Omaha Daily Bee Newspaper, November 19, 1916, Page 19

1916. THE OMAHA SUNDAY BE NOVEMBER 19, Song Birds of the San Carlo Company holding “sings” every week, not only IGMUND LANDSBE for the pleasure of each week's sing- left us. With the page | ing, but also working toward a great ross, the melody | rousing Christmas “sing” as a sort unfinished, the dissonances | of holiday celebration, and with ev- and harimonies unresolved, ‘en week’s rehearsal by everyone in ! he has gone from this life, | the community who can attend the leaving it as he would not have left|songs are bound to go better and tory « ganizations and a children's festival at the city auditorium at which 1,000 Lincoln children will take part. [u the evening there will be held at the auditorium an intercommunity con cert, in which several hundred singers from all parts of the state will par ticipate. Teachers and music lovers who desite to attend will kindly send word to Miss Hazel Kinscella, state president of Nebraska Federation of Music Clubs, Lincoln, Neb Her Omaha friends arc rejoicing with Miss Myrtle Moses in the suc | December ntinued from Column Twe This Puge) | will pluy u Griog sonata and the Wisntawski Concerto No. 2 in D minor. The next of Mrs. Zabriskie's monthly pu- plls’ tals will be held at Theosophical 101 Bee building, Friday evening, The Chicag appear ut the nights M and Opera_company will is theater for three ¢ hatinee, November 23, The operas presented will be in."*by Wagner, Thursday; “Aida." by Vordl' Friday: “T1 Trovatore,” by Verd|, Saturday evening, with the double bill Cavalleria Rusticana,” by Mascagnl, and Cleopatra,” by Horsfall, at the Saturday Bdith L W \ax Annet ner will present her pupil ns. in u piano recital, ax any composition he ever wrote. The|better in preparation for this great cess of her recent New York re. slnted by Mla Sulome Abbot, contralto, puptl shoek and tragedy of it spread ever-| event. In climates where an outdoor cital. She is the second Omaha gir'| of Nev, b elnion, St ‘-r:;r:rrl,:.m;‘l‘:rv«‘v’nm:m;( | widening circles over the surface of celebration is impracticable. but in the last few weeks to make good |GUTRThG Clurk will accompany Miss Ab in the great metropolis and 1o re | st Miss Evans will play » program of our usually tranquil existence, and/where a large municipal auditorium is cast a gloom wherever the music and handy, this affords opportunity for a activity or jollity of this cheery little great manifestation of holiday spirit | man were known. He was a thorough|and good will, and there is no s consideration from the es has spent much removal to Chicago hoth abroad and in critics time since | in musical study, classic und modern compositions Al Saints church cholr, under the direc ton of 1 1. Simma, will glve a sacred con | n, and held a high place in more natural expression for exuber-| Hat | o cert once cvery month beginning with the Omahal RTINS, 5 D tinen T that city, and is one of the mezzo- first one nexi Sunday afternoon, November naha's musical life, yet the very ant spirits as singing nor anything | B e 2me. 2 DRANANC SoPaaNe points in his character his music so worth while were the ones which accentuated the diflu‘ul-’ s A% g - ties of life for him. Intensely idea The first of the series of concerts tic, the real was bound to be a dis-| 0 b€ given at the Metropolitan club- appointment in comparison. Yet it house l)n.\ season, under (!