonial. with a handsome young the fiance of her aunt, Weil, | (~~ H6 ~ |Famous Directors |THIS WILL PLEASE |Neilan Film Shown - If i | r the result is very p . and U C is Own Hos ous oes inmate be 1 SCENES FILMED | ‘ 3 » RE candi alla, dil ; [ Director ‘omes Into His |] £2 tory do, you know of your ON SUBMARINE En Route to Europe! . FEMININE FANS} During Convent id page happen. peepee sraggs oar pe oe etisty the curtosity of many ” . : John Emerson and Anita Loc Corinné Griffith portrays the wife ct A gn ot wed rn ) ee | PETER GRIDLEY SMITH | shadowland fans the Universal any of the ncenes for “The Purple | ., abe ing the soenarios|of the American Const ito ‘de Vn CODE, Barry toe i are y ER | BAUTEOUS. ciiétea..ctare not iaiey, chuaniier an’ commited “s Cipher,” Williams’ forthcom-| WhO have been writing the sgenart e the Anitries ae * = * 2 other notables witn 1: Cc L M M “4 ’ longer comer the market of biograp al sketches of thei ing Vitagraph product were taken|tsed as First National starring ve-|/Janeiro in her new Vitagraph -Pro-| showing of Mi o— a | public popularity and dashing male luminaries, based on questions n am of the/hicles by Constance Talmadge dur. | duction, Whisper Market." | feature production, “ “DAN DUS TO MEN” fols of the screen have ceased to be ubmitted for answe he which was loaned thru/ing the past year, sailed this week | She also is a silent partner of a fash n it was shown at thelats the courtesy of the navy 4 n Francisco, last on the liner La Frag (Metro) the more or less modest ree ts of to spend How oid is Frank Mayo? able modiste. ‘The situation pro Viola Dana the dor of the motion. picture A. Thirty The submarine figures pro about a month in } the | vides the star with many opportuni before the opening of the k . ane vimnen Se | pate The motion picture public Q. In he married? n the surprising climax Britian isles, Mr. Em who W4S | ties to wear striking 1 beautiful | Ye8#!on of the democratic cot eet rene? * Se ane Oveeral still true to its adulation of A. Yep! sorry girls, she's Joyce | pMennett directed the picture. recently elected pre of the| go at wich dhe ts ah allege For the benefit of those whe tar but a new individual concerned noes hopes to ; | not attend, the picture will be Act Equity associa terest | Viola Dana has the most entation of the photoplay ser relations between | = jin the parlor car of the O a Dana has nt the photor Tench and Hogish| COMEDIAN RECOVERS | Limited the first night out of What is Mr, Mayo's favog, WEARS REAL OLD LACE |" as Ae ime screen play of her care oe ing to receive the laurels of abby 7 an ench le “Dangerous to Men,” her latest pho- arity Kelly pool, dramatics, pay act asoctations Emerson| Carter de Haven has recovered |*,CoFfespona.nts returning Hale (| toplay which opens at the Clemmer man who ts really re cho analysis, motoring, he IN NEW FILM PLAY will inve . y | prden a slight attack’ of ptomatne This is the Grst time @ film] toda. the general succens of Q Peano give me his a On one of the gowns she wears in! ment age which emp | poisoning, and is proceeding merrily |¢ver been shewn on o trai i Miss Dana plays Eliza, an orphan he individual who take: A. A letter to 6854 Bonits Curtain,” the First National at one-half the legal rate on the production of “Twin Beds," |P¢?S @ possib lity of breaking’ ture adapted from b will uta Weiman’s |}, monotony of lo.ig trips on t showing movies in the future. girl, who at 18 is thrust into 4 bache lor's household as his ward. She was | with the staging pf t in. connection » film, who has race, Hollywood, Cal. w country with a him. his initial ure to be distributed thru First National. Lloyd Ingra tory, w a nystem in th fn ogy ducking, but grew in charm | always taken thé blame but only re Q 1 understond Mr. Mayo's || M&eDonald, the # ta Loos will take | ham ts directing ‘the screen version jo and Get [t” was enth ‘ntl she was considered “danger-|cently has begun to receive duc ey yrs eet [lof real Ince the tie Ebeoat th ae hams directing