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THE SAN FRANCISCO CALL, SUNDAY, AUGUST 22, 1897. 25 TRAVELLE, THE SHADOWIST AT THE chUTES Do 3 know where e matter o ‘The H i’ in just about ten years will be e good old sia bys of the mel n houses. By t time it will b ( inter: witn up-to-date 50! d I should not be surprised to see the sensational hr"-\l ie aavertised.somet i W forl N | wing of the bell, sper again betore it Yes, the bloom is on ut when it wears off antic play is too esse to hold its place in | the ections of $1 50 audiences. Fron s time downward it is only the groundlings who have realiy enjoyed having their ears youw the boliry act | a dangerous vaudeville *“‘tarn.” | e Carter seizes the clepper of & ngs madly to and fro in . Les [ mid the grace and daring of 8 skilled 7 wonder that | admir gentlemen and nervous | old not clamored ere | this to see net spread beneath | Leroine while she does her flying Her bands may be fastened the clapper of the bell | may have all an acrobat’s cool 1t one. day something may break, | miuch-taxed nerve may merica will mourn one ted and delightful act- traps . to Leslie Carter is the beginning, the le and the end of Belasco's new ‘tic play—the Alphaand the Omega. Not only that, bui the is the greatest | triumph: of -art that California’s “Dave’ | has yet dchieved. In my opinion and the | opinicns of a good many otier people Belasco the author of “The Heart of | Marylani’ is eclipsed bv Belzsco th dramatic instrector. His charges for | come rather high, as his recent law. it with Mrs. Carter’s *‘angel” pro- imed to an interested world, but it she is a good everyday sample of the talent he can manufacture out of raw material bv all means let him henceforth cevote | all his energies to the making of ac- resses. Good ones are ‘rare, mole rare | even than plays of Belascomerit. His in- | struction is well worth all the beating, bair-pulling and expenditure of filthy | lucre it cost Mrs. Carter, if he realiy “made her,” as he says. Let him for- swear play-writing and give lessons, in- stead, and perhaps we shali see no more of the players and reciters who have “neither the accent of Christians nor the | gait of Chri-tians or pagans, and who with their struttine and beilowing Suc- ceed only in imitating humanity aboms= inably.” Mrs. Lestie Carter is celiciously buman, with all the passion of a red-headed wo- man, added 1o'the grace and naturainess of an actress by the grace of God —perhaps she acts more by that grace than the | grace of Belasco after all. Her energy is something phenomenal. Work! Why, 1| never saw a woman work so hard. Long- | fellow’s industrious village blacgsmith wes a loafer compared to h.r. Fori | but they all come 10 naught, | after vowing passionate love to Maryiand | his be has to do for the rest of the perform- | dew of his youth; and the second A ORCHESTRA acts “Maryl es her voice audible above the galiop- | f horses and the rattle of artillery. | hree ing of She goes through scenes of nerve-racking | excitement in ull the degrees of agouy— pisnissimo, piano, mezzo forte, forte and | noise and tumult, where she stabs the vil- lain, releases her condemned lover and | persuades another admirer to shoot the | ceiling instead of the fleeing Northerner, | she actually cans it all by rushing madly up forty-one steps, seizing the ciapper of a lofty bell and doing an acrobatic | “tnrn”’ that most cirens artists would con- | sider a hard night's work in itself. How [ | can flesh and biood, to say nothing of | nerves, stand i1 ? [ “Hamlet” wi'h the Prince of Den- | mark’s lines eliminated would be a com- | paratively unabridged work compared to | “The Heart of Maryland” minus *‘Mary- land, My Maryland.” Oi course, the an thor has to bring on a few other charac- ters besides the heroine, justioshow that there was no iil-feeling aud to give his troupe a chance of earning their -alaries, | but when the other characte:s cease to busily engaged in creainz op-oriunities | for Mary 'and co either «lays or sup- | presses them.. Interesting dc\'rln;-meulfi‘ are