The San Francisco Call. Newspaper, November 15, 1903, Page 9

UNDAY m. sult s only too often disastrous. As an fnstance. How often do you see a pretty photographic smile—a smile that looks unassumed and winsome? Very rarely, as you may soon note for yourgelf by a little close observation. Again, how often do you see a person who can smile sweetly and prettily even when highly pleased without contorting the features in such a way that they would look like a grinning mask if snap-shotted by the camera? Think, then, what the effect must be—invariably 1s—in the photograph, This little study will make it apparent at once that a smile—even the most per- fectly simulated smile—without the real emotion behind it will be vapid and meaningless. In short, every pose to be artistic must be full of real feeling, and 15, gEALL - N'8S SECTION 1909.