}v manage- was this very idealism which fired his | ment of Miss Evelyn McCaffrey, will creative ability, and helped him to | take placc this aiternoon at 4 o'clock, | be able to translate into tones the | When Oscar Seagle, baritone, will be beautiful ideas it brought to him und;i""“‘"”‘" m song r Mr. Seagle which gave his compositions worth | €Omes war over and above their technical expres- | €astern crit which made | which makes the participants feel as joyous in the bargain ConTRALTE who agreed in their sopranos of the Chicago Opera com pany. This year she has spent much time i concert work, having hlled successful engagements in the south and west as well as in the larger cities Ihe Chicago operatic debut of Miss Elizabeth Amsden took place last week when she sang the part of Sa- lome in Massenet's “Herodiade” with the forces of Mr. Campanini Miss Amsden will be remembered by Zuve monthly concerts of sacred music, which were very successtul, and the news fhat these are to be resumed will be gladiy recoived by many who remember them Many of the finest examples of sacred music will bBe presentod. Among the soloists will I Laura Peterson, Alice Duval, C. 8 . Miss Jocolyn Charde. Mr. Henry G Cox will play a violin solo. This choir hax won an enviable reputation for itself in both church and musical circles. ‘The San Carlo Opera company, which will appear at the Omaha Auditortum in Janu- ary, has just completed wn engagement sion. It was this idealism which in- Draise of his artistic singing. They Lot al St Louls, where it received high com- spired him to his greatest efforts in Speak of the natural beauty of his many people in Omaha. She canie mendution from hoth press and public. composition or in teaching, which | voice. his technical excellence, his to Omaha in the eariy '90s, nlm‘m . —— / i ati ime that Mr. Torrens came, She | Mise Cora Schwartz presented several of liction and his interpretation the time that her pupils in a song recital in Miss Cooper's made him so appreciative of talent for its own sake, and so untiring in his| \V. J. Henderson of the New York efforts to attain, those heights he saw | Sun considers him “one of the best Befareibim }\(é"h sensitive to appre- couipped and most delightful recital taught music and was alto soloist at the First Methodist church with Mrs. Martin Cahn, R, \W. Breckenridge John recital . 306 Lyric building, Wednesday evening, ovember 15. Those taking part | were Mins Allcs L darrett, Mrs. Jossph D ynmonger, Mr. Allen Linder, Miss Edith il and others. According to Mr . i ¢ ch' this singers now before the public,” and | anc ochle. Mr. Paul Oya, Miss Cora Quick, Miss fdl(m” or l"?iflfl ””’”"kfl‘ ”‘;“41"“ MK relbiclGr N Ne W Yotk Weibe Mellen, this was about the time that | Woodbridge and Miss Margaret i sm, he often experfencéd dis- | druff. They were aasisted by Mise : une, who is often called the dean of | couragement or disappointment when 3 me peaple or circumstances did not come can critics, says of him: “He | Rev Frank Crane was ' pastor there. She remained here only a few | years and returned to the cast. More | Helen Taylor, planist, pupil of Jen Gilbert | Jones, who contributed two numbers. Miss | Schwarts accompanied. An interesting fuct : is nearest, of all in artistic kinship to up to his high expectations of them. Ve e recently she has been a member of | connected with the program was the ap- For the best and greatest music he He B 0 ympany, con- | bearance of Mr. Paul Oya, a_Japanese, who, i ]utl an unh(\unrltd (‘Illhlhm m, and he 'S 4w beyond His pro- R R Miss “Hohwatt) Seva. nomeies M1 RewS \ idel h the finest | gram s follows: | trolled for many years by Mr. Rus-| varitons volce of rich, mellow quality and 3 T a s an riods " o ase | v Bullo in Masch en up.soon aiter the opening: of the | (¥ 10 Fu7 & M ted In the same olase “ Verdi bodato Dio o the art. He greatly valued the classics, but would have none of the modern compositions except that in which he | cpanin . boire Nicolo-Tsouard could find genuine and sustained Seventeenth Century Franch merit, permitting the use of nothing " \ Fortune Gallo European war. Newspaper comment upon her debut in Chicago last| Wednesday was favorable. Mr. Bo- | rowski of the Chicago Herald speaks of her as one aof the high lights of the | with Tamaki Miura, the littie