promised by <everal of tne charicrers, Tom Boone, be is relegated to litle *‘turn’”’ v hen ali the ranks is done, and ance is to fire a. musket into the air, anda ay, “Because I love her.” Maryland’s other, Lioya, make: a good sensational start in life, but Belasco slays him in the Gen- eral Kendrick, the only other person be- sides Maryland herself in whom the an- dience feels much real inger. st, nas his doom meted out to bim in the third agt, and one feels that Maryland’s accepted lover is only allowed to suryive the play because Le i3 a nonentity, and never for a moment threatens to deprive the beroine of the center of the stage. The gravedig- ger has guite a long ‘“‘turn” all to himsetf and survives it, but that is doub:less be- cause the audience is disuinctly made to feel that be has no real place in the play at all, and is only keeping the boards warm till Maryland is ready to come on, iike the monologue neople “in _vaudeviile performances who do a little act right in ro 't of the footlights while the stage be- | bin| them is being set for the starsto | funow. But althouzh Mr. Belasco bas been aal. | N ) HUNGARIAN BOYST AT THE ORPHEUM. a burning desire to give all the “'fat” to his delizhtiul heroine he has also carefully written his play round the belfry scene. We have time and tm: again seen p.ays written round boiler explo: train wrecks, lightning, floods and all the i other battle, murder and sudden death episodes from which men pray to the Lord 10 deliver them, but it has remained for Pelasco to write a play around *‘Curfew Shall Not Ring To-night.” “Tne Heart of Maryland’’ is a sort of dramatic salad, composed of ingredients culled from at least a score of piays, but the care and skiil with which the ingre- dients have been selected an stirred to- gether s all Mr. Belasco’s own. He does not insult your intelligence by making vou feel that he is working toward the belfry act; cn the contrary, he lures you onward gradually and insidiously, and when the curfew *‘turn’ realiy comes you are prepared for it, and weicome it as tne very thing you wanted to lose the tension of your nerves. After o 192 (TINE ML A RE ALCAZAR. nd, my Maryland”’ | yon reach hrme and meditate in silence | an th lone you may puichance suddenly “Good gracious! the whole plot was laid with a view of leading up to that veliry scene,” But that is looking back- ward—looking at the play forward— k, | fortissimo—and after an act of harrowing | which is the rizht way to regard it. You cannot guess a scene ahead what is com- ine. Yes, Belasco has worked up his ‘“se- lected” material with great skill. Of | course, he bas written round the belfry | scene as surely as other purveyors of melodrama have written round boiler ex- plosicns and train wrecks, but the palm is his, for has he not produced a much more magaificent piece ol claptrap than any of nis rival melodrama-wrights? Talking of rivals, I heard a rival man- ager discussing the Tivoli grand opera sea- | son the other day. *“Great Scott! How do they do it?” he said, with the puzzled air o0f a man who begins to think he does not know ail the in3 and outs of his own busi- ness after all. *'I can understand getting astring of artists, and making it pay by packing the house, but look at the orcbes- tra, look at the =cenery and costumesin ‘Lohengrin.” I tell you that I cannot for the life of me see ho v they do it.” agei’s opinion, because it coincides exf v with my own. Itis true a_critic’s ness is not to inquire into the revenles and expenditures of I repeat the m, theaters, but from a playgoer’s standpoint | I am curious to know how grand opera | can be given more cheaply in San Fran- | cisco than in KEuropean cities. Iam not talking of Covent Garden, the Paris Grand Opera and the Scala but the common or | garden European performances of grand opera, which are about up to the standard of the Tivoli’s soloists and oretestra, anc not by anv means up to the Tivoli’s stag- ing. In Milan, for instance, the Rialto 1s full of ambitious artists, willing to pay tor-a chance of being brought before