The San Francisco Call. Newspaper, May 20, 1900, Page 12

R to lurk In **Con- the Dutch interior of LONE. FISHERMAN, . seventeenth century days 1s per- fect, and for the same rcason; he nainted it on purpose to make a \tting background for the figure. This little Dutch st F s realis- table with th thereon & model of all San F ink people have s t paintérs have pain k he is, true to life, present to the ways of art ph “The Vagabond” would not be a vagabond worth the name without tag- rag trousers and forlorn hz clothes make the ma 1 sparkling mischief and know s of the ybung man who liv is wits are and the attitude is one better fitted to in‘every line of the bright liftle face, a mewsboys' corner than to the danc- ing school floor. The background of “Ye Olden Days™ 1s another example of what the scene painter’s art can do. The fireplace, even the frying pan and the clock— are all in harmony with the the deep window, the growing plants— thrifty picture. ] etul If it be obje this particular kind of leg that x utton sleeve does not date back to spin: wheel days—what of it? -~