Omaha Daily Bee Newspaper, November 7, 1909, Page 15

| i | | THE OMAHA BEE: NOVEMBER Why George Co ]trl) al of the gypey In han Has a Vogue ber Analysis of the Qualitiés and Characteristics Which Give This Youngz Performer His Amazing Popularity—How Miss Helen Ware Got Her First Successful Start in the Theatrical World. OUNG Mr expresscd body me Cohan h the However vou may A fiippant reply for flippancy ment there | as publicly ‘that may hope no: take take me seriously.” would he easy, about the sasi Without, how- earnest excogita himself says he remarked that he is int g Ind in several waye For thin cuples (he attention of the publi of his extreme suc cess in gathering the shekels, Anyone who makes much money and makes It rapldly 18 &n object of Inteicst to the public But wi publie ha aehle devoting any tion te Mr. Cohar deslre may than he an one liked him so well while It Is true urs have come Cohan Is a clever advertiser ot has had clever men hired to advertise him. But this will not account for It 8 agent made stars may shin little longer than u meteor mueh more time, and the e that there is some- rgoers like Cohan It #0, why? part that Cohan's musi- cal comedics embody much of that eclever u:m punning and play upon words Vel when upon the stage, and done well. qulte enraptures many Americans. and playing upon words In ordinary life Is generally thor- oughly detested, but in musical comedy it . :Ilf'wrh{ Remember, for instance, that between Mary e maid and H, In w ch the gir! utters pun while the dier.ces chuckled and k! Again, in “Little Johnny Jones" “nd all the other Cohan offorts there has been much of this sort of dlalogue. ‘ pstance of this kind of play upon wol following from “The Yankee Prince is a good example Fielding—I was always smart as a child Mre. Flelding—You are still smart as a child. thems mor that some of the way because ) himselt worth Aol and but not thing « to a he nsid extent answer I8 I fire done Panning in a large part of | or this course | 8ome people M is not the whole story. e been Impressed with the | and “The Road to Yes be well rémembered, and it was In that part that she first attracted the attention of the general plavgoing body. It was followed by a strong, som- study of a girl of the Bowery in Arnold Daly's production of ‘‘Regenera- tion.” Her Emma Brooks in “Pald In Full," when that play was first produced in Chlcago, was another classic Miss Ware was born in San Franclsco though no member of her family had followed the profession of acting, she was much In the atmosphere of theatrieal life terday” will rather cheap and obvious philosophy of life {as a child from the fact that her father | which Cohan emitted in such vers | “Lite's § tunny proposition after all livered as a sollloquy, sitting on a crack box and with the house dark to give im- | pressiveness. This Is, of course, very easy. as | had a share in bullding severfll important de- | playhouses. After leaving high school she | studied medicine for a short time and then became a grammar sehool teacher. Later #he specialized in kindergarten work and | It consists of saying in & solemn manner | held a position as teacher of children under what no one would ever think of dlsputing, | the New York Board of Education with the result that not very acute people | fold their hands on their stomachs, sigh | end say "How true.” | Another attribute which has “ohan's vogue Is his daneing, and he can beasts. Hig clothes which just miss being the real thing are mistaken by many for being the acme of smartnese. made for | of course, dante in & manner to charm wild | cause Miss Wi As & playwriter his chief fault has been | overplotting and this Is not a fault which has hurt his popularity. As a stage mana- ger he Is not surpassed and the result s that chorl drilled by him dance and maneuver with a snap. a 2ip and an ap- | parent zest which is quite delightful and | eulte unrivalled, These are some of the reasons why Cohan Is famous. They are not all complimen- tary the general public taste. Cohan plays are desoribed by those who Iike them best as “classy.” It Is quite fitting that people who have no other adjective than ‘classy’” should admire the Cohan brand of entertainment P to tonight in Charles Klein's play, | Degres, acting for the first time here the role of Annie Jeffries, wife of a man, who, wrongly suspected of a murder and sub- Jected