the pubiic, and ordinary orchestra players consider $10 & week an unattainably princely salary ; but in Milan you have to pay more for the common or garden per- formances than at the Tivoli, and they are no better, either. A few yearsago Isaw Viviani at the Teatro Manzoni in Gounod’s “Faust,” and paia a sum equivalent to 75 cents for the privilege. He has foreed to the front considerably since then under Maurice Grau's management, and yet here he is, imporied expressly from [ondon, | and singing at 50 cents. By no means do I consider the Tivoli veriormances flawless—who ever saw a common or garden performance of grand opera that was tlawless? But the singers at our lceal Louse are for the most vart real grand - opera artists — alternating casts, too—and the grand opera orchestra has a grand vpera conductor, The stag- ing is little short of magnificent. Much worse staging can be seen auy day at the leading European opera-houses which are subsidized by the city or the Government. ‘With all this the Tivoli has the added cost of brinzing mos of its artists from a great distance, and yet it charges prices that woiid make European impresarios hold up their hands in horror and ery “rain.” How is it done? Magie EVELYN. Baldwin Theater. “The Heart of Maryland” will enter upon the second week of its engagement to-morrow night. The play has scored a success at the Baldwin Theater and Mrs. Loslie Carter as the heroine has alreaay become an established favorite. The next attraction at the Baldwin Tneater will be Wiiliam H. Craue, who will present several plays, among them | Martha Morton's latest succes:, *“A Fool | of Fortune.” Miss Morton’s play will b2 followed by a new and original comedy entitlea A Virginia Courtship,” which™ comes from the pen of Kugene Presbrey. As the titls sug. ests, the scene of this work i- laid in Virginia and the period 1s set about 1815. An elaborate production of the play is now in course of preparation in New York. Golumbia Theater. To-morrow evening the Frawleys will revive Augustin Daly’s brigat comedy adaptation *The Great Unknown.” At the time of its presentation here last sea- son it met with ungnalified success, and was pronounced to be one of the funniest cowmedies of the day, fuli of laughter, ab- | sura sitnations and funny complications, all brought about in a pureiy legitimate | manner. Worthing, Clarke, Enos, the | Misses Bates, Cook and McAllister will | aguin be seen in their original roles. Car- Ivie will take the partof The O'Donnell Don, orieinally plaved here by Lackaye, and Gladys Wallis will be seen as Pansy, the mischievous siser. Blcazar Theater. On Friday night the Alcazar puton “Jane,” a roaring farce that had iong runs in New York, London and in Paris. The pick of the stock company is in the cast. Miss Johnson is playing Jane, George | Trader Shackleton, Mr. Shaw Kershaw, Mrs. Bates Mrs.Chadwick, and Miss Hill, the new member, Mrs. Pixton. Frank C. Thompson, late stage manager of the Frawley Company, plays the valet. Following “Jane”’ come “Tne Highest Bidder,”” “Too Much Johnson.” *“The Giri I Left Behind Me,” ““The Sportsman,”” and otner plays equally well and favorably known. Fred Belasco is now the sole lessee and manager of the Alcezar Theater, having purchased the interest of Mr. La Faille. | Tivoli Opera-House. The repartoire for the third week oi the grand opera season at tiie Tivoli Opera- house includes Il Trovatore,” . Verdi’s | ever poputar work, and “*Carmen,” B zet’s | masterpiece. “I! Trovatore” will be pinyed | on Monday, Wednesday, Friday and Sun- | day evenings, with Miss Effie Stewart | as Leonora, Ka therine Fleming Hinrichs as the gypsy mother, Azucena, Signor | Michelena as - Manrico, William Mertens | as the Countdi Lunsa, and Signor V:vigni | as Dbis henchman, Ferrando. *‘Carmen” will be played Tuesdav, Thursday and Sat- | as the cigarette girl, Eivia Crox Senb-ook as Michaela, Bernice Holmes as Mercedes nd Irene Mutl as Fasquita; Rhys Thomas vill be heard for the firsy time in this City as the Brigadier Don Jose, John J. Raffael will repeat his