the screen version | any received b; all those presenti ae.” | credit—the direstor. family since revolutionary da) : ls said to be cae of Neilan's b future Talmadge photoplays judes Mr. and Mrs. Catter tinu-| Haven, William Desmond, Kather for “Mamma's Affair,” to be a| Lewis, Lottie Williams and Wil Yational vehicle for Constance | J. Irving. Mr. and Mrs. Emerson | ma ~wwernrnrrnnrrrnrrrnn kland, Constance | mother and sister abroad ja August tor, and Mrs. Fred|but Mr. and Mrs. Emerson expe | which was rst worn by a n r family at the inaugura Washington. forts. The plut concerns the tures of a newspaper reporter, ‘The role of Eliza gives Miss Dana| This is the day of the director an opportunity to display her versa-| The public, in seeking its screen en tility. Her transformation from the | tertainment, haa \garned to look for tomboy schoolgirl to the young wom-/the name of the Mirector and make an of social charm is charmingly | its decision in accordance with the told. Success of that director in the past ‘The picture ts adapted from the| Famous screen directors of today stage play, “Eliza Comes to Stay." are not confified to men who have eee [had experience as directors for the “legitimate” stage. An example of Mi Ja product of the mot niet iy STRAND | litmt'suin imcor’ ot Snne - River's En “Don't Ever Marry,” “THE MOLLYCODDLE lo we poe y (United Artists) Daddy Long Legs,” “In Old Ken tucky,” and others of equal success a tas Fatrbanks 4 eee Renick| Mr. Neilan started in motion ple s+---Huth Renick | tures a4 an extra man and reached A Mr. Mayo es each and ¥y allegation but he thin! ne added cog men is too cut for anything LL oe Next? A marvelous gown, composed | mostly of beads but weighing '/ACTOR WANTED TO | charter Ie’ eames. tone BE NAVY OFFICER Gaston Glass, the young French ctor, who a made such a hit as the ist in “Humoresque,” the Para ount screen version of Fannie Hurst's story, now current at the Criterion theatre, New York, is the first of his family to follow the stage ~| his present position ax one of the| ‘| profession. He started out with the ‘The scones Wine pati re very foremost director of the screen, | Te ee ety become an officer in the Which will jo feature after some eight years’ work in the/ r y } ight yes , rench navy, but gave up this plan tion at the Rex, beginning to@ay.| studio. orn in Galifornin, he ts only | Marshall Neilan and studied at the Conservatoire, and which is the third ees years old today and heads bis! Mr Netian's success Ix all the more|Whero he won a prize for comedy Douglas Fairbanks has made for) own producing company doing | remarkable in view of his lack of| Following his service ax an aviator the United Artists’ corporation, W88) crows business af $5,000,000 y al training which most of th the French army, he joined Sarah | ce } o z : n most of the | suggested by Harold ico tory|__ Mary Pickford, Marguerite Clark, | other prodticers of the screen haye|Bernbardt’s company, playing juve of the nnore age ihc of the titie|*2d other famous artists have had. Perhaps he has been fortunate | 1 leads. ! writers. i. f nen Coudbaaboely achieved their greatest tritmphs un-/in this respect for he carried with | - 3 Sroien’ that at hs pape orem than | 4? Mr. Neilan’s direction. Some of | him sereen no fixed idean THE MAYOR WAS THERE the st. he directed became famous | abou alues” muse water, and that all the environment | 00° ! yng hoy payors prety ae . a etm oR ad oe -_ 4] Chicago ex-mayor. Carter Harrison. in the world will never change the q ‘es a Se: Sonam he has learned | wag a gugst of William Demmond's I latent characteriatics of herite | for Mr. Neilan to hegin to receive about drama, he gained around the Pantages theatre during the: flim pea aly ing . the national reco) on the pa otion picture stu s original. | ** san agonal national recognition on the part| motion picture studio. ‘His original. | ‘t | A UNEt Mine se ae pro. tion in anybody. ‘ie 3 sien ~ r Ruth Rentck, « former Seattle} of the Public, he now