by the police to that Inhuman and the third degree. Through the ingenuity and determination of his wife, whom he fourd In a humble station in life, the man Is ultimately cleared, Miss Ware's acting in this play was warmly commended In New Ybrk, Boston and, reesntly, Chicago. Her flashing por- At the Omaha Theaters “The Third Degree to Play One W ~Elenor Glynn's “Three Weeks” Nights—Will M. Cressy at Orpheu: 1E Third Degree” begins an engagement of one week at the Boyd's tonight, and it s ex- pected that thi Charles Klein's latest play, will prove as great In point of con temporaneous Interest as It Is sald to have been In New York and Chicago. To the few who may know the true meaning of the title of “The Third Degree’ it may be sald to concern that phase of the un- written law which falls in favor of the police in their frequently employed method of gaIning a confession from a supposed criminal. Mr. Klein has taken a rather delicate subject for dramatic material, but it Is sald that he has overcome the diffi- culties In an entertaining and pleasing | manner. dealt with the subject of hypnotism, Mr. Kleln |s remembered to have been the first ¢ our own playrights to use hypnotic sug- gestion (n the «tory of @ play, When in 1897 his “Dr. Belgraff" was produced. “The Third Degree” tells of the soclal undoing of Howard Jeffries, jr., through his marriage with a true, womanly. shop. girl. The boy's ultra-aristocratic father cuts him from family ties with a paltry allowance, which causes Howard to face extreme need. In search of funds, he came to the art studio of a “frat” mate who still owes him a college debt, in the va of a loan. While feeling his cups, um- fulls asleep on & sofa. His friend, bankrupt and desperate, steps into-an ad- Joining room and, fulfilling a threat, com- mits suiclde. The police arrive before Je earns of the crime and he s selwed perpetrator, put through a long nulllnx by an unscrupulous police cap- ain and finally made to confess murde; The influence of a sincere wife in the bat- fle for her husband's life clears him and wins for her the affections of her fathe In-law. “The Third [ " comes here direct from Hudson theater, New York, and the Il- 4 Chicago, and Henry D. Harris prom. es the first cast, Including Helen Ware, Lida McMilian, Ralph Delmore, James Beely, Maicolm Duncan, Frager Coulter, Walter Craven, Earl Williams, Herbert and others, N ks Much has been said and written about the play, “Three Weeks,' booked to appear at the Burwood, for four nights, starting this eveningl as to its being moral or ather. wise. No book, even among the “six best sellers”, has been so widely read or dis- cussed, not only in America but in Eu- rope, and It is & fact that perhaps a m| Jority of those who have read the book | have done so with the one idea of whetting their appetite for sensationalism. Kt the reader who thinks, who tries eVér so Mttle to delve beneath the surface of things, the novel shows that Mrs. Glyn had a purpose and a great one, for it leads up to | the greatest question that is confronting ( throne in the old world today, as the leaders of soclety y—the marrisge of royalty, of state and convenience, the marriage where no thought or idea of love Is entertained. Such marriage, Mrs. Glyn believes, s immoral every sense of the word and is the direot Cause of wore unhappiness and the wreck- ing of more souls than any other condition In our social lives. If there be any unpleasant scenes of sug questions In the book, they are absolutely none in the play. Only the plot has been used In the dramatization, is a8 far from unpleasant suggestions as “Romeo and Jullet” The production Is magniticent, the scenery, the costumes and the music being concelved by one of the greatest master of stagecraft in the pro- fesslon, and the casthas been selected with & view to fit perfectly the rather un- usual types that the play demands. There will be & special women's matinee Wednes- day —r William Makepeace of snobs there have been many changes rung on this brard of idiot. and each nepl writer that has tackled the sub- Ject h-*«n‘ something wore to say. The rewest Mdirec. attack being made Is from Sl wrote Although other dramatists have | pirited | William | in our own | and the play ( Thackeray | ‘eek at the Boyd, Beginning Tonight to Be at the Burwood for Four m and Porter J. White at the Krug. the stage, and while the