impersonation of the Tor: a- dor Escamiilo, and W. H. West and Man- | rice Darcy will be among *be smugglers, | The scenery, costumes and accessories | e = =] | | THE RAILROAD SCENE IN THE TRAIN WRECKERSZ AT MOROSCOS. =7 Ponchielli’s ro- will be most complete. mantic work, "L Gioconda” (“The Street. Singer’) will b: given the fourth week of tie grand opera season, alternating with *Aiaa,”’ which is to be reproduced by special request Grand Opera-House. To-morrow night’s production will be “The Train-Wrackers,” which abounds with startling incidents and sensational staze effects. One of the most exciting situations is when the Mills River bridge is wrecked, with an express train carrying the hoeo thundering toward the river. The heroine, Violet Stanbridge, an Amer- ican girl, 18 to be played by Maud Edna Hall, and Tick, the waif, always on hand when wanted, will be Mamie Holden, with specialties, Juha Blanc will person- ate one of her favorite character parts, M .ther Trask. Morumer Suow will be een as Juck Barry, the enulneer. Thes herone, a waii and a girl friend discover the situation and flag the train, showing a ~ignal of danger just in time. | In another act there are a raiiroad strike | and a sensational jail break. | The rest of the east will include Fred J. Butler and Oliver Paul, who has been spe- cl:;ll,v engaged for the leading comedy role. At the Orpheum. The great novelty at the Orpheum for the coming week will be Kaiser Franz Josef’s Magyar Husaren Knaben-Kupelle. This is a military band composed of forty Hungarian boys, with whom Mr. Walter arrivea direct from Budapest, Hungary, last week. The boys are under the direc- tion of Schilzonyi Niklas, and have been granted a two years' furiough by the Austrian Government. Those who have heard their rehearsals during the week say that their playing is very remarkable. Among the new actors this week will be Jonn C. Fox, late of Conroy and Fox, and Katie Allen, who will appear in a sketch entitled “The Flat Next Door.” Mazuz and Mazet, *‘the tramp and the brake- man,” will present a new comedy acro- batfc act. Smith and Campbell, talking comedians, come with an Easiern reputa- tion fer laugh provoking powers and bring a budeet of quips, quibbles and small talk. Professor Leonidas and his trained cats and doge, and Mary Arnio is, urday evenings with Mme. Selma Kernold | the strong woman, will be seen for ths Iast week, as will also the Rackett brothers. At the Oberon. The International Tadies’ Orchestra drew the castomary large auaiences dur- ing last week. ‘I'his popular orzanization will be succeeded by Stark’s Vienna or- chestra on Monday, September 13. Tt is announced that th: laiter will be much stronger this season. At the Ghutes. The vaudeville entertainment given in the Chutes’ Free Theater is proving pop- uiar and large audiences are in attend- ance every afternoon and _evening. In addition the management will preseut a number of stereopticon views of the Klondike just received from the north, and life as itis in the “land of goid” will be accurately shown. Sutro Baths. This afternoon’s programme at Sutro Baths will afford a varied entertainment. There will be a 50-yard dash for men fer three money prizes, a 50-vard tubrace for boys under 16 years and a 25-yard race for boys under 12 vears, with three prizes in swinming suits in each case. Cornell and Empey will appear 1u a character skeich entitled, “A Kiondike Gold Brick’; Sig- nor Leonardo, flying trapeze performer, wiil do his *'slids for life”’ act; the Lean- der Sisters will present dances and Clar- ence Mason will xive an exhibition of tumbling. Music will be furnisbed by an augmented orchestra. Walter L. Main Gircus. A number of novel and unique features are promised at the Walter L. Man Cireus, which will open at Eighth and Harrison streets on September 3, and will remain open for ten days. lizhts of the exhibition wiil be the per- formance ot wild animals, includiny bears, panthers, leopards, zsbras, etc. Wallace, said to be the only ridinz lion on earth, will perform in the arena, and many