Japanese so- prano who sang “Madam Butterfly” with the Boston Opera company in Omaha last year. Mr. and Mrs. Henry Cox, the Misses Kloise and Madge West, Messrs, Edwin . (i . Li ento Prevencale P i \ v but the best in his teaching. He knew | ppeae Prevencal Falaline 1MPRESARIG | presentation Clark and Will Hetherington will go to Lin- ic well ly fi aesthetic it dr Lo presen coln Tuesday afternoon for an evening con- music well not only from an aesthetic | Serment a’Amour . Webber - - cort of chamber muaic and violin solos. The * but from a practical side, and whether | Folx Nocturnes... Gretohaninow | Musical Notes | Honry Cox quintet will perform the Jadaa- 1 S - 4 Chopin | < > | aub i his !".’”3‘”?( ““’f"fl“i.l"‘l’;“" (“‘:‘:‘l‘ll‘ ";fi Avant la Bataille, 5 Chopin | A noteworthy feature of the coming ! Thix aftarnoon at 3:30 the Letter Car-| :]':l;‘ l'““m"';'m..“p.co;"m:..";‘n.“:;.‘i;l-1'&' pression i a ‘comic song wil S 1 performances of the San Carlo Grand | riors band. under the direction of A A. | quintet accompaniment much-humor in the music as in the Standchen - Schumann e Wodemeyer, will give a concert at the Mu- i vttt S Sehnsucht Schumann | Opera company at the Auditorium 2 th words, or “whether in serious mood, | pot<chart e AiEbe ik ifi ; nleipal auditorium for the benefit of the < Brahms | will be the magnificent new scenic Rusocinted charities. The band wil be as- | New York Man to Talk at Wenn du, mein Liebster, steigt S he composed for voice or instrument, Himmoel auf the music was always well written, with an ease and mastery of its gram-! s Grove mar which permitted of freedom and|Jjorn Peel.. cleverness in expression. g:nkn:‘"lh;ull’]::wu But now he has gone, and the Dasti izt theme of his life will not recur again ot | investiture and the splendid cos- % G 2 | tuming. The San Carlo organization g Ojd welsh | has a repertoire of some fiftcen mdogn:’u:-: operas. Shortly after the termination 1d rian | Of the 1915-16 tour of the company, ...~ Burleigh | which ended \pnl 1 at Harrisburg, Joyous Wanderer—Manuscript. .. .. Horsman | the entire equipment for these pro- Pietro Corallo {wfll aing the sisted by Beulah Dale Turner, soprano, who “Ave Marfa” by Bach-Gounod, with violin obligato by Miss Madge West. Mrs. Elofss Wood Milliken will accompany The admission fee to this concert is but | nominal and the entire proceeds go te the chirity The Ladies’ soclety of the First Congrega- Commercial Club Friday James B, Haney of New York City, an authority on municipal art, is to speak at a Commercial club luncheon Friday, November 24, in Time’ : ; Writte 5 | s A Ty ot ——— miglimes '"gr;al e B N[“{(’ A Henrl Doaring at the pians, " | ductions was placed in one of New . RISE TN L DI i T T All New v v { mantel. ; . the though we' ave no more brigh iand ol York City's largest storage ware- Emanue/ Salazar | piano, tha song recital Tuesday evening. No tones awakened by his touch, no more |y . first conference devoted en-|houses. A fire which occurred in July DRANATIC TENOR new compositions from his pen, !he | tirely to the discussion of Commu- destroyed the building and its con- | vember 21, at 8:16, at the church, Nine teenth and Davenport streets, The program |18 made up of a group of five songs by Oscar Seagle \ influence of his high ideals in music| .. oo tents, involving the loss of the San|magnitude of this task may be had|Carlo company, which is under the|gpubert, Roger Quilter, Cyril Scott and . and the impress of them through h's'bey,he l:":f, ;n‘fl:l ::]?_::u‘»}l‘: gvaetsutrc‘lh;m | Carlo scenic effects. }whrn it is known that the following | management of Mr. Lucius Pryor, Tandon Ronaid, e e “Onawny, Awake, Columbiu work will long remain. Practically all| \roco 2SR inde i A usaicas 3}! It required the services of expert|operas are being gwen, “La Tosca,” | will include the following operas: Bulovial 2 baldrgsy '.