idea seems to be to point a gentle moral, and to Indicate the folly of attempting the manufacture of a soclal sk purse out of a mediocre sow's ear, the play delivers not a few age thrusts. The champlon who has entered the lists this time is “The Man from Home,' which will be given local hearing at ths Burwood Thursday, Friday and Saturdays el With Will M. Cressy and Miss Blanehe | Dayne as a headlino feature, the bill this woek at the Orpheum promises to be quite attractive. The standard Cressy and Miss | Dayne have set for themselves in charac- ter acting Is largely responsible for the enviable reputation their work has earned They will present “Town Hall," the most popular of thelr one-act plays, and it may | be considered a special event. Another fea- | ture of unusual excellence will be “La Pe- ,m- Revue,” which Is, as its name sug- | gests. a miniature review of old and new | footlight successes, arranged In a fashion | singularly unique. The first scene repre- sents a youth who sees In a revery various stage celebritl Seven people are em- ployed in the presentation of this act, and from & musical point of view it is one of decided merit. Two comedians, Bob Matthews and Herbert Ashley, will appear in & new offering, “Held Up." a sketch from the pen of Alaron Hoffinan. Elaborate scenery is carried to give this numbr adequate atmosphere. The Five Avolos are xylphone performers of unusual skill, A dancing novelty will be offered by Miss Lena Pantrer. Her aerfal performance on & siack wire I8 not the least dashing of the remarkable phases of her work. Davey and Poney Moore present a comedy playlot called “The Dancing Tenderheel” The plot of the sketch is out of the ordinar and a feature of the mct is the hard shoe dancing by Davey Moore. Mur Ben- nett, the monologist, s another feature The concert numbers by the Orpheum or- | chestra and the kinodrome pictures com. plete the list of offerings for this week. | il The wmusical melodrama, “The Girl,” has achieved a big succes: | three seasons of existence, And the large business it attracts demonst that 1t pleases those who like something ditferant and novel. Not often has there been a more decisive success. Miss Sue Marshall, | Who will again be seen in the tile role, is always a favorite and regarded by many | as of the best of comediennes. ““The Co boy Girl" is & play with & western atmos phere and numerous exeiting situations and powerful elimaxes. There is a wealth of musie. uproarious comedy, protty chorus | girls, rich costumes and an elaborate and new scenle invesement. It will be t the Krug next Thursday, November o at Porter J. White and an excellent gcom. pany will give “Faust” at the Krug four nights, beginning with a matinee today. The beginning of the fifth act shows Faust and Mephisto tollfully climbing the stoep rocks and yawning chasms of the peak of the Brocken, In the Hartz mountains, where, according to the UGerman legend, the witches and warlocks meet on Wal- purgis night (April 1), t0 hold their yearly | festivistes. The night grows darker and | darker; the moon Is in its last quarter and gives but little light | £nd higher; the trees and rocks and distant clifts take on wondrously fantastic shipes In the dim light of the dying moan; wnly the hooting of owls and the far-away ory of the lonely night hawk breaks the sol- emn stillness; strauge shapes crawl to and fro, and wierd, snake-like forms seem to writhe and try to clasp the wanderers in thelr horrible embrace. At midnight & mighty tempest rises and the witches gather from far and near for their unholy testival. During the truly horrifying seene | that follows Mephisto shows Faust the never falling “punishment of evil” and the curtain falls with terror stricken Faust Writing in the evil one's grasp. A perfect storm of electric fire descends, amid which the hnps and witches are seen reveling in | their flendish merriments. Cowboy n sean i Miss Helen Ware s to appear at Boyd's | ““The "Third | They elimb higher | { unconstitutional form of torture known as | 1ta | | may: | 1t was while sho wak Jiving In New York that she and a friend were accepted as extra women for Miss Maude Adams' pro- duction of “The Little Minister” at Empire theater, and it is said that re. appearing as of a poor weaver in that play, did not wear high-heeled shoes that she attracted | the admiring attention of the late Joseph