marine exhibits wiil be seen. There wi.l be two rings, and the general programiae will includea number of champion artists. Green-Room Gossip. Herbert Millwara, stage manager of “The Heart of Maryland,” says he never knew how high Klondike fever wasraging till the other day a pair of old boots brought it home 0 him. In Belasco’s war drama Millward comes on in a pair of battered top boots, which he remarks, as he'strolls up to the foot- lights, were captured ifrom a Northern general, On going to the theater the other morn- ing Mr. Millwara found his boots richly besmattered wiih gold bronze. One of the scenic artists had been 1etouching a bit of land:scape, and in wielding bhis brush had accidentaily gilded Millward’s boots. In adm'ring the rich hue that they bad taken on, Millward observed that his boots were badly in want of repairs, and remembering that they were an indispen- sable adjunct to the play be took them at once to the shoestore on Kearny street, where repairs are executed with neatness and dispateb. That siternoon, on calling round for his boots, the ~tage manager was surprised to see a big crowd round the store. He pushed his way toward the door with diffi- culty on uccount of the crowd. *“Gosh! but the mud must be full of it,” saida man near the window, admiringly “Only got to scoop it up out of the streets.”” ‘‘Beais the New Jerusaiem 1ollow,” said anotber bystander, in awe-struck tones. Wondering what was the cause of s0 much excitement, Miliward elbowed nis way to the iront row of spectators, and wnen he saw the exhibit he mur- mured something about San Francisco enterprise beating the world. In the midale of the window his own pilt-besmatterec Loots were conspicuously displayed, and teneath them was a placard bearing tLe aunouncement: “These boots were worn on the Klon- dike."” Dramatic Brevities. Cissy Fitzgerald has returned from Europe. Now let the season begin. Dorothy Morton is mairimouially engaged to R. P. MacAlpin, & stock broker. Maurice Barrymore has been engaged to play the role of Laffite in “A Ward of France.” | Julia Marlowe’s principal reliance is placed upon a sumptuous revival of “A Winter's Tule.” 1f you teach negroes music in Nashviile the “Whitecaps” tar and fealher you. Sweet people ! Sol Smith Russell will continue to present Martha Morton’s “A Bechelor's nextseason. Chauncy O'cott will dedicate the new theater in Portland, Me. He will use “Sweet Innis- carra” exclusively tnis season. A grand testimonial benefit will b> tendered to Miss Mae Keane by her many iriends, at 04d_Fellows' Hall, on Wednesday evening, the 25th The production will consist of !‘;\e great Western comedy-drama, “‘Toe Lost Mine.” The San Jose Mereury of the 19:h inst. con- tains a complimentary mention of Miss Ne- vada Heffron, who is playing with the Bates company. The writer declared that Miss Hef- fron made & decided hit in the character of Kim Soy in Charles Ulrick’s play of “The Ce- lestinl Maiden.” NEW TO-DAY—AMUSEMENTS. ALCAZAR Frep Berasco...Manager 'rhone Black, 1106. THIS SUNDAY NIGHT AND EVERY NiGHT NEXT WEEK, WITH MATINEE SATURDAY ONLY, INFECTIOUS LAUGHTER. JANE! JANE! JANE! THE QUZEN OF COMEDIES, A PROVOKER OF MIRTH. The first time anywhere at rcasonable prices. 80c——25c—35¢—15¢c. Including a reserved seat. TIVOLIOPERA-HOUSE MBS, ERNESTIN £ KRELING, Proprietor & Manager THE GEAND OPE (A SEASON. Under che direction of Mr. Gustav Hinrichs. TO-NIGHT AT 7:50 —— 0 ST T N Wag ar's Music Dr.ma “LOHENGRIN!” TO-MORROW . — pevceias, | IL TROVATORE { CARMEN Tuesday, Thursday and Saturday Popular Prices—-25¢c and 50c. THE CHUTES —Every Afternoon and Evening, — SCENESe~- —ON THE— ~>KLONDIKE! AND A GREAT VAUOUEVILLE BILL! And Free Theater. 10c 1ncluding Performance. Children 5s One of the Romance” | — Trained Wild Beasts NEW TO-DAY—-AMUSEMENTS. PUCOUUTSORES FUPE - S e BN e Sh ety i senab ol BE ~—— FRANCISCO. CAL. estas. 1887, sl o, ANGELES CAL. Esman. 1298 GUSTAV WALTER, Director-General. COMMENCING MONDAY. AUGUST 23 Th: Most Gigantic Musical Enierprise of the Century! KAISER FRANZ JOSEF'S ~~~MAGYAR-HUSAREN KNABEN-KAPELLE FROM BUDA-PESTH, HUNGARY, (EXungarian Boys’ Military Band). 