enjoy ity and distinctivences is the result. | duction, “The Man From Make Be ——~ | Weve.” Mr. Harrison addreaned the favorite, plays the feminine lead, Ls P oa LILA LEE NOW WITH REID) “1 Wonder If,” « pretty love | ,udience—expressing deep interest in When Wallace Reid returns to)* story, is to be the next F - the motion picture industry and its eee Ss!) a * COLISEU M_ si | ork at the Lasky studio, after mv-| mountInce vebicle for Enid | rapid development a | }eral weeks’ vacation, his first picturo| Bennett. | am a daughter Nata in|to return to New York within six r! weeks. CONSTANCE TALMADGE ‘The Love Expert Mayer-First National “Habit . arly. | theat * %) wi be, “The Charm’ Sachool,” a com: sal “Little Mivs Rebellion” Is the ba : pea Nat anol aw “THE FORTUNE TELLER” —|rdy by Alice Duer Miller, in which| | Edward Dillon will direct | ttle of the next | Paramount This is the big First National joy (Roverteen-Cote) he will t Lila Lee as bis leading, Billie Burke in “The Frisky picture in which Dorothy Gish ® Fence, Browning Rambeay wornan SE NSS Say, debsnaan.” yal aebier. : rampage now here. eeatic Drowenns ‘ck Burte : 4 ihe, Fortne Tater the shoe The Boys All Fall for Phyllis. Do You Blame ’Em? iid ilbs bs Geter cer to Se great story, a story fled with tenn, successful in love. This play tells drama uations. The action is rapid and big scene follows big scene with almost breath-taking swiftness. But the “big scenes” are or ‘pot-boilers” in comparison with | the truly great moments of the pic ture which shows Miss Rambeau at the very pinnacle of her art Whether cards are fal or true| prophets is a debatable question, but | in “The Fortune Teller” they form the b s of plot extricably “woven with the af mother-| love and the myste psychic| phenomena. you! Connie, as a love expert— Makes the blind see! Makes the lovelorn blind! Makes the dumb talk! Makes the talkers dumb! Makes Makes the deaf hear! GENERATION” } jtagraph) --Antonio Moreno si. -Kdith Btorey | the lame dance theshimmie! ‘The Man The Woman There are derelicts that float aim-| Jessly about the ocean for years, A few of tnese have become famous among men of the sea. One of the Old derelects plays a thrilling part| fn ne Island of Regeneration Hurry down! You won’t often see a better hich wilt be thetiente y siesaaen : : Matinees—25e _ at the Rex, beginning today | comedy entertainment than this one! After 6:30—35¢ Antonio Moreno plays the role of| Children—11le the re at nded 01 the desolate iiand. "paith story ‘oye opposite | Any Time him. The lates Cyrus Townsend| All prices include i ea We eae | ‘KALDA RUBY’ sack _—_—_—________—-4 | > ii sae WALLACE on the WURLITZER Coater Belin t Pa poe ——8 | Playing, “I Love You, Sunday” (Robertson-Cole) Zann Pitts Tom Gallery ‘ Zasu Pitts comes to the Catcout| today in “Ewight Skies.” As the! maid of all work in the cheap room. | ing house conducted by an unappre-| Ciative landlady, Mrs. Cassidy, Sal-| je leads a y gloomy life | . M dead, re ¥ rae , . oh. 08 P La Her only friend is a fuzzy black|. Of course there isa “triangle” in Mack Sennett’s five-reel comedy, “Married Life,” but it eat, and when the little animal is happens that a third of the “triangle” is a question of “curves,” as personified by the charm- y by the landlady Sallie ing comedienne, Phyllis Haver. Ben Turpin is “the other man,” and James Finlayson is ‘accepts the offer of Antonio, an Ital e husband jan organ grinder, to strik f the husband. oI der, to ke out for . A Ales He The iain road.” And wheo the tut| Lhose who remember the somewhat recent days of Miss Haver's initial appearances | fan dies and Sallie is again alone she With the Mack Sennett forces will not be surprised that she was chosen as the one best | | | | Meets love and adventur | qualified to give reason and reality to a “hubby's” jealousy; for Phyllis, besides being one | f The story is from the pen of Burke lof the most gifted and intelligent of the’Sennett principals, is one of the most beautiful. | Jennings, Dee ¥ .