M. Francoeur, an astute and exacting stage manager. Her first big opportunity came one evening when Miss Blanch Bates, then acting In “Under Two Flag: tell fil, and at an hour's notjce Miss Ware | played the part of Clgarette. She is held | in & class by herself in the depiction of the elemental moods of an elemental type of woman. the be- —n Gordon Mendelssonn, the young Omaha | born actor, last seen here In support of Mary Shaw, is now playing the role of Phillip Sarsdale in one of “Blue Mouse" companies. Mendelssohn s playing the part with success too, as witness the fol- lowing comment in the Detrolt News: One of the cleverest bits of acting in “The Blue Mouse” production at the Gar- rick theater was done by Gordon Mendel- shon, a former Detroit boy, who was edu- cated In the local schools. Mendelssohn has the difficult role of the serious-minded sultor for the hand of the wcman, and he brings to It a keen knowl- edge of the demands of farce, its speed- its adrolt turns, and its tinge of burlesque the wite | “Blue Mouse” | Crane for Cleanliness Eminent Comedian Declares that Plays Which Make Most Noise for Shadiness Have Failed Emphatically in the Long Run, the Audi- {| ences Insisting on Clean Dramas Being Offered on the Stage. | | | not than VIIL, hon one full require what dramatic of humanity of it, as a “Curruption wins esty."King Henry HE sentiment of the great mas- [ ter playwright of all time surely illustrated better than | ever In our day.” sald Willlam H. Crane in a recent Inter- view “What 1 mean to say.” |“is that the whole plane of soclety has |been lifted to some extent—I do not pre: |tend to be very close in estimating it, but |etvilization must mean something. and it |relates to all factors of lite. A pretty theater with artistic scenery, arranged for the comfort and pleasure of the audience convenlent In cvery respect for the pur- | pose of the drama, seems almost in itself | to result in refinement In the play pro Auced—not immediately, or perhaps in any | particular decade, but the tendency of bet- ter living, better dreesing, purer forms of literature In general s reflected In the stage, which in itself, I think, Is more of a reflection of modern life than any other thing in the community.” more you as do you tist?” Well, require Frankly 1 may say in general terms, 1 that It shall be entertaining in the theater 1 do not care A straw for preaching for instruction | for thelr own sake. 1 am quite firm In the opinion that though ‘art for art's| sake' {8 u catch phrase that Is not to| |be carrlea very far, yet Im the particu- | lar fleld of the drama 1 fee) that the| play above all things must be enter taining. It should have abundance |of human feeling in it hould be entertaining on Its merits Perhaps | am old-fashioned about ing on clean plays, but it so, 1 know there are a good many who feel |do and, in fact, if you look over the tory of plays for the last twenty-five| years you will find that those plays which | have made the most nolse because they ere most shady In some particular or | ber have ultimately failed most em- | phatically, As you go through the whole | |list of successtul plays on the [ “Do you take any part in the current dls- at this moment—no matter whathe {cussion about the best way to estimate the | (upic comic of midway—the audiences value of a play?” | v that can be relied upon, the audience that ‘I have my own ideas on that polnt,” [like plays and go to them and pay a fair |sald Mr. Crane, “though I do not really |price to hear them, sudiencss |go into argument on the subject. Where | want things clean, and they pay for I start In the test is that, so far as the |that are clean. hey are practically play goes, the author himself should have |only places which make much of a his intention fathomed In writing it; and |cess and not merely run for one | the next, whether he had speech to express | But are called for year after year | himselt adequately. If his Intention is |find piece of the unclean kind |impure, then the play will be of the same | has a continuing popularity sort, and if the contrary is the case, within, Siffpien {of course, reasonable limits—for theorles Theatrical Notes. 