‘:’iu': :;;'mh';' of the professional musicians of Oma- the StatelFedaration of Musl‘c’ Clubs. | scenic artists a period of more than | “Il Trovatore,” “Carmen,” “Faust”|“Tales of Hoffman" *“Lohengri r,";"',..w:::.‘"g:.mov:,. songs. This is Mr. Recordl ha turned out for his funeral, and The conference headquarters will b sixty days to reconstruct and paint | “Rigoletto,” “Lucia Di Lammermoor,” ”Martha' “I’lgliacci." and “Cavalleria [ Fremantel's first recital sinco his return to X many are the friends and music lov- at the Lineoln hotel, :\lnd et | the big pieces which now constitute | “Martha,” ”Talcfi of Hoffman,” "l Rusticanna,” the dates being Thurs- [ Omaha from Minneapolis Now on Sale at ers who will miss him. = morning | ¢he equipment of the San Carlo or-|Sonnambula,” “Masked Ball, .a\da) Friday and Saturday (with o will present Graco meeting will be held there beginning ERtianhingthi i iata” “Aida” * in” i 3 . e msein sl : Sch " & M “ e - | aE9:30/ At this | time iherei willl be ganization in this respect, while noted | Traviata,” “Aida,” “Lohengrin,” “La|matinee on Saturday), January 25, 26 | Leidy Burger in a wWolln recital, assisted by moller ueller One cannot pick up a musical maga opera costumers of Italy were en- A genérously low scale of |Gertrude Radineky, soprano, pupll of Mrx. | zine nowadays without seeing more and more about Community Singing. The idea has spread like wildfire all | held discussion of the different phases of the work. In the afternoon fur- ther discussion will be held and a Gioconda" and “Cavalieria Rusticana” |and 27. gaged to design and furnish an en-|and “Pagliacci,” given as a dnuhh“prlccu arranged between Mr. Pryor tirely new and costly wardrobe for |bill. Three extra-length baggage cars and the opera management makes the the many produmons sung by the|are required to transport this vast|event one of uvusal attractiveness to Louise Jansen Wylle, and a violin quartet, consisting of Mrs. Zabriskie, Flora Shukert, Myrtle Cloud and Gertrude Keeper (Flora Sears at the plano), at the North Side Chris- Piano Company 1311-13 Farnam St. concert gi isiti i 7 through the cities and towns of the | concert given by visiting musical or- | company upon its present trans-|volume of costly material. | music students. The season tickets go | 10, (hurch Twentymocon e a1 o United States and some of them are’| (Continued on Sixth Column This Page) |continental tour. Some idea of the‘- The local engagement of the San | on sale on Monday, November 20. [5:15. Among other numbers Mrs, Burger _ il B s reeyc= =il -llllIIllIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIlIIIIIIIIIIIIIIIIIIIIIIlIIIIIlllIIIIIIIIIIIIlIIIIIIllllllllllllllllllllllllIIIIIIIlI||II|III||IIIIIII|II|IIIIIIIIiIIIIIIIIiIIlIIIIIllIIIIIIIIIIIIIIIIHIIIIIIII|II|IIlIIIIIIIIllllllllllllIIII|||||I||IIIlIIIIIllllII|IIII||||IIIlIlIIIIIIIIIIIII|I||II|III|I|II||IIIIIIIlII||IIIIIll|IlIlIIIIIIIIIIIII||IIIIIIlIllllllllllllllllllllllL- E £ s MP NY ¢ £ - E / THIRD RETURN ENGAGEMENT g = & " £ THURSDAY, FRIDAY, SATURDAY AND Al ]DI’I*ORI‘ ”\1 OD 1AI_IA E = i R \§ / E SATURDAY MATINEE, JANUARY 25, 26, 27 S S 5 = i = A = Same “Dollar Season Tickets” plan as in former years, exc ept thaf this year we will positively sell only E = = = 2,500 “DOLLAR SEASON TICKETS” i = Last season and %eason before the number of “Dollar Season Tickets” sold were practically only limited by your desire to purchase. i E THIS YEAR the company and orchestra are much larger and the scenery and costumes even more lavish than on former visits, and costs considerably more money : £ for the productions. " ‘ £ BUT instead of raising prices we are limiting the number of “Dollar Season Tickets”—Thus, after these 2 .)00 “(nbon Tickets” are gone, music loving Omaha will & e = have to either pay regular prices or regale themselves with “canned music.” g I = = | = = } e THIS