The San Francisco Call. Newspaper, February 28, 1904, Page 19

SAN FRANCISCO L:\LL SUNDAY. FEBRUARY 28, 1904. A 19 WITH THF, PhAYEY | THF, MUSIC, FOLK > More folk seem to find Sunday afte time to enjoy chamber 1t the Kopta Quar- It is an one would imagine sic, as w ness the attendan out, you are un- em it was not tet novelty conce: e Lyt Hall would hold more, but it co hold by a keenly int or so fewer people than gathered the last Sunday. Perh ted hundrec music chamber m ous in its appeal. It inv chosen. Only the few respond to its is most fastid only charm. And the resulting fr Mr. T ps sonry of its audiences is a fine and | pretty thing. You may indeed 4 | eoncerts be pretty sure you'd l¢ ¥ : neighbor if you knew F 1 he fiddled better than : g ’ 3 | again he is entirely likely to : : a SRR - e I noticed a good many w fid- i dlers enjoying Mr. Kopta and his con- | freres last Sunday, Mr. Minetti, whose { own quartet is silent just among them. It seem brother of the bow, a hard work and small | ward of the string it another come: again. Mr. Kopta has much service in this fiel the afternoons given by Mrs. He last season to the students at versity of California. Mr own good fiddling is famous and his own before I went uncle’s counter ance. But I spoke and used to take part exhibitions, d, don’t I t theater? I could no nothing in the world | piec and " and the :m»-l again W t that when one my shimmer in the bright b And ther wanted to be an | [ | | tly ir associates are well knowr = I ¢t s store at “Johnny" Joseph plays a dividual il Che e v second fiddle; Charles Heinser la- w nia, in a log playing is entirely reliable. : ne of the pio- | wanting in personality; and " s y went into busi- | | Lada is a sympathetic and s day there came to the | | ‘cellist. I have before expre s : called ‘Yankee' | pleasure in Mrs. Oscar Mansf oot st @ s i % Fasikee bart: 1 usually efficient pianism that makes Aol Svell "1 Bad boas A | possible such feats as the quite remark- " o A e ] | able performance of the “Marcia” E v Was play and so sober | (Schumann quintet, op. 44) last Sun- : h 5 h I asked | day, a firm and delicate bit of er & an id him | work such as one seldom hears. It is gs at i that we 1 wanted to go on the stage. And he | in such places that one beec Sod g | thusiastic over the future of S o i | tet. The “stuff” is surely th € il el whea o pleasure of watching its de , : will be ours. ) . T “‘.‘rf 7}1 b o0 | The attendance wi leter- . 3 ¥ had a farewe . mine the continuance the % S, : Spide o e series. In the meantime one z ‘ cert has been arranged for on § 1 we s I io now, th actor | | o ) > he & leaned forward to IR Mot atigei, Nor s wondere what was | the Richard auss plan quartet , lered was | op. 13, win en for the firs g g I ,“i x‘x :‘!:“l -‘\‘v.\'\‘ | here. Dvorak’'s string quartet, op. 9 - s 0 Juatrs will also be played. : : Whether Mr. Hartman's Deutsch, Signor Russo’s f . : : | English, or Teddy Webb's . mustache, will prove the m ork tive asset of “The Gypsy Baron™ a No, s | Tivoli this week remains t [ s f | | has the bloom faded from S I 5 pec ‘ | so's courageous lingo. As ‘ | mustache, by the way i the a : complished little u"v\ullx old owl's } | invisible bristles at arsal, it p Fhomp- have 4 | | ises to be the greatest th . « g | Johann Strauss’ music l | there. One of the be f the fa as e : 1 | 1light operas of the “Waltz King old Ce He'd made ) | Gypsy Baren” is as attract to-da P t sig fr eping; didn't | | as when it first took V ¥ 3 s d he’d put | in 1885. The proport K & & ut | are almost grand operat - He h ! of the first act one of ines: N 1 v the list of opera. By the promise s one day the man- | the Tivoli's production to-morrow even- RS ger said to him, ‘Why d've bother? | | ing will be notably adequate. Perhaps Y 't need the money.’ The col- | | it will not be like that - : R i | | ried, who produced the I »e too rich to | | in 88 with an orch s whether pe ynsider my hotel | | principals and che = to come back to after | Conried’s Deutscher Padd ey've beer ier my roof, nor too | | on that occasion by ry n come.’ You | | —who said “sung = e his trade. * * | | And Herr = s He was in the | ‘ Russo, whose er s tired. But he has | | baron’s part is e office just the | | None familiar with Tivoli history . Sometimes the boys will make | | forget the little t aor's lapses inte the old man does approve— ‘ comic opera when the grandest was in r- he's always interferin’, and one day ! tended. Signor Russo has w a of t 1 suggested that he should | 1lightful opportunity to pre hir ¥ rg « 3 Beach for a week and | 2 | the comedian that he was born. There 65 1 time. He just screamed: J,-— A \ ? <+ is again the competent Cunningham g re ‘A good ny 5 J! hay “(\ “h f"‘l”]“ to hear about it—cross my heart!” Good day to you, I'll be seeing you ‘\\\Q FA §.// \ / be taken for the benefit of the volun :2“\-:( e ,\:T'.n\r{u;“:rm \!1\” h\l"j: > \v! x.:”r‘v.f“l_‘ much _ Somehow the problem play men- again before 1 g0?"_ '{\ // \Y/ \ / teers of Trinity Choir. r;_’;];'“ and Wegells. DyithF." Seven H But when you Come to think of ned here and Mr. Thomnson sat ooy pren o NEW AN / \ /] Lok TP SRR weeks’ rehearsal has given the chorus k he savs, jt. But I think he'd dfe in a week if acier in—he had risen from his seat PLAYS IS BILLED AT ,\'\ / \/ GOSSIP ABOUT THE ne of the best and largest the Tivoll ; Py’ e home. Al 1s vantly, But to acknowledge that he did not wholly i g e S “( \/ \ PLAYERS AND TOPIC has owned—ample chance, and alto- 5 e eurtain is a good like the problem play. Yet when 1 THE LOCAL THEATER .\4 ) \/ | PERTAINING TO STAGE Eether “The Gypsy Baron” promises I retiring yet suggeste that to keep away from \ ” \ I | S excel' »+ entertainment i hink ola Problems is to keep away from life the As elsewhere noted one of the most \ = ;),’ 2 b B, % - R Lt ¢ actor said: “Some people are certainly important attractions of the week will NI ) 7 [ B Wsters, Suthars of “The Vir- . Sfa weals witl see the (afigduntion & e oldest of rgrAl e ten seeing themselves in the phe “The Gypsy Baron” at the Tivoli, \’/ § / ) | ginian,” drop into a Bowery shoot- here of one of the most distinguished htlema 1y 8lass—trouble is they don’t recognize that is to be s l‘nn[-!uuuuiy revived with > // o ‘ ing gallery the other day, when he hap- pianistic lights of the day in Harold 5 he 0d gentleman proudly § 100 C0 VS o0 bl T foniy s, i e e e | YA / \ | pened to be down that way. He is a Bauer, who will be heard thrice in call it the ‘daddy of them ., ;" 10¢ ‘the difficult of l¥iRg < RNt B : ‘ 7 f | quiet-appearing young man, and the Citals this week, on Tuesday and Thurs. e p the playbills in Boston. Things ™™t g When George and S SR N { quiet-apy young b, § day evenings and Saturday afternoon, N. ¥ w. writing el 4 a hull lot since “The Old Aare useful material. en George an At the Columbia Denman Thompson > ’ T Bowery sports, who had been watch- ¥, " T T e o long season plume of ‘Broad < gy Mary see things happening to another . ", "4 momestead” will continue " g ing the attemnts of unskillful custom- S0 FUE CCR Tl lanist prophet to - g ChiBgaT b /lot Iere?" I g, ICOVER AnAl Mary on the SIhge WREPL . o be the arerAction i ers, were inclined to snicker when Mr. [rcoch to us, and from what I can oieg r to set them thinking. 12 e % | Wister pulled off his left glove and gather Mr. Bauer's pianism . At he smiled. He lifted up AP then l;“‘u; SHempeen: v""l"w-lw:l’ and Opera-house has a bill of | seized a revolver with that hand. Curlously he began as & wonder-child i ar fingers here and said: “There were = ;.00 ag 15 usual with people why Some local mcment in “The Hills of | e “Better take the right hand to it, violinist at the age of | - k|’ I:‘a d iy four theaters here, I think, when = " LT oy osting. What California,” in which the former favor- h—0 beau,” observed a very tough-looking always allured and “‘1"\0\:‘- o & I first came. We played ‘Joshua Whit- o000 0t be ignored, however, and ite comedian of the Alcazar, Frank SO 3 mug. with a note of contempt in his him touching the keve on® CE¥ T & " % f fk" ”,"_‘,';" ettt ”_y I fell in with the conspiracy of silence. Bacon, assumes a star role. VETERAN DENMAN | voice. ZL;; Pole lw advise him to desert the Emers puse That was 7% Hut Mr. Thompson has much to say . THOMPSON TALKS “Oh, T don’t know,” answered Wister, vt “o00 0 " hiano. Bauer did so, . e bt G Oh, that is not in Joshua Whitcomb's phil- ' Next Sunday evening will see the OF THE STAGE { quietly. as he put six bullets into the yvent to study with Paderewski in ‘92 r vas Dlayiig ‘Boln: phy. He h.v\s‘n‘ xunuufil,\ sdvtfi.vm‘.- ‘farmu;ll _pr'rfnrmam'ns.nl .le_\...lul) i T SE S SENR S | space of a silver quarter on the target with the result of arousing now among Y en again— avorite 8 e succe . i 3 g > s newer a s to be he g Baul Drurse DANES The New Minister’ is quite a hit by Richard F. Carroll and John P. Ken- are good turns at the theater to boot. Deen used to shboting with either Hon e Gredabaiess. ghiorpite y-_ And at the Bush . .0 0t 1 see” nedy, who will make their first appear- iy iy hand. ; in affording San Frahelsco the oppor- = Tl think i .pone very well,” Thompson rejoined. ance on the following evening in “The ne Kiitles’ last cencerts will be given (;‘é':“\‘:'hfik'::;\:; :i;"::mml[]erfi:u';g tunity to hear Mr. Bauer will meet s o o Sne —I;‘-”;rz You know Ryer and I wrote that to- Rounders.” this afternoon and evening at the Al- 8 8¢ B ‘*” Buftalo R‘." te _ with the success it deserves. It can : ® gether, and I'm glad for his sake it S g think dat guy wuz Byffalo Bill.” mut- * be averred that Mr. Bauer will G geline” The money o oing so well. He's dead. His widow ~ The charming comedy, “Mis¢ Hobbs,” hambra Theater. No good Scot can tered the mug, as Wister walked away. Safely De avVeR™Sy oo o "o, o . ve, T30l 900, 3 MRS bke the Hghis orit 5 will be the offering of the Alcazar this afford to miss this band of Gordon Hie- R L% 2 o hr::Plt)hr:orpr‘\zrnmmc; —a distin- “We liked it here, Mr. Thompson.” Week. It should prove an attractive landers. e T Ve ot :Slh'm trie it will be noted: beart niRY A AR i e e ik 119 DI AL - Opera Company travels In relays. . e A M. frhomieon. o Y e OF hiy | e e v adey _Mr. Louls H. Eaton, assisted by Mrs. There are three sets of principals in _ . .. .. rague in E minor, Op. 38.... Chauncey Olcott m'm play. 7 