4 with each other—the play will reflect the | i,y Salesman,” enjoys the ' distinction of ssential quality of the author's mind. | having been at one time leading woma But, as 1 say, I think one should start|for the only star who ever made Chicago | with what the writer tried to do." a one-night stand—Tim Murphy | “When you have a play which | | or sald Mr. Crane | an | 1t | | insist- | that as 1| are those sue- season You no that T b Eleanor Lawson of “Such a Little Queen company, before becoming an actress was strikes Music and Musical Notes HE following letter was sent by a Chicago contralto to the editor of & Chicago musical paper, and as it has a decidedly unique ring to it, it may prove interesting: “Dear. Mr, —: For some time past I have been thinkin, ““What does it protits others when 1 sing songs, thinking more of the musical setting than the words. our great artlsts, hoping, longing, to hear something helpful, and am always dis- appointed. “What if-one of our public speakers should talk in a rambling way, thinking only of the beauty of the speaking volce? “His personality might be charming, his delivery good. He might be even so great an orator, but If he did not say something worth while we would go away pitying that man, sorrowing because ne, to all outward appearances, so capable, should be so lack- we hear a planist we expect hear a song without words ““When we hear a yocalist we expect to hear a song with words. We ought to hear songs that are chosen carefully, ~great consideration given to the words, that they might help and cheer and be an uplift to all who hear them “I wish to say_ the purpose of my work will be to glve programs this year that ar to composed of songs selected from our best | composers as to verse and music. 1 will In other words, sing only songs that have | o message “For when God gave to us volces he ex- pected us to say something when we speak, and what is einging but speaking In a singing tone? Very truly yours for ser- vice, g The name of this contralto does make any difference, but the idea Is a 800d one: whether singing is but speaking in a singing tove or whether it is not, the fact remains that “When God gave us volces he expected us to say something.” Yes. He expected us to say something | worth while; He expected us to have some- thing to say. And we would all be wise to follow the example of the Chicago con- tralto. The following very were made recently W. J. Henderson, pertinent remarks in an article by .Mr musical editor of the New York Sun. Mr. Henderson usually does make pertinent remarks, and these are on the old. old subject of American study abroad. Speaking of the various teachers in Berlin, Paris nnd other places, he laconically adds, speaking of one rep- resentative American teacher, they study with him If his studio was in Forty-third street?’ He then proceeds to “There is a lot of nonsense about this going abroid to study. Another op- portunity to find out just what it {s that | American students desire ls offered by the | engagement of Milka Ternina, one of the greatest dramatic artists that ever trod | the stage of the Metropolitan opera house, as the principal teacher of singing at the Institute of Musical Art. She is already |at work there and now the question arises | playing a vast number of pi whether ambitious young Americans will flock to study with her. Will they rather walt till she returns to Europe and then spend thousands of dollars to follow her Instruction, which for many of them can now be reached at the expenditure of a S-cent carfare? ‘Here 1s a chance for would-be overa darlings to learn thelr calling at home under the direction of & past mistress of the art. It will‘be interesting to note whether they selze the opportunity ar pass it by and cross the ocean to study under ope of the American teachers who went over there simply because belng there makes better business ‘Jean de Resske has u | flourishing vocal school In Paris. He teaches from 10 a. m tin'? p. m. He has hundreds of American puplls. But suppose he were engaged teach at the Institute of Musical Would he have them then? Watch Ternina experiment el No bhe would not. Godowsky, as lated before in this music column of the Bee, wes not crowded with pupils In Chicago, mor had he to injure his health 0 recita He played to Art the Not that any of us heard of. one time at the Creighton theater (now the Orpheum,) and was it nineteen or twenty-one people wWho were present? Scmething ke that anyhow, and Mr. Joseph Gahm became indiginant, and then the more he thought about it, the worse it seemed to