AD WILL PROBABLY NOT BE PUBLISHED AGAIN = = And is published for the benefit of our friends and regular patrons. E E, Buy your “Dollar Season Tickets” immediately in person or by mail. This will certainly be a whirlwind ticket selling campaign, for these “Dollar Season Tickets” are = £ in the hands of 36 different “Opera Boosters” this minute, who have them for sale. If this ad brings out demands for more than 2,500 “Dollar Season Tickets” the = ‘ £ orders will be filled in the rotation received, and those applying too late will have their money returned immediately. = = = = — et e : = = THE PLAN | THE OPERAS = § As in former years, the ‘‘Dollar Season Tiekets'’ require an extra cost for reservation of seats of from | ¢ 5 e g = « = |10c to T5c each opera, according to location of sittings. BUT ALL YOU NEED TO DO NOW is to get your | Thursday h\'f‘lllng, January : ‘TALES OF HOFFMAN" = = | “DOLLAR SEASON TICKETS,” which can be reserved by mail or in person on or after January 1st (one M ST T = = | week in advance of the regular sale of seats). GRE : 1 Friday Kvening, January 26—"LOHENGRIN" | = = Th . ble to hear the most wonderful of opera by the ATEST OF ALL TRAVELING OR- | | S: daoe Nt inarE Tan AT Dt f s = | szlx‘figkgrzl:g;g and producing the standard grand operas at a net price of from 35¢ to $1.00 per seat Saturday Matinee, January 27—“MARTHA' : = § | 'per performance. | |Saturday Eve., Jan. 27—(iala Double Bill—I'PAGLIACCI and CAVALLERIA RUSTICANA | = \ I THE COMPANY | TICKETS = = The company, under the directorship of FORTUNE GALLO, includes such world-famous Address all mail orders, accompanied by a check and self-addressed stamped envelope = | = | singers as | (one dollar for each season ticket), to - = opranos—Edvige Vaccari, Mary Kaestner, Louise Darclee, Sophie Charlepois. ‘ LUCIUS PRYOR, Local Mgr., Auditorium, Omaha =5 = Mezzo Sopranos—Maddalena Carreno, Stella De Mette. i L Or they may he secured in ]:m-wn from A. Hospe Co. Sheet Music Dept. Green’s Phar- = = Tenors—Manuel Salazar, Pietro Corallo, Salvatore Seiaretti. * | | macy, Auditorium Mgr.’s Office, Second Floor Auditorium; Camp’s Drug Store, Couneil | = | = Baritones—Angelo Antola, Giuseppe Battistini, Davide Silva. { | Bluffs, Ta.; Mrs. J. 1. Ray, l‘l(mnm. Neb.; Mr. Hilt Wescott, Plattsmouth. Neb., or from | = | = Basses—Pietro Di Biasi, Natale Cervi, Carlo Peroni. | 1anv one of dozens of our grand opera boosters, = i = With complete corps de ballet, chorus and grand opera orchestra. ‘ Boxes frmn \lrs Alfr('d hornnson : = E The famous musical critic—Mr. Richard Spamer in the St. Louis Globe-Democrat of Saturday morning, November 4, 1916, says: s E It may not be a gracious thing to do, but in this instance 5 a throw, what, by the same gauge, was Gall (Tt Si ledg andard | his i of tri o E ? E just (\nel linotype of comparison must be indulged in. It xha!l Carlo Co.) Aida worth at the Odeon Kriday 4-vnmng‘.”)';h(~ ul:;\\'m- ‘i': I:‘mrp:\:l:llllmlnl(Iuls"r‘l;::ab(tl:fltx“';[Iiu:\“(m‘l\luaml::vl::-m;' lfi':mllxe::li:‘)tgithe‘:n: = = take the form of a query: If Ellis grand opera at the Coli- | that Ellis grand opera wasn't worth $5, and Gallo’s would have been company like the one that began a brief sojourn at the Odeon last night = = seum (as instanced in Thursdnv night’s Il Trovatore) was worth | vheap at dn-lhlo the prm It is necessary once in a \\hllv to apply fln- is a mystery nobody can solve but hmm“ and he “won’t tell.” = N v E Mason & Hamlin Plano Used—A Hospe Co., Agents : E 4IlllIIIl|||||||||||I|||||IIIIIlIIIIIIIIIIIIIII||l!lIIIIIIIIIIIllllII|IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIINII|lII|||||IIIH||IIIII||||||||||||||III||||I|||||||||l||||||||||||IIIIIIIIIIIIIIIIIIIIIIIIllIIIII||IIHIIH|||||||||Ill||l||||IIIIIIIIIIIIIIIIIIIIIII|||||||IlllIIIIINIIIIIIII||lI||l||I||||||||III||II||lll|IlIll||Il|l|ll"lll"llllllllllllllllllll-f: