Omaha Daily Bee Newspaper, January 27, 1901, Page 23

THE OMATIA DAILY BEE: SUNDAY GRVGRHDAVERVAGHODEORDS Q‘Q: AMUSEMENTS. | While the last week has not been fraught with an abundance of theatrical am ment has been by no means the least interesting one of the There were but two new play for th n sidoration of iocal patrons of the drama “Madame Butterfly’ and “Naughty An thon These brought us a welcome return of Evans, who has made his name a house hold word in connection withdoey, and M le 15 as refreshing 1 halt of L Keenan ho Is making earnest e deavor 1o Al € th Russell's place the stage, during w [ cerel to be but the latter's temporary retirement, 3jcededed in creditably portraying one of Mr. Russell haracters. Mr. Keenan has a volce that could be easily taken for Mr. Russell's and he has studied the lat ter's make-up and mannerisms until he is | able to copy them with a high degree of accuracy, but people have seen Russell him self in his original creation of the character of “Noah Vale" and do not care to accept & substitute At the vaudeville theaters the entertain ment offgred was of a high quality for this class of amusement and the patronags duriog the week was exceptionally liberal Speaking of Sol Smith Russell's retire ment, T. N. O'Nell, who is managing Mr. Keenan's tour, which is being made under the direction of Mr. Fred Berger, Mr. Russell’s brother-in-law, said: ‘‘Just now and, not withst all the stories of | his weak ud, will be on the road agaln next season. Fred Ber his man ager, 18 looking after the interests of his | own stock company in Washington and Mr Russell is with him. As is the case with | all stock companies, rehearsals are held directed by Mr. Russell. His break down | two years ago was caused by overwork simply a collapse of tha nervous system. | 1t will, of course, take time for him to fully | recover, but there is not the slightest | truth n the rumor that his mind is per- manently affected. Mr. Berger is having a new play written for him and he will start | on a tour next fall. The new piece Is to have twenty-six speaking par and a| sumptuous production. Anyone acquainted | with Mr. Russell and his plays knows that | fn nome of them aro there more than | cleht or ten speaking parts and the magni- | tude of the proposed production can be | concelved somewhat by this statement Valeria Bergere, the charming Iittle woman who appeared in the title role of “Madame Butterfly” here last week, | t8 an actress in whom David Belasco thinks he has another Mrs Leslle Carter and it is said that he s writing & play in which she is to star| next season. In spoaking of how she camo to join Mr. Belasco's forces Miss Bergere sald: “Shortly after I commenced to act 1 made a personal plication to Mr. Helasco for an engagement and, while he exhibited a little b little standing was very nice to me, he surprise at an actress of in the theatr to him for a position and told me to make application another time, after 1 had had more experience. Not discouraged, 1 a copted an engagement with a stock com- pany in Philadelphia 1 remained there for some time, playing a number of varied roles, which, prn\-ll to be an excollent school for me. Last season T accepted a position as leading lady with the Dear- born Stock company of Chicago and atter its close 1 concluded to try Mr, Belasco agaln. This time 1 was successtul. 1 told him I should like to try the part of | Mme. Butterfly, knowing that he was golng to put it on the road this year. He declined to promise that 1 should have this part and seemed to doubt my ability to it, but said he would let me re- hearso ft. I will hardly forget the first rohearsal, at which Mr. Belasco was pres- ent. He sat alone: In the parquet and watched every move made upon the stage. Of course T had no way of knowing whether my work was impressing him or not until Just before the death scene, which, as you know, is the diMcult to handle of any in the At juncture 1 am compelled to turn my back to the the stage for an instant agine my feelings when upon turnin 1 saw Mr. rately get up and plec ound Belasco dell leave the theater. That instant I lost all tnterest in my work, for I felt that it was all over; that Mr. Belasco had stood it as long as possible and left the theater rather than see me butcher the last and most important scene of his pretty play. 1 felt that my summer's study and hard work had been for naught, and I was upon the point of collapse when the stage man- ager saw that something was wrong and announced that the rehearsal of ‘Butterfly’ would terminate, for the time at least, and that we should return in the afternoon for & rehearsal of ‘Naughty Anthony.' I went home heart sick; I could eat noth- GERMS INYOUR THROAT are the direct cause of all 4 _ LUNG ({7 TROUBLES. The first eymp- toms may be e ™ Mickling sensation, Ab then A cotigh and asthegermsmul- tiply they eveu- tually find thelr " way into " the lungs and Con- sumption results. DR. GEO. LEININGER'S FOR-MAL-DE-HYDE COUSH CURE 1s the only Cough reme- dy that coutains Solidi- fled Formaldehyde, which will avnibilate every disease-brooding germ o tho throat and thoreby stop a cough al- most 1o stantly, & If used \n connec- tion with FOR: MALDE- H s\ KILLSTHE GERM © DR. OEO, LEININCER'S FOR-MAL-DE.HYDE INHALER will sure Weak Luogs, Bronehitls, Asthma, Coughs, Catarrh, Consumption, fnd every other aflment of the pulmonary region. ‘This troatmeng will destroy every germ that ca aflcot the tory system, and even in advanced stages of Consumption will arrost nml,nmmn the fubercular germ, and put the ths i ssuo 1ining of the lungs in such a condl: health and activity that new gorms of ulosls entering the body cannot live and breod 1n it polden ap Ahsel Eqm,h Gure sells ut argo bize on # guarantoe. Dr. Geo. Leininge Formaldehyde Inhaler solls ai 0cts. on & RUAruLioe, usoj§T AL 8 fiee contatuing the 835000 ldchyde Kiddie: or direct from The Dr. nleal Co., Chicago. Hooklet Cash Prize For Bold and recommended by Sherman & McConnell Drug Co., Beaton-McGinn Drug S Nnnll( <Graham Drug Co, H. B. Gr Yam, Chas. H. Schaefer, Max ilecht, Ha com Park Pharmacy, Gl sh Pharma Jing Pharmacy, Peyton harmacy, G. 8 Davis, Councli Bluffs, Tn., M. A. Dilion's Drug Store, South Omaha, ' 1 world as myself applylng | myen 1 front of | nd you can im- | | her at the head ot Am | written | T entered stunned me for an instant | of which h but ead and 1 immed e r 1 Mr moment suddenly and sald be great Butterfly ther surprise. I could on the spot, but, in explanation of his informed that him his secretary that he was wanted of the theater little br tely for the thea- my fate. On my Jelasco there upon toy ped in th ‘Say, 1 lun, art ting ing for milk to my and st arrival chatted day, when he lle of a you are g well, h ot th mid- | think sentence embraced him tead, 1 asked Bt n witlle back inform him in the box offic that this was the cause of his sudden patture, After that he personally ducted many of the rehearsals and, as you gee 1 am playing Butterfly. 1 consider Mr. Belasco one of the greatest dramatists nd stage managers in the world today and to rehearse and appear under his direc- tions is the best schoollng any actress | can get." was nge a my to and at onee The theatrical event of the year in Omaha will be the engagement of Sarah Bernhardt and Constant Coquelin, supported by their Parisian company of players. Both Bern hardt and Coquelin have delighted Amer- |fcan theater-goers in past vears and a | ways under auspices that were artistic to a superlative degree, but the peculiar interest | of the present tour lies in their association a union in which there is indeed strength of historic importance in theatrical annals. Mr. Maurice Grau, under whose manage- ment they are now touring America, feels | quite justly that in this engagement lies one of the most notable achievements of his long and successful managerial career. Cor talnly expense has not been considered and from every point of view the plays of th wtriking repertoire are presented on a most lavish scale. In this city, where the en- | gagement s for Tuesday evening, February they will present “La Tosca which was by Bernhardt serving of the warme public for having se perior an attraction effort to for opportunity gether. ardou especially for Mme The local management is de t appreciation of the | ired 80 notable and su for this city and its Omaha people this provide of n a wonderful change in all the western cities since I last hem some twelve fourteen y and especially noticeable 1s the c Omaha,” said Charles E. Evans, the atfon with “There has or pars nge In ome ago dian, in the course of a conv the writer during his engagement here last week. “You know I have not been on the road for so long that the west and jts cities have grown almost heyond my comprehe sion. On my first visit to Omaha back in the there were but few housges here and the city was merely a vil- lage. 1 always make it a point to look up old landmarks when I visit cities where I played when Billy Hoey and I were out to- gether. Monday afternoon [ started out to hunt up Boyd's first opera house, which used to be located about a block from the Paxton hotel. I found the hotel, but e d not find the opera house, and on inquiry I learned that it had long since burned down thought I would look up the old Academy of Music, where in ‘78 Bill Hoey and 1 appeared in “The Book Agent,' which was afterwards rewritten by the late Charles Hoyt and christened ‘A Parlor Mateh.' T knew that it was near the Mil- lard hotel and as I sauntered down the north side of Douglas street 1 saw a build- Ing upon the opposite sido of the street that looked familiar, but it did not bear the name of the one I was looking for. I was sure, however, that it was the place and knew that the name must have been changed. I went across the street and seeing a man in the box office bought a ticket and went up to have a look at the place which twenty-two years ago was the pride of Omaha, being at that time your best theater. The scene that met my gaze when , but it did not take me much longer to make my escape.” a Frances Keppler, the little Council Dluffs girl who made her debut upon the { nts have been largely drawn upon to furnish features for the cntertainme 11 the f part a spectacular st ing represents the Parls exposition min strels arrive and there s a | gives every member of the company an yportunity to take part in the fun-making The olio Includes Pascatel, the rial con fonist, In performan 1 the trapeze hur Rigby, in a motologue and the “Fet Me . or the gymnastic exercises the Orient in which he Mamelukes, t to this cou b Mr. F 4, will make their appearance for the first time, and Walker and their own com pany, which will furnish the week's amuse- ment at the Orpheum, as usual, this season bave new original musical farce comedy in which, it is sald, many new and features are introduced. The name company Sons of Ham peculiar style W the nd was written to f these colored artists. These two come- dians stand alone in their style of work and it {8 unneces y to go into details about them, as their reputation fs world-wide. Many new and novel specialties are promised. Among the roll of names a few might be mentioned, as fol- lows: Reese Brothers and Fred Douglass, in a new act; Freeman Sisters, singers and acrobatic dancers orge Catlin, the col- ored Chinese impersonator; the Golden Gate quartet; Sutton, Coates, Winfred & Coates omedians, dancers and singers; Lottie | Thompson, character artist, Jesse Shipp, the creative comedian; Ada Overton, lyric artist, and Willlams and Walker, ‘'The Two Real Coons,” in an entirely new specialty. A spectacular cakewalk tallet with electrl- cal effects will be introduced as well as a chorus of thirty beautitul colored girls with trained volces. Fifty people, all told, are carried by this company and all spectal scenery. The production fs under the diree- tion of Hurtig & Seamon, which Is a sure guaranty of Its being up-to-date In every particular The “Miss New York which will be the ruling Trocadero this with the matinee today, is considered one of the strongest and best of the light ex travaganza organizations before the public Jr.'* company, attraction at Mi commencing aco’s week It is one of those shows that pleases and is sure to catch on with theater goers | everywhere. 1t has been a hit in all east ceing these two stars to- | visited | | songs local stage two years ago and who has | since risen to a place of prominence upon | the vaudeville stage, is now touring the | Kieth circuit In the east. She Is winning | pralse from public and press alike, some | of the latter even going so far as to place | rica’s child artists. After finishing her eastern tour she will rest for a time before going on the road with a sumptuous production of “A Mid summer Night's Dream,” which is to be | put on the road next season by a promi- nent eastern manager and in which she | has been engaged to play the part of Puck. «John Scott, the genlal and good-natured | young man who has had charge of the box office at Boyd's theater for the last two seasous, has been elevated to the position of assistant manager, a well-deserved pro- motion. While Mr. Scott will continue to pass out the little admission pasteboards at the window he will in the absence of Mr. Burgess have full charge of the theater, which at such times before has been theoretically without a manager. Mr. Scott has been assoclated with Mr. Burgess ever since the latter came to Omaha some nine years ago. His first po- sitlon was that of a balcony usher In the old Farnam street theater. He has a host of friends among the theatergoing public all of whom will doubtless be glad to learn of his promotion. Coming Evonts, “The Girl from Maxim's,” a French farca comedy, will be at Boyd's theater tonight. There s but one company playing it, and that is the one which produced It in Gotham. 1t will bring to Omaha all the original ac- cessories and the same elaborate production glven the play in New York. The cast headed by Miss Hattie Willlams, who has, in the role of the frisky girl from Maxim's, met with considerable s Miss Wil- llams' creation of the wicked and frollcsome but fascinating music hall favorite s said to be a delightful and artistic characteriza- tion. With her in the are Thomas Burns, remembered for his clever comedy creation in “Wilkinson's Widows;" Joseph Allen and Kate Ten Eyck, the latter original Nannie in “The Little The piece will Tuesday nights. cast Sousa, with his concert band, to Boyd's theater is coming agaln next Wednesday for two concerts, matinee and night, a feature will be the introduction into his program of his new march, “Hall to the Spirit of Liberty,” composed especlally for the dedication of the Lafayette monument last Fourth of July in Parls, cert tour of Furope last year was a succe ern cities and could not be otherwise, as the program is different from the usual run of this class of attractions, and thoroughly up to the minute from beginning to final The opening burlesque is in one act d picting the experience of two country merchants in a New York City departme store. Amusing scenes and incidents follow each other in rapid succession, while the introduced are amongst the latest The olio inclu arnum and Nelson, com acrobats; Hilton Bros,, East Side jug Clifford_and Burke, the Twentieth pair; Hill and Mills, singing and comedienn the Irish glers century dancing s; Seyons, comedy duo, and Emma Kraus, the Ameri- an nightirgale. The closing burlesque leopatra's Visit to Coney Island,” is sup- posed to represent ridiculous scenes in this world-famous seaside resort. Plays nnd Players. Joseph Jefferaon writes to deny a rumor that he is to retire from the stage Olga Nethersole is sald to be devoting her lefsure moments to writing a nove That Willlam Gil'ette will act Han in London i ¢ of the day Tt s declared that Julla Arthur will make her retirement permanent and never again act fn publi Julia Marlowe has secured stage rights e of the idlotic stage rumors in another novel, “The Redemption of David Carson Francis Wilson, it 1s rumored, is the financial source of Lulu Glaser's rise to stellar distinction Blanche Bates will be starred by David Belasco in Paul M. Potter's dramatization of “Under Two Flags arah Hearthburn and Al 18 the newest burles o introduced in the east. will of the late Sir Arthur Sulllvan, probated In London on January 17, shows 8 engaged for his estate to orth $2 Isabel Irving s the actre 3 gh in the play » Have and To Hold.” the role of Lady Joselyn made fr Rudyard Kipling 1s writing his first play, It (s a stage version of his “Jungle Book' and will be produced in London early in the spring Adu Rehan's week In “Sweet Knickerbocker exceeded $11,000, Joseph Jefferson paid $ residence property ays he will occupy 1 his future en- gagements in the Windy City Mme. Emma Nevada, the famous Ameri- can sopranv, has been’ engaged to sing in the Royal Dutch opera at the time of the young queen of Monsteur Cook- que which has receipts during her first 1 of Old Drury” at the theater are sald to have 000 recent!y for iicago, which he the marriage land overs' La is the title of a new dy by Clyde Fitch that is to be act in New York in the near future. N Comstock, seen here last season to ch ng advantage with Otis Skinner in Liars,” is to have the leading rol Notwithstanding the depression of _the theatrical business in New York City Mary Mannering has played to remarkable at tendance at Wallack's theater during the | last six weeks and she will begin the seventh week of her run in “Janice Mere- dith”” at this playhouse tomorrow night Clyde Fitch continues to be well to the fore in theatricals. In addition to placing three new plays in “Captain Jinks of the Ho Marincs,” “The Climbers” and ‘Lovers” Lane,” he has dold to Sadie | fartinot a’ comedy called “The riage Game. d o “he an adaptation Augler's “The Marriage of Olympe. Willlam H. Crane will tomorrow night enter upon the last week of his successtul of engagement in_ “David _Harum’ at the Garrick theater, New York.. When N Crane closes his engagement at the Gar- rick he will begin a tour with . “David Harum* which he thinks will last for two years. During the engagement of Maude Adams in “L'Alglon’ at the Knickerbocker theater, New York, the author of the play, Edmond Rostand, received, it i sald, the largest | check ever pald to an author in_this coun- try. It was his royalty on $47,000, the receipts of the two largest weeks of the gagement R R R R e LS o 1 MUSIC. P N P TR T R The musiclans of Omaha are surely a sin- gular combination of cross-purposes and plans gangin' agley. Three concerts last Thursday night at three different churches! What a task for a critic. When such a thing occurs again it is to be hoped that the concert-givers will arrange to have long distance telephonic connection placed is |in the critic’s studio with three distinct ear tubes, so that each concert may be heard alternately. It was impossible for the | Minister.” | be repeated Monday and | Sousa's con- | sion of financial and artistic triumphs, The | band was entertained in ev ry city and official honors. Critical comments on the work of Sousa's band were equally as cordial and the press of the continent teemed with praise of it, written by the finest musical eritics In the world, The soloists who will appear with the band Omaha are Blauche Duffield, soprano; tha Bucklin, violiniste; Arthur P bone; Herbert L. Clarke and Wal ers, cornet; Frank Helle, Simone Martia, euphone, Al G. Field's minstrels will appear in two performances next Saturday at Boyd's theater, afternoon and evening. Recent r B. Rog- fluegelhorn, and | visited and Sousa was the recipient of many social [at Hanscom Park Methodist church? | | in | Ber- | learned from or, trom- | friends what a me to attend all three concerts, of course, and inasmuch as Rev. Newton Mann's con- cert at Unity church was announced first and I had promised to attend that one I was obliged to omit Mr. Shaw's concert at the St. Mary's Avenue Congregational church, and was also obllged to miss the opportu- nity of hearing a free organ recital at Kountze Memorial church. I hate to miss such an opportunity because most musical | people in Omaha know how eagerly I pur- sue such a form of entertainment, and then 1 did dislike to miss the concert given at St Mary's Avenue Congregational church by Mr. Clement B. Shaw What was the mat- ter? Why did n Mr. Keck give a concert 1 was nonplussed at receiving tickets to this con- cert and hastened to ask Mr. Keck if he had “yumped his yob" at St. Mary's, Mr. Keck merely sald “'No, they are going to have some good musie there tonight.” (With an accent on the good) However, I have my enterprising newspaper “story’" is, and how to get it, and so I proceeded on the Wickizer sys- tem, 8o well known to most news hunters and used exclusively by Mr. Sherlock | Holmes, From a member of the cholr I-learned that Mr, Shaw aod bis Hanscom Park com- of | Hol- | a| [would change his languag 3 Bowel Troubles: act, worn out Candy Cathartic. directly upon the dise 3@@%@%@@@@@@@@@ JANUARY 27, Caused by over-work! more ill treatment than the bo Then you must ass 1001, N e e Y Best for the Bowels els st nature Not a mass of mercurial and mine Over-eating! Over-drinking! eral poison, but a pure o to have and me son as o 4 me 1 U Vin- | condion, 141 -m( T neard of but o chap Tod | found any ro | hothns 08l 1y CASCATURT e llln‘u:‘h.l’v‘u;n‘\n mv’l’w ]lh 12 o8 lflhly. and | car eh ' would gy *each mave | o #OD- | et 18 1a sach & reliet G RisHown. | The y 160 Russetl Bu., Dotrof, Mich.' | {pp= Mor~ Information. fou | Tommy—P Aat do thew put =ate= u | e you ouradvice ne woand you wil free by ma) mmmmmmmmmmmmmmmmmmm pany of singers and players had been ine vited to give the concert by the church, and that Mr. Shaw accepted and did the deed without saying one word to Mr. Keck, who furnishes the church with a very good article of music, and who should have been seen s a matter of pro- fessional courtes: Just as the organists of this city mever fail to apprise each other of an invitation to play & wedding march in the other's church. Professional ethics in Omaha are not at a very high point of development. There is no harm in one's giving a concert wherever he wishes, without the ald or con t of any nation on earth, or any person, who is “only a musician.” But there {s a little rule which for alteuistic excellence has never been equalled, and that is the mottn which attracts the attention of all those who congregate at Unity church, for it is blazoned forth in letters of gold on the chancel arch and reads: “Do unto others as you would that others should do unto you." This rule works well. It works both ways. It blesses him who acts upon it. It Is worth considering. We all need sym- pathy—we beings called musiclans. We may as well begin at home and become sym- pathetic ore to the other. It will do us all good. The new century Is beginning and it is yet time to think! Now these three concerts last Thursday night interfered with each other there can be no doubt. And the musiclans were not I feel sure, plotting against each other. But “‘evil {s wrought from want of thought, says the poet, and he ought to know, and 80 the conditions—which made laymen feel inclined to say, “I told you s0,” when they saw announcements of three musiclans of repute holding forth at three different places—were merely the result of a litile thoughtlessness, which might have been avolded had each of the concert promoters looked out for the other and avolded simu}- taneous dates. This thoughtlessness, however, fs what makes the world consider musicians a war- ring tribe, and interests genealogists in proving that musicians are descendants of Ishmael, concerning whom it was predicted “And he will be a wild man be against every man, hand against him." his band will and every man's Perhaps {t might not be a bad idea for us to adopt rather the sentiment expressed by an anclent writer as follows: *They helped every one his neighbor; and ev one sald to his brother, Be of good courag: So the carpenter encouraged the goldsmith, and he that smootheth with the hammer, him that smote the anvil, saying, It Is ready for the soldering, and he fastened it with nalls, that it should not be moved.” This use of the “hammer,” smoothing | down with it, would be very much better | than the present use of the instrument, as described by the vulgar element in the terse phrase, “He has his hammer out Let us all “smooth down" with the hammer- The most distressing condltion with which the teacher of music, instrumental or vocal, s confronted, is probably that which we describe as lack of spontaneity. How often have we seen what might have proved a most enjoyable exbosition of a song, or instrumental solo, marred by that fearful word self-consclousness. Truly the words of an anclent writer might be echoed by those who sing and play in public. wretched man that I am, who shall deliver me from this body of death.' When we see a man with eyes bursting from thefr sockets, cheeks puffed out, hody n a tense ccndition, struggling to attaln | a tone which he thinks is difficult to reach, we feel a sympathy for him even though realizing that the effort Is unnecessary. The same fee!lng on our part 18 induced by the unfortunate state of the prima donna who, with upraised shoulders, econtracted chest and squeezed walst, attempts to give forth to a walting world that wonderful and all-pervading source of power which we call Volce Immagine the Saint Chrysostom modern concert feellng of the dear as he looked upon the performance! Surely he which he once 50 beautifully uttered, when he sald, “The true Shekinah {8 Man.” How true are the words of Carlyle when we compare what man might be, with what he *Alas, poor devil! spectres are appolnted to haunt him one age he is hag-ridden, bewltched; the noxt priest-ridden, befooled; In our age bedeviled, and now the genius of mechan- fes smothers him worse than any nightmare old would, 'till the soul is nigh choked out of him, and only a kind of digestive mechanic life remains.’ As a matter of fact, and as I have often ated before in this column clined very strongly to be solves. 1t we could idea music would lo culties of execution we are all in anything but our once get out of this its apparent difi nd the study thereof would hecome a joyous pastime instead of a bore, while our powers of expression would fit and fashion us for further conquests in stead of making us miserable with fear and dread lest perchance we may “break down.' But we are not ourselves. When chil dren we want to strut around in mother's gown, or father's coat, or grandpa's spec tacles; we make a kitchen chair fnto & a member of | y “'Oh! | | to |18 | MATINEES Sunday Wednesday Saturday One Week Commencing Sunday Matinee THE PIONEERS OF ALL WILLIAMS CLUCTE LT AMUSEME MATINEES Sunday Wednesday Saturday JANUARY 27 COLORED ORGANIZATIONS & WALKER “THE TWO REAL COONS” and their own big company ot 50— PEOPLE—50 Presenting their latest and newest success ‘Sons of Ham’ Produced with a carload of beautiful scenery and mechanical effects. The most costly and colossal pro- duction ever given by a colored organization. Direction of Hurtig & Seaman. PRICES—Evening, 10c, 25c, 59¢c. Matinees, Wed- nesday, 10c and 25c¢; Saturday and Sunday, l0c and 25c, few front rows reserved, 50c. Woodward & Burgoss, BOYD’S Munagers. Telephone 1919 URSDAY, JANUARY 3ist, ONE NIGHT 0) Mr. Edmond Palmer will gy under the auspices of the Te: cture Burcau, on LIQUID AIR. Will also wive experiments with | llquid air—several gallons are used. | Admission 50c for reserved t Seats now on sale at box office. NOW OPEN Robinson & Loch’s School of Physical Culture. 1310 HARNEY STREET. 0ld men made young again! —————————— gllded coach and a rocker into & Pullman sleeping car. When we grow older we march all the other fellows of the nelghborhood up and down the street to the tune of ‘Yankee Doodle,” furnished by a band whose instru- mentation consists of & plece of tissue paper, a comb, a rolled-up pleco of card- board, a drum and an empty dinner pail. Later on we grow into this style of ac- tion, until our nature is actually all affec- tation, pure and simple. We scarcely talk naturally to ourselves. We vie with our ghbors in seeing how very unlike our- selves we can be. We go to comic operas ind pay our good monmey to see how very un their real selves other people can be we come home and are delighted with the successful attempts of the stage people at becoming “somebody else. S0 nothing will do but that we must try that. 4t we and our ‘friends have dramatic talent, we “get up" privat theatricals. It we have musical talent, we “get up” a comic opera, and it we have neither we “get up” a fanc s ball The only time we are really natural is at the seaside, in bathing suit attired, and even then our very paturalness ls un- uatural, ike and therefore the re thing and somebody else that ger has to struggle when he steps out in front of an audicnce and at tempts to sing. But, did he have the real secret of how do it, could he but eend the . stralght from the soul, he would overcome the strain, and the stress, and the strenu- ousness. The telegraph pole and bend strain and hile the is going the country other agent, It place What after all telegraph pole? likens him “forked radish. ults of a " ite of some against not and pull way and twist w end of passive man, Carlyle esEage Keeps but is a it a to a (Continued on Twenty-third Page.) from one | Woodward & Burgess, BOYD’ Mgrs. Tel, 1919, One Night On.y, Tuesday Eve, Feb. 5th. rewoll and only apperrance of Mme.&ara Bemhar —and-- M. Coguelin under the direction of MR. MAURICE GRAU Presenting Sardou's Masterpiece, LA TOSCA La Tosca— M'me Sarah Bernhardt Scarpia--M. Coquelin, Sale of seats will begin on Thursday, | Jan. 31st, at 9 a. m., at box office. Prices—$1.60 to $4.00. General admission 82.00; gallery, $1.00, Box $16.00 and $30,00, Positively no free list | Mail orders must be mccompanied by check or cash. A warm baby of Greater New York 225 . Miaco’s Trocadero Matinee Today—I0c and 20c. | SMISS NEW YORK, JF t laugl hit , presenting IE SUICIDE CLUn” a “CLEOPA HA'S VISIT TO CONEY ISLAND. @ 20 With pretty girls that will | MATINEE ".| ie that will t»n: || prices frar T aaATIas B0l Noenery 10 AND SUPERIOR VAUDEVILLE |§20cCTS | Hilten Brothers | The Eastslde Jugglers, | 1 oo and s G Hiil and Mills PRICES nglng, and Dancing w:l. 20C | OIMainnoes, AND 30C [ ,.Ths Seyons SMOKE | ish Comedy Duo IF YOU e, Emma Kraus . RIPAN'S TABULF for the tlls which ori b, 10 for bc. At al 1s an effectual cure te In a bad rtome- drugglats, No part of the human body receives Load after load is imposed until the intestines become clogged, refuse to Do it, and see how easily you will be cured by CASCARETS vegetable compound that acts ased and worn out intestinal canal, making it strong, and gently stimulating the liver and kidneys; a candy tablet, pleasant to take, easy and delightful in action. Don’t accept a substitute for CASCARETS. e the two | 10c. 25c. 50c. NEVER SOLD IN BULK. DRUGGISTS nge the first box of CA n year, greater AL OT ol o0~ D> 2P SO RO LU DU DU7 Ll Ll LU purchased v what ails v ‘al L Forker Chloago: Y & Burgess, Tel, 1919, S Woodward “(ln.!l;' Ty, BOYD’ | oM *TONIGHT MUCH HAS ¥ ROARS—*:" A Whirlwind of Fun The Roaring Farce Success THE G FROM MAXIW’ The Girl From Maxim's" {s the wild provoker of hilarity EN HEA oF ar. A _SPRGHTLY AFFAIR - New York Herald. b B ool t that has startled thea- ter-goers here this many a day. Don't say | a word, don't read a word about her, but just go and laugh your head off at her mad pranks.—So says the Boston Herald, Presented with the big oast and the complete riterfon Theater, New York, production. Woodward & Burges BOYD’S o s Wednesday Matinee and Night, JANUARY 30TH Direct from European Triumphs. SOUSA AND HIS BAND. “The March Kiug” John Phillip Sousa CONDUCTOR. BLANCHE DUFFIELD, Soprana BERTHA BUCKLIN, Violinist The New Sousa March \““Hail to the Spirit of Liberty” Evening Prices —25¢, 75¢, $1.00. Matinee Price—25¢, 50c, 75¢, $1.00 Speci‘al SUNDAY MATINE AND MONDAY EVE., I AND EVE, EB. 3 AND 4, ARIZONA {:0000000000000000000‘ | * ¢ The Correct Use s * sof the Voice ¢ ® i tmportant to all speakers and : : singers. A tone whowe produc- ¢ ¢ ''on v an efiort 1s wrong., 1t @ @ can be casily avolded. : :M“ KELLY makes & wpecialty o & ermant ® of volce defecta snéat removal ¢ Btudio-Restdence—Davi pltudio o—Davidge block, 1803 * ° * "0".'000.0.000‘..0&“