40“"AT"HAL Bm‘” M"s'EIAus 40‘ Under the Direction of the Hungarian =30, Magoat—SCHILZONYI NIKLAS. THE GREATEST MUSICAL NOVELTY OF THE AGE! The coming of this great band of instrumentalists to America1s an extraordinary event and bound to excite intense public interest. Their revertoire is unlimited. Itembraces standard, popular and classic compositions, which they play with great precision and expression. . Tneir rendition of their weird native melodies are truly marvelous— their Czardas they piay with enthusiasm aud soul-stirring effeci, arousing the despest emotion in an audience. = Ameiica’s Representative Sketch Artists JOHN C. FOX (Late Couroy & Fox) AND MISS KATE ALLEN. XARNNN {dekhARK MITH & CAMPBEIL, ————TALKING COME AN —-AND— M A Z ST “The Tramp and the Brakeman.”” ) PROFESSOR LEONIDAS, cira Groat success of—— JOHENNIE CARROIL Last Week of IMLATRY ARNIOTIS, “Fhie Strongest Woman in the World. AND S-RACEKETT BROTEERS And His Wonderful ND DOG ENTERT Al I, any seat, 10¢; 10c. DW'I"%'\LAQ';'&"" Com. TO-MORROW, M EATRE U Froes. SECOND WEEK —BRITCLIANT SUCCESS! DELIGEITING VAST AUDIENCES!: DAVID BELASCO’S Great Romautic Drama, T RO MARYLAND. ‘ PRODUCTION. ILLUSTRATIONS. Charming Story of Pascinating, Human Life. BUILT ON THE BROAD LINES OF HUMAN NATURE. Presented by MRS. LESLIE CARTER ——And a Creat Cast— COLUMBI__J TO-NICHT! LAST PERFORMANCHE, bs N e ==="THRFK IDLER/'sX TO-MORROW (MONDAY) NIGET AND DURING THE W K —MATIN SATURDAY, THE FRAWLEY COMPANY WILL PRESENT AUGUSTIN DALY'S BRIGHTEST COMEDY. “THE GREAT UNKNOWN.” THE FUNNIEST! THE BESTI The Most Delighiful Comedy Ever Proluced! A CONSTANT LA MOROSECOIS. [T i rse e GRAND OPERA-HOUSE |HEART OF CHICAGO | WALTER MOROSCO...Sole Lessee and Manazer. | ' TO LAST. 1 | Marvelous Approaching T rain and Fire Scene. | YW7eelxz Commemncing Moncdcday, August 23. | Elaborate Production of J. A. Fraser Jr.’s Success, THE TRAIN WRECKERS A Realistic Comedy-Drama of the Day. | Startling Situations and Effects, | REPLETE WlTH ] Comedy and Pathos, Elaborate Scenery, Electrical Appliances, Songs, Dances. GREAT RAILROAD STRIKE! JAILBREAK! EXPLOSION OF BRIDGE! Matinees Saturdav and Sunday. AHE STATE FAIR, ‘ '~ y EVENING PRIC THE BIG WALTER L. MAIN- SHOWS. The Only Tented Exhibitions —THIS YEAR— EIGHTH and HARRISON STS. GROUNDS. Sept. 3-FRIDAY-For Ten Days. New, Novel and Usique Features, First Time Shown in fan Francisco. 1 Mechanical ana [rdustrial Products RACING GRAND MUSICAL -~ CONCERTS EXCUVRSION RATES ON SALL RAIL ROADS. Llephants, Lions, Tigers, Pantiers, Leopards, Congars, Boarhounds and Horses, All in One Immense Steel Cage Together. WALLACE "o Riding Lion On Earth. BOVALAPUS, strangest | Ampbibious Animal of Land and Sea. MECHANICS’ FAIR —AND PURE FOOD EXHIEIT— — AT THE— MECHANICS’ PAVILION. AUGUST 17:h TO SEPTEMBER 18th. EXPOSITION BAND! (40 pieces), led by WALTHR B. ROGERS, Leader of the seventh Begimen. sand of New York MONDAY, AUGUST 23, W AGNER INIGELT. Dosbie Season Ticke's ... Sinzle Season Tickets.. ~ingle Admission (Adults). Single Admission (. bildren) | Classic Stages Roman Race Course 3 Rival Rings 150 Master Acts 100 Champion Artists 20 Mid-Air Marvels 50¢-Admission to All-30¢ Children Under 9 Half Price. Reserved Se=ts for Sale at Will & Finck’s, 820 Market S'reet. SUTRO BATHS. This Alternoon, Sunday, Aug. 22, THRef EXCINING RACES FOR MEN ..85 00 82 50 25 + ents 15 Cents TWENTY-SEVENTH ANNUAL PICNIC AND EXCURSION _.OF THE.... AUSTRIAN BENEVOLNT SOCIETY WILL BE HELD At California Schuetzen Park, San Ra« fael, on Sunday, August 29, 1897, The fainl ¥ gathering uf ihe season Valusble gate and game prizes will be distributed. Ruund- trip tickets, including admis-ion tu park, 50 3 chidren haif price. THE C MMTTT R R OBERON. GRAND CONCERT EVERY EVENING by THE INTERNATIONAL LADIEN ORCHESTRA. AND BOYs, 3 Valuable Prizes in each case 3 And a WELL-SELECT:D SPECIALTY BILL. Admission | Oc. Children 5¢. Bathin:, with Admission, 25¢. Children, 2u¢. See the thr.lilng “slde for Lire” by >ig. Leoaardo -