him, and the upshot of the matter was that Herr Joseph went out with & subscription paper and sold sub. “From time to time I haye gone to listen | | to prayertully | not | “Would | re- | a teachtr in_an Indian scnool in souther California. Miss Lawson is soon to Eive @ play In New York written by one of her Indian puplls, which will be played by Indian actors recruited from the siudents at the Indlan school at Carlisle, Pein e iy Clara Lipman, (Mrs. Louis Mann), who —_—— Abuse of the Hammock. “Ma, do sailors take thelr sweethearts aboard ship with them? “Of course not." e why does each sailor have a ham- AMUSE ADVANCED VAUDEVILLE Week Starting Matinee Today MATINEE EVERY DAY 2:15, EVERY NIGHT 6:16 'III M. Cressy and Blanche Dayne Presenting Mr. Cressy's One-Act ___Plays of New England Life. LA PETITE REVUE An old tdea uniquely vocalized and Twentiet-Conturizéd by Charles Lovenbers. A Real Novelty. Bob - Mathews & Ashley- Herber In Thelr Laughing Success + Hold U By Aaron Hoft THE FIVE AVOLOS Xylophonists Par Excellence LENA PAKTZER Assisted by Sam Mint, Dancing #On the Floor, On a Wire and the Air” tenor, | has been in retirement since 107 when she titled “The Hills of Troy," by thig column took a “flyer” on Godowsky in | i . " in Parls, where Jea iranier created cltals were not over-abundant. Now Robert Edeson has begun a tour In “The assistants, and he himself is frequently cludes Gertrude Coghlan, Macey Harlam, seems to be the sensation of the musical|Son's appearance fn the far west in his men two years ago, and a year ago last|heart. gets a bl welcome when he comes over. yeers ago at that historic home of opera that he has made many of his successes | | to which he strenuously objects, as the British tenor, “aye mom,” I Won- A good joke is being told, a really-truly | ‘week in the chorus,” that is, two pounds | mack, and the man who had offered the when McCormack's manager pulled out nan night, in the cast of characters, th Duke, It was Mr. Arthur scriptions arfd brought Godowsky back |piayed her London engagement i to Omaha and this time he played to a|Bonbon,” will return to the stag full house. Later the present writer of [the new year to star in 4 new | Bisson and Gegrge Thurner a recital at the Boyd, and the artist’s|an adaptation from the French drawing powers were then large enough|nal production having had a long to fill the house. But students and re- |\h, JOE VLILTe SO AN Wil dppeat under the management of Louls Mann. American planists make one grand rush — 4 to Berlin to study with one of Godowsky's s ! Y IB: s, ‘more. than' Mkely, for he has | Noble Spaniard,” W. Somerset Maugham's o ke Lol g Y, farce, at New London, Conn., accomnpanied by the original M York cast which in- |on concert engagements. b i b Verner Clarges, Cordelia’ Macdonald, Ani * Murdock, Maggle Halloway Iisher,” Cyrii John McCormack, the new Irish tenor, |Chadwick and Desiree Lazard. Mr. Ede- : i " 4 | present vehicle will be the first time he hour, over across the water. The Wrlter|ya " made such an extensive tour since heard many things 8f this promising young | he played the foot ball hero in “Strong- summer, heard him in a small part. The, Irish of New York will doubtless come to the front, and see to it that McCormack He Is only twenty-five, and the youngest tenor who ever took & leading role at | Covent Garden, when he began three | The press dispatch states that he has| sung oftener this year than any other| tenor at the Covent Garden opera, and | as co-star with Tetrazzini | Now that he is & success, the press In | England speaks of him as the British demanding that he be spoken of as the Irish tenor. 1 wonder, if he were a Seot trom Edinburgh, would they speak of,him der. Methinks there would be a mixture of Scottish accents down I'leet street next day. joke, and not a press agent's “yarn.” It |is said that one day McCormack sang for a manager, and he was offered ‘‘two-a- a week, or about §10. A few months after wards McCormack's manager was speak- | ing of this same manager about McCoy- {#10 @ week In the chorus, said "By the way 1 could use that young fellow now in a small part” Imagine his surprise | the morning paper and pointing the | theatrical advertisements, read: ‘“‘See this | Covent Garden, Royal Opera, Rigoletto, to- Mr. John McCormack. That is the young tellow you thoughi worth two-a-week in the chorus.” ing firm of Boosey