ag Harbor, \\n_h what is prophe- Grace Davis Northrup, r—wnrafnn. m?il tlis (-n-anA'\ls organization, and two : PR “m;‘-:h: t with wme, 80 did " «p pecognige. that.! sied to be an exceptionally strong cast, Miss Elsie P. Sherman, violiniste, will of these sets, each in its special Pull- Sonatu in ¥ sharp minoe .o SChu Neil Burgess. Laura Burt was an- “At the end of the second act— begins a \\'S‘Pkbs engagement at the gjve his twenty-second free organ re- man, g0 ah»uvl_'n( the full company, to minor, Fantasia < pin " ol el At 3 d 8 California to-night. o g Cit % . 5 be “rested up” when calléd upon to Gavott. Gluck-Brahms CE ¢ other beginner my company. Your “I yemember it—"" % e . cital at Trinity Church Monday even- sing. This system has the effect of Impromptu in A fiat ,,Nx,_.,.,: f ‘ P.‘i:“)"-‘” l"'*i“'"“ \"""’_‘“fj(‘; (l;‘l”\' “Ne u don't,” Mr. Thompson There is one more chance to see “The IN&: February 29, at 8 u»vlu(:k, Mr&. keeping the voicss.of tha srtists frealy WORts Velme o MARCH 3 chuckled, “this end was cut out. They King of the Opium Ring” at the Cen- Northrup will sing two Biblical songs ;nq clear, and, ingjdentally, of giving sonata Appassionata, Op. 57.. Beethoven stuff l}'_‘ n. Yes, '\”" thought it too much. There is a don: tral for this evening. A Break for by Dvorak, and “Great Is the Holy One spirit and verve t he performances. Krefleriana, Op. 11 Schumann Then Mr. Thompson looked up at me (ion party at the new minister's—you Liberty. a strong melodrama, is to ©of Israel,” by H. L. Case. Miss Sher- . . . Intermezzo . a “mdl-:rmr:; e the ically and said: “I think that gpow what they are, everybody brings succeed it to-morrow evening. man will play the “Romance” from “Mary of Magdala,” in which Mrs. pesjude in A flat, Barcarolie s (Chopin 5 But 1 wa about all. Old folks get to talk- gomething, slippers or custards or $L el Wieniawski's second violin concertd, Fiske will be seen in this city, is a FEtude in D flat < Linat at for it. Im fact, they much when they get a good gomething—and some one comes in Loki and her “statue horse” Nirvana, and the “Hejre Kati" by Jens Hubay. drama entirely worthy of this great “amurenmitt - Il e o . t in front of d sometimes when they yijth a story of a poor fellow and his that poses with its mistress in living The organ numbers will be fourth actress and her standing as the most =~ i MARCH 5. to change And it ain't always worth lis- family starving. Well, the orthodox pictures, will be chief attraction of the trio sonata by Bach, scherzo sym- strongly individualized and most artis- Somata in A fixt major. Op. 110... Bethoven ¢ people can do that tenin’ to. Mostly not.” ¢1d minister plumps on his knees and Orpheum’s bill this week. phonique concertant by Faulkes, tic player that the American stage can Rondo, O 139 oo oo oo Beah ¢ - they can act. But you haven't told me yet any- says: ‘I will give him my praye The b B g andante cantabile from the string quar- boast. And this play has been pro- ma jor g mith Russell and Ezra thing about ‘The New Minister,’” I other chap, the new minister, says: The Chinese baby girl is still veceiv- tet by Tschaikowski, Op. 11, and Men- duced by Mrs. Figke in a manner to ‘?.‘Tf:‘:xé"wf.’.r{i O Naaiie Ju heard Ezra Ken- demur, “your new play. lireally want “And L my potatoes'—'1 mv notatoes!' ing at the Chutes incubator, and there delssohn’s fifth sonata, A collection will reflect the highest credit. Bhapsodie Hongroise No. 13..