have first recognized voung Irieh tenor. Boosey of the publish & Co. that is said to the ability of the in > Mr. Joseph Gahm has been covering him- selt with glory and all sorts of fine hrigh press notices about his work In Colorado Springs and thereabouts. S0 enamored is he of the place that he seriously con templates remaining there. Mrs. Gahm has returned from visiting in the east with her mother and has joined Mr. Gahm MURRAY BIIIETI' Monologist KINODROME Always the newest in motion pictures New Musical Feature Extraordinary GRPHEUM CONCERT ORCHESTRA 16—Talented Artists—18 10¢, 220, 80c, 78e. the Teresa Carreno Young Women's Chris- tin Association auditor'um Monda evening, November 8, (tomorrow), follows: (This i the first of the concert series of this The will play the Chopir a Op. B, in four movements; the second number will Rondo, of Beethoven, Vogel Prophet of Schumann, and the Erl King, Schuh Pianist, Lisst. The third number will he the Mae- | Dowell sonata, Op. 5, and the last num- | MME TERESA bers will be by Lisat: Sonctto del Pe . The program for piano resital at the s Hor eason) artis be a als trarea, Irrichter and E major polonalse (Note to managers and program makers The Bee will print progra sent in, In the above style, be printed if sent in program fc Bee extends the courtesy of § program free of charge, it ® simple matter to a this. will be strictly only when and none will If The Inting uld be The ¥ Monday, Nov. 8.—8:15 P. M, Tickets, $1.00 and $1.50—Now selling at | The Owl Drug Store. DR. EUGENE MAY Wuhmgion, D.C., Noted L ange a.) ule enfore i o Mr. Max Landow ! many and has begun work agaln & brilliant su in Berlin brought the papers to prove it. It Is very gratifying that he dld not stey over ther (Now, if only some had bro the papers been spared much poor, inx poie.) And that musicians are not practical these tributes which Mr. Landow recelv were from real critics on real newspape: THOMAS J. KELLY % returned from Ger He had and has other back controversy people we would have arer, cent yet they s o Deliver an Address contains SUNDAY, 8:80 P, M. ot to Comcert by Patten's Orchestra— | 2:45 P. M. in Lobby. Chamberiain's Cough Remedy no injurioys substance and is ple take nis- | |8 stage | | that | the | Juite | | The World’s Greatest Woman" Y, W, G, A, Auditorium |71 & Howard, | | Author, Traveler Will | AMUSEMENTS. AMUSEMENTS. THE BUCKLE OF OMAHA'S AMUSEMENT BELT 4 NIGHTS b TONIGHT Weoesoay g WEDNESDAY Trne sensationor| ELINOR GLYN'S DRAMATIEATION OF HER OWN REMARKABLE BOOK, THE FAMOUS LOVE TRAGEDY Should See This Beautiful Stage Pic-| Bvuy JIama) TIovid, Mg eat tures of Old Europe| Moral Lesson It Teaches. EVES. 25¢ to $1.50 -- WED, MAT. 3%t 75¢ to $1.00 | 3 NIGHTS i THURS,, SATURDAY ing. LIEBLER & CO’S. Production of THE MA FROM HOME By BOOTH TARKINGTON sad RARRY LEON WILSON The Success of the Century EVES, 25¢ to $1.50 —- SAT. MAT, 2, 75¢ to $1.00 = THE LTILE HOMESTEAD" fif.?'fldfl-gfl! M g :‘;J“‘.'T-.r:zfih-w,m'.-.- i 8o WM. MACAULEY 57 MISS EMILIE LESSING, S 5nrvood svock Company the Burwood Ntook Company. November 15, 16 and 17, Lisbler & Co. will FARNUM in “C. Now In It's Second Year at the Astor Theater, N. Y. e No Other Play Ever Did 382 Perform- ances In Chicago resent the eminent actor, nm 10 KIRBY. THEATER BOYD’S gesmvins TONIGIHT MANNES, HENRY B. HARRIS Presenis fhe Author of “The Lion and the Mouse'’ DEGREE 7 Months Eud Th ', M I’ k. & Mt it Thosser, Onicege, Romarkable Triumph SAME CAST OF GREAT unnmv’ Curtain 8:15-SEATS $ rILL SELLING-Carriages 10:45 Direct From TUESDAY and WEDNESDAY, NOV. 16 and 17—Matinee Wednesday. COMMENCEMENT DAYS A PLAY OF COLLEGE GIRL LIF: COMVING NOVEMBER 1 19, COHAN AND HARRIS MleTRELs Erssenting 00, EVANS 4ad 100 othere K = U G THEATER PRICES: 15c¢--25¢--50¢c--75¢ FOUR DAYS Starting MATINEE TODAY PORTER J. WHITE'S COMPLETE PRODUCTION OF GOETHEE'S IMMORTAL FAUS'T THE MOST BEAUTIFUL LOVE STORY EVER PRODUOCED. WONDERFUL ELECTRICAL EFFECTS. SUPERB SOENIC DISPLAY. THREE DAYS STARTING THURSDAY KILROY BRITTON'’3 Big Musical Drama COWBOY ALL N W THI1S 'ul:.f\fiON BEITER THAN EVER £—BIG BONG HITS—8 DIFFERENT FROM ALL THE OTHERS. UGN SRR LITILE JOHNNY JONES | WARD % VOKES TUESDAY, RD me CECIL W. BERRYMAN : ‘ | OMAHA BEE PIANO RECITAL YOUR MONEY'S WORTH Assisted by Miss Hazel Smith, Contralto. Thursday Evening, Nov. 11 Schmoller